Clancy begins singing with his brothers, Paddy and Tom Clancy, at fund-raising events for the Cherry Lane Theatre and the Guthrie benefits. The Clancy Brothers and Tommy Makem, begin recording on Paddy Clancy’s Tradition Records label in the late 1950s. Liam plays guitar in addition to singing and also records several solo albums. They record their seminal The Rising of the Moon album in 1959. There are international tours, which include performances at Carnegie Hall and the Royal Albert Hall. The quartet records numerous albums for Columbia Records and enjoys great success during the 1960s folk revival. In 1964, thirty percent of all albums sold in Ireland are Clancy Brothers and Tommy Makem records.
After The Clancy Brothers split up, Liam has a solo career in Canada. In 1975, he is booked to play a festival in Cleveland, Ohio, where Tommy Makem is also playing. The two play a set together and form the group Makem and Clancy, performing in numerous concerts and recording several albums together until 1988. The original Clancy Brothers and Tommy Makem line-up also get back together in the 1980s for a reunion tour and album.
In later life, Liam maintains a solo career accompanied by musicians Paul Grant and Kevin Evans, while also engaging in other pursuits. In 2001, Clancy publishes a memoir titled The Mountain of the Women. He is also in No Direction Home, the 2005 Bob Dylan documentary directed by Martin Scorsese. In 2006, Clancy is profiled in a two-hour documentary titled The Legend of Liam Clancy, produced by Anna Rodgers and John Murray with Crossing the Line Films, which wins the award for best series at the Irish Film and Television Awards in Dublin. His final album, The Wheels of Life, is released in 2009. It includes duets with Mary Black and Gemma Hayes as well as songs by Tom Paxton and Donovan.
Liam Clancy dies from pulmonary fibrosis on December 4, 2009, in Bon Secours Hospital, Cork. He is buried in the new cemetery in An Rinn, County Waterford, where he spent the last number of years of his life, owning a successful recording studio.
Four paramilitary bombings take place in the centre of Dublin between November 26, 1972, and January 20, 1973. On December 1, 1972, two separate car bombs explode within a 20-minute period in Eden Quay and Sackville Place. The bombings occur at the end of what is the bloodiest year in the entire 30-year-old religious-political conflict known as the Troubles, which had erupted at the end of the 1960s.
The first of the four bombs had exploded on November 26, 1972, in the laneway connecting Burgh Quay with Leinster Market outside the rear exit door of the Film Centre Cinema.
On Friday, December 1, 1972, at 7:58 p.m., a blue Hillman Avenger, registration number OGX 782 K, explodes at 29 Eden Quay close to Liberty Hall tower block. The blast blows the Avenger apart and what remains of the vehicle is catapulted 18 feet away to rest outside an optician’s office. A wall of flame shoots up which is visible to people across the River Liffey on the opposite Burgh Quay. Six cars parked in the vicinity of the Avenger are set on fire and piled on top of each other. Most of the windows of Liberty Hall and other nearby buildings implode and the edifices are damaged. Although a number of people suffer injuries – some horrific – nobody is killed. One of the injured is a pregnant woman. Customers inside the quayside Liffey Bar, near the explosion’s epicentre, are hurt by flying glass and some have open head wounds. Following the explosion, a huge crowd of people hurries to the scene where police and ambulances have already arrived.
At exactly the same time the carbomb detonates in Eden Quay, the Belfast News Letter receives a telephone call from a man using a coin box speaking with a Belfast English type of accent. He issues a warning that two bombs will explode in Dublin. He gives the locations as Liberty Hall and Abbey Street behind Clerys department store. The newspaper immediately phones the Royal Ulster Constabulary (RUC), who in turn relay the warnings to the Garda Control Room at Dublin Castle at 8:08 p.m. A team of Gardaí are sent to investigate the area around Sackville Place and Earl Street.
