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Author Archives: Jim Doyle


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Death of James Orr, Weaver, Radical & Poet

James Orr, weaver, radical, and poet, dies on April 24, 1816.

Orr is the son of James Orr, who farms a few acres and is a linen weaver. His mother’s name is unknown. They live in the small village of Ballycarry, in the parish of Broadisland, County Antrim. He is an only child, born when his parents are middle-aged. They are unwilling to risk sending him to school, so they carefully educate him at home, his father having been very well educated. A near-contemporary source George Pepper (1829), claims that the youngster is something of a prodigy, able to read Spectator essays at the age of six. Later in life, partly thanks to membership of a local reading society, he is remarkably well read. Handloom weavers are reputedly one of the most literate and politically radical groups in the period, and he certainly fits the stereotype. Pepper also claims that William Orr is James Orr’s uncle, and that the younger man lives for three years with William Orr and his family, where his literary talents are nurtured and where he develops an interest in radical politics. Other sources do not support this account, but if there is a relationship it might explain an almost morbid interest in assizes, executions, and gallows, evident in several poems. This also might have been prompted by witnessing William Orr’s trial and execution.

Pepper “heard from good authority” that Orr in 1797 is secretary to the Antrim Association, of which William Orr is president; presumably this means the Society of United Irishmen. He sings a patriotic song called “The Irishman,” one of his most celebrated compositions, at a meeting of that body. The earliest publications traced are poems published pseudonymously (1796–97) in the Northern Star newspaper. This paper, edited by Samuel Neilson, is sympathetic to United Irish views, and it is clear that Orr, like many of his neighbours, is actively involved in the 1798 rebellion. Several poems dealing with the events of June 1798, provide a rare participant’s perspective. He takes part in the skirmish at Donegore, and flees after the defeat at the Battle of Antrim. Local sources record his successful efforts to prevent cruelty and looting by his colleagues. He goes into hiding in an Irish-speaking area, perhaps in the Glens of Antrim or in the Sperrin Mountains. After a short time, he escapes to the United States, but unlike many of his former comrades he finds himself unable to settle there, and very soon returns home to Ballycarry, and thenceforth makes his living as a weaver. In 1800, he seeks to join the militia set up to counter a feared Napoleonic invasion, but the local gentry in command rejects his application because of his United Irish associations.

Orr’s first verses are composed at meetings of a local singing school, where rival versifiers produce impromptu verses for the company to sing to the psalm tunes being practised, and he later writes songs for masonic meetings. He publishes poems in the Belfast newspapers. A few carefully written essays on morality and education, signed “Censor, Ballycarry,” are apparently also his work. A collection of poems is published in 1804, with almost 400 subscribers, and another selection is published in 1817 after his death by his friend Archibald McDowell. Orr had requested that the proceeds should go to help the poor of Ballycarry. His poems are an excellent source of information about the life and concerns of a fairly humble stratum of late eighteenth-century Ulster society.

Many of Orr’s best poems deal with subjects of interest to his community – weaving, social life, and farming – and are written in the Scots language still widely spoken in the area. He expertly uses Scots stanza forms, and joyously participates in the almost competitive composition of verse typical of the Scots tradition. Several of his poems rework themes found in Robert Burns or other earlier writers. His An Irish Cottier’s Death and Burial is derived from a Burns poem, The Cottier’s Saturday Night, but later critics acknowledge that the Orr poem is much more successful. He and his friend Samuel Thomson are pioneers in the use of written Scots in Ulster and are regarded as the two most skillful Scots poets in Ulster. Both are celebrated in their day, and their work in Scots has been rediscovered in the twentieth-century revival of interest in the traditional literature and history of the north of Ireland.

Orr’s verse in standard English is equally competent, even more ambitious and almost as interesting. The best of his work, particularly in Scots, is characterised by pleasing cadences and assured control of tone and technique. His novel and generally impressive experiments with soliloquies, verse epistles, and versified direct speech, in English and Scots, parallel his interest in extending the registers in which he could use the vernacular Scots language. He seems not to have known of William Wordsworth‘s poetry, but, apparently independently and arguably more successfully, produces verse written in “the language really used by men” (Wordsworth, preface to Lyrical Ballads (1798)). As well as fascinating foreshadowings of romanticism, his work more often reveals the influence of the enlightenment and of New Light presbyterianism. He is a member of the congregation of the Rev. John Bankhead, whose theological views are decidedly liberal, tending even towards unitarianism. His poems provide a great deal of evidence on his reading, interests, radical aspirations and convictions; and in them and in the prose essays, the reader encounters a humane and generous personality. Like many other United Irishmen, he is an enthusiastic freemason, and believes that freemasonry and education will help to usher in a peaceful millennium. His poetry reveals humanitarian concerns, not yet common in the period. He opposess slavery and cruelty to animals and children and expresses support for a contemporary popular rising in Haiti. In 1812, he signs a petition in favour of Catholic emancipation.

