His birth into the politically influential Beresford family affords him a degree of opportunity, and he is made a vice-regal chaplain in 1766. Brother of George de la Poer Beresford, 1st Marquess of Waterford, he marries Elizabeth Fitzgibbon, sister of John FitzGibbon, 1st Earl of Clare, on June 16, 1763. They had three sons and five daughters. These connections, however, do not automatically result in his being promoted to bishop, despite reaching episcopal age in 1773, and he spends several years as a well-beneficed rector of Urney in the Diocese of Derry. The Beresford family complains that he has been overlooked for several episcopal vacancies in the 1770s and it is not until 1780 that he is created Doctor of Divinity and consecrated Bishop of Dromore on April 8, 1780. At Dromore he erects a handsome new episcopal residence. On May 21, 1782, he is transferred to the diocese of Ossory and, as bishop there, takes his seat in the Irish parliament and exercises influence over the ecclesiastical borough of St. Canice.
The death of Primate Richard Robinson in 1794 is the stimulus for a reorganisation within the Church of Ireland hierarchy, and Beresford is one of the candidates rumoured to succeed him. However, his familial ties disadvantage him, because the government does not want to favour one Irish “party” over another. He is instead appointed to the vacant archbishopric of Tuam on October 10, 1794. An influential and senior position within the church, it is worth £5,000 per annum, which is more than Archbishop Charles Agar receives for the archbishopric of Cashel and provides him with extensive patronage.
In the late 1790s Beresford regularly attends parliament, particularly in the crucial session of 1799 as the Acts of Union is debated and shares his brother John’s view that a union is the best means of securing the Protestant interest in Ireland.
In the years following the union Beresford gains a temporal peerage, becoming 1st Baron Decies on December 22, 1812. He is an amiable, kind and loquacious individual, and is patron to artists, including Gilbert Stuart, who produces a portrait of him as Bishop of Ossory. His long years of service within the established church also makes him very wealthy, worth £250,000 at the time of his death.
Beresford dies on September 6, 1819, at Tuam, County Galway, and is succeeded in the barony by his eldest surviving son John on September 8, 1819. His eldest son Marcus had died in 1803. His youngest daughter Louisa, widow of Thomas Hope, marries, by special license, her cousin William Carr Beresford on November 29, 1832. Through Louisa he is a grandfather of British MP and patron of the arts, Henry Thomas Hope.
(From: “Beresford, William” by Martin McElroy, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised June 2024)
Brewster is the son of William Bagenal Brewster, of Ballinulta, County Wicklow, by his wife Mary, daughter of Thomas Bates. He receives his earlier education at Kilkenny College, then proceeds to Trinity College Dublin (TCD) in 1812, taking his B.A. degree in 1817, and long after, in 1847, his M.A. degree.
Brewster is very active in almost all branches of his profession after his resignation, and his reputation as an advocate may be gathered from the pages of the Irish Law and Equity Reports, and in the later series of the Irish Common Law Reports, the Irish Chancery Reports, and the Irish Jurist, in all of which his name very frequently appears. Among the most important cases in which he takes part are the Mountgarrett case in 1854, involving a peerage and an estate of £10,000 a year, the Carden abduction case in July of the same year, the Yelverton case in 1861, the Egmont will case in 1863, the Marquess of Donegall‘s ejectment action and lastly, the great will cause of Fitzgerald v. Fitzgerald, in which Brewster’s statement for the plaintiff is said to be one of his most successful efforts.
On Edward Smith-Stanley becoming prime minister, Brewster succeeds Francis Blackburne as Lord Justice of Appeal in Ireland in July 1866, and Lord Chancellor of Ireland the following March. As Lord Chancellor, he sits in his court for the last time on December 17, 1868, when Benjamin Disraeli‘s government resigns. He then retires from public life.
There are only three or four judgments delivered by him in print, either in the Court of Appeal or the Court of Chancery (Ireland). His judicial manner is quiet, but with what is called “a touch of serviceable fierceness” which keeps order in Court. He is highly regarded by his colleagues. Even the bitter-tongued Jonathan Christian, who despises most of his fellow judges, defers to Brewster.