A policeman runs into a CIÉ company canteen in Earl Place warning the employees inside to clear the building as there is a bomb scare. Just after the building is evacuated, at 8:16 p.m., a silver-grey Ford Escort, registration number 955 1VZ, explodes in Sackville Place forty feet away from its intersection with Marlborough Street, throwing people up in the air and in all directions, killing two CIÉ employees who moments before had left the canteen. The victims are George Bradshaw (30), a bus driver and Thomas Duffy (23), a bus conductor. Both men are married with children. Bradshaw, whose body is rendered unrecognisable by the effects of the blast, dies of severe head injuries and Duffy is killed by a flying metal fragment which lacerates his aorta. Henry Kilduff, a CIÉ bus driver, later tells Gardaí that he had seen Bradshaw and Duffy en to twenty yards away walking down Sackville Place towards Marlborough Street when the carbomb exploded beside them.
Denis Gibney, another co-worker, informs police that Bradshaw had been headed in the direction of Liberty Hall after hearing that a bomb had gone off near there. Bradshaw is found lying badly mangled beside a damaged car and is carried into a ruined shop front where a priest performs last rites. As at Eden Quay, the Sackville Place bombing causes considerable damage to buildings and vehicles near the blast’s epicentre. Sackville Place is a narrow street off O’Connell Street, Dublin’s main thoroughfare. There is further panic amongst the survivors when the petrol tank inside the burning bomb car explodes. A total of 131 people are injured in both explosions.
The two bombings have immediate political ramifications. Just as the bombs are exploding in the city centre, Dáil Éireann is debating the controversial bill to amend the Offences Against the State Act, which would enact stricter measures against the Provisional Irish Republican Army (IRA) and other paramilitary groups. As a result of the two attacks, the Dáil votes for the amendment which introduces special emergency powers to combat the IRA. In particular this means that a member of the IRA or any other paramilitary group can be sentenced on the sworn evidence of a senior Garda officer in front of three judges. Before the bombings, many commentators had actually believed the bill, considered by some to be ‘draconian,’ would be defeated. It is believed that the November 26 and December 1 bombings are executed to influence the outcome of the voting.
Thirteen days after the double-bombing, three incendiary devices are found in Dublin – one inside Clerys department store and the other two in the toilets of the Premier Bar in Sackville Place. The devices had failed to explode. According to journalists Jim Cusack and Henry McDonald, the devices were planted by the same Ulster Volunteer Force (UVF) bomb unit that was responsible for the Eden Quay and Sackville Place car bombs.
Irish Supreme Court Justice Henry Barron commissions an official inquiry into the bombings. The findings are published in a report in November 2004. The Inquiry concludes that it “seemed more likely than not” that the bombing of the Film Centre Cinema on November 26, 1972, was “carried out by Republican subversives as a response to a Government ‘crackdown’ on the IRA and their associates” and to influence the outcome of the voting in the Dáil regarding the passage of the controversial amendment to the Offences Against the State Acts. Regarding December 1, 1972, and January 20, 1973, carbombings, the Inquiry concludes that confidential information obtained by the Gardaí indicates the three attacks were perpetrated by the UVF, “but no evidence was ever found to confirm this. Nor was there any evidence to suggest the involvement of members of the security forces in the attacks.”
The Dublin City Coroner’s Court holds an inquest in February 2005 into the deaths of George Bradshaw, Thomas Duffy, and Thomas Douglas. The jury of three men and four women returns a verdict of unlawful killing by persons or persons unknown for the three dead men.
The UVF has never admitted responsibility for the bombings.
(Pictured: The scene of destruction at Sackville Place, off O’Connell Street, Dublin, following the explosion. Photograph credit: Paddy Whelan)
MacManus begins writing while still teaching, first publishing a trilogy set in Penal times and concerning the life of the Gaelic poet Donncha Rua Mac Conmara comprising the novels Stand and Give Challenge (1934), Candle for the Proud (1936) and Men Withering (1939). A second trilogy follows which turns its attention to contemporary Ireland: This House Was Mine (1937), Flow On, Lovely River (1941), and Watergate (1942). The location is the fictional “Dombridge,” based on Kilkenny, and deals with established themes of Irish rural life including obsessions with land, sexual frustration, and the trials of emigration and return. Other major works include the novel The Greatest of These (1943), concerning religious conflict in nineteenth-century Kilkenny, and the biographies Boccaccio (1947) and Saint Columban (1963). In his last two novels, he descends into the depths of theological debate: The Fire in the Dust (1950) is followed by American Son (1959), a remarkable dialogue between conflicting modes of belief which reveals the strong influence of Roman Catholicism on the author.
