In field hockey, Kyle gains 58 Irish caps as well as representing three of the four Irish provinces (Leinster, Munster and Ulster) at different stages of her career. She is named in the World All Star team in 1953 and 1959. She is also a competitor in tennis, swimming, sailing and cricket and works as a coach. She is chair of Coaching NI. In 2006, she is awarded the honorary degree of Doctor of the University (DUniv) from the University of Ulster.
Kyle is awarded the Lifetime Achievement Award at the 2006 Coaching Awards in London in recognition of her work with athletes at the Ballymena and Antrim Athletics Club. Earlier in 2006 she is one of 10 players who are initially installed into Irish hockey’s Hall of Fame. She is appointed Officer of the Order of the British Empire (OBE) in the 2008 New Year Honours.
Thomas F. Kilroy, Irish playwright and novelist, is born on September 23, 1934, in Green Street, Callan, County Kilkenny. He is a difficult writer to categorize, having written plays ranging from the conventional The Death and Resurrection of Mr. Roche to more technically innovative and avant-garde works such as Talbot’s Box and The Secret Fall of Constance Wilde. Nevertheless, common thematic concerns run throughout many of his plays, including the issue of personal and cultural—specifically, Irish versus English—identity and the mythologizing of the past. Best known as a playwright, he is also the author of the Booker Prize-shortlisted novel The Big Chapel (1971).
Kilroy is the son of Thomas and Mary (née Devine) Kilroy. He attends St. Kieran’s College and plays hurling for the school team, captaining the senior team in 1952. He studies at University College Dublin, where his first play, The Death and Resurrection of Mr. Roche, is produced to great success at the Olympia Theatre. In his early career he is play editor at the Abbey Theatre in Dublin. In the 1980s, he sits on the board of Field Day Theatre Company, founded by Brian Friel and Stephen Rea in 1980, and is Director of its touring company.
In 1978, Kilroy is appointed Professor of English at University College Galway, a post from which he resigns in 1989 to concentrate on writing.
In 2008, Kilroy receives the Irish PEN Award, given to honour an Irish-born writer who has made an outstanding contribution to Irish literature.
While some of Kilroy’s plays hit a lighter note than others, the common thread in most of them is his attempt to address some of the social upheavals that have occurred in Ireland in the past and present. This has been a concern of his since he was in his twenties and wrote in the 1959 essay “Groundwork for an Irish Theatre” that his contemporaries were “inclined to shirk the painful, sometimes tragic problems of a modern Ireland which is undergoing considerable social and ideological stress.” Although he has not been one of Ireland’s most prolific playwrights, his plays may certainly be considered important contributions to the modern stage.
During the 1940s, there are in effect, two Ireland teams, chosen by two rival associations — the Northern Ireland-based Irish Football Association (IFA) and the Republic of Ireland-based Football Association of Ireland (FAI). Both organisations claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era play for both teams. The IFA XI had played England regularly since 1882, and claim their first victory, by a score of 3–0, on English soil at Ayresome Park, Middlesbrough, on February 14, 1914, but this is only the second time England and the FAI XI have met. Despite this, several members of the FAI XI had played against England several times before while representing the IFA XI. Striker Davy Walsh had previously scored three times against England.
The FAI XI plays England for the first time at Dalymount Park on September 30, 1946. A team, featuring Johnny Carey, Con Martin and Billy Walsh, are narrowly defeated 1–0 when Tom Finney scores the winner in the 82nd minute. Two days earlier, on September 28, Carey and Tom Aherne had been included in the IFA XI that had been heavily defeated 7–2 by the same England side. The next time the IFA XI play England, on November 5, 1947, their team includes six players — Carey, Martin, Billy Walsh, Peter Farrell, Davy Walsh and Tommy Eglington — who had previously played for the FAI XI. Davy Walsh scores the opening goal in a 2–2 draw at Goodison Park. Carey, Martin, Farrell and Walsh also play for the IFA XI in their 6–2 defeat by England at Windsor Park on October 10, 1948. Davy Walsh also scores both goals that day.
