Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.
In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.
Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”
Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.
Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.
Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).
It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.
In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).
Madden is born at Wormwood Gate, Dublin, on August 22, 1798, to Edward Madden, a silk manufacturer, and his wife Elizabeth (née Corey). His father marries twice and fathers twenty-one children.
In 1828, Madden marries Harriet Elmslie, daughter of John Elmslie of Jamaica, a slave-owner. He then practises medicine in Mayfair, London, for the next five years.
Madden becomes a recruit to the abolitionist cause. The transatlantic slave trade has been illegal in the British Empire since 1807, but slavery itself remains legal.
From 1833, Madden is employed in the British civil service, first as a justice of the peace in Jamaica, where he is one of six Special Magistrates sent to oversee the eventual liberation of Jamaica’s slave population, according to the terms of the Slavery Abolition Act 1833. From 1835 he is Superintendent of the freed Africans in Havana, Cuba. In 1839 he leaves Cuba for New York, where he provides important evidence for the defense of the former slaves who had taken over the slave ship La Amistad.
In 1840 Madden becomes Her Majesty’s Special Commissioner of Inquiry into the British Settlements on the West Coast of Africa. His task is to investigate how the slave trade is continuing to operate on the west coast of Africa, despite the shipping of African slaves across the Atlantic Ocean now being illegal. He finds that London-based merchants (including WhigMPMatthew Forster) are actively helping the slave traders, and that crudely disguised forms of slavery exist in all the coast settlements. He particularly condemns the actions of George Maclean, the Governor of Gold Coast.
In 1847 Madden becomes the Colonial Secretary of Western Australia and arrives in the colony in 1848. After receiving news of their oldest son’s death back in Ireland, he and Harriet return to Dublin in 1849. In 1850 he is named secretary of the Office for Loan Funds in Dublin.
Madden also campaigns against slavery in Cuba, speaking to the General Anti-Slavery Convention in London on the topic of slavery in Cuba.
Madden dies at his home in Booterstown, just south of Dublin, on February 5, 1886, and is interred in Donnybrook Cemetery.
Besides several travel diaries (Travels in Turkey, Egypt etc. in 1824–27, 1829, and others (1833)), his works include the historically significant book The United Irishmen, their lives and times (1842-1860, 11 Vols.), which contains numerous details on the Irish Rebellion of 1798, including testimonies collected from veteran rebels and from family members of deceased United Irishmen.
The Irish American Athletic Club, an amateur athletic organization based in Queens, New York, is established on January 30, 1898, originally as the Greater New York Irish Athletic Association. They shorten the name to the Irish American Athletic Club a few years later. They purchase a plot of land in what is then called Laurel Hill, Long Island, near Calvary Cemetery, Queens, and build a state-of-the-art athletic facility on what is farmland. The stadium, called Celtic Park, formally reopens after renovations on May 9, 1901, and until the facility is sold for housing in 1930, some of the greatest American athletes train or compete on Celtic Park’s track and field. The Irish American Athletic Club adopts a winged fist adorned with American flags and shamrocks as their emblem, with the Irish Gaelic motto “Láim Láidir Abú” or “A strong hand will be victorious,” and are often referred to as the “Winged Fists.” At one time they have clubs in Boston, Chicago, San Francisco and Yonkers, New York.
The Irish American Athletic Club is predominantly composed of Irish-born and first generation Irish American athletes, but many of the athletes who compete for the Winged Fist organization are neither.
The Irish American Athletic Club wins the Amateur Athletic Union national outdoor track and field team championship titles in 1904, 1906, 1907, 1908, 1910, 1911, 1912, 1913, 1914 and 1916. They also win the national indoor track and field team championship titles in 1906, 1908, 1909, 1911, 1913, 1914 and 1915. Individual athletes of the IAAC win 81 national outdoor championships titles and 36 individual national indoor championship titles.
In 1912–13, 1913–14, 1914–15 and 1916–17 the Irish American Athletic Club has a team, the New York Irish-Americans, represented in the American Amateur Hockey League. The team is coached by James C. “Jimmy” O’Brien and has on its roster for various seasons future NHL players Tom McCarthy and Moylan McDonnell. John McGrath and Patsy Séguin also play for the club.