Brewster dies at his residence, 26 Merrion Square South, Dublin, on July 26, 1874, and is buried in the family vault at Tullow, County Carlow, on July 30. By his marriage in 1819 with Mary Ann, daughter of Robert Gray of Upton House, County Carlow, who dies in Dublin on November 24, 1862, he has issue one son, Colonel William Bagenal Brewster, and one daughter, Elizabeth Mary, wife of Mr. Henry French, both of whom die in the lifetime of their father. His estates are inherited by Elizabeth’s son, Robert French-Brewster, who adopts his grandfather’s surname. A nephew, Edward Brewster, studies under Abraham Brewster and becomes a lawyer and politician in New South Wales. Edward’s brother, John Grey Brewster, also emigrates to Australia, where he becomes a prosperous grazier and company director, retiring to England in later years where he dies in 1897.
(Pictured: Right Honourable Abraham Brewster photographed by Thomas Cranfield, 1861)
Solomons is born to Maurice Solomons and poet Rosa Jane Jacobs. Her father is an optician whose practice in 19 Nassau Street, Dublin, is mentioned in Ulysses. Her father is also the Vice-Consul of Austria-Hungary. The Solomons family, who came to Dublin from England in 1824, are one of the oldest continuous lines of Jews in Ireland.
Solomons grandmother, Rosa Jacobs Solomons, who is born in Hull in England, is the author of a book called Facts and Fancies (Dublin 1883). Her brother, Bethel Solomons, a renowned physician, a master of the Rotunda Hospital and Irish international rugby player, is mentioned in Finnegans Wake. Her brother Edwin is a stockbroker and prominent member of the Dublin Jewish community. Her younger sister Sophie is a trained opera singer. A portrait of Sophie, by her cousin the printmaker Louise Jacobs, survives in the Estella Solomons archives in the Library of Trinity College Dublin (TCD).
In 1898, at the age of 16, Solomons enters the Dublin Metropolitan School of Art where she wins a significant prize. Her classmates include future Irish artists including Mary Swanzy, Eva Hamilton and William J. Leech. She also attends the Chelsea School of Art from 1903 to 1906. A visit to the tercentenary exhibition of the work of Rembrandt in Amsterdam in 1903 impacts her creative practice and possibly influences her adoption of printmaking as her principal vehicle of expression. She studies under two of Ireland’s leading artists, Walter Osborne, who is another major influence, and William Orpen. With her friends Cissie Beckett (aunt of Samuel Beckett) and Beatrice Elvery, she goes to study in Paris at Académie Colarossi. On her return she exhibits in Leinster Hall, Molesworth Street, with contemporaries such as Beatrice Elvery, Eva Hamilton and Grace Gifford. Her work is also included in joint exhibitions with other artists at Mills Hall and the Arlington Gallery, London. She also exhibits at her Great Brunswick Street studio in December 1926.
Solomons illustrates Padraic Colum‘s The Road Round Ireland (1926) and DL Kelleher’s The Glamour of Dublin in 1928. Originally published after the devastation of the 1916 Easter Rising, the later edition features eight views of familiar locations in the city centre including Merchant’s Arch and King’s Inns. Her etching “A Georgian Doorway” is included in Katherine MacCormack’s Leabhar Ultuin in 1920. This publication features illustrations by several prominent Irish artists and is sold in aid of the new Saint Ultan’s Children’s Hospital in Charlemont Street, Dublin, that had been founded by two prominent members of Cumann na mBan, Dr. Kathleen Lynn and Madeleine ffrench-Mullen.
Solomons is elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it is not until 1966 that she is elected an honorary member. Her work is included in the Academy’s annual members’ exhibition every year for sixty years.
Solomons is married to poet and publisher Seumas O’Sullivan, whose birth name is James Sullivan Starkey. Her parents oppose the relationship as O’Sullivan is not of the Jewish faith. They marry in 1925, when she is 43 and he 46, after her parents have died. She collaborates with her husband on The Dublin Magazine (1923–58), the renowned literary and art journal, of which O’Sullivan is editor for 35 years. She provides vital financial support to the magazine, particularly in sourcing advertising, which is difficult in the tough economic climate of the new Free State. She is helped in this endeavour by poet and writer, Kathleen Goodfellow, a lifelong friend. When Solomons and O’Sullivan are looking to move from their house in Rathfarnham because of a damp problem, Goodfellow offers them the house beside her own on Morehampton Road for a nominal rent. Two of Solomons’ portraits of Goodfellow are in the Model Arts and Niland Gallery in Sligo.
