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Death of D. P. Moran, Journalist, Activist & Theorist

David Patrick Moran (Irish: Dáithí Pádraig Ó Móráin), better known as simply D. P. Moran, Irish journalist, activist and cultural-political theorist, dies on January 31, 1936. He is known as the principal advocate of a specifically Gaelic Catholic Irish nationalism during the early 20th century. Associated with the wider Celtic Revival, he promotes his ideas primarily through his journal, The Leader, and compilations of his articles such as the book The Philosophy of Irish Ireland.

Moran is born in Manor, a townland in Waterford, the youngest of twenty children born to James Moran, a builder, and Elizabeth Moran (née Casey). One of his brothers goes on to serve on the defense team of Patrick O’Donnell.

Moran is educated at Castleknock College, near Dublin, before working as a journalist in London, where he is a member of the Irish Literary Society. His brand of nationalism and concept of the decolonisation of Ireland is of a homogeneous Irish-speaking and Roman Catholic nation, promoting the revival of the Irish language and of Gaelic games in Irish cultural life. He often employes disparaging terms (West Brits, shoneens, sourfaces) in reference to Unionists and/or non-Catholics.

Despite the failure of the 1893 Home Rule Bill and the division of the Irish Parliamentary Party (IPP) in 1891, nationalists take heart from Douglas Hyde‘s 1892 speech, entitled “The Necessity for De-anglicising Ireland.” Moran builds upon this thesis and provides a wider ideology for enthusiasts, particularly after the re-unification of most of the nationalist parties from 1900.

In his 1905 text The Philosophy of Irish-Ireland, Moran argues that to be Irish requires:

  • the use of the Irish language
  • membership in the Roman Catholic Church
  • an anti-materialist outlook on life
  • the playing of only Gaelic games

Though a sponsor of the use of Irish, he never becomes fluent in the language himself. He emphasises the use of English in 1908–09 as “an active, vigilant, and merciless propaganda in the English language.” In the longer term, when Irish becomes again the language of the people, its use enables a de facto censorship of any foreign and unwelcome ideas written in English.

While Moran argues that the idea of “the Gael” is one that can assimilate others, he also feels that it will be hard if not impossible for members of the Church of Ireland who support the British Empire to ever qualify as Irish, being “resident aliens.” This extends to Anglo-Irish literature. He rejects the Abbey Theatre and questions Yeats‘ genius. He once speaks out against the influence Britain has over Irish Universities, stating, “We are all Palemen now.” In the matter of religious differences, Daniel O’Connell had said in 1826 that “the [Roman] Catholics of Ireland are a nation.” Moran moves beyond that, affirming in 1901 that “…the Irish Nation is de facto a Catholic nation.” He is virulent in his opposition to female suffrage.

Moran’s articles frequently contrast “Belfast” with “Ireland,” yet hope that Belfast can eventually change and assimilate. He feels that Ulster unionists should “… be grateful to the Irish nation for being willing to adopt them.” His paper publishes numerous articles by the future TD Arthur Clery (writing under the pen name “Chanel”), who advocates partition on the grounds that Ulster unionists are a separate nation, but Moran himself disagrees and refuses to concede the legitimacy of a northern Protestant identity.

When Irish republicans initiate the Irish War of Independence in 1919, widescale anti-Catholic rioting breaks out in Belfast in 1920 and 1922. Moran identifies this as being caused by Orangeism, which he describes as “a sore and a cancer” in Ireland. He also alleges that “bigotry on the part of Catholics in the Six Counties is immediately due to Orange bigotry.”

Moran is initially a supporter of the Irish Parliamentary Party, believing that the separatism advocated by Arthur Griffith‘s Sinn Féin is impracticable; however, he opposes John Redmond‘s support of the British World War I effort.

Moran supports the Anglo-Irish Treaty agreed in 1921–22 and sees the partition of Ireland as beneficial for a truly Irish culture in the Irish Free State. This causes a sea-change in his opinions; from now on Northern Ireland can be safely ignored, along with what he sees as the English evils of “free thought, free trade, and free literature.” He claims Irish life and culture has to be protected from foreign influences, including the twin evils of the music hall and the English press. The new jazz music of the 1920s and other imported cultural elements are deprecated as “imported debasement and rot.”

On January 9, 1901, Moran marries Theresa Catherine, daughter of Thomas Francis O’Toole, a former Parnellite mayor of Waterford. They have four sons and one daughter.

Moran dies suddenly at his home in Skerries, Dublin, on January 31, 1936. His daughter, Nuala, who has written for the paper since the early 1920s, generally on artistic and social matters, takes over the running of the paper on his death, though it is then much diminished in size and influence. Nuala, who never marries, retains control of The Leader until it ceases publication in 1971.


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Birth of Brigid Ganly, Painter & Sculptor

Brigid Ganly HRHA, Irish painter and sculptor, is born Rosaleen Brigid O’Brien on January 29, 1909, in Dublin.