Orr never marries. His friend McDowell believes that the resulting lack of domestic comforts drives the poet to socialise in taverns, and it is said that local fame and popularity encourages his excessive drinking. He suffers from ill health in later life. A neglected cold in 1815 leads to tuberculosis. He dies on April 24, 1816, and is buried in the old Templecorran graveyard at Ballycarry. Some years later, freemasons erect an impressive monument over the grave.

Orr’s poems are republished by a group of local enthusiasts in 1935. Another selection appears in 1992. A plaque put up by the local district council commemorates “the bard of Ballycarry,” probably the most significant eighteenth-century English-language poet in Ulster.

(From: “Orr, James” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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The Capture of RIC District Inspector Gilbert Potter

Gilbert Norman Potter, a District Inspector of the Royal Irish Constabulary (RIC) is captured by the 3rd (South) Tipperary Brigade of the Irish Republican Army (IRA) on April 23, 1921, in reprisal for the British execution of Thomas Traynor, an Irish republican.

Potter is born in Dromahair, County Leitrim, on July 10, 1878, a son of Rev. Joseph Potter, Church of Ireland rector of Drumlease Parish, and his wife Jane. He is stationed at Cahir, County Tipperary, during the Irish War of Independence.

On April 23, 1921, District Inspector Potter is captured by the 3rd (South) Tipperary Brigade, IRA, following the Hyland’s Cross Ambush. This occurs near Curraghcloney, close to the village of Ballylooby. The ambush party is initially made up of a combination of the 1st and 2nd Flying Columns of the 3rd Tipperary Brigade. This is the largest force assembled to date by the Tipperary IRA in anticipation of a major battle. However, the convoy of military lorries that is expected never materialises. Dan Breen and Con Moloney return to battalion headquarters, while Seán Hogan‘s Column withdraws northward in the direction of the Galtee Mountains.

As Dinny Lacey‘s (No.1) Column prepares to leave toward the south, a small party of British soldiers accompanying two horse-drawn carts unexpectedly approaches from Clogheen and are immediately fired upon. Amid some confusion Lacey’s scattered men withdraw southward toward the Knockmealdown Mountains. One British soldier, Frank Edward Conday, is fatally wounded and two others from the relieving party are wounded. Reports that army lorries are burned during the exchange may have been abandoned by the relieving soldiers sent from Clogheen.

By chance, Potter, who is returning by car from police duties at Ballyporeen, drives into a section of the withdrawing No.1 Column. Although in mufti, he is recognised by one of the IRA volunteers and taken prisoner. As part of a new strategy, he is held as a hostage for the safe release of Thomas Traynor, an IRA volunteer (and father of ten young children), then under sentence of death at Mountjoy Gaol. The IRA offers to release Potter in exchange for Traynor’s release, however, Traynor is executed. Traynor has since been honoured by the Irish state as one of “The Forgotten Ten.”

The Column, under sporadic fire from soldiers alerted at the nearby Clogheen barracks, follow the contours of the mountains to the village of Newcastle. Losing their pursuers, they stay for a period of time at the townland of Glasha. Here Potter is detained in an out-building of a farm which is regularly used by the IRA as a safe house. From there the party is guided into the Nire Valley by a contingent of local Waterford Volunteers and on to the Comeragh Mountains.

Accounts from Rathgormack, County Waterford, suggest that Potter is kept for at least one night at a nearby ringfort before being taken down the hill to a field then owned by Powers of Munsboro, where he meets his ultimate fate. At 7:00 p.m., on April 27, following news of Traynor’s execution by hanging, he is shot to death and hastily buried in a shallow grave on the banks of the River Clodiagh. A diary he kept during his period of captivity and some personal effects and farewell letters are returned anonymously to his wife, Lilias. This is the first confirmation she has that he had been killed. The artifacts are later lost when his son’s ship is torpedoed in 1942, during World War II.