Solomons joins the Ranelagh branch of Cumann na mBan at the same time as Goodfellow. They are taught first aid, drilling and signaling by Phyllis Ryan. She is active before and during the Irish War of Independence. She conceals ammunition in the family vegetable garden before delivering it to a Sinn Féin agent. Her studio at Great Brunswick Street is used as a safe house by republicanvolunteers. During this time, she paints the portraits of a number of revolutionaries, some of which she has to later destroy to avoid incriminating them. Her work includes a portrait of Frank Aiken when we was chief of staff of the Irish Republican Army (IRA).
Solomons takes up a teaching position at Bolton Street College, Dublin. In 1939, she organises an exhibition in Dublin to help refugee artists from Europe.
Solomons dies on November 2, 1968, and is buried in Woodtown Cemetery, Rathfarnham. Her friend Kathleen Goodfellow gifts the Morehampton Road Wildlife Sanctuary, where Solomons liked to paint, to An Taisce. Two plaques have subsequently been erected there, one in memory of Solomons and one for Goodfellow.
Some of Solomons works are held in the Niland Collection, at The Model gallery in Sligo and in the National Gallery of Ireland. Her archives, which include artwork and photographs (and prints by Louise Jacobs), and the archives of The Dublin Magazine are in the Library of Trinity College Dublin.
As a teacher, Dignam has over twenty years of experience working with students and researchers at all levels. At IADT, he serves as the Head of the Department of Film & Media, Chair of Film & Television, and Irish Course Director on the Erasmus+ Joint Master of Art in Cinematography.
In 2021, Dignam becomes IADT’s Programme Director of FilmEU, the European University for Film and Media Arts. FilmEU represents a pioneering approach to arts and culture education, uniting eight higher education institutions from across Europe. FilmEU has grown into a transformative initiative that enhances the academic landscape for film and media while addressing critical societal issues such as sustainability, inclusion, and digital transformation.
Dignam and his partner, Hugh Walsh, are one of the first couples to enter into civil partnership in Ireland, and the first to do so after the mandatory three-month wait (six previous couples are granted exemptions on compassionate grounds).
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
O’Conor is the second of six sons of Denis O’Conor and Catharine O’Conor (neé Browne), who also have six daughters. The O’Conors are Catholic, descendants of a princely family in the west of Ireland. His grandfather is the historian Charles O’Conor, his brother the historian Matthew O’Conor.
O’Conor is educated at the Pontifical Irish College, Rome, from 1779 to 1791 and is appointed parish priest of Kilkeevan, County Roscommon, in 1789. In 1796 he prepares for publication a memoir of his grandfather, the historian Charles O’Connor, which highlights the efforts made by him and other Irish Catholics of substance to obtain the constitutional repeal of the penal laws. The first volume is suppressed as dangerous to the family and the manuscript of the second is burned by O’Conor before reaching the printer. He destroys what he believes to be the whole run of the first volume and ten folios of the second, by casting them into a sewer, which communicates with the River Poddle. However, copies of the first volume survive in Trinity College Dublin (TCD) and the Barrister at Law (BL).
In 1798 O’Conor is invited to become chaplain to Mary Nugent, the Marchioness of Buckingham, and to organize and translate a collection of Gaelic manuscripts at Stowe, Buckinghamshire, England. With him he brings papers of his grandfather to Stowe, including fifty-nine Gaelic manuscripts. There he writes Columbanus ad Hibernos (1810–13), a series of letters supporting the royal veto on Catholic episcopal appointments in Ireland. These are answered by Francis Plowden and see him suspended from duties of parish priest by John Troy, Archbishop of Dublin. In his duties as librarian, he edits the Annals of the Four Masters, and other chronicles from the Stowe Library as Rerum Hibernicarum Scriptores Veteres (1814–26), an edition regarded as unreliable.
O’Conor experiences mental illness and by 1827 is suffering from the delusion that he is deliberately being starved by order of the Marquess of Buckingham. He leaves Stowe on July 4, 1827. The Nation (March 26, 1853) claims that he is thereafter a patient at Dr. Harty’s asylum in Finglas, Dublin, apparently along with John Lanigan, whom he knew in the Irish College. His family twice unavailingly demands that the paper’s editor issue a correction.
O’Conor dies on July 29, 1828, in his family’s house at Bellanagare. He is buried in Ballintober Cemetery, Castlerea, County Roscommon.
Drew is born on September 18, 1838, in Victoria Place, Belfast, into the large family of Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton). He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent Londonjournalist and an early champion of women’s rights.
Drew is educated in Belfast and in 1854 articled to the Antrimcounty surveyor and architect Sir Charles Lanyon, before moving to work in Dublin in 1862, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore. From this point forward, church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.