Francis MacManus dies of a heart attack at the age of 56 in Dublin on November 27, 1965.
The RTÉ Francis MacManus Short Story Award is established in his memory in 1985. The competition is run by RTÉ, Ireland’s national broadcaster, and is open to entries written in Irish or English from authors born or resident in Ireland. The total prize fund is €6000, out of which the winning author receives €3,000. Sums of €2,000 and €1,000 are awarded to the second and third prize winners.
In 1973, the Provisional Irish Republican Army (IRA) extends its campaign to mainland Britain, attacking military and symbolically important targets to both increase pressure on the British government, via popular British opinion, to withdraw from Northern Ireland and to maintain morale amongst their supporters. By 1974, mainland Britain sees an average of one attack — successful or otherwise — every three days.
In the early evening hours of November 21, at least three bombs connected to timing devices are planted inside two separate public houses and outside a bank located in and around central Birmingham. It is unknown precisely when these bombs were planted. If official IRA protocol of preceding attacks upon non-military installations with a 30-minute advance warning to security services is followed, and subsequent eyewitness accounts are accurate, the bombs would have been planted at these locations after 7:30 p.m. and before 7:47 p.m.
According to testimony delivered at the 1975 trial of the six men wrongly convicted of the bombings, the bomb planted inside the Mulberry Bush pub is concealed inside either a duffel bag or briefcase, whereas the bomb planted inside the Tavern in the Town is concealed inside a briefcase or duffel bag (possibly concealed within a large, sealed plastic bag) and Christmas cracker boxes. The remnants of two alarm clocks recovered from the site of each explosion leaves the possibility that two bombs had been planted at each public house. The explosion crater at each location indicates that if two bombs had been planted at each public house, they would each have been placed in the same location and likely the same container.
Reportedly, those who plant the bombs then walk to a preselected phone box to telephone the advance warning to security services. However, the phone box has been vandalised, forcing the caller to find an alternative phone box and thus shortening the amount of time police have to clear the locations.
At 8:11 p.m., an unknown man with a distinct Irish accent telephones the Birmingham Post newspaper. The call is answered by operator Ian Cropper. The caller says, “There is a bomb planted in the Rotunda and there is a bomb in New Street at the tax office. This is Double X,” before terminating the call. (“Double X” is an IRA code word given to authenticate any warning call.) A similar warning is also sent to the Birmingham Evening Mail newspaper, with the anonymous caller again giving the code word, but again failing to name the public houses in which the bombs had been planted.
The Rotunda is a 25-story office block, built in the 1960s, that houses the Mulberry Bush pub on its lower two floors. Within minutes of the warning, police arrive and begin checking the upper floors of the Rotunda, but they do not have sufficient time to clear the crowded pub at street level. At 8:17 p.m., six minutes after the first telephone warning had been delivered to the Birmingham Post, the bomb, which had been concealed inside either a duffel bag or briefcase located ner the rear entrance to the premises, explodes, devastating the pub. The explosion blows a 40-inch crater in the concrete floor, collapsing part of the roof and trapping many casualties beneath girders and concrete blocks. Many buildings near the Rotunda are also damaged, and pedestrians in the street are struck by flying glass from shattered windows. Several of the victims die at the scene, including two youths who had been walking past the premises at the moment of the explosion.