On May 18, three weeks after Potter’s death, a notice of officially sanctioned military reprisals appears in local newspapers.

During the Truce, by arrangement through specially appointed Liaison Officers, Potter’s body is disinterred by the IRA and conveyed to Clonmel where it is returned to his widow. Two days later his body is brought to Cahir and buried with full military honours at the Church of Ireland cemetery at Kilcommon, 4 kilometres south of the town. The funeral is presided over by Bishop Miller of Waterford and attended by the Band of the Royal Lincolnshire Regiment, the locally stationed Royal Field Artillery and officers and men of the RIC, takes place in the afternoon of August 30, 1921.


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Birth of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, is born at Roebuck Grove, County Dublin, on April 22, 1894. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor (née Robinson), daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. Her mother dies two days after her birth. She is related to artists Nathaniel Hone and Nathaniel Hone the Younger.

Shortly before her twelfth birthday, Hone suffers from polio (infant paralysis), suffering a fall while helping to decorate the Taney parish church for Easter. Her resulting ill health leads to her seeking treatment in Harley Street, Marylebone, Central London. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and becoming one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This possibly influences her decision to begin working in stained glass. Initially, she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped in 1940 on the school during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Despite ill health, Hone continues to produce a huge number of small stained glass panels as well as oils, watercolours, and gouache landscapes. In 1953, she is represented at the Contemporary Irish Art exhibition at Aberystwyth, Wales, and at the Tate gallery in London, receiving as well an honorary LLD from Trinity College Dublin (TCD). In 1954, she is elected an honorary member of the Royal Hibernian Academy (RHA).

Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: Portrait of Evie Hone by Hilda van Stockum)


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Roger Casement’s Efforts to Gain German Military Aid Ends

During World War I, Roger Casement makes efforts to gain German military aid for the 1916 Easter Rising. His journey on the German submarine SM U-19 comes to an end on April 21, 1916.

In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of the arms Casement had hoped for, with no military expertise on offer. The weapons leave Germany bound for Ireland on a German cargo vessel named the SS Libau, disguised as a Norwegian vessel, Aud-Norge.

Casement confides his personal papers to Dr. Charles Curry, with whom he has stayed at Riederau on the Ammersee, before leaving Germany. He departs with Robert Monteith and Sergeant Daniel Beverley (Bailey) of the Irish Brigade in a submarine, initially the SM U-20, which develops engine trouble, and then the SM U-19, shortly after the Aud sails. According to Monteith, Casement believes the Germans are toying with him from the start and providing inadequate aid that will doom a rising to failure. He wants to reach Ireland before the shipment of arms and to convince Eoin MacNeill, who he believes is still in control, to cancel the rising.

Casement sends John McGoey, a recently arrived Irish American, through Denmark to Dublin, ostensibly to advise what military aid is coming from Germany and when, but with Casement’s orders “to get the Heads in Ireland to call off the rising and merely try to land the arms and distribute them.” McGoey does not reach Dublin, nor does his message. His fate is unknown until recently. Evidently abandoning the Irish Nationalist cause, he joins the Royal Navy in 1916, survives the war, and later returns to the United States, where he dies in an accident on a building site in 1925.

About 2:00 a.m. on the morning of April 21, 1916, three days before the rising begins, Robert Monteith, Daniel Bailey (calling himself Beverly), and Casement climb into a small boat for the trip to shore at Banna Strand in Tralee Bay, County Kerry. Their boat, now in the Imperial War Museum in London, capsizes before they reach shore.

Monteith helps an exhausted Casement to safety on shore. Casement is convinced that the Rising cannot be successful without a large number of German troops, and the best he has been able to obtain is one boatload of arms. Suffering from a recurrence of the malaria that had plagued him since his days in the Congo, and too weak to travel, Monteith and Bailey leave Casement at the ruins of McKenna’s Fort, an ancient ring fort in Rahoneen, Ardfert, now renamed Casement’s Fort, and head for Tralee.

About 1:30 p.m., Casement is discovered by two Royal Irish Constabulary (RIC) officers. He nearly talks his way out of being arrested, but a 12-year-old boy at the scene points out a piece of paper Casement had tossed away as the police approach. On that paper is a German code list. He is arrested on charges of high treason, sabotage and espionage against the Crown. He manages to send word to Dublin about the inadequate German assistance.