The early pattern of the game sees England launch wave after wave of attacks. However Tommy Godwin is in inspired form and Con Martin, Tom Aherne and Johnny Carey prove too difficult for England to get past. Carey is also effective in keeping Tom Finney quiet, while wing-halves Billy Walsh and Tommy Moroney gradually take the sting out of the English front line. Ireland takes the lead in the 33rd minute when Peter Desmond, after collecting a pass from Tommy O’Connor, bursts into the England penalty area and is brought down. Con Martin then converts the subsequent penalty kick. During the second half the wave of England attacks continues. Peter Harris hits the bar and Jesse Pye also goes close. However, Peter Farrell, playing at his club Everton’s home ground, makes victory certain in the 85th minute. O’Connor slips the ball to Farrell and as the English goalkeeper Bert Williams advances, Farrell lofts the ball into the net.
(Pictured: The Irish team which beat England 2-0 at Goodison Park in 1949. Back Row (L to R): Con Martin, Tommy Aherne, Tommy Godwin, Tommy Moroney and Willie Walsh. Seated (L to R): Peter Corr, Tommy O’Connor, Johnny Carey, Peter Desmond, Peter Farrell and Davy Walsh.)
McCormack is born on June 14, 1884, in Athlone, County Westmeath, the second son and fifth of the 11 children of Andrew McCormack and his wife Hannah Watson. His parents are both from Galashiels, Scotland, and work at the Athlone Woolen Mills, where his father is a foreman. He is baptised in St. Mary’s Church, Athlone, on June 23, 1884.
McCormack receives his early education from the Marist Brothers in Athlone and later attends Summerhill College, Sligo. He sings in the choir of the old St. Peter’s Church in Athlone under his choirmaster Michael Kilkelly. When the family moves to Dublin, he sings in the choir of St. Mary’s Pro-Cathedral where he is discovered by Vincent O’Brien. In 1903 he wins the coveted gold medal of the Dublin Feis Ceoil. He marries Lily Foley in 1906 and they have two children, Cyril and Gwen.
In March 1904, McCormack becomes associated with James Joyce, who at the time has singing ambitions himself. He persuades Joyce to enter the Feis Ceoil that year, where the not yet famous writer is awarded the Bronze Medal.
Fundraising activities on his behalf enable McCormack to travel to Italy in 1905 to receive voice training by Vincenzo Sabatini, father of the novelist Rafael Sabatini, in Milan. Sabatini finds McCormack’s voice naturally tuned and concentrates on perfecting his breath control, an element that becomes part of the basis of his renown as a vocalist.
In 1906, McCormack makes his operatic début at the Teatro Chiabrera, Savona. The next year, he begins his first important operatic performance at Covent Garden in Pietro Mascagni‘s Cavalleria rusticana, becoming the theatre’s youngest principal tenor. In 1909, he begins his career in the United States.
In February 1911, McCormack plays Lieutenant Paul Merrill in the world premiere of Victor Herbert‘s opera Natoma with Mary Garden in the title role. Later that year, he tours Australia after DameNellie Melba engages him, then at the height of his operatic career, aged 27, as a star tenor for the Melba Grand Opera Season. He returns for concert tours in subsequent years.
By 1912, McCormack is beginning to become involved increasingly with concert performances, where his voice quality and charisma ensures that he becomes the most celebrated lyric tenor of his time. He does not, however, retire from the operatic stage until after his performance of 1923 in Monte Carlo, although by then the top notes of his voice have contracted. Famous for his extraordinary breath control, he can sing 64 notes on one breath in Mozart‘s “Il mio tesoro” from Don Giovanni, and his Handelian singing is just as impressive in this regard.
McCormack makes hundreds of recordings, his best-known and most commercially successful series of records being those for the Victor Talking Machine Company during the 1910s and 1920s. He is Victor’s most popular Red Seal recording artist after tenor Enrico Caruso. In the 1920s, he sings regularly on radio and later appears in two sound films, Song o’ My Heart (1930), playing an Irish tenor, and as himself appearing in a party scene in Wings of the Morning (1937), the first British three-strip Technicolor feature.