Ganly is one of five children born to Dermod O’Brien and his wife Mabel Smiley. Her father is a painter. His grandfather is the Irish republican William Smith O’Brien. She grows up in Country Limerick at a farm in Cahirmoyle until the family moves to Fitzwilliam Square in Dublin. She goes on to attend the Metropolitan School of Art where she has the opportunity to study under Patrick Tuohy, Seán Keating and Oliver Sheppard. She is a talented sculptor and wins several awards, including the Taylor scholarship in 1929, for her allegorical male nude, Pity. She spends time in Paris in 1951 where she trains with André Lhote. She travels to Greece where Lhote continues to influence her work.

Ganly also studies painting in the Royal Hibernian Academy School where she has Margaret Clarke and Seán O’Sullivan as teachers. She is made an associate of the Royal Hibernian Academy in 1928 and becomes a member in 1935, though in 1969 she resigns her membership in protest at the lack of young artists being given the opportunity to exhibit. In 1972 she is made an honorary member and returns.

Ganly is a representational artist and while known as a portrait artist, she also paints landscapes, interiors and may be best known for her still lifes. Some of her best works are portraits of her husband, her sister Ethel, her father, and her friend Sheila Pim. She illustrates the book-jackets of Pym’s works. She has many exhibitions, with the RHA and the Water Colour Society of Ireland. There is a retrospective of her life in 1998 in the Hugh Lane Gallery and her works are in the collections there. She is also in the collections of the Waterford Municipal Gallery, Crawford Art Gallery, Cork and in The National Self-Portrait Collection of Ireland. She is part of the 2014 exhibition “Irish Women Artists: 1870-1970.”

Ganly’s sister-in-law is Kitty Wilmer O’Brien with whom she often exhibits. She marries Andrew Ganly, a dental surgeon and writer, in 1936. He dies in 1982. They have two children, Eoghan and Phillida.

Ganly dies at the age of 93 on March 25, 2002.


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Death of Gordon Lambert, Businessman, Senator & Art Collector

Charles Gordon Lambert, Irish businessman, senator and art collector, dies in a Dublin hospital on January 27, 2005.

Lambert is born on April 9, 1919, in the family home at Highfield Road, Rathmines, Dublin, the youngest of four sons of Robert James Hamilton Lambert, a veterinarian and renowned cricketer, and his wife Nora (née Mitchell). His eldest brother, Noel Hamilton “Ham” Lambert, is a versatile sportsman and noted veterinary practitioner.

Lambert is educated at Sandford Park School, Dublin, and at Rossall School, Lancashire. He is steered by his mother toward a career in accountancy for which he prepares by studying commerce at Trinity College Dublin (TCD). Graduating in 1940, he joins the accounting firm Stokes Brothers and Pim, qualifying Associate Chartered Accountant in 1943. In 1944, after auditing biscuit manufacturers W. & R. Jacob and Co. Ltd, one of Ireland’s largest and most prestigious industrial companies, he is offered and accepts a £300 a year job at Jacob’s as assistant accountant.

In 1953, Lambert becomes Jacob’s chief accountant as the management grooms him for an executive career. During 1948–56, Jacob’s suffers from profit and price controls, lack of capital investment and complacency brought about by the absence of competition. The entry of Boland’s Bakery into the Irish biscuit market in 1957 is exploited by Lambert who urges the alarmed board, which has long regarded advertising as vulgar, to market its products more vigorously. This assertiveness yields his advancement to the position of commercial manager in 1958. A year later he becomes the first non-member of the Bewley and Jacob families to be appointed to the board.

Between 1959 and 1970, biscuit consumption in Ireland doubles for which Lambert can claim much credit. Recognising that the advent of self-service stores means that manufacturers can no longer rely on retailers to sell their products, he pioneers advanced promotional techniques in Ireland, particularly the use of marketing surveys and of mass advertising in newspapers, on radio and on the emerging medium of television. To further accord with retailers’ preferences, Jacob’s drives the widespread packaging of biscuits in airtight packets rather than tins and also introduces a striking red flash logo for its packets. His interest in contemporary art enables him to contribute directly to Jacob’s packaging designs.

Lambert is appointed to the board of the Electricity Supply Board (ESB) in 1964, a position he holds until 1977, and serves as president of the National Agricultural and Industrial Development Association (NAIDA) in 1964–65, spearheading a “Buy Irish” campaign. His involvement with NAIDA dates to the mid-1950s and leads to his friendship with Jack Lynch, Minister for Industry and Commerce. This relationship and his admiration for Seán Lemass incline him toward Fianna Fáil. He also believes the party is the one most likely to deliver economic growth.

In 1977, Lambert is appointed to Seanad Éireann by Taoiseach Jack Lynch. He sits as an independent but assures Lynch he will broadly support the government. Dismayed by Ireland’s economic uncompetitiveness, he uses this platform to bemoan the state’s financial profligacy and failure to control inflation, and the indifference of Irish politicians towards the business community, contending that Irish industrialists suffer and need to learn from the expert lobbying of the indigenous agricultural sector and of large multi-national companies based in Ireland. He also articulates his social liberalism, desire for peaceful reconciliation in Northern Ireland and support for cultural and environmental causes. But his commitment to the Seanad wanes as he grasps its irrelevance. When Lynch resigns in December 1979, Lambert joins the Fianna Fáil party in a futile bid to preserve his political influence.