The Kerry Brigade of the Irish Volunteers might have tried to rescue Casement over the next three days, but its leadership in Dublin holds that not a shot is to be fired in Ireland before the Easter Rising is in train and therefore orders the Brigade to “do nothing.” A subsequent internal inquiry attaches “no blame whatsoever” to the local Volunteers for failing to attempt a rescue. Casement is taken to Brixton Prison and placed under special observation for fear of an attempt of suicide as there is no staff at the Tower of London to guard suicidal cases.

Casement’s trial at bar opens at the Royal Courts of Justice on June 26, 1916, before the Lord Chief Justice (Viscount Reading), Justice Horace Avory, and Justice Thomas Horridge. Refusing to agree to a “guilty but insane” plea, he is subsequently found guilty and sentenced to be hanged. He unsuccessfully appeals against his conviction and death sentence.

On the day of his execution by hanging at Pentonville Prison, August 3, 1916, Casement is received into the Catholic Church at his request. He is attended by two Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of SS Mary and Michael. The latter, also known as James McCarroll, says of Casement that he was “a saint … we should be praying to him [Casement] instead of for him.” At the time of his death he is 51 years old.

Casement’s body is buried in quicklime in the prison cemetery at the rear of Pentonville Prison, though his last wish was to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland. Finally, in 1965, his remains are repatriated to Ireland. His remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising, although he would not be buried beside them. After a state funeral, the remains are buried with full military honours in the republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, who is then in his mid-eighties and the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.


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Death of Seán Ó Faoláin, Short Story Writer

Seán Proinsias Ó Faoláin, short story writer of international repute and one of the most influential figures in 20th-century Irish culture, dies in Dublin on April 20, 1991. He is also a leading commentator and critic.

Ó Faoláin is born John Francis Whelan in Cork, County Cork, on February 27, 1900. He is educated at the Presentation Brothers College secondary school in Cork. He comes under the influence of Daniel Corkery, joining the Cork Dramatic Society, and increasing his knowledge of the Irish language, which he had begun in school. Shortly after entering University College Cork (UCC), he joins the Irish Volunteers and fights in the Irish War of Independence. During the Irish Civil War, he serves as censor for The Cork Examiner and as publicity director for the Irish Republican Army (IRA). After the Republican loss, he receives MA degrees from the National University of Ireland (NUI) and from Harvard University where he studies for three years. He is a Commonwealth Fellow from 1926 to 1928 and is a Harvard Fellow from 1928 to 1929.

Ó Faoláin writes his first stories in the 1920s, eventually completing ninety stories over a period of sixty years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill, London, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterward returns to Ireland. He publishes four novels, seven additional volumes of short stories, six biographies, three travel books, a play, a memoir, a history book, translations and literary criticism, including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947. His last short story volume, Foreign Affairs, is published in 1976. His Collected Stories is published in 1983.

Ó Faoláin produces critical studies of the novel and the short-story form, introduces texts of historical and literary merit, and contributes scores of articles, reviews, and uncollected stories to periodicals in Ireland, Britain, and the United States.

Ó Faoláin is a founder member and editor of the Irish literary periodical The Bell from 1940 to 1946. Under his editorship, The Bell participates in many key debates of the day. It also provides a crucial outlet for established and emerging writers during the lean war years. The list of contributors to The Bell include many of Ireland’s foremost writers, among them Patrick Kavanagh, Patrick Swift, Flann O’Brien, Frank O’Connor and Brendan Behan.

A recurring thread in Ó Faoláin’s work is the idea that national identities are historically produced and culturally hybrid; an additional thesis is that Irish history should be conceived in international terms, and that it should be read, in particular, in the context of social and intellectual developments across Europe.

Ó Faoláin serves as director of the Arts Council of Ireland from 1956 to 1959.

Ó Faoláin marries Eileen Gould, a children’s book writer who publishes several books of Irish folk tales, in 1929. They have two children: Julia (1932–2020), who becomes a Booker-nominated novelist and short story writer, and Stephen (b. 1938).

Ó Faoláin dies in Dublin at the age of 91 on April 20, 1991.