Drew marries Adelaide Anne, sister of William George Murray, in 1871.
Among other projects, Drew is responsible for the design of the Ulster Bank on Dame Street, Rathmines Town Hall and the Graduates’ Building at Trinity College Dublin (TCD). He takes an interest in historic buildings and is the first to draw serious attention to the architectural and historic importance of the St. Audoen’s Church, Dublin’s oldest parish church, in 1866. He produces detailed plans of the church for which he wins the Fitzgerald medal from the Royal Institute of the Architects of Ireland (RIAI), carries out excavations and draws up a paper on the church and its history.
From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.
From 1879 onward Drew lives in Gortnadrew, one half of a pair of semi-detached houses of his own design, on Alma Road in Monkstown, County Dublin. For many years he serves as a commissioner of the local township of Blackrock, Dublin. He dies on March 13, 1910, a month after an unsuccessful operation for appendicitis. He is buried in Dean’s Grange Cemetery in the suburban area of Deansgrange in Dún Laoghaire–Rathdown, County Dublin.
Drew is commemorated in a memorial brass in Christ Church Cathedral, Dublin. His wife survives him by three years and in her will bequeaths back to the RIAI the loving cup presented to her husband in commemoration of his knighthood, and to the Belfast Municipal Museum and Art Gallery (Ulster Museum since 1962) an 1852 portrait of his father Thomas. A portrait of Drew by Walter Osborne is held in the National Gallery of Ireland (NGI) in Dublin.
As a member of the Irish Parliamentary Party (IPP), Harrington represents Westmeath from February 1883 to November 1885. In 1885 he is elected for the new constituency of Dublin Harbour, which he represents until his death. He serves as Lord Mayor of Dublin three times from 1901 to 1904.
Harrington owns two newspapers, United Ireland and the Kerry Sentinel, and is a member of the so-called Bantry band of prominent nationalist politicians from the Bantry vicinity. They are also more pejoratively known as the Pope’s brass band. Tim Healy is another prominent member of this unofficial group.
In 1884, Harrington publishes a pamphlet, “Maamtrasna Massacres – Impeachment of the Trials,” in which he dismantles the Crown Prosecution’s case against the eight men accused of the murders of the Joyce family on August 17, 1882. He provides evidence that Crown Prosecutor George Bolton had deliberately suppressed evidence that would have acquitted Maolra Seoighe (English: Myles Joyce), who was hanged, and four men who were sentenced to twenty years of penal servitude.
Thereafter Harrington becomes excluded from Redmond’s closed circle of confidants, retains sympathy with O’Brien, and represents the interests of the tenant farmers at the 1902 Land Conference negotiations which lead to the enactment of the unprecedented WyndhamLand Purchase (Ireland) Act 1903.
On September 7, 1901, as the Lord Mayor of Dublin, Harrington kicks off at the official ceremony to open Bohemian F.C.‘s new home, Dalymount Park.
Harrington retains the party nomination for the Dublin Harbour constituency in the January 1910 United Kingdom general election, largely because of local divisions about who should succeed him and because an O’Brienite offer to pay his election expenses deters rivals from going to the polls. He decides that the finely balanced result of the general election means that every nationalist vote would be required at Westminster. He therefore travels to London, but shortly after attending the parliamentary party meeting on February 23 he suffers a stroke. After some days’ recuperation he is brought home to Dublin, but his condition deteriorates and he dies on March 12, 1910, at his home, 70 Harcourt Street. He is buried near the Parnell circle at Glasnevin Cemetery.
Harrington is celebrated by a statue erected in 2001 at the east end of Castletownbere near the Millbrook bar.
A series of riots in Dublin on February 25, 2006, is precipitated by a proposed march down O’Connell Street of a unionist demonstration. The disturbances begin when members of the Garda Síochána attempt to disperse a group of counterdemonstrators blocking the route of the proposed march. The situation escalates as local youths join forces with the counterdemonstrators.
The march of this group in Dublin is viewed as provocative by some Irish nationalists and many Irish republicans, particularly in the context of an Orange Order march. The Orange Order is accused of being a sectarian organisation known for its anti-Catholicism. The right to march is supported by the main Irish political parties and the march is authorised by the Garda Síochána. Love Ulster had organised a similar rally in Belfast in October 2005.