Before the largest crowd that has ever assembled to see a track meet in the United States, on September 9, 1916, the Irish American Athletic Club defeats the New York Athletic Club at the Amateur Athletic Union’s National Championships, by a score of 38 to 27. Before a crowd of 30,000 spectators at Newark, New Jersey‘s Weequahic Park, the Irish American Athletic Club wins what is to be their last national championship title. The club disbands a year later when the United States becomes a combatant in World War I.
Brigid GanlyHRHA, Irish painter and sculptor, is born Rosaleen Brigid O’Brien on January 29, 1909, in Dublin.
Ganly is one of five children born to Dermod O’Brien and his wife Mabel Smiley. Her father is a painter. His grandfather is the Irish republicanWilliam Smith O’Brien. She grows up in Country Limerick at a farm in Cahirmoyle until the family moves to Fitzwilliam Square in Dublin. She goes on to attend the Metropolitan School of Art where she has the opportunity to study under Patrick Tuohy, Seán Keating and Oliver Sheppard. She is a talented sculptor and wins several awards, including the Taylor scholarship in 1929, for her allegorical male nude, Pity. She spends time in Paris in 1951 where she trains with André Lhote. She travels to Greece where Lhote continues to influence her work.
Ganly also studies painting in the Royal Hibernian Academy School where she has Margaret Clarke and Seán O’Sullivan as teachers. She is made an associate of the Royal Hibernian Academy in 1928 and becomes a member in 1935, though in 1969 she resigns her membership in protest at the lack of young artists being given the opportunity to exhibit. In 1972 she is made an honorary member and returns.
Ganly is a representational artist and while known as a portrait artist, she also paints landscapes, interiors and may be best known for her still lifes. Some of her best works are portraits of her husband, her sister Ethel, her father, and her friend Sheila Pim. She illustrates the book-jackets of Pym’s works. She has many exhibitions, with the RHA and the Water Colour Society of Ireland. There is a retrospective of her life in 1998 in the Hugh Lane Gallery and her works are in the collections there. She is also in the collections of the Waterford Municipal Gallery, Crawford Art Gallery, Cork and in The National Self-Portrait Collection of Ireland. She is part of the 2014 exhibition “Irish Women Artists: 1870-1970.”
Ganly’s sister-in-law is Kitty Wilmer O’Brien with whom she often exhibits. She marries Andrew Ganly, a dental surgeon and writer, in 1936. He dies in 1982. They have two children, Eoghan and Phillida.
Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.
Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).
Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.
Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.
Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.
As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”
Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.
Byrne is born on March 20, 1780, at Ballylusk, Monaseed, County Wexford, the eldest son of Patrick Byrne, a middling Catholic farmer, and Mary (née Graham). He joins the United Irishmen in the spring of 1797 and, although only seventeen, becomes one of the organisation’s most active agents in north Wexford.
When rebellion engulfs his home district on May 27, 1798, Byrne assumes command of the local Monaseed corps and rallies them at Fr. John Murphy‘s camp on Carrigrew Hill on June 3. They fight at the rebel victory at Tubberneering on June 4 and the unsuccessful attempt to capture Arklow five days later. After the dispersal of the main rebel camp at Vinegar Hill on June 21, he accompanies Murphy to Kilkenny but begins the retreat to Wexford four days later. Heavily attacked at Scollagh Gap, he is one of a minority of survivors who spurn the proffered amnesty and join the rebel forces in the Wicklow Mountains. He is absent when the main force defeats a cavalry column at Ballyellis on June 30 but protects the wounded who are left in Glenmalure when the rebels launch a foray into the midlands the following week. He takes charge of the Wexfordmen who regain the mountains and fight a series of minor actions in the autumn and winter of 1798 under the militant Wicklow leader Joseph Holt. On November 10, he seizes an opportunity to escape into Dublin, where he works as a timber-yard clerk with his half-brother Edward Kennedy.
Byrne is introduced to Robert Emmet in late 1802 and immediately becomes a prominent figure in his insurrection plot. He is intended to command the many Wexford residents of the city during the planned rising of 1803. On July 23, 1803, he assembles a body of rebels at the city quays, which disperse once news is received that the rising has miscarried. At Emmet’s request, he escapes to Bordeaux in August 1803 and makes his way to Paris to inform Thomas Addis Emmet and William James MacNeven of the failed insurrection. In his Paris diary, the older Emmet recalls passing on “the news brought by the messenger” to Napoleon Bonaparte‘s military advisors.