Ten people are killed in this explosion and dozens are injured, including many who lose limbs. Several casualties are impaled by sections of wooden furniture while others have their clothes burned from their bodies. A paramedic called to the scene of this explosion later describes the carnage as being reminiscent of a slaughterhouse. One fireman says that, upon seeing a writhing, “screaming torso,” he begs police to allow a television crew inside the premises to film the dead and dying at the scene, in the hope the IRA would see the consequences of their actions. However, the police refuse this request, fearing the reprisals would be extreme.
The Tavern in the Town is a basement pub on New Street located a short distance from the Rotunda and directly beneath the New Street Tax Office. Patrons there hear the explosion at the Mulberry Bush, but do not believe that the sound, described by one survivor as a “muffled thump,” is an explosion.
Police have begun attempting to clear the Tavern in the Town when, at 8:27 p.m., a second bomb explodes there. The blast is so powerful that several victims are blown through a brick wall. Their remains are wedged between the rubble and live underground electric cables that supply the city centre. One of the first police officers on the scene, Brian Yates, later testifies that the scene which greeted his eyes was “absolutely dreadful,” with several of the dead stacked upon one another, others strewn about the ruined pub, and several screaming survivors staggering aimlessly amongst the debris, rubble, and severed limbs. A survivor says the sound of the explosion is replaced by a “deafening silence” and the smell of burned flesh.
Rescue efforts at the Tavern in the Town are initially hampered as the bomb had been placed at the base of a set of stairs descending from the street, the sole entrance to the premises, had been destroyed in the explosion. The victims whose bodies are blown through a brick wall and wedged between the rubble and underground electric cables take up to three hours to recover, as recovery operations are delayed until the power can be isolated. A passing West Midlands bus is also destroyed in the blast.
This bomb kills nine people outright, and injures everyone in the pub, many severely. Two later die of their injuries. After the second explosion, police evacuate all pubs and businesses in Birmingham city centre and commandeer all available rooms in the nearby City Centre Hotel as an impromptu first-aid post. All bus services into the city centre are halted, and taxi drivers are encouraged to transport those lightly injured in the explosions to hospital. Prior to the arrival of ambulances, rescue workers remove critically injured casualties from each scene upon makeshift stretchers constructed from devices such as tabletops and wooden planks. These severely injured casualties are placed on the pavement and given first aid prior to the arrival of ambulance services.
At 9:15 p.m., a third bomb, concealed inside two plastic bags, is found in the doorway of a Barclays Bank on Hagley Road, approximately two miles from the site of the first two explosions. This device consists of 13.5 pounds of Frangex connected to a timer and is set to detonate at 11:00 p.m. The detonator to the device activates when a policeman prods the bags with his truncheon, but the bomb does not explode. The device is destroyed in a controlled explosion early the following morning.
The bombings stoke considerable anti-Irish sentiment in Birmingham, which then has an Irish community of 100,000. Irish people are ostracised from public places and subjected to physical assaults, verbal abuse and death threats. Both in Birmingham and across England, Irish homes, pubs, businesses and community centres are attacked, in some cases with firebombs. Staff at thirty factories across the Midlands go on strike in protest of the bombings, while workers at airports across England refuse to handle flights bound for Ireland. Bridget Reilly, the mother of the two Irish brothers killed in the Tavern in the Town explosion, is herself refused service in local shops.
The bombings are immediately blamed on the IRA, despite the organisation not having claimed responsibility. Due to anger against Irish people in Birmingham after the bombings, the IRA Army Council places the city “strictly off-limits” to IRA active service units. In Northern Ireland, loyalist paramilitaries launch a wave of revenge attacks on Irish Catholics and within two days of the bombings, five Catholic civilians have been shot dead by loyalists. The Provisional IRA never officially admits responsibility for the Birmingham pub bombings.
Six Irishmen are arrested within hours of the blasts and in 1975 are sentenced to life imprisonment for the bombings. The men, who become known as the Birmingham Six, maintain their innocence and insist police had coerced them into signing false confessions through severe physical and psychological abuse. After 16 years in prison, and a lengthy campaign, their convictions are declared unsafe and unsatisfactory, and quashed by the Court of Appeal in 1991. The episode is seen as one of the worst miscarriages of justice in British legal history.