Ó Faoláin is a controversial figure in his own lifetime and two of his books are banned for “indecency” in Ireland — his debut collection of short stories and his second novel, Bird Alone (1936). His legacy has proven divisive. If some consider him a social liberal cosmopolitan who challenges “proscriptive” definitions of Irish culture, others see him as a chauvinistic snob who paradoxically restricts the development of Irish writing. Proto-revisionist or nascent postcolonial, O’Faoláin has been considered both, sometimes within the same critical survey. Either way, his work is central to the evolution of a post–Literary Revival aesthetic, and his voice is one of the most prominent, and eloquent, in the fight against censorship in Ireland.

(Pictured: Portrait of Seán Ó Faoláin by Howard Coster, 1930s, National Portrait Gallery)


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Death of Ella MacMahon, Romance Novelist

Ella MacMahon, prolific Irish romance novelist, dies in the United Kingdom on April 19, 1956.

MacMahon is born Eleanor Harriet on July 23, 1864, in Dublin, the elder of two children of the Rev. John Henry MacMahon (1829–1900), curate of St. Werburgh’s Church, Dublin (1860-71), and later chaplain of Mountjoy Prison (1887–1900), and Frances MacMahon (née Snagge). Her father is also secretary to the board of religious education of the Church of Ireland, editor of The Irish Ecclesiastical Gazette, and author of four books, including a translation of Aristotle‘s Metaphysics (1857) and Church and State in England, Its Origin and Use (1872).

MacMahon, who is educated at home, is also literary. From the 1890s she begins contributing to periodicals such as the New Ireland Review, for which she writes on local history. Her first novel, A New Note, appears in 1894 and over the next thirty-five years she is prolific, publishing over twenty novels as well as making numerous contributions to magazines, and several to BBC radio programmes. She is unmarried and writing is her main source of income, but during World War I she works as a civil servant in various government departments including War, Trade, and the newly created Intelligence department. Afterward she lives in Brockenhurst, Hampshire, England, and converts at some stage to Catholicism.

MacMahon’s novels are romances. Typical of them is An Honorable Estate (1898), which features an English heiress marrying an impoverished Irish clergyman in a fit of pique, only to fall in love with him. They are undemanding but entertaining and occasionally ironic, with clever social commentary. Irish Book Lover, a quarterly review of Irish literature and bibliography, commends The Job (1914) for its insightful and sympathetic characterisation. It is an account of a baronet‘s struggle to improve his Irish estate despite the fecklessness of the inhabitants. Ireland is a frequent setting for her stories. Her view of it verges on the sentimental, and she often features eccentric but ultimately good-hearted country people.

However, MacMahon’s last book, Wind of Dawn (1927), is a more profound, interesting study. Set during the Irish War of Independence and the truce, it looks at the complexities within Irish society and the differences in attitude between the Anglo- and native Irish. Rich in characters, it features a naive English girl in love with Ireland, a papist-hating domestic servant, and an ascendancy grande dame who finds England monotonous but is adamant that her children will be educated there and will not acquire a brogue. Unlike MacMahon’s other books, it is not a romance and ends in tragedy and then acceptance for the coming change of regime. It reads like a lesser novel by Elizabeth Bowen and resembles in theme and argument, though not in quality, The Last September (1929), which it predates. Unfortunately, she is not inspired to go further in this line. She writes no more and retires on a government civil pension.

By the time of her death on April 19, 1956, MacMahon has fallen into complete obscurity, and surprisingly, given the quantity and relative merit of her work, she has no entry to date in any of the numerous anthologies of Irish or women writers.


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Death of Timothy Lyons, Kilflynn IRA Flying Column Volunteer

Timothy Lyons, an Irish Republican Army (IRA) soldier also known as Aero or Aeroplane, is killed on April 18, 1923, at Clashmealcon caves, County Kerry. He fights with the Anti-Treaty side during the Irish Civil War. After a three-day siege by Irish Free State forces at Clashmealcon, County Kerry, he died after falling from a cliff onto rocks and then being shot.