Byrne enlists in the newly formed Irish Legion in December 1803 as a sub-lieutenant and is promoted to lieutenant in 1804 but only sees garrison duty. The regiment eventually moves to the Low Countries, and is renamed the 3rd Foreign Regiment in 1808, the year he is promoted to captain. He campaigns in Spain until 1812, participating in counterinsurgency against Spanish guerillas. He fights in Napoleon’s last battles and is appointed Chevalier de la Légion d’Honneur on June 18, 1813. With Napoleon’s defeat in 1815, the former Irish Legion, with its undistinguished and somewhat unfortunate history, is disbanded.
Though a supporter of Napoleon during the Hundred Days, Byrne is not involved in his return, yet he is included in an exclusion order from France which he successfully appeals. In November 1816, he swears the oath of loyalty to the now Royal Order of the Legion of Honour and becomes a naturalised French subject by royal decree on August 20, 1817. He becomes a half-pay captain but is recalled for active service in 1828 and serves as a staff officer in the French expeditionary force in Morea in support of Greek independence (1828–1830). His conduct on this campaign leads to his promotion as chef de bataillon (lieutenant-colonel) of the 56th Infantry Regiment in 1830.
After five years of service in garrisons around France, including counterinsurgency duty in Brittany, Byrne retires from the army in 1835. On December 24, 1835, he marries a Scottish woman, Frances “Fanny” Horner, at the British Embassy Chapel in Paris. They live in modest circumstances in various parts of Paris and remain childless. Though it is unclear when he is awarded the Chevalier de St Louis, having initially applied for it unsuccessfully in 1821, this distinction is mentioned in his tomb inscription, under his Legion of Honour. John Mitchel, who visits him regularly in Paris in the late 1850s, recalls Byrne sporting the rosette of the Médaille de Sainte Hélène, awarded in 1857 to surviving veterans of Napoleon’s campaigns.
An early list of Irish Legion officers describes Byrne as an upright and disciplined man, with little formal instruction but aspiring to improve himself. He becomes fully fluent in French but also learns Spanish and his language skills are a useful asset in various campaigns. Because of his suspected Bonapartist leanings, he is under police surveillance for some time after the Bourbon Restoration. He does, however, cultivate a wide social circle in Paris over the years. Various references throughout his writings testify to an inquisitive and cultured mind. He intended publishing a lengthy criticism of Gustave de Beaumont‘s Irlande, sociale, politique et religieuse (1840), claiming that it misrepresented the 1798 rebellion, but he withdraws it after meeting the author, not wishing to prejudice the reception of such an important French work on “the sufferings of Ireland.”
A lifelong nationalist, Byrne acts as Paris correspondent of The Nation in the 1840s and is a well-known figure in the Irish community there. He works in the 1850s on his notably unapologetic and candid Memoirs, an early and significant contribution to the Irish literature of exile. This autobiography is acclaimed by nationalists when published posthumously by his wife in 1863, with a French translation swiftly following in 1864. His detailed testimony of key battles of the 1798 rebellion in the southeast and Emmet’s conspiracy are written with the immediacy of an eyewitness and make them an invaluable contribution to that period of Irish history.
Byrne dies on January 24, 1862, in Paris, and is buried in Montmartre Cemetery. On November 25, 1865, John Martin writes of him: “In truth he was a beautiful example of those natures that never grow old. A finer, nobler, gentler, kindlier, gayer, sunnier nature never was than his, and to the last he had the brightness and quickness and cheeriness of youth”.
Byrne’s engaging and dispassionate Memoirs have ensured his special status among Irish nationalists. Because of his longevity he is the only United Irishman to have been photographed. His wife had sketched him in profile in middle age, and the photograph taken almost three decades later shows the same, strong features though those of a frail, but dignified man of 79 years.
(From: “Byrne, Miles” by Ruan O’Donnell and Sylvie Kleinman, Dictionary of Irish Biography, http://www.dib.ie, October 2009, last revised August 2024 | Pictured: Photograph of Miles Byrne taken in Paris in 1859)
O’Kelly is born on August 25, 1882, on Capel Street in the north inner-city of Dublin. He joins the National Library of Ireland in 1898 as a junior assistant. That same year, he joins the Gaelic League, becoming a member of the governing body in 1910 and General Secretary in 1915.