McCormack is one of the first artists to record the popular ballad “I Hear You Calling Me” written in 1908 by Harold Harford and Charles Marshall. He records it twice for Odeon Records starting in 1908 and a further four times for Victor between 1910 and 1927, becoming his best seller. He is the first artist to record the famous World War I song “It’s a Long Way to Tipperary” in 1914. He also records a best-selling version of another popular World War I tune, “Keep the Home Fires Burning,” in 1917. He also sings songs expressive of Irish nationalism and endorses the Irish Nationalist estrangement from the United Kingdom. He is associated particularly with the songs of Thomas Moore, notably “The Harp That Once Through Tara’s Halls,” “The Minstrel Boy,” “Believe Me If All (Those Endearing Young Charms),” and “The Last Rose of Summer.” Between 1914 and 1922, he records almost two dozen songs with violin accompaniment provided by Fritz Kreisler, with whom he also tours. He records songs of Hugo Wolf for the Hugo Wolf Society in German. In 1918, he records the song “Calling Me Home to You.”
In 1917, McCormack becomes a naturalised citizen of the United States. In June 1918, he donates $11,458 toward the U.S. World War I effort. By then, his career is a huge financial success, earning millions in his lifetime from record sales and appearances.
By 1920, Edwin Schneider has become McCormack’s accompanist and the two are “inseparable.” When Schneider retires, Gerald Moore takes over as accompanist from 1939 to 1943.
In 1927, McCormack moves into Moore Abbey, Monasterevin, County Kildare, and adopts a very opulent lifestyle by Irish standards. He also owns apartments in London and New York. He hopes that one of his racehorses, such as Golden Lullaby, would win The Derby, but this never occurs.
McCormack also purchases Runyon Canyon in Hollywood in 1930 from Carman Runyon. He sees and likes the estate while there filming Song o’ My Heart (1930), an early all-talking, all-singing picture. He uses his salary for this movie to purchase the estate and builds a mansion he calls ‘San Patrizio,’ after Saint Patrick. He and his wife live in the mansion until they return to England in 1938.
McCormack tours often, and in his absence, the mansion is often let to celebrities such as Janet Gaynor and Charles Boyer. The McCormacks make many friends in Hollywood, among them Errol Flynn, Will Rogers, John Barrymore, Basil Rathbone, Ronald Colman, Charles E. Toberman and the Dohenys. After his farewell tour of America in 1937, the McCormacks deed the estate back to Carman Runyon expecting to return to the estate at a later date. World War II intervenes and he does not return.
McCormack originally ends his career at the Royal Albert Hall in London, during 1938. However, one year after that farewell concert, he is back singing for the Red Cross and in support of the war effort. He gives concerts, tours, broadcasts and records in this capacity until 1943 when poor health finally forces him to retire permanently.
Ill with emphysema, McCormack purchases a house near the sea, “Glena,” Booterstown, Dublin. After years of increasingly poor health, and a series of infectious illnesses, including influenza and pneumonia, he dies at his home in Booterstown on September 16, 1945. He is buried in Deans Grange Cemetery, St. Patrick’s section, plot reference E/120.
Sheppard is based in Dublin for almost all of his life, having traveled widely across Europe. His wife Rosie dies in 1931, with whom he has several children. They live at Howth and 30 Pembroke Road in central Dublin.
From 1902 to 1937 Sheppard teaches sculpture at the Dublin Metropolitan School of Art. His annual stipend is £250 but for this he only has to lecture three mornings a week, allowing him plenty of time for work on commissioned projects. One of his most famous students is the sculptor, Kathleen Cox.
The Dying Cuchulain is considered Sheppard’s masterpiece and an important work of Irish art. It is a bronze figure of the mythological warrior-hero Cuchulain, who continued to fight against his enemies while gravely wounded and tied to a tree. It is created in 1911 and later chosen by Éamon de Valera in 1935 as the national memorial to the 1916 Easter Rising. It can still be viewed today in the General Post Office (GPO), O’Connell Street, Dublin.
Sheppard is generally critical of the low standards of sculpture in Ireland: “For the last sixty years or so thousands of figures and groups have been executed in Dublin for ecclesiastical purposes, and, with one or two exceptions … was not up to a reasonable standard. The making of a work of art hardly entered into it at all. The sculptor, well trained and properly encouraged, should collaborate with the architect.”