Lyons is born on December 4, 1895, in Garrynagore, County Kerry, to Margaret (née Sullivan) and Timothy Lyons senior, who is listed on his birth certificate as a cottier. He is the oldest of six siblings. Prior to the Irish Civil War, he works as a labourer. He fights with the IRA’s Kilflynn Company during the Irish War of Independence. He is described as being slight, “adventurous” as a column leader and a marksman who shoots at small birds. He shoots a British officer in an ambush led by captain George O’Shea at Shannow Bridge where the Kilflynn road joins the R557, forcing a retreat. He gains the nickname “Aeroplane” or “Aero” because of the way he would suddenly appear and his last-minute escapes. Because of regular searches by Black and Tans, his father fears the family home will be burned out and asks him to leave.

After the ratification of the Anglo-Irish Treaty, Lyons fights against Irish Free State forces. At the time of his death, he is commandant. He is involved in fighting in Listowel and Limerick, is captured near Athea, gaoled in Limerick and released in late 1922 with an undertaking not to rejoin the fight. Notwithstanding this, the column continues to operate, generally around Causeway and Ballyduff.

On April 15, 1923, Lyons’s column attacks an Irish Free State raiding party in Meenoghane, north Kerry. The raiding party receives reinforcements. He and his men are eventually surrounded at nearby Clashmealcon on April 16 by Michael Hogan’s 1st Western Division. They descend the rugged, Atlantic cliffs to the caves and hide in Dumfort’s Cave. He shoots out searchlights with his Lee-Enfield rifle and two Irish Free State soldiers are shot dead from the cave. The situation is under Army Emergency Powers.

With no escape for the men hiding in the cave, troops try to blast them out by dropping mines and smoke them out with petrol-soaked turf. On April 16, James McGrath, the brother of Tom McGrath, one of Lyons’s men, is arrested and taken to the cliffs in order to enter the cave and persuade the men to surrender. On the night of April 17-18, McGrath and Patrick O’Shea, his first cousin, fall trying to scale the cliffs to escape and drown. After offering to surrender himself on the morning of the April 18, Lyons falls several metres onto rocks from a rope that is provided by National troops. He is then shot multiple times by troops from the cliff top and is not recovered.

Three of Lyons’s men who surrender, Edmond Greaney, James McEnery and British deserter-turned-republican Reginald Walter Stenning, are executed in Ballymullen Barracks by gunshot on April 25, for breaking their undertaking not to take up arms against the Irish Free State, attacking troops at Clashmealcon, burning the Civic Guard station at Ballyheigue, stripping the same Civic Guards and robbing the post office at Ballyduff.

Lyons’s decomposing body, minus a leg, is washed up on May 5, identifiable by a boot. He is buried alongside George O’Shea and Timothy Tuomey, both killed at Ballyseedy, in the republican plot at Kilflynn Church (now St. Columba’s Heritage Centre).

(Pictured: Kilflynn IRA Flying Column, 1922. Back (L to R): Denis O’Connell (Lixnaw), Stephen Fuller (Kilflynn), William Hartnett (Mountcoal), Tim Twomey (Kilflynn). Front (L to R): Terry Brosnan (Lixnaw), John McElligott (Leam, Kilflynn), Danny O’Shea (Kilflynn), Timothy (Aero) Lyons (Garrynagore), Tim Sheehy (Lyre), Pete Sullivan (Ballyduff), Paddy Mahony (Ballyegan, Battalion O.C.).)


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Henry II Returns to England After Granting Charter to Dublin

Henry II returns to England on April 17, 1172, having granted a charter to Dublin, the first granted to an Irish town.

Toward the end of 1171, Henry II, the first king of England to set foot on Irish soil, lands at Crook, County Waterford. His visit to Ireland serves two purposes. Firstly, it allows him to bring his adventurous English barons to heel and put the royal seal on their conquests in Ireland. Secondly, it means he can avoid meeting the cardinal legates who have been dispatched from Rome to investigate his complicity in the murder of the Archbishop of Canterbury, Thomas Becket, in 1170.

When the King of Leinster, Diarmait Mac Murchada, finds himself exiled in the late 1160s, he quickly finds help across the Irish Sea. He finds Henry II on the banks of the Loire in 1166 and is then pointed in the direction of south Wales by a Bristol merchant to find Richard FitzGilbert de Clare, more commonly known as Strongbow, who is then out of royal favour due to his prior support of Henry II’s competition for the kingship, Stephen of Blois.