Following Jacob’s takeover of Boland’s Bakery in 1966, Lambert becomes joint managing director of a new entity, Irish Biscuits Ltd, the manufacturing and trading company for the Boland’s and Jacob’s biscuits operations. W. & R. Jacob and Co. Ltd becomes a holding company. In 1968, he becomes the sole managing director. From 1977 he begins withdrawing from the active administration of the company, relinquishing his managing directorship in 1979 to become chairman.

Initially, Lambert views art as a hobby but he comes to see it as a calling, drawing inspiration from Sir William Basil Goulding, his predecessor as Ireland’s leading collector and advocate of modern art. From the late 1970s he serves as head of the Contemporary Irish Art Society (CIAS) and on the Arts Council of Northern Ireland, the advisory committee of the Dublin Municipal Gallery, the board of the National Gallery of Ireland, the editorial board of the Irish Arts Review and the international council of the Museum of Modern Art (MoMA) in New York City.

The Irish Museum of Modern Art (IMMA) opens in 1991 and receives through the medium of the Gordon Lambert Trust some 212 works, which form the centerpiece of its collection. Thereafter Lambert gifts another 100 works to IMMA. He sits on IMMA’s board from 1991, and the west wing of the museum is named after him in 1999.

Despite being diagnosed with Parkinson’s disease in 1988, Lambert remains relatively active and plays golf into his 80s. In 1999 he receives an honorary LLD from TCD. From 1997, he relies increasingly on Anthony Lyons, an acquaintance of longstanding, to care for him. His last years are overshadowed by the collapse in autumn 2002 of his close but complex relationship with his family. Thereafter he shuns his relations and changes his will, granting Lyons a substantial portion of his estate while curtailing the amount to be received by his family. He dies in a Dublin hospital on January 27, 2005. Relatives challenge his final will in the High Court in 2009, but it is upheld.

(Pictured: Photograph of director of Jacob’s Biscuits, Gordon Lambert, speaking from a podium at the first Jacob’s Television Awards. The Lord Mayor of Dublin, James O’Keefe, is sitting behind Lambert. The awards ceremony takes place at the Bishop Street factory, Dublin.)


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Birth of Lilian Davidson, Artist, Teacher & Writer

Lilian Davidson ARHA, Irish landscape and portrait artist, teacher and writer, is born on January 26, 1879, at Castle Terrace, Bray, County Wicklow.

Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.

Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).

Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.

Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.

Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.

As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”

Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.


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Death of Myles Byrne, United Irishman & French Army Officer

Myles Byrne, United Irishman, French army officer, and author, dies at his house in the rue Montaigne (now rue Jean Mermoz, 8th arrondissement, near Champs-Élysées), Paris on January 24, 1862.

Byrne is born on March 20, 1780, at Ballylusk, Monaseed, County Wexford, the eldest son of Patrick Byrne, a middling Catholic farmer, and Mary (née Graham). He joins the United Irishmen in the spring of 1797 and, although only seventeen, becomes one of the organisation’s most active agents in north Wexford.

When rebellion engulfs his home district on May 27, 1798, Byrne assumes command of the local Monaseed corps and rallies them at Fr. John Murphy‘s camp on Carrigrew Hill on June 3. They fight at the rebel victory at Tubberneering on June 4 and the unsuccessful attempt to capture Arklow five days later. After the dispersal of the main rebel camp at Vinegar Hill on June 21, he accompanies Murphy to Kilkenny but begins the retreat to Wexford four days later. Heavily attacked at Scollagh Gap, he is one of a minority of survivors who spurn the proffered amnesty and join the rebel forces in the Wicklow Mountains. He is absent when the main force defeats a cavalry column at Ballyellis on June 30 but protects the wounded who are left in Glenmalure when the rebels launch a foray into the midlands the following week. He takes charge of the Wexfordmen who regain the mountains and fight a series of minor actions in the autumn and winter of 1798 under the militant Wicklow leader Joseph Holt. On November 10, he seizes an opportunity to escape into Dublin, where he works as a timber-yard clerk with his half-brother Edward Kennedy.

Byrne is introduced to Robert Emmet in late 1802 and immediately becomes a prominent figure in his insurrection plot. He is intended to command the many Wexford residents of the city during the planned rising of 1803. On July 23, 1803, he assembles a body of rebels at the city quays, which disperse once news is received that the rising has miscarried. At Emmet’s request, he escapes to Bordeaux in August 1803 and makes his way to Paris to inform Thomas Addis Emmet and William James MacNeven of the failed insurrection. In his Paris diary, the older Emmet recalls passing on “the news brought by the messenger” to Napoleon Bonaparte‘s military advisors.

Byrne enlists in the newly formed Irish Legion in December 1803 as a sub-lieutenant and is promoted to lieutenant in 1804 but only sees garrison duty. The regiment eventually moves to the Low Countries, and is renamed the 3rd Foreign Regiment in 1808, the year he is promoted to captain. He campaigns in Spain until 1812, participating in counterinsurgency against Spanish guerillas. He fights in Napoleon’s last battles and is appointed Chevalier de la Légion d’Honneur on June 18, 1813. With Napoleon’s defeat in 1815, the former Irish Legion, with its undistinguished and somewhat unfortunate history, is disbanded.