Sheppard is in the minority of Irish Protestants who support independence, starting with support for the Irish Parliamentary Party in the 1880s, when he is an art student.
In 1890–1910 Sheppard is a part of the Celtic Revival movement, and, from his works such as Inis Fáil, is admired by his student William Pearse. Through him he meets his brother Patrick Pearse who later helps launch the Easter Rising in 1916. While most of the Revival’s artists are writers, playwrights and poets, Sheppard can claim to be the main sculptor working on themes similar to theirs.
After the Irish War of Independence (1919–21) Sheppard says, “They thought me too old to fight but I have tried to help in other ways. My politics are simple. I have always thought that this country should be a free country.” His opinions are not overly dogmatic, considering his work on the war memorials in 1920.
In the mid-1920s the first series of Irish Free State coinage is planned and is finally launched in 1928. Sheppard is one of the designers short-listed but his designs are not accepted.
After his retirement in 1937 from the National College of Art, the now renamed Dublin Metropolitan School of Art, he is appointed in 1938 by the Minister for Education to the College’s standing committee. He is also made a judge in the Royal Dublin Society art competition in 1939 and 1940.
Soon afterwards Hazell transfers to the Royal Flying Corps. In April and May he is assigned to No. 5 Reserve Squadron, based at Castle Bromwich. He is appointed a flying officer on June 5 and survives a severe crash before completing his training. He eventually joins No. 1 Squadron on the Western Front. Flying Nieuport 17 Scouts, he shoots down 20 enemy aircraft between March and August 1917, being appointed a flight commander with the acting rank of captain on May 25, and is awarded the Military Cross on July 26.
After serving as an instructor at the Central Flying School in 1918, Hazell takes command of “A” Flight, No. 24 Squadron, flying the S.E.5a. On August 22, 1918, he shoots down an observation balloon despite its escort of seven Fokker D.VIIs. The escort is led by German ace Ernst Udet, who attacks and riddles Hazell’s petrol tank, propeller, and two longerons with bullets. In spite of this Hazell fights his way back, eyes full of petrol, and lands safely. Udet thinks he has forced the British pilot to crash and actually claims him as his 60th victory. Hazell finishes the war with 43 confirmed kills, the top British surviving ace of the war (excluding Dominion airmen). He is twice awarded the Distinguished Flying Cross. On June 11, 1927, he returns to the RAF Depot at Uxbridge and is placed on the retired list on July 20, 1927, at his own request.
In 1944, at the age of 52, Hazell becomes the commander of “D” Company, 24th (Tettenhall) Battalion, South Staffordshire Home Guard during the later part of World War II.
Hazell dies in Newport, County Mayo, on September 4, 1946, and is buried at the BurrishooleChurch of Ireland Cemetery there. In 2014 his grave, which had been largely forgotten and neglected, is restored, repaired, and re-dedicated in a ceremony on August 4, 2014, the 100th anniversary of the declaration of World War I.
Marmion is born April 1, 1858, in Dublin, the seventh of nine children of William Marmion and Herminie Marmion (née Cordier). He attends St. Laurence O’Toole’s, a primary school run by the Augustinian Fathers of John’s Lane. On January 11, 1869, he transfers to Belvedere College, where he receives an excellent grounding in Greek and Latin from the Jesuit Fathers. From there, he proceeded in January 1874 to Clonliffe College, where he remains until December 1879, when the new Archbishop of Dublin, Dr. Edward MacCabe, selects him for further theological studies in Rome.
Marmion is in Rome at the Pontifical Irish College, studying theology at the Propaganda College, for eighteen months (December 1879 – July 1881). Although invited by the authorities at Propaganda to present himself for the doctorate degree, he turns down the offer for health reasons, on account of the necessary extra year in Rome which this would entail. On returning to Dublin, he spends the first year as curate in Dundrum parish. This is followed by four years (1882–86) as professor of philosophy at Clonliffe. On October 25, 1886, he receives from the newly appointed Archbishop of Dublin, Dr. William Walsh, his dimissorial letters, granting him permission to join the Benedictine order. On November 21, 1886, he enters the newly founded BelgianMaredsous Abbey, with which, by virtue of the Benedictine vow of stability, he is to be associated for the rest of his life.