Bolstered by English forces, Diarmait returns to Ireland and retakes his kingdom with Strongbow’s help, the latter earning the hand in marriage of Diarmait’s daughter, Aoife, in return. None of this has greatly concerned Henry II, until Diarmait dies, and Strongbow seizes the Kingdom of Leinster for himself in 1171. Leinster encompasses not only the counties of Carlow, Kilkenny, Wexford, Kildare, and parts of Wicklow, Laois, and Offaly, but the kings of Leinster are often the overlords of the flourishing Hiberno-Norse ports of Wexford and Dublin, both of which have considerable trading links with England and wider Europe.

Concerned with the growing power of Strongbow in Ireland, Henry II decides to head across the Irish Sea. He originally intends to arrive in Ireland in September 1171, but unfavourable winds on the coast of southwest Wales delay his journey for 17 days. He finally embarks from Pembroke on October 16 and arrives on the County Waterford coast the following day.

Naturally, Henry does not come alone and is at the head of an estimated 4,000 strong army comprised of 500 knights and their esquires and a large body of archers, all of which are carried, along with horses, in 400 ships. The undertaking is vast, and a large quantity of supplies are gathered to provision this considerable force. These ingredients include salted meats and fish, 1,000 lbs. of wax to ensure that Henry can seal charters and mandates, and, of course, the oil on which the medieval war machine runs, wine.

With the arrival of Henry II in Ireland, Strongbow surrenders the kingdom of Leinster and the Hiberno-Norse towns of Dublin, Wexford, and Waterford. Henry II regrants Leinster to Strongbow as a lordship, and later grants him Wexford. However, Waterford and Dublin become, and remain, royal ports.

Henry II then tours Ireland, showing the clergymen and native kings who their new lord is. He first visits Lismore and Cashel, then back to Waterford for a brief rest, before journeying by way of Kilkenny to Dublin, where he arrives around November 11. At all of his stop he collects the submissions of the Irish kings, with the probable exception of Ruaidrí Ua Conchobair (Rory O’Connor), who is the claimant to the high kingship of Ireland at the time.

Outside the city walls of Dublin, Henry II constructs a palace at the present-day southern side of Dame Street, where he celebrates the winter festivities until February 2. At this time, he also grants Dublin its first charter, on a piece of parchment measuring only 121 x 165 mm, which, extraordinarily, survives to this day. Henry’s charter to Dublin grants the right to live in the city to the men of Bristol, with whom the men of Dublin have enjoyed pre-existing economic relations.

About March 1, 1172, Henry II makes his way to Wexford, before finally departing for England on Easter Sunday, April 17, after celebrating Mass. It is probable that he had intended to stay in Ireland longer than he did, but events in England and Normandy divert his attention. In Normandy, Henry II’s son, Henry, has gone into rebellion against his father, while in England, the cardinal legates are threatening to interdict Henry’s lands unless he comes to meet with them regarding Becket’s murder.

The circumstances which lead to Henry II’s departure are more telling for Ireland’s future than any member of contemporary society could have realised. Now, Ireland has to compete with the other segments of a vast transnational realm, with lands stretching across England, Wales and France. Although Henry II is the first king of England to arrive in Ireland, his visit does not mean that royal visits would become a routine occurrence. Throughout the Middle Ages, the kings of England only directly visit Ireland in 1185, 1210, 1394–5, and 1399. As such, Henry’s visit and departure marks the beginning of absentee lordship over Ireland.

(From: “The royal visit: what did Henry II do in Ireland 850 years ago?” by John Marshall, PhD student in the Department of History at Trinity College Dublin, RTÉ, http://www.rte.ie | Pictured: Henry at Waterford, Ireland, October 18, 1172. Illustration by James E. Doyle (1864). Image: Historical Picture Archive/ Corbis via Getty Images)


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Death of Opera Singer Margaret Burke Sheridan

Irish opera singer Margaret Burke Sheridan dies in Dublin on April 16, 1958. She is known as Maggie from Mayo and is regarded as Ireland’s second prima donna, after Catherine Hayes (1818–1861).

Sheridan is born in Castlebar, County Mayo, on October 15, 1889. She has her early vocal training while at school at the Dominican Convent in Eccles Street, Dublin, with additional lessons from Vincent O’Brien. In 1908, she wins a gold medal at the Feis Ceoil. From 1909 to 1911 she studies at the Royal Academy of Music in London, during which time she is introduced to the Italian inventor Guglielmo Marconi, who is instrumental in arranging further studies for her in opera in Rome.