Though a supporter of Napoleon during the Hundred Days, Byrne is not involved in his return, yet he is included in an exclusion order from France which he successfully appeals. In November 1816, he swears the oath of loyalty to the now Royal Order of the Legion of Honour and becomes a naturalised French subject by royal decree on August 20, 1817. He becomes a half-pay captain but is recalled for active service in 1828 and serves as a staff officer in the French expeditionary force in Morea in support of Greek independence (1828–1830). His conduct on this campaign leads to his promotion as chef de bataillon (lieutenant-colonel) of the 56th Infantry Regiment in 1830.

After five years of service in garrisons around France, including counterinsurgency duty in Brittany, Byrne retires from the army in 1835. On December 24, 1835, he marries a Scottish woman, Frances “Fanny” Horner, at the British Embassy Chapel in Paris. They live in modest circumstances in various parts of Paris and remain childless. Though it is unclear when he is awarded the Chevalier de St Louis, having initially applied for it unsuccessfully in 1821, this distinction is mentioned in his tomb inscription, under his Legion of Honour. John Mitchel, who visits him regularly in Paris in the late 1850s, recalls Byrne sporting the rosette of the Médaille de Sainte Hélène, awarded in 1857 to surviving veterans of Napoleon’s campaigns.

An early list of Irish Legion officers describes Byrne as an upright and disciplined man, with little formal instruction but aspiring to improve himself. He becomes fully fluent in French but also learns Spanish and his language skills are a useful asset in various campaigns. Because of his suspected Bonapartist leanings, he is under police surveillance for some time after the Bourbon Restoration. He does, however, cultivate a wide social circle in Paris over the years. Various references throughout his writings testify to an inquisitive and cultured mind. He intended publishing a lengthy criticism of Gustave de Beaumont‘s Irlande, sociale, politique et religieuse (1840), claiming that it misrepresented the 1798 rebellion, but he withdraws it after meeting the author, not wishing to prejudice the reception of such an important French work on “the sufferings of Ireland.”

A lifelong nationalist, Byrne acts as Paris correspondent of The Nation in the 1840s and is a well-known figure in the Irish community there. He works in the 1850s on his notably unapologetic and candid Memoirs, an early and significant contribution to the Irish literature of exile. This autobiography is acclaimed by nationalists when published posthumously by his wife in 1863, with a French translation swiftly following in 1864. His detailed testimony of key battles of the 1798 rebellion in the southeast and Emmet’s conspiracy are written with the immediacy of an eyewitness and make them an invaluable contribution to that period of Irish history.

Byrne dies on January 24, 1862, in Paris, and is buried in Montmartre Cemetery. On November 25, 1865, John Martin writes of him: “In truth he was a beautiful example of those natures that never grow old. A finer, nobler, gentler, kindlier, gayer, sunnier nature never was than his, and to the last he had the brightness and quickness and cheeriness of youth”.

Byrne’s engaging and dispassionate Memoirs have ensured his special status among Irish nationalists. Because of his longevity he is the only United Irishman to have been photographed. His wife had sketched him in profile in middle age, and the photograph taken almost three decades later shows the same, strong features though those of a frail, but dignified man of 79 years.

(From: “Byrne, Miles” by Ruan O’Donnell and Sylvie Kleinman, Dictionary of Irish Biography, http://www.dib.ie, October 2009, last revised August 2024 | Pictured: Photograph of Miles Byrne taken in Paris in 1859)


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Death of Jennifer Guinness, 1986 Kidnapping Victim

Mary Jennifer Guinness, English-born Irish socialite, member of the Guinness family and victim of a notorious 1986 kidnapping that lasts eight days, passes away peacefully at home on January 23, 2016, after a long battle with cancer. She is surrounded by her family, son Ian and daughters Gillian and Tania and long-term partner Alex Booth.

Guinness is born in England on August 22, 1937. On April 9, 1959, she marries merchant banker John Henry Guinness, a member of the Guinness brewing dynasty and chairman of Guinness Mahon. She is predeceased by her husband, who dies two years after the kidnapping in 1988.

“She had been sick for a long time. We will remember her as a most loving mother,” her son Ian says.

Guinness had been an enthusiastic sailor and member of Howth Yacht Club. “It is with great sadness that the Commodore and Officers of Howth Yacht Club have to inform members of the passing of esteemed member Jennifer Guinness,” a posting on the club website says.

Guinness, at the age of 48, makes headlines around the world after she is abducted from her luxury home in Howth, Dublin on April 8, 1986, by three masked gunmen armed with an Uzi submachine gun. They pistol-whip her husband and demand a £2.m ransom from him.

She is held for eight days in five various locations and is forced into the boot of a car and a cardboard box during her ordeal. She is also chained to a tree and a bed and at one point, even handcuffed to one of her captors. She is eventually rescued by Garda Síochána from a house on Waterloo Road in Ballsbridge following an all-night standoff with the kidnappers.

It does not take long for her kidnappers to be brought to justice. The following June, John “The Colonel” Cunningham is sentenced to seventeen years in prison, alongside his brother Michael Cunningham, who gets fourteen years. The notorious brothers, who have strong links with the gang led by Martin “The General” Cahill, are behind a string of armed robberies in the 1970s.