The first thirteen years of his monastic life (1886–99) are spent at Maredsous Abbey itself. After an unsuccessful start in the abbey school as a kind of housemaster to the junior boys, he finds his feet within the community through congenial work, notably the teaching of Thomistic philosophy to the junior monks. He also gradually builds up a reputation as a spiritual guide through the exercise of ministry on a small scale in the surrounding area. The next decade (1899–1909) finds him in Leuven as prior and professor of dogmatic theology at Mont César Abbey, which is founded and staffed by Maredsous. This decade provides a wide outlet for his matured spiritual doctrine through his lectures on dogmatic theology in Mont César, his retreats to priests and religious, and his private correspondence. The third and final phase of his monastic life begins when the chapter of Maredsous elects him as its third abbot in 1909.
An invitation is received from the Belgian government from December 1909 to April 1910 to undertake a Benedictine foundation in Katanga, part of the Belgian Congo. In spite of pressure from government quarters the chapter of Maredsous refuses the offer, and Marmion accepts this negative decision. In 1913 the entire community of Anglican Benedictines of Caldey Island, Wales, transfer their allegiance from Canterbury to Rome. Marmion becomes deeply involved in the spiritual and canonical process of the reception of the community into the Catholic church.
The outbreak of World War I ushers in four years of grave anxiety for Marmion. Belgium is not completely occupied but retains sovereignty over an area extending inland about twenty miles to the Ypres Salient. This enables the young monks of Maredsous, for whom Marmion had found a temporary home in Edermine, County Wexford, to travel to and from the Western Front, where they are being called up to serve as stretcher bearers in the Belgian army. He does his utmost to maintain the unity of his community between those who had remained in Maredsous and the Edermine group.
The first of Marmion’s great spiritual books, Christ, the Life of the Soul, appears in 1916, and its phenomenal success has been described as a silent plebiscite. This is followed by Christ in His Mysteries (1919), Christ the Ideal of the Monk (1922), and Sponsa Verbi (1923). The books are able to appear in rapid succession since they are compiled from his existing conference notes.
One final piece of important monastic and ecclesiastical and even political business absorbs much of Marmion’s energies, although strictly speaking it is not of his remit. His strenuous efforts to install Belgian monks in the Abbey of the Dormition on Mount Zion in Jerusalem following the internment (November 1918) of the original German Benedictine community by the victorious British forces are of no avail, the question being finally settled by the reinstallation of the German (Beuronese) monks in 1921.
Marmion dies at Maredsous on January 30, 1923, following a brief illness which originates in a chill and is aggravated by influenza.
Marmion is beatified by Pope John Paul II on September 3, 2000. This is the outcome of a popular reputation for holiness which had increased steadily since his death and the procedures for beatification prompted in 1954 by Mgr. Montini, the future Pope Paul VI. The canonical steps are: diocesan process at Namur (1957–61); examination at Rome of Marmion’s writings (1960–73); a critical biography (1987–94), written by Mark Tierney, OSB, for the Roman process on the ‘heroicity’ of Marmion’s virtues which concluded in June 1999; and finally, an inexplicable cure of cancer through Marmion’s intercession, judged as miraculous by Rome on January 25, 2000.
The originality of Marmion’s spiritual doctrine lay in his truly central emphasis on the doctrine of our adoption as the children of God in baptism. Many of his predecessors had also emphasised this doctrine, but few had made it the focus from which everything radiated and to which everything returned. The second characteristic of Marmion’s teaching, a much more personal trait, is the conviction of authenticity communicated by his writings, of the greatness of our sharing in the sonship of the Word. This makes a deep and lasting impression on the reader and gives an infinitely sacred meaning to the title ‘children of God’ and thereby to the whole of life. The third characteristic of Marmion’s teaching is the simplicity with which the deepest theological truths are presented – truths which preachers often feel their people cannot ‘take,’ and hence are left unsaid. Marmion presents these truths directly from St. John and St. Paul, and not merely in familiar extracts but in the whole sweep of their texts.