In 1905 O’Kelly joins Sinn Féin who, at the time, supports a dual monarchy. He is an honorary secretary of the party from 1908 until 1925. In 1906 he is elected to Dublin Corporation, which is Dublin’s city council. He retains the seat for the Inns Quay Ward until 1924.
O’Kelly is elected Sinn Féin MP for Dublin College Green in the 1918 Irish general election. Along with other Sinn Féin MPs he refuses to take his seat in the British House of Commons. Instead, they set up an Irish parliament, called Dáil Éireann, in Dublin. O’Kelly is Ceann Comhairle (Chairman) of the First Dáil. He is the Irish Republic’s envoy to the post-World War I peace treaty negotiations at the Palace of Versailles, but the other countries refuse to allow him to speak as they do not recognise the Irish Republic.
O’Kelly is a close friend of Éamon de Valera, and both he and de Valera oppose the Anglo-Irish Treaty of December 1921. When de Valera resigns as President of the Irish Republic on January 6, 1922, O’Kelly returns from Paris to try to persuade de Valera to return to the presidency but de Valera orders him to return to Paris.
During the Irish Civil War, O’Kelly is jailed until December 1923. Afterwards he spends the next two years as a Sinn Féin envoy to the United States.
In 1926 when de Valera leaves Sinn Féin to found his own republican party, Fianna Fáil, O’Kelly follows him, becoming one of the party’s founding members. In 1932, when de Valera is appointed President of the Executive Council of the Irish Free State, he makes O’Kelly the Minister for Local Government and Public Health. He often tries to publicly humiliate the Governor-General of the Irish Free State, James McNeill, which damages O’Kelly’s reputation and image, particularly when the campaign backfires.
In 1938, many believe that de Valera wants to make O’Kelly the Fianna Fáil choice to become President of Ireland, under the new Irish constitution, Bunreacht na hÉireann. When Lord Mayor of Dublin, Alfie Byrne, says he wants to be president there is an all-party agreement to nominate Douglas Hyde, a Protestant Irish Senator, Irish language enthusiast and founder of the Gaelic League. They believe Hyde to be the only person who might win an election against Alfie Byrne. O’Kelly is instead appointed Minister of Finance and helps create Central Bank in 1942.
O’Kelly leaves the cabinet when he is elected President of Ireland on June 18, 1945, in a popular vote of the people, defeating two other candidates. He is re-elected unopposed in 1952. During his second term he visits many nations in Europe and speaks before the United States Congress in 1959. He retires at the end of his second term in 1959, to be replaced by his old friend, Éamon de Valera. Following his retirement, he is described as a model president by the normally hostile newspaper, The Irish Times. Though controversial, he is widely seen as genuine and honest, but tactless.
O’Kelly’s strong Roman Catholic beliefs sometimes cause problems. Éamon de Valera often thinks that O’Kelly either deliberately or accidentally leaks information to the Knights of Saint Columbanus and the Church leaders. He ensures that his first state visit, following the creation of the Republic of Ireland in 1949, is to the Vatican City to meet Pope Pius XII. He accidentally reveals the Pope’s private views on communism. This angers the Pope and Joseph Stalin and is why he is not given the papal Supreme Order of Christ which is given to many Catholic heads of state.
On his retirement O’Kelly gives a series of radio talks about his early life and the independence movement. These form the basis of an account serialised in TheIrish Press (July 3 to August 9, 1961) and subsequently translated into Irish and published as Seán T. (1963), echoing the nickname by which he is commonly known. The book relies heavily on memory and its accuracy on points of detail has been questioned by scholars such as F. X. Martin. In retirement he lived at his home, Roundwood Park in County Wicklow.
O’Kelly dies at the Mater Private Nursing Home in Dublin on November 23, 1966, at the age of 84, fifty years after the Easter Rising that first brought him to prominence. He is buried in Glasnevin Cemetery, Glasnevin, Dublin. His perceived unctuousness and his opportunistic tendencies in his later career should not efface his significance as a separatist organiser and an effective populist politician, who played a major role in the establishment of Fianna Fáil political hegemony.
In 1879, Esposito marries Natalia Klebnikoff, the only daughter of Pierre Klebnikoff, professor of chemistry and physics at Saint Petersburg University. They have four children, including the noted scholar, Mario Esposito.