In 2001, each of the Birmingham Six is subsequently paid between £840,000 and £1.2 million in compensation.
(Pictured: The Mulberry Bush pub after the November 21, 1974, bombing)
For twelve years, from 1964 to 1976, O’Brien teaches at St. Finbarr’s Seminary, Farranferris, where he is also the hurling trainer for the school team. He is “at the helm as Farranferris wins Dr. Harty Cups in 1969, 1971, 1972, 1973 and 1974, adding All-Irelands in 1972 and 1974.”
A twelve-year stint as chaplain at the Naval Base of Haulbowline follows before O’Brien returns to parish ministry, again in Blackrock. In 1985, he starts a lengthy stay in Carrigaline where he serves as curate, administrator and finally parish priest of Carrigaline, before retiring from active ministry in 2003.
Duff is born in Dublin on June 7, 1889, at 97 Phibsboro Road, the eldest of seven children of John Duff and his wife, Susan Letitia (née Freehill). The wealthy family lives in the city at St. Patrick’s Road, Drumcondra. He attends Blackrock College.
In 1908, Duff enters the Civil Service and is assigned to the Irish Land Commission. In 1913, he joins the Society of Saint Vincent de Paul and is exposed to the real poverty of Dublin. Many who live in tenement squalor are forced to attend soup kitchens for sustenance, and abject poverty, alcoholism, and prostitution are rife in parts of Dublin. He joins and soon rises through the ranks to President of the St. Patrick’s Conference at St. Nicholas of Myra Parish. Having concern for people he sees as materially and spiritually deprived, he gets the idea to picket Protestant soup kitchens as he considers they are giving aid in the form of food and free accommodation at hostels in return for not attending Catholic services. He sets up rival Catholic soup kitchens and, with his friend, Sergeant Major Joe Gabbett, discourages Catholics from patronizing Protestant soup kitchens. They succeeded in closing down two of them over the years.
Duff publishes his first pamphlet, Can we be Saints?, in 1916. In it, he expresses the conviction that all, without exception, are called to be saints, and that through Christian faith, all have the means necessary.
Duff briefly acts as private secretary to Michael Collins, the chairman of the Provisional Government and the commander-in-chief of the National Army. In 1924, he is transferred to the Department of Finance.
On September 7, 1921, Duff is a part of a meeting alongside Fr. Michael Toher and fifteen women which becomes the nucleus of what would become the Legion of Mary. The Legion of Mary is created to organise lay Catholics to perform voluntary work. He models the organisation on Roman legions. Some of the first causes the Legion pursues is to become involved with homelessness and prostitution in Dublin. In 1922, he defies the wishes of the Archbishop of Dublin and the widespread Crypto-Calvinism, or Jansenism, within the Catholic Church in Ireland, which had created an intense hostility towards both prostitutes and other allegedly “fallen women.” Similarly, to St. Vitalis of Gaza before him, he begins an outreach to the prostitutes living in often brutal and inhuman conditions in the “kip houses” of “the Monto,” as Dublin’s red-light district, one of the largest in Europe at the time, is then called. Although middle-class Dubliners dismissively view these women as “whores,” the impoverished but devoutly Catholic residents of the Monto tenements refer to local prostitutes as “unfortunate girls,” and understand that they often turn to prostitution as a last resort. As part of his work, Duff establishes the Sancta Maria hostel, a safe house for former prostitutes who had run away from their “kip keepers.” Following the Irish War of Independence and Irish Civil War, he also persuades the first Catholic Commissioner of the Dublin Metropolitan Police, former Irish Army General W. R. E. Murphy, to launch a crackdown and, even though prostitution in the Republic of Ireland, rooted in human trafficking, still exists, the closure of the Monto’s last “Kip-Houses” is announced on March 12, 1925.