At previous FAIR rallies, a picture of an Ulster Volunteer Force (UVF) member who was allegedly involved in the murder of 26 people in Dublin in the 1974 Dublin and Monaghan bombings, and who was himself killed by the Provisional Irish Republican Army in 1976, had been displayed. An organiser of the Love Ulster demonstration tells a republican newspaper that he cannot guarantee that images of the murder suspect will not be displayed during the demonstration.
Sinn Féin, an Irish republican political party, does not organise a protest and says that the march should be allowed to go ahead, calling for republicans to ignore the march. Republican Sinn Féin, a splinter political party no longer affiliated with Sinn Féin, has an organised presence.
Their protest blocks the northeastern junction of O’Connell Street and Parnell Street. The small Republican Sinn Féin group (and some activists from the Irish Republican Socialist Party) are joined by several hundred local youths. Before the violence breaks out, they chant republican chants. Several thousand bystanders are also on the scene but take no part in the subsequent rioting. When the marchers form up at the top of Parnell Square and their bands begin to play in anticipation of the start of the march, gardaí attempt to disperse the protest at around 12:45 p.m. At this point, scuffles break out between protesters and Gardaí.
After the failure of the initial garda effort to disperse the protesters, the violence escalates. The Garda Public Order Unit is deployed, and stones and metal railings are thrown at gardaí by protesters, as are fireworks, bricks, crude petrol bombs, and other missiles. As the rioting continues, the ranks of the rioters are swelled by many local teenagers who had not taken part in the initial protest. Several barricades are constructed from building materials on the street to impede the march and the Gardaí. The march is due to start at 12:30 p.m., but as the violence goes on the gardaí decide against trying to escort the marchers through O’Connell Street. At about 1:30 p.m. the assembled marchers return to the coaches that had brought them to Dublin from Northern Ireland. The three coaches are then driven to Leinster House, where a small parade is carried out, and a letter is handed to Irish Minister for Justice, Michael McDowell. They are then escorted out of the city. One of the coaches is attacked by stone throwers on the way home.
Violence continues sporadically on O’Connell Street for another hour or so. The Gardaí, advancing from the northern end of the street gradually push the rioters back southward. The most sustained violence takes place around the General Post Office building, where the rioters initially sit down in protest and then, after several of them have been batoned, regroup behind burning barricades and throw rocks, paving slabs and one or possibly two petrol bombs at Gardaí. Several Gardaí, protesters and a number of journalists from RTÉ and TV3 are injured.
While the standoff on O’Connell Street is still going on, several hundred rioters follow the Unionist coaches to the Nassau Street area where they set a number of cars on fire and damage several businesses. Further skirmishes break out around the River Liffey at O’Connell Bridge, Aston Quay, Fleet Street and Temple Bar, as the Gardaí retake O’Connell street, before the rioters disperse.
Having dispersed the rioters, the gardaí then closes O’Connell Street to facilitate a cleanup of the scene by building workers. Media reports estimate the cost of the cleanup job at €50,000, and Dublin Chamber of Commerce places loss of earnings for businesses in the city due to the riots at €10,000,000.
Estimates for the number of unionist marchers before the event are predicted to be over 1,000. However, only eight coach loads turn up in Dublin, indicating a far smaller number, possibly 300 to 400. Estimates for the number of counterdemonstrators vary between 300 and 7,000. The number is made much more difficult to determine by the presence of the several thousand bystanders at the scene who do not take part. Most of the rioters appear to be local youths, though some who brandished leaflets and other political literature are clearly political activists.
A total of 14 people, including six gardaí and a small number of journalists and photographers, are hospitalised as a result of the rioting. A further 41 people are arrested, according to RTÉ news. As of February 27, 2006, thirteen have been charged. Twenty-six people are convicted in January 2009 for their part in the disturbances and given sentences of up to five years. Two are described as “alcoholics.” One of them and a teenage boy are “homeless.” Three are not Irish – a Georgian, a Romanian and a Moldovan are convicted of looting shops on O’Connell Street. Two have travelled from County Offaly, one from County Galway and one from County Donegal for the riot. All the rest come from Dublin.
(Pictured: The Public Order Unit on O’Connell Street during the 2006 Dublin Riots)
Shatter is the son of Reuben and Elaine Shatter, an English couple who meet by chance when they are both on holiday in Ireland in 1947. He is educated at The High School, Dublin, Trinity College Dublin (TCD) and the Europa Institute of the University of Amsterdam. In his late teens, he works for two months in Israel on a kibbutz. He is a partner in the Dublin law firm Gallagher Shatter (1977-2011). As a solicitor he acts as advocate in many seminal and leading cases determined both by the Irish High and Supreme Courts. He is the author of one the major academic works on Irish family law which advocates substantial constitutional and family law reform.