On December 24, 1881, Esposito is visited by an old friend, Caracciolo, who is principal professor of singing at the Royal Irish Academy of Music (RIAM) in Dublin. Upon his recommendation, Esposito is offered the position of chief pianoforte professor of piano at the RIAM at Easter 1882.
Esposito remains in Dublin for more than forty years, devoting himself to the encouragement of classical music in Dublin. He inaugurates the Royal Dublin Society (RDS) chamber music recitals, with great success, and gives piano recitals for the Society every year. He establishes the Dublin Orchestral Society in 1898 and is its conductor until its disbandment in 1914. He is also the conductor of the Sunday Orchestral Concerts until they are discontinued in 1914. He conducts concerts of the London Symphony Orchestra at Woodbrook in 1913 and 1914, and also performs his piano concerto with them under the baton of Hamilton Harty. Together with Sir Stanley Cochrane, he founds the music publishing company C. E. Edition.
Esposito receives awards from the Feis Ceoil for his cantata Deirdre, his Irish Symphony and his String Quartet in D major. His Cello Sonata wins a prize from the London Incorporated Society of Musicians in 1899. His Violin Sonata in E minor gains a prize offered by La Société Nouvelle, Paris, in 1907, and his String Quartet in C minor wins another offered by the Accademia Filarmonica di Bologna.
Esposito retires in 1928 and returns to Italy after failing to revive the Dublin Orchestral Society the previous year. He dies on November 19, 1929, in Florence. He is buried at the Cimitero di Trespiano where his gravestone is inscribed with three bars of music by “H. H.” Of his four children, Vera Esposito is involved in Irish theatre, and Mario Esposito becomes a scholar of Latin learning in medieval Ireland.
Emmett is born in the Hammond’s Marsh area of Cork, County Cork, on April 24, 1764, the son of Dr. Robert Emmet from County Tipperary (later to become State Physician of Ireland) and Elizabeth Mason of County Kerry, both of whose portraits are today displayed at Cork’s Crawford Art Gallery. He is the elder brother of Robert Emmet, who is executed for leading the Irish Rebellion of 1803, becoming one of Ireland’s most famous republican martyrs. His sister, Mary Anne Holmes, holds similar political beliefs.
Emmet is a man of liberal political sympathies and becomes involved with a campaign to extend the democratic franchise for the Irish Parliament and to end discrimination against Catholics. He is called to the Irish bar in 1790 and quickly obtains a practice, principally as counsel for prisoners charged with political offenses. He also becomes the legal adviser of the Society of the United Irishmen.
When the Dublin Corporation issues a declaration of support of the Protestant Ascendancy in 1792, the response of the United Irishmen is their nonsectarian manifesto which is largely drawn up by Emmet. In 1795 he formally takes the oath of the United Irishmen, becoming secretary in the same year and a member of the executive in 1797. As by this time the United Irishmen had been declared illegal and driven underground, any efforts at peaceful reform of government and Catholic emancipation in Ireland are abandoned as futile, and their goal is now the creation of a non-sectarian Irish republic, independent from Britain and to be achieved by armed rebellion. Although Emmet supports this policy, he believes that the rebellion should not commence until French aid has arrived, differing from more radical members such as Lord Edward FitzGerald.
British intelligence infiltrates the United Irishmen and manages to arrest most of their leaders on the eve of the rebellion. Though not among those taken at the house of Oliver Bond on March 12, 1798, Emmet is arrested about the same time and is one of the leaders imprisoned initially at Kilmainham Gaol and later in Scotland at Fort George until 1802. Upon his release he goes to Brussels where he is visited by his brother Robert in October 1802 and is informed of the preparations for a fresh rising in Ireland in conjunction with French aid. However, at that stage France and Britain are briefly at peace, and the Emmets’ pleas for help are turned down by Napoleon.
Emmet receives news of the failure of his brother’s rising in July 1803 in Paris, where he is in communication with Napoleon. He then emigrates to the United States and joins the New York bar where he obtains a lucrative practice.
After the death of Matthias B. Hildreth, Emmet is appointed New York State Attorney General in August 1812 but is removed from office in February 1813 when the opposing Federalist Party obtains a majority in the Council of Appointment.
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