Michael Cunningham, who is released from prison in 1995, dies of a heart attack in January 2016. His brother escapes from the Shelton Abbey Prison in 1995 but is tracked down in Holland in 2000 where he serves four years in prison on drug charges before being extradited to Ireland in 2004 to serve out the rest of his sentence. He is released in 2007 and moves to Spain.

After her kidnap ordeal, Guinness says that she never gave in to despair during her eight-day ordeal. “I had no doubt at all, most of the time, that my life was in danger,” she says during a news conference, “but I couldn’t afford to allow myself to lose hope.”

When asked what kept her going during her captivity, Guinness says, “A certain amount of anger, a lot of determination and just a conviction that they weren’t going to get to me.” She draws laughter from reporters when she says, “I kept saying, ‘You’ve got the wrong branch of the family. John’s a banker, but two million is not our style of life.'”

Investigating Gardai praise her courage. Superintendent Frank Hanlon says she was “a considerable asset toward the ending of this incident through her advice to all parties.”

(From: “Jennifer Guinness – victim of a notorious 1986 kidnapping that lasted eight days – has died” by Jerome Reilly, Irish Independent, http://www.independent.ie, January 23, 2016)


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Death of Eamon Broy, Member of the Dublin Metropolitan Police & IRA

Eamon “Ned” Broy, successively a member of the Dublin Metropolitan Police (DMP), the Irish Republican Army (IRA), the National Army, and the Garda Síochána of the Irish Free State, dies in Rathgar, Dublin, on January 22, 1972. He serves as Commissioner of the Gardaí from February 1933 to June 1938. He later serves as president of the Olympic Council of Ireland for fifteen years.

Broy is born in Rathangan, County Kildare, on December 22, 1887. He joins the Royal Irish Constabulary (RIC) on August 2, 1910, and the Dublin Metropolitan Police on January 20, 1911.

Broy is a double agent within the DMP, with the rank of Detective Sergeant (DS). He works as a clerk inside G Division, the intelligence branch of the DMP. While there, he copies sensitive files for IRA leader Michael Collins and passes many of these files on to Collins through Thomas Gay, the librarian at Capel Street Library. On April 7, 1919, he smuggles Collins into G Division’s archives in Great Brunswick Street (now Pearse Street), enabling him to identify “G-Men,” six of whom are eventually killed by the IRA. He supports the Anglo-Irish Treaty of 1921 and joins the National Army during the Irish Civil War, reaching the rank of colonel. In 1925, he leaves the Army and joins the Garda Síochána.

Broy’s elevation to the post of Commissioner comes when Fianna Fáil replaces Cumann na nGaedheal as the government. Other more senior officers are passed over as being too sympathetic to the outgoing party.

In 1934, Broy oversees the creation of “The Auxiliary Special Branch” of the Garda, formed mainly of hastily trained anti-Treaty IRA veterans, who were opponents of Broy in the civil war. It is nicknamed the “Broy Harriers” by Broy’s opponents, a pun on the Bray Harriers athletics club or more likely on the Bray Harriers hunt club. It is used first against the quasi-fascist Blueshirts, and later against the diehard holdouts of the IRA, now set against former comrades. The “Broy Harriers” nickname persists into the 1940s, even though Broy himself is no longer in command, and for the bodies targeted by the unit is a highly abusive term, still applied by radical Irish republicans to the Garda Special Branch (now renamed the Special Detective Unit). The Broy Harriers engage in several controversial fatal shootings. They shoot dead a protesting farmer named Lynch in Cork, and when the matter is discussed in the Senate in 1934, the members who support Éamon de Valera‘s government walk out. They are detested by sections of the farming community. In the light of this latter history, their name is often used in reference to individuals or groups who attempt to disrupt contemporary dissident republicans, such as the remnants of the Provisional Irish Republican Army.

Broy is President of the Olympic Council of Ireland from 1935 to 1950. He is also a member of the Standing Committee of the Irish Amateur Handball Association.

Broy dies on January 22, 1972, at his residence in the Dublin suburb of Rathgar.

On September 17, 2016, a memorial to Broy is unveiled in Coolegagen Cemetery, County Offaly, close to his childhood home. His daughter Áine is in attendance, as are representatives of the government, the Air Corps, and the Garda Síochana.

Neil Jordan‘s film Michael Collins (1996) inaccurately depicts Broy (played by actor Stephen Rea) as having been arrested, tortured and killed by Secret Intelligence Service (SIS) agents. In addition, G Division was based not in Dublin Castle, as indicated in the film, but in Great Brunswick Street. Collins had a different agent in the Castle, David Neligan. Broy is also mentioned and makes an appearance in Michael Russell’s detective novel The City of Shadows, set partly in Dublin in the 1930s, published by HarperCollins in 2012.


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Charles Blount, 8th Baron Mountjoy, Becomes Lord Deputy of Ireland

Charles Blount, 8th Baron Mountjoy, English nobleman and soldier, becomes Lord Deputy of Ireland under Queen Elizabeth I on January 21, 1600.

Blount is born in 1563, the second son of James, 6th Baron Mountjoy, and Catherine, only daughter of Sir Thomas Legh. He is among the most distinguished of the family, succeeding as 8th Baron Mountjoy on the death in 1594 of his unmarried elder brother William, 7th Baron Mountjoy. The good fortune of his youthful and handsome looks find favour with Queen Elizabeth I which arouses the jealousy of Robert Devereux, 2nd Earl of Essex, leading to a duel between the two courtiers, who later become close friends.