In 1927, Duff establishes the Morning Star hostel for homeless men, followed shortly by the Regina Coeli hostel for homeless women in 1930. Unlike the Magdalen Asylums, the Regina Coeli hostel reflects his view that unwed mothers should be taught how to be able to provide for and raise their children. This defies the norm of the era which holds that the children of unwed mothers should be saved from the stigma of their illegitimacy by being put up for adoption as quickly as possible.
While Duff enjoys the support of W. T. Cosgrave, Ireland’s head of government, and in May 1931 is granted an audience with Pope Pius XI, his efforts are opposed internally in the Dublin diocese. The Archbishop of Dublin Edward Joseph Byrne and his successor John Charles McQuaid seek to censor him because of his involvement with prostitutes. McQuaid also does not approve of his ecumenical efforts. In the 1930s and 1940s Duff creates the Mercier Society, a study group designed to bring together Catholics and Protestants, as well as the Pillar of Fire, a group designed to promote dialogue with Ireland’s Jewish community. In communication with Irish social dissidents Seán Ó Faoláin and Peadar O’Donnell, he suggests he is far more censored than even they are.
Duff does have some supporters amongst the Catholic hierarchy though. With the backing of Cardinal Joseph MacRory and Francis Bourne of Westminster, the Legion is able to expand rapidly and internationally. In 1928 the Legion establishes its first presidium in Scotland. In 1932 he is able to use the occasion of the Eucharistic Congress of Dublin to introduce the concept of the Legion of Mary to several visiting bishops, leading to further international growth.
Duff retires from the Civil Service in 1934 to devote all of his time to the Legion of Mary.
In July 1940, an overseas club for Afro-Asian students in Dublin is created. At that time Ireland is a popular destination for students from Asia and Africa because of its recent anti-imperial, anti-colonial history. Duff personally funds the purchase of a building for the club using funds from an inheritance. The club lasts until 1976 and facilitate many notable students, including Jaja Wachuku.
For the rest of his life, and with the help of many others, Duff guides the Legion’s worldwide extension. Today, the Legion of Mary has an estimated four million active members and 10 million auxiliary members in close to 200 countries in almost every diocese in the Catholic Church.
In 1965, Pope Paul VI invites Duff to attend the Second Vatican Council as a lay observer. When he is introduced to the assembly by the Archbishop of Liverpool, John Heenan, he receives a standing ovation.
Duff dies in Dublin at the age of 91 on November 7, 1980, and is interred at Glasnevin Cemetery. In July 1996, the cause of his beatification is introduced by Cardinal Desmond Connell.
Hickie attends the Royal Military College, Sandhurst, from 1882 to 1885. He is commissioned into his father’s regiment, the Royal Fusiliers at Gibraltar, in 1885 and serves with them for thirteen years in the Mediterranean, Egypt, and India, during which time he is promoted to captain on November 18, 1892. In 1899 he graduates as captain at the Staff College, Camberley, and is selected when the Second Boer War breaks out as a Special Service Officer in which capacity he acts in various positions of authority and command. He leaves Southampton for South Africa on board the SS Canada in early February 1900 and is promoted from captain of mounted infantry to battalion command as major on March 17, 1900. He is subsequently in command of a corps until eventually at the end of 1900 he is given command of an independent column of all arms. He holds this position for eighteen months. He serves with distinction at the Battle of Bothaville in November 1900 and receives the brevet promotion to lieutenant colonel on November 29, 1900. He serves in South Africa throughout the war, which ends with the Treaty of Vereeniging in June 1902. Four months later he leaves Cape Town on the SS Salamis with other officers and men of the 2nd battalion Royal Fusiliers, arriving at Southampton in late October, when the battalion is posted to Aldershot Garrison. In December 1902 he is elected a Fellow of the Royal Geographical Society (FRGS).