(From: “Marmion, Dom Columba” by Placid Murray, Dictionary of Irish Biography, http://www.dib.ie)
Scallon is born Rosemary Brown, the fifth of seven children of a King’s Cross railway station porter and trumpet player originally from Derry, Northern Ireland. When she is five, the family moves back to Derry where she grows up in the Creggan housing estate and Bogside. She attends St. Eugene’s Primary School and then enrolls at Thornhill College. A singing talent from childhood, she wins several local contests while also participating in local choirs and taking piano, violin and ballet lessons.
In the early 1960s Scallon forms a trio with two of her sisters, often performing at charity concerts organized by their father. When one sister leaves, the remaining duo lands a summer-long booking at the Palladium and a recording contract with Decca Records. Her other sister, however, leaves to join her new husband, a United States airman, in America. Stricken with stage fright, Scallon the solo singer manages to win a folk competition at the Embassy Ballroom with her eyes shut. The contest’s sponsor, teacher and music promoter Tony Johnston, helps her complete her equivalency degree and records a demo that convinces Decca Records to sign her on as a solo artist. She releases a single in 1967 that brings some attention from local TV and radio.
Performing under her school nickname “Dana,” Scallon becomes a fixture in Dublin‘s cabaret and folk clubs. She is crowned “Queen of Cabaret” and feted with a parade and a reception at Clontarf Castle on the Saturday before Easter 1968.
At the suggestion of Decca Record’s local agent, Phil Mitton, Scallon auditions for the Irish National Song Contest, a preliminary for the 1969 Eurovision competition. She reaches the finals in Dublin but comes in second.
RTÉ Television chief Tom McGrath invites Scallon back to compete the following year. She accepts even though she is preparing to retire from active performing to pursue teaching. The song, “All Kinds of Everything” by Derry Lindsay and Jackie Smith, is picked for her by McGrath and propels her to victory. She goes on to represent Ireland in the 1970 Eurovision contest, held in Amsterdam. She performs perched on a stool on stage and defeats England’s Mary Hopkin and Spain‘s Julio Iglesias to secure Ireland’s victory.
Scallon is given a hero’s welcome upon her return to Ireland, especially in Northern Ireland. “All Kinds of Everything” shoots to #1 on the Irish Singles Chart, as well as the UK Singles Chart. It is also successful in Australia, Austria, Germany, Israel, Malaysia, the Netherlands, New Zealand, Singapore, South Africa, Switzerland and Yugoslavia, on its way to passing 1 million sales. She quickly records an album, with orchestral accompaniment. Her follow-up single, “I Will Follow You,” fails to make much of a splash. Given the choice of giving up, she decides to fight for her recording career, and succeeds with Paul Ryan‘s “Who Put the Lights Out,” which spends eleven weeks on the UK charts.
In 1974 Scallon switches to GTO Records. Her first single on that label, “Please Tell Him That I Said Hello,” returns her to the top 10. Her 1975 holiday single “It’s Gonna be a Cold Cold Christmas” by Roger Greenaway and Geoff Stephens, reaches #4 and remains a classic. Now an established Irish singing star she appears in films and festivals and sells out a week of concerts at the London Palladium. She also maintains her “Queen of the Cabaret” reputation with regular appearances in top London clubs. The BBC gives her two shows of her own: a series called A Day with Dana in 1974 and four-part series of Wake Up Sunday in 1979. BBC Radio follows suit with a series of I Believe in Music in 1977.
Meanwhile, Scallon begins performing stage pantomime in a blockbuster production of Cinderella in Oxford. In September 1976, however, she is hospitalized with a non-malignant growth on her left vocal cord, requiring surgery. The single “Fairytale” is sustained in the charts with the publicity from her dire medical prognosis. The experience strengthens her religious faith. On October 5, 1978, she marries Damien Scallon, a hotel-owner from Newry, at St. Eugene’s Cathedral in Derry.
In 1979, recovered from her surgery, Scallon records a new album entitled The Girl is Back, which has modest success. Pope John Paul II‘s visit to Ireland that year inspires her to write a song based on his personal motto, “Totus Tuus,” which tops the Irish charts. Long associated with Christian causes and Sunday-morning programs, she and her husband look for opportunities to reach a broader market for Christian music and find one in the United States. They attend the National Religious Broadcasters conference in Washington, D.C. in 1980 and secure a contract with Word Records.