Blount is returned to the House of Commons as MP for St. Ives, Cornwall in 1584 and for Bere Alston in 1586 and 1593, before entering the House of Lords in 1594. Between 1586 and 1598, he spends most of his time on the Continent, serving in the Netherlands and Brittany. He joins Lord Essex and Sir Walter Raleigh in their expedition to the Azores in 1597, along with his distant cousin, Sir Christopher Blount.

The downfall of Lord Essex does not damage Blount’s career. After the failure of his rebellion, Essex shocks many by denouncing his sister Penelope, who is Blount’s mistress, as a traitor, which inevitably raises the question of his own possible involvement. But the Crown, anxious to retain Blount’s services, and also to show as much leniency as possible to the defeated rebels, simply ignore the accusation.

On February 24, 1600, Blount lands in Ireland as Lord Deputy following Lord Essex and in the ensuing years brings the Nine Years’ War to an end. The leader of the rebellion, Hugh O’Neill, Earl of Tyrone, writes about Blount’s “refined manners” that he would lose a whole season of campaigning “while waiting until breakfast is prepared to his mind!” Despite this, Blount proves that he is quite qualified to pursue the war.

In early 1600, Blount dispatches Sir Henry Docwra with an army of 4,200 troops to land at Culmore to erect a fortress commanding the shores of Lough Foyle in the northwest of Ulster. To prevent Hugh O’Neill from sending a strong force to repulse Dowcra’s forces, Blount advances in force from Dublin to Newry causing O’Neill to fear a southern advance into Tyrone.

Blount aims to avoid the mistakes of previous Lords-Deputy. After the Battle of Moyry Pass, he has it cleared, and a garrison is established there. It had long been a problem for English forces advancing into Ulster from the south. He also establishes posts with garrisons at Mountnorris and Armagh.

On July 13, 1601, Blount and his army along with Turlough McHenry O’Neill of the Fews who had recently switched to the English side in the war, have a stand-off with Hugh O’Neill’s forces at the River Blackwater. After a few shots in vain from either side, O’Neill’s forces withdraw, and Blount sends his forces to occupy the ruined Blackwater fort destroyed by O’Neill in 1595. Later O’Neill’s forces attack Blount’s camp before withdrawing. In response, the Lord-Deputy sends his forces across the river where they find strong artificially fortified fords, which would have held out against the English.

By July 15, 1601, the Lord-Deputy has secured the surrender of O’Neill’s ally Hugh Magennis. That month, he has a new fort near the old Blackwater fort erected.

Blount reports to the council in England that O’Neill is determined to prevent his forces from advancing into Tyrone and toward Dungannon. As such, he initiates a policy of burning large quantities of corn to induce a famine to drive the rebels out of their strongholds.

Blount sets about trying to entice Hugh’s forces to come out and attack by fetching some materials for the new fort from the Tyrone side of the river as well as burning more corn. Further skirmishes between Blount and O’Neill’s forces ensue during the summer of 1601.

Spanish forces land in Munster in August 1601, forcing Blount to send his forces southward leaving O’Neill remaining in his unbroken heartland of Tyrone. The Spanish arrival culminates in the Siege of Kinsale that December, which sees a major defeat of the rebels and their allies.

O’Neill during this time has also moved south to assist some of his allies, however, after some serious defeats at the hands of the forces of Richard Burke, 4th Earl of Clanricarde of Connacht, he is in no place to offer any effective resistance once Blount marches once more to Tyrone in the summer of 1602.

Blount advances to the location he found the previous summer at the River Blackwater, which commands safe and secure passage into Tyrone, previously inaccessible, and sets about erecting a new fort. Having observed this, O’Neill burns his capital at Dungannon and flees to his last refuge in Glenconkeyne.

Advancing northward through Tyrone, Blount erects a fort in the townland of Magheralamfield, afterward known as Mountjoy Castle. He also christens the new fort at the Blackwater Charlemont Fort after himself.

Once in Tyrone, Blount carries out a campaign of devastation throughout it resulting in the mass hunting of rebels, spoiling of corn, the burning of houses and the killing of churls so as to force the submission of O’Neill and his remaining allies. Most symbolically, Blount has the inauguration site of the O’Neill’s at Tullyhogue Fort destroyed.

On March 30, 1603, six days after the death of Elizabeth and the accession of James I, O’Neill makes peace with Blount, signing the Treaty of Mellifont. Blount continues in office with the more distinguished title of Lord-Lieutenant. He declares amnesty for the rebels and grants them honourable terms, which causes some severe criticism from England. He shows similar moderation in putting down the abortive risings in Cork, Waterford and Wexford, where the aldermen, apparently with some vague idea of gaining greater toleration for Roman Catholics, refuse to proclaim the new King. In Cork, three insurgents are hanged after a summary trial, but the rest are acquitted or pardoned.

As part of the Plantation of Ulster, the majority of the barony of Loughinsholin is detached from County Tyrone and made part of the newly created County Londonderry. The rest of Loughinsholin along with the northern parts of Dungannon barony are merged to create the short-lived barony of Mountjoy. It is later amalgamated with the barony of Dungannon.