After the end of the war in South Africa there follows various staff appointments, the first from December 1902 as deputy-assistant adjutant general for district staff in the Cork district. In 1907 Hickie is back in regimental service in Dublin and Mullingar with the 1st Royal Fusiliers, where he is in command of the regiment for the last two years. From 1909 to 1912 is appointed to the Staff of the 8th Infantry Division in Cork where for four years he is well known in the hunting field and on the polo ground. In May 1912, he is promoted to colonel and becomes Quartermaster General of the Irish Command at Royal Hospital Kilmainham for which he is appointed a Companion of the Order of the Bath.
When war is declared, the Staff of the Irish Command becomes automatically the staff of the II Army Corps and accordingly with the outbreak of World War I in August 1914, Hickie is promoted to brigadier general and, as part of the British Expeditionary Force in France, takes charge of the Adjutant and Quartermaster-General’s Department during the retreat of the II Corps after the Battle of Mons, to Paris, and during the First Battle of the Marne. In mid-September 1914, he relieves one of the brigadiers in the fighting line as commander of the 13th Brigade (5th Infantry Division) and then commands the 53rd Brigade (18th Infantry Division) until December 1915, when he is ordered home to assume command of the 16th (Irish) Division at Blackburn.
Promoted to major general, Hickie takes over from Lieutenant General Sir Lawrence Parsons. It is politically a highly sensitive appointment which requires the professionalism and political awareness he, fortunately, possesses as the division is formed around a core of Irish National Volunteers in response to Edward Carson‘s Ulster Volunteers. He is much more diplomatic and tactful than his predecessors and speaks of the pride which his new command gives him but does not hesitate to make sweeping changes amongst the senior officers of the Irish Division. After putting the division through intensive training, it leaves under Irish command of which each man takes personal pride. It arrives in December 1915.
In the next two years and four months during which Hickie commands the 16th (Irish) Division, it earns a reputation for aggression and élan and wins many memorials and mentions for bravery in the engagements during the 1916 Battle of Guillemont and the capture of Ginchy, both of which form part of the Battle of the Somme, then during the Battle of Messines, the Third Battle of Ypres and in attacks near Bullecourt in the Battle of Cambrai offensive in November 1917.
During this period the Division makes considerable progress in developing its operational techniques but at a price in losses. The growing shortage of Irish replacement recruits, due to nationalist disenchantment with the war and the absence of conscription in Ireland, is successfully met by Hickie by integrating non-Irish soldiers into the division.
In February 1918, Hickie is invalided home on temporary sick leave, but when in the hospital the German spring offensive begins on March 21, with the result that after his division moves under the command of General Hubert Gough it is practically wiped out and ceases to exist as a division. Although promised a new command, this does not happen before the Armistice in November. He typifies the army’s better divisional commanders, is articulate, intelligent and is competent and resourceful during the BEF’s difficult period 1916–17, laying the foundations for its full tactical success in 1918. He is advanced to Knight Commander of the Order of the Bath in 1918.
Hickie retires from the army in 1922, when the six Irish line infantry regiments that have their traditional recruiting grounds in the counties of the new Irish Free State are all disbanded. He identifies himself strongly with the Home Rule Act and says that its scrapping is a disaster and is equally outspoken in condemning the activities of the Black and Tans. In 1925, he is elected as a member of Seanad Éireann, the Irish Free State Senate.
Hickie holds his seat until the Seanad is dissolved in 1936, to be replaced by Seanad Éireann in 1937. He is President of the Area Council (Southern Ireland) of the Royal British Legion from 1925 to 1948. He never marries.
Hickie dies on November 3, 1950, in Dublin and is buried in Terryglass, County Tipperary.
Crilley is born in Newry, County Down, (present-day Northern Ireland), on August 1, 1884, one of six children of Patrick Crilley. Her date of birth is often given as July 29, 1888, though local records do not support this, suggesting she is born four years earlier. Having initially trained at Newry technical school with her sister Mary, intending to become a teacher, in 1905, she wins a scholarship to attend the Dublin Metropolitan School of Art. There she studies under William Orpen, who regards her as one of his most promising students. She completes her studies in 1911 attaining an Art Teacher’s Certificate and begins working as Orpen’s assistant.