Scallon’s first album of Christian songs, Totally Yours, is released on Word Records in 1981. She continues to record pop music, including the 1982 album Magic and the official 1982 FIFA World Cup song for the Northern Ireland team, “Yer Man.” She also continues her stage career, starring in Snow White and the Seven Dwarfs at Hull and later in London’s West End and Wolverhampton. She tours the United States in 1984, including appearances at Billy Graham‘s Boston crusades. She pens an autobiography in 1985. She performs “Totus Tuus” before a packed Superdome crowd during John Paul II’s visit to New Orleans in 1987.
Also in 1987, after one of her husband’s hotels is damaged for the seventh time by a terrorist bomb, he takes a job managing retreats for EWTN and moves the family to Alabama. They rent a house in the Cherokee Bend area of Mountain Brook and enroll their children at Saint Rose Academy. Scallon is welcomed to the network as well, hosting the Say Yes and We Are One Body programs. She leaves Word Records and signs with Heart Beat Records for her later Catholic albums. In 1993 she again performs for the Pope at a World Youth Day event in Denver, Colorado.
Scallon is naturalized as a dual citizen of the United States and Northern Ireland in 1997 and moves back there a year later because she has been drafted as an independent candidate for President of Ireland. She garners 15% of the popular vote, finishing third in the race won by Mary McAleese, ahead of the Labour Party candidate. Most of her votes come from rural districts where conservative values are more strongly held.
In 1999 Scallon wins a seat on the European Parliament, representing Connacht-Ulster on a family values and anti-abortion platform. During her five-year term she opposes the development of a European constitution. She also speaks out against a 2001 proposal to amend the Irish constitution to legalize the “morning-after pill” and intrauterine contraceptive devices. With the support of the mainstream parties, the amendment is put to a popular referendum, which fails in 2002. That same year she is defeated in a campaign to represent Galway West in the Dáil Éireann, the lower house of the Irish parliament. In 2004 she fails to hold her seat in the European Parliament and also does not secure a nomination for President.
Leaving politics behind, Scallon joins a weight-loss challenge on RTÉ’s The Afternoon Show in 2005. In 2006 she competes with Ronan McCormack on Celebrity Jigs ‘n’ Reels, finishing second on the popular dance contest.
That same year, Scallon and her husband launch their own music label, DS Music Productions, and release a compilation of songs deidcated to John Paul II’s memory. That is followed by Good Morning Jesus: Prayers and Songs for Children of All Ages, which is featured in a special series on EWTN. Heart Beat Records files a lawsuit against DS Music Productions for alleged copyright violations.
In 2007 Scallon appears as a guest judge for Young Star Search, a Belfast CityBeat radio contest. In 2009 she is brought on as a judge for The All Ireland Talent Show. That same year she returns to EWTN as host of Dana and Friends.
O’Shannon first becomes a journalist with The Irish Times on leaving the RAF in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).
In July 1972 O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.
O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).
In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan, which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminium production. He admits that he was attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one of the reasons for the move is that he had become unhappy with working at RTÉ, stating in an interview that “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for a television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he missed the varied life and travel of journalism. He retires early from Aughinish in 1992 and returns to making television documentaries with RTÉ.
O’Shannon announces his retirement at the age of 80 on January 12, 2007.
O’Shannon is awarded lifetime membership in the Irish Film & Television Academy in 2010, to which he says is “particularly gratifying that it occurs before I pop my clogs.”
After weakening health for two years, and spending his last days in hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011. His body is reposed at Fanagans Funeral Home in Dublin on October 25, 2011, followed by a funeral the following day at Glasnevin Cemetery Chapel, where it is afterwards cremated.
O’Shannon’s wife, Patsy, whom he met while they were working for The Irish Times office in London, dies in 2006. They are married for more than 50 years. In a 2008 television documentary O’Shannon admits that throughout his marriage he had been a serial womaniser, who had repeatedly engaged in extra-marital affairs unbeknownst to his wife.
Director-General of RTÉNoel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday.
Susan Jane Denham, SC (née Gageby), Irish judge who is the first woman to hold the position of Chief Justice of Ireland (2011-17), is born in Dublin on August 22, 1945. She serves as a Judge of the Supreme Court of Ireland (1992-2017) and is the longest-serving member of the court on her retirement. She also serves as a Judge of the High Court (1991-92).