On his return to England, Blount serves as one of Sir Walter Raleigh’s judges in 1603, and in the same year King James I appoints him Master-General of the Ordnance as well as creating him Earl of Devonshire, granting him extensive estates. He is one of the founder members of the Spanish Company re-founded by royal charter in 1605.

Toward the end of Blount’s life, on December 26, 1605, at Wanstead House near London, in a ceremony conducted by his chaplain William Laud, afterward Archbishop of Canterbury, he marries his long-time mistress Lady Penelope, formerly wife of Robert Rich, 3rd Baron Rich (later 1st Earl of Warwick) and sister of Robert Devereux, 2nd Earl of Essex.

Blount leaves no legitimate children, and so his hereditary titles become extinct at his death on April 3, 1606, at Savoy House, London.


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Birth of Kevin Barry, IRA Volunteer & Medical Student

Kevin Gerard Barry, Irish Republican Army (IRA) volunteer and medical student, is born on January 20, 1902, at 8 Fleet Street, Dublin. He becomes the first Irish republican to be executed by the British Government since the leaders of the Easter Rising.

Barry is the fourth of seven children born to Thomas Barry, dairyman, and Mary Barry (née Dowling), both originally from northeast County Carlow. His father dies of heart disease on February 8, 1908, at the age of 56. His mother then moves the family to the family’s farm at Tombeagh, Hacketstown, County Carlow, while retaining the family’s townhouse on Fleet Street. As a child he goes to the National School in Rathvilly. In 1915, he is sent to live in Dublin and attends the O’Connell Schools for three months, before enrolling in the Preparatory Grade at St. Mary’s College, Rathmines, in September 1915. He remains at that school until May 31, 1916, when it is closed by its clerical sponsors. With the closure of St. Mary’s College, he transfers to Belvedere College, a Jesuit school in Dublin. He joins the Irish Volunteers, the forerunner of the IRA, while still at Belvedere College, and enters University College Dublin (UCD) in 1919 to study medicine.

As a member of 1st Battalion, Dublin Brigade of the Irish Volunteers, he takes part in a successful raid for arms on the military post in King’s Inns, Dublin, on June 1, 1920. Within only six minutes the raiders secure rifles, light machine guns, and large quantities of ammunition, and depart the site with no casualties. He also takes part in an abortive attempt to burn Aughavanagh House, Aughrim, County Wicklow in July 1920, and an attack on a British ration party in Church Street, Dublin, on September 20, with the aim of seizing arms. The final operation fails. Gunfire breaks out, three soldiers of around Barry’s own age are killed or fatally wounded, and he becomes the first Volunteer to be captured in an armed attack since 1916.

During interrogation, Barry is threatened with a bayonet and is mistreated. A general court-martial on October 20, which he refuses to recognise, condemns him to death for murdering the three soldiers, although one of the bullets taken from Private Marshall Whitehead’s body is a .45 calibre, while all witnesses state that Barry was armed with a .38 Mauser Parabellum. Despite widespread appeals on grounds of both clemency and expediency, the cabinet in London and officials in Dublin decide separately against a reprieve, probably because of its likely effect on the morale of soldiers and police.

On October 28, the Irish Bulletin, the official propaganda newspaper produced by Dáil Éireann‘s Department of Publicity, publishes Barry’s statement alleging torture. The headline reads English Military Government Torture a Prisoner of War and are about to Hang him. The Irish Bulletin declares Barry to be a prisoner of war, suggesting a conflict of principles is at the heart of the conflict. The British do not recognise a war and treat all killings by the Irish Republican Army (IRA) as murder. The public learns on this day that the date of execution has been fixed for November 1.

He was hanged in Mountjoy Prison, Dublin, on November 1, after hearing two Masses in his cell. The timing of the execution, only seven days after the death by hunger strike of Terence MacSwiney, the republican Lord Mayor of Cork, brings public opinion to a fever-pitch. He is buried in unconsecrated ground on the jail property. His comrade and fellow student Frank Flood is buried alongside him four months later. A plain cross marks their graves and those of Patrick Moran, Thomas Whelan, Thomas Traynor, Patrick Doyle, Thomas Bryan, Bernard Ryan, Edmond Foley and Patrick Maher who are hanged in the same prison before the Anglo-Irish Treaty of July 1921 which ends hostilities between Irish republicans and the British. The graves go unidentified until 1934. They become known as the Forgotten Ten by republicans campaigning for the bodies to be reburied with honour and proper rites. On October 14, 2001, the remains of the ten men are given a state funeral and moved from Mountjoy Prison to be re-interred at Glasnevin Cemetery in Dublin.

Barry is the first person to be tried and executed for a capital offence under the Restoration of Order in Ireland Act 1920, passed twelve weeks earlier. Together with his youth, this makes him a republican martyr celebrated in many ballads and verses. The best-known, set to a tune popular with British servicemen, is recorded by the American singer Paul Robeson, among others. A memorial stained-glass window by Richard King of the Harry Clarke Studio is later installed in the former UCD council chamber (afterward called the Kevin Barry Room), Earlsfort Terrace, Dublin.