Under Shatter’s steerage, a substantial reform agenda is implemented with nearly 30 separate pieces of legislation published, many of which are now enacted including the Personal Insolvency Act 2012, Criminal Justice Act 2011, DNA Database Act, and the Human Rights and Equality Commission Act.
Under Shatter’s guidance, major reforms are introduced in 2011 into Ireland’s citizenship laws and a new Citizenship Ceremony is created. He both devises and pilots Ireland’s first ever citizenship ceremony which takes place in June 2011 and a new inclusive citizenship oath which he includes in his reforming legislation. During his time as Minister, he clears an enormous backlog of citizenship applications, and 69,000 foreign nationals become Irish citizens. Some applications had lain dormant for 3 to 4 years. He introduces a general rule that save where there is some real complication, all properly made citizenship applications should be processed within a six-month period. He also takes steps to facilitate an increased number of political refugees being accepted into Ireland and creates a special scheme to facilitate relations of Syrian families already resident in Ireland who are either caught up in the Syrian civil war, or in refugee camps elsewhere as a result of the Syrian civil war, to join their families in Ireland.
Shatter enacts legislation before the end of July 2011 to facilitate access to financial documentation and records held by third parties in investigations into banking scandals and white-collar crime. The legislation is first used by the Gardaí in September 2011.
During Ireland’s Presidency of the Council of the European Union in 2013, Shatter chairs the Justice and Home Affairs Council (JHA) meetings and, in January 2013, in Dublin Castle, the meeting of EU Defence Ministers. Under his guidance, Ireland plays a more active role than in the past in EU defence matters and in deepening Ireland’s participation in NATO’s partnership for peace. During the Irish Presidency, substantial progress is made at the European Union level in the adoption and development of new legislation and measures across a broad range of Justice and Home Affairs issues.
Shatter implements substantial reform in the Department of Defence and restructures the Irish Defence Forces. He is a strong supporter of the Irish Defence Forces participation in international peacekeeping and humanitarian engagements and is an expert on the Middle East. As a member of the Irish Parliament and as Minister on many occasions, he visits Irish troops participating in United Nations (UN) missions in the Middle East. Under his watch contracts are signed for the acquisition of two new naval vessels with an option to purchase a third. All three naval vessels are now part of the Irish Naval Service and have been actively engaged in recent years in rescuing drowning refugees in the Mediterranean Sea attempting to enter Europe.
As Minister for Defence he enacts legislation to grant a pardon and an amnesty to members of the Irish Defence Forces who deserted during World War II to fight on the allied side against Nazi Germany and gives a state apology for their post-war treatment by the Irish State.
Shatter is the minister responsible for two amendments to the Constitution of Ireland which are passed in referendums: the Twenty-ninth Amendment in 2011 to allow for the reduction of judges’ pay, and the Thirty-third Amendment in 2013 to establish a Court of Appeal. Just prior to his resignation from government, the draft legislation to create the court is published and the court is established and sitting by October 2014.
The jurisdictions of the courts are extended for the first time in 20 years and the maximum civil damages payable for the emotional distress of bereaved relations following a negligent death is increased.
As a politician, Shatter plays a lead role in effecting much of the constitutional and legislative change he advocates. He is a former chairperson of FLAC (the Free Legal Advice Centres), a former chairperson of CARE, an organisation that campaigns for childcare and children’s legislation reform in the 1970s and a former President of the Irish Council Against Blood Sports.
Shatter is a founder member of the Irish Soviet Jewry Committee in 1970 and pioneers a successful all party Dáil motion on the plight of Soviet Jewry (1984) and visits various refuseniks in Moscow in 1985. He is a former chairperson of the Oireachtas Foreign Affairs Committee (1996-97) and initiates the creation of an Ireland/Israel Parliamentary Friendship group in 1997, leading a number of visits to Israel by members of the Dáil Éireann and Seanad Éireann.
Shatter is the author of the satirical book Family Planning Irish Style (1979), and the novel Laura (1989). In 2017 his biography, Life is a Funny Business, is published by Poolbeg Press and in 2019 Frenzy and Betrayal: The Anatomy of a Political Assassination is published by Merrion Press. In 2023, his book Cyril’s Lottery of Life, a comedic book with an English solicitor from a small town as its protagonist, is published.
seamus dubhghaill 