In 1914, Crilley marries her fellow student Harry Clarke, much to the surprise of their family and acquaintances. The couple moves into a flat at 33 North Frederick Street. They have three children, Michael, David and Ann. Harry’s brother, Walter, marries Margaret’s sister, Mary, in 1915.
Clarke first exhibits with the Royal Hibernian Academy in 1913 and goes on to exhibit over 60 artworks in the forty years until 1953, the majority being portraits. Among the portrait commissions she receives are ones for Dermod O’Brien, President Éamon de Valera, ArchbishopJohn Charles McQuaid, and Lennox Robinson. She spends a great deal of time on the Aran Islands with fellow artist Seán Keating and her husband, from which she produces a number of landscapes and smaller studies.
Clarke becomes the director of the Harry Clarke Stained Glass Studios following the death of her husband in 1931.
A critic notes in 1939 that Clarke produces “remarkable drawings in which individuality is caught in a few swift economical lines.” Over her lifetime she wins many awards including the Tailteann gold, silver and bronze medals in 1924, and another Tailteann bronze in both 1928 and 1932. She is elected an Associate of the Royal Hibernian Academy (ARHA) in 1926, and a full RHA member in 1927. Upon the founding of the Irish Exhibition of Living Art in 1943, she is appointed a member of the executive committee.
Clarke dies in Dublin on 31 October 31, 1961, and is buried in the Redford Cemetery, Greystones, County Wicklow. She is commemorated with a blue plaque at her birthplace in Newry.
Joyce is brought up between Mary Street, in the city centre, and the GalwayGaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.
Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).
After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.
Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.
A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.
Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.
Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.
Deane is born on December 2, 1879, in New Ross, County Wexford, and grows up in Clontarf, a suburb of Dublin. His family lives close to the families of both Bram Stoker and his wife, Florence Balcombe, and his mother had been acquainted with Bram Stoker in her youth.
Deane enters the theater as a young man, first appearing in 1899 with the Henry Irving Company, of which Stoker is stage manager for many years. Even before he forms his own troupe in the early 1920s, he has been thinking about bringing Dracula to the stage. Stoker had attempted this in 1897 but the verdict from Irving consigned it to the waste-paper basket. Unable to find a scriptwriter to take on the project, Deane writes the play himself in a four-week period of inactivity while he is suffering with a severe cold. He then contacts Florence Stoker, Bram’s widow, and negotiates a deal for the dramatic rights.
To stage the production, Deane is required to submit the completed script to the Lord Chamberlain for a license under the Theatres Act 1843. The play is censored to limit violence – for example, the count’s death cannot be shown to the audience – but is approved on May 15, 1924.
Deane re-imagines Count Dracula as a more urbane and theatrically acceptable character who could plausibly enter London society. It is Deane’s idea that the count should wear a tuxedo and stand-up collar, and a flowing cape which conceals Dracula while he slips through a trap-door in the stage floor, giving the impression that he has disappeared. He also arranges to have a uniformed nurse available at performances, ready to administer smelling salts should anyone faint.
Deane’s play premieres on August 5, 1924, at the Grand Theatre in Derby, England. Despite critics’ misgivings, the audiences love it. Although he originally intended to play the title role himself, Raymond Huntley plays the role of the Count and Deane fills the role of Van Helsing. It is a huge success and the production tours England for three years before settling in London, where it opens at the Little Theatre in the Adelphi on February 14, 1927. It later transfers to the Duke of York’s Theatre and then the Prince of Wales Theatre to accommodate larger audiences.
When the play crosses the Atlantic in 1927, the role of Dracula is taken by the then-unknown Hungarian-American actor Bela Lugosi. For its United States debut, Dracula is rewritten by the American playwright John L. Balderston. The show runs for a year on Broadway and for two more years on tour, breaking all previous records for any show put on tour in the United States. It is the Deane/Balderston interpretation upon which the classic Tod Browning film Dracula (1931) is based.
seamus dubhghaill 