Gageby is called to the bar in July 1971 and becomes a Senior Counsel in October 1987. She is the fourth woman to enter the Inner Bar. She becomes a senior counsel on the same day as future Supreme Court colleague Mary Laffoy. She works on the Midland circuit until 1979, following which she is based in Dublin. She is involved in a number of leading cases while a junior barrister and a Senior Counsel particularly in the area of judicial review. She becomes a High Court judge in 1991.
Gageby marries paediatrician Dr. Brian Denham in 1992. Also in 1992, at the age of 47, Denham is the first woman appointed to the Supreme Court. She is considered for appointment to the role of President of the High Court in 1994 but declines to have her name put forward. She makes two dissents early on in her period on the Court. Throughout her tenure as a judge, she is seen by commentators to be a “liberal” judge.
In Kelly v Hennessy in 1996, Denham outlines criteria for a court to consider the evidence of the existence of nervous shock in Ireland. In 2001, she is the sole member of the Supreme Court to dissent in TD v Minister for Education. The court overturns a decision of Peter Kelly in the High Court to direct the government to build secure care units for certain children.
From 1995 to 1998, Denham chairs the Working Group on a Courts Commission, which is responsible for a significant reform of the organisation of the courts since the foundation of the state. It leads to the establishment of the Courts Service. She is on the Interim Board of the Court Service and serves on the Board of the Court Service from its inception and chairs the board from 2001 to 2004. She chairs the Committee on Court Practice and Procedure which recommends in 2002 the establishment of a commercial court within the High Court.
From 2006, Denham chairs the Working Group on a Court of Appeal. The report of the group is published by the government in August 2009 and recommends the establishment of a general Court of Appeal. This is ultimately established in 2014, after a referendum in 2013.
Denham writes the judgment in McD v. L (2009), upholding the parental rights of a sperm donor.
On July 4, 2011, Denham is nominated by TaoiseachEnda Kenny to become Chief Justice of Ireland and is appointed as Chief Justice by PresidentMary McAleese on July 25, 2011. She is the first woman appointed to the office and as a member of the Church of Ireland, she is the first non-Catholic to hold the position. She is also the first graduate of Trinity College Dublin to have been appointed as Chief Justices have largely been graduates of University College Dublin. She succeeds John L. Murray.
During Denham’s tenure as Chief Justice, the Supreme Court issues suspended declarations of unconstitutionality for the first time. The possibility to delay the effect of a court declaration that a piece of legislation is contrary to the Constitution is first explored by Denham in A v Governor of Arbour Hill Prison. The court first adopts this approach in N.V.H. v Minister for Justice & Equality in May 2017.
As Chief Justice, Denham oversees changes in the operations of the Supreme Court and the courts generally. She oversees the removal of the requirement for judges to wear wigs while hearing cases. In 2015, the Supreme Court sits outside Dublin for the first time since 1931, sitting in Cork. She corresponds with the Office of Public Works over the lack of heating in the Four Courts, threatening to cancel sittings if the issue is not resolved. She advocates for the inclusion of a new courtroom for the Supreme Court in plans to develop a new family court complex on Hammond Lane.
In her capacity as Chief Justice, Denham oversees the administration of the Presidential Declaration of Office at the inauguration of President Michael D. Higgins in Dublin Castle in November 2011.
Denham retires from the position in July 2017 and is succeeded by Judge Frank Clarke. She is the third-longest serving Supreme Court judge ever at the time of her retirement. In her remarks on her retirement, she draws attention to the government’s failure to institute a judicial council, having first attempted to persuade the government to establish one in 1997.
In 2019, Denham is made an honorary fellow of Trinity College Dublin, where she was a Pro-Chancellor from 1996-2010.
The Courts Service announces on August 24, 2020, that the Supreme Court has appointed Denham to review the attendance of Supreme Court judge Séamus Woulfe at a dinner organised by the Oireachtas Golf Society. She is appointed on a non-statutory basis as the relevant section in the Judicial Council Act 2019 on judicial conduct has not yet been commenced.
seamus dubhghaill 