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Birth of Máire Ní Chinnéide, Language Activist & Playwright

Máire Ní Chinnéide (English: Mary or Molly O’Kennedy) Irish language activist, playwright, first president of the Camogie Association and first female president of Oireachtas na Gaeilge, is born in Rathmines, an affluent inner suburb on the Southside of Dublin, on January 17, 1879.

Ní Chinnéide attends Muckross Park College and the Royal University of Ireland (later the National University of Ireland) where she is a classmate of Agnes O’Farrelly, Helena Concannon, and Hanna Sheehy-Skeffington. She learns the Irish language on holiday in Ballyvourney, County Cork, and earns the first scholarship in Irish language from the Royal University of Ireland, worth £100 a year, which is spent on visits to the Irish college in Ballingeary.

She studies in the school of Old Irish established by Professor Osborn Bergin and is strongly influenced by the Irish Australian professor O’Daly. She later teaches Latin through Irish at Ballingeary and becomes proficient in French, German, Italian and Spanish.

She spends the last £100 of her scholarship on a dowry for her marriage to Sean MacGearailt, later first Accountant General of Revenue in the Irish civil service, with whom she lives originally in Glasnevin and then in Dalkey.

She is a founder member of the radical Craobh an Chéitinnigh, the Keating branch of Conradh na Gaeilge, composed mainly of Dublin-based Kerry people and regarded, by themselves at least, as the intellectual focus of the League.

In August 1904, some six years after the establishment of the earliest women’s hurling teams, the rules of camogie (then called camoguidheacht), first appears in Banba, a journal produced by Craobh an Chéitinnigh. Camogie had come to public attention when it was showcased at the annual Oireachtas (Conradh na Gaeilge Festival) earlier that year, and it differed from men’s hurling in its use of a lighter ball and a smaller playing-field. Ní Chinnéide and Cáit Ní Dhonnchadha, like Ní Chinnéide, an Irish-language enthusiast and cultural nationalist, are credited with having created the game, with the assistance of Ní Dhonnchadha’s scholarly brother Tadhg Ó Donnchadha, who drew up its rules. She is on the first camogie team to play an exhibition match in Navan, County Meath, in July 1904, becomes an early propagandist for the game and, in 1905, is elected president of the infant Camogie Association.

Ní Chinnéide later serves as Vice-President of Craobh an Chéitinnigh, to Cathal Brugha. She is active in Cumann na mBan during the Irish War of Independence and takes the pro-treaty side during the Irish Civil War and attempts to set up a woman’s organisation “in support of the Free State” alongside Jennie Wyse Power.

She first visits the Blasket Islands in 1932 with her daughter Niamh, who dies tragically young. In the summer of 1934, she puts the idea into Peig Sayers‘s head to write a memoir. According to a later interview with Ní Chinnéide “she knew and admired her gift for easy conversation, her gracious charm as a hostess, her talent for illustrating a point she was making by a story out of her own experience that was as rich in philosophy and thought as it was limited geographically.” Peig answers that she has “nothing to write.” She had learned only to read and write in English at school and most of it has been forgotten.

Ní Chinnéide suggests Peig should dictate her memoir to her son Micheal, known to everyone on the island as An File (“The Poet”), but Peig “only shook her head doubtfully.” At Christmas, a packet arrives from the Blaskets with a manuscript, she transcribes it word for word and the following summer brings it back to the Blaskets to read it to Peig. She then edits the manuscript for the Talbot Press. Peig becomes well known as a prescribed text on the Leaving Certificate curriculum in Irish.

Ní Chinnéide has an acting part in the first modern play performed in Irish on the stage, Casadh an tSugáin by Douglas Hyde in 1901. She is later author of children’s plays staged by An Comhar Drámuidhachta at the Oireachtas and the Peacock Theatre, of which Gleann na Sidheóg and An Dúthchas (1908) are published. She is a broadcaster in Irish on 2RN, a wholly owned subsidiary of Raidió Teilifís Éireann, after its foundation in 1926 and author of a translation of Grimms’ Fairy Tales (1923). She is president of the Gaelic Players Dramatic group during the 1930s and a founder of the Gaelic Writers Association in 1939.

She soon becomes interested in writing children’s plays, including Gleann na Sidheóg (Fairy Glen, 1905) and Sidheoga na mBláth (Flower Fairies, 1909. Although there is little information available on the staging of her first play, by the time her second children’s play, Sidheóga na mBláth, is published in An Claidheamh Soluis in December 1907, “Éire Óg” (“Young Ireland”) branches of Conradh na Gaeilge have been established in conjunction with adults’ branches. Patrick Pearse in particular voices the expectation that this play will be staged by many “Éire Óg” branches “before the New Year is very old,” thus indicating the immediate take up of such plays. Indeed, a week after the play’s publication, it is staged in the Dominican College in Donnybrook, Dublin, where Ní Chinnéide had spent several years as an Irish teacher.

Ní Chinnéide dies on April 25, 1967, and is buried in Dean’s Grange Cemetery.

In 2007 the camogie trophy (Máire Ní Chinnéide Cup) for the annual inter-county All-Ireland Junior Camogie Championship is named in her honour.

(Pictured: Máire Ní Chinéide at her graduation, photograph from Banba, 1903)