With Marconi’s help, Sheridan auditions in 1916 for Alfredo Martino, a prominent singing teacher attached to the Teatro Costanzi, and she makes her début there in January 1918 in Giacomo Puccini‘s La bohème. In July 1919 she appears at the Royal Opera House in Covent Garden in the title role in Iris by Pietro Mascagni.

Sheridan returns to Italy, where her career continues to grow, with performances at the Teatro Dal Verme in Milan and at the Teatro di San Carlo in Naples, primarily in Puccini roles. In 1922 she first sings at La Scala, Milan, in La Wally by Alfredo Catalani under the direction of Arturo Toscanini. For the next few years, she sings at La Scala with great success. Perhaps her greatest role is Madama Butterfly, which she sings extensively in Italy and at Covent Garden. When she plays the part of Madama Butterfly, Puccini is said to be spellbound.

Despite her successes, Sheridan’s career is short. Suffering vocal difficulties, she goes into retirement around 1930 except for a few concerts. Bríd Mahon, in her 1998 book While Green Grass Grows, states that “It was rumoured that an Italian whose overtures she had rejected had blown his brains out in a box in La Scala, Milan, while she was on stage and that after the tragedy, she never sang in public again.”

Margaret Sheridan dies in relative obscurity on April 16, 1958, having lived in Dublin for many years, and her remains are buried in Glasnevin Cemetery, Dublin.

(Pictured: Margaret Burke Sheridan meets Italian conductor Vincenzo Bellezza in London, 1938. Photograph by Erich Salomon)


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Birth of Adrian Long, Civil Engineer & QUB Professor

Adrian Ernest Long OBE, civil engineer and professor at Queen’s University Belfast (QUB), is born on April 15, 1941, in Dungannon, County Tyrone, Northern Ireland. He has a particular interest in concrete structures and patents FlexiArch, a precast concrete arch product. He serves as president of the Institution of Civil Engineers (ICE) for 2002–03, the first Northern Irish engineer to do so.

Long comes from a carpentry and blacksmithing background. In 1959, he enters Queen’s University Belfast to study civil engineering. He graduates with first class honours and then takes a PhD at Queens. In 1967, he moves to Canada, working as a bridge designer for Fenco Engineering in Toronto.

Long, however, spends only a year in Canada, returning to Belfast in 1968 to become an associate professor of civil engineering at Queen’s University Belfast. In 1976, he is promoted to a full professorship. His work is largely in the field of concrete structures, particularly in chloride resistance, maintenance problems and arch bridge structures. He publishes twenty papers in journals managed by the Institution of Civil Engineers and wins eight of the institution’s medals for these, including the ICE Gold Medal.

From 1997 Long works on the FlexiArch, a precast concrete arch in which the individual voussoirs are joined by a flexible polymeric membrane. The arch arrives to site flat packed and when lifted into position by a crane, the gaps between the voussoirs close under gravity and form the correct arch profile. He patents the product, which is produced by Irish precast manufacturer Macrete, in 2004. The product can be constructed within a day and, containing no corrodible elements, has been stated to have a design lifespan of 300 years. More than fifty FlexiArch bridges have been constructed in the UK and Ireland and spans up to 30m are possible.

By 2002, Long is appointed dean of the faculty of engineering at QUB. In November of that year, he is appointed president of the ICE for the 2002–2003 session, the first Northern Irish person to hold that position. He is also a Fellow of the Royal Academy of Engineering and of the Institute for the Advancement of Engineering.

Long is appointed an officer of the Order of the British Empire in the 2006 New Year Honours for services to higher education and civil engineering. He resigns as professor at QUB in 2006 but remains there as an emeritus professor in the School of Natural and Built Environment. Since 2015, the ICE Northern Ireland awards the Adrian Long medal to the best paper in an ICE journal to be authored by a Northern Ireland member. The medal features a bust of Long.

Long is married to Elaine and they have two children, Michael and Alison. Michael serves as the 80th Lord Mayor of Belfast from May 9 to June 1, 2022. He also serves as High Sheriff of Belfast in 2021 and serves on Belfast City Council since 2001, where he is the Alliance group leader from 2015 to 2021. He is married to Alliance Party leader and Minister of Justice Naomi Long.

Long dies at the age of 81 at the Ulster Hospital on April 23, 2022.