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Death of Sir Thomas de Rokeby, Justiciar of Ireland

Sir Thomas de Rokeby, a soldier and senior Crown official in fourteenth-century England and Ireland, who serves as Justiciar of Ireland, dies on April 23, 1357. He is appointed to that office to restore law and order to Ireland, and has considerable early success in this task, but he is recalled to England after the military situation deteriorates. He is later re-appointed Justiciar, and returns to Ireland to take up office, but dies soon afterwards.

The Rokebys are a prominent landowning family from Mortham in North Yorkshire. He is probably the son of Thomas de Rokeby, who dies in 1318. His nephew, also named Thomas, the son of his brother Robert, is closely associated with him in his later years and the elder Thomas is often called “l’oncle” to distinguish him from his nephew.

Rokeby first comes to public attention in 1327 when, after his return from prison in Scotland, he receives the thanks of the new King Edward III for being the squire who had first pointed out the approach of the Scots army during the invasion of the previous July. As a reward he is knighted and given lands worth £100 a year. He sees action against the Scots regularly between 1336 and 1342 and has charge of Stirling Castle and Edinburgh Castle while they are held by the English. He is High Sheriff of Yorkshire from 1342 to 1349. He is one of the English commanders at the Battle of Neville’s Cross in 1346, and it is said, “gave the Scots such a draught as they did not care to taste again.” He is then entrusted with bringing King David II of Scotland as a captive to London, and he receives further grants of land as a reward for his good services.

In 1349 Rokeby is appointed Justiciar of Ireland, and given a large armed retinue to accompany him, as it is recognised by the English Crown that “Ireland is not in good plight or good peace.” While there is some surprise at the appointment of an old soldier to such a sensitive political position, the more informed view is that Rokeby is well suited to the task of enforcing justice by military force. He arrives in December and makes a quick circuit of the south of Ireland, mainly to keep watch on the powerful but troublesome magnate Maurice FitzGerald, 1st Earl of Desmond.

Rokeby is praised by his contemporaries for his regard for justice and his zeal in checking extortion by Crown officials. He undertakes a general overhaul of the Irish administration, aimed particularly at the detection and prevention of corruption and the removal of incompetent officials. Arguably he shows excessive zeal in arresting and imprisoning the Lord High Treasurer of Ireland, Robert de Emeldon, a man who enjoys the King’s personal regard. Admittedly the charges against Emeldon are very serious, including rape, robbery and manslaughter, but the King, out of regard for their long friendship and Emeldon’s record of good service to the Crown in Ireland, had already pardoned Emeldon for killing one Ralph de Byrton, a knight, in 1336. Emeldon is once more pardoned and quickly released.

In November 1351 Rokeby holds a Great Council at Kilkenny. It deals partly with the problem of official corruption already mentioned, partly with the problem of defence of the Pale, and partly with the question of intermarriage and other close contacts between the Anglo-Irish and the Old Irish. Otway-Ruthven notes that little of the legislation is new, apart from the application to Ireland of the English Statute of Labourers of 1351, and that much of it is repeated in the better-known Statutes of Kilkenny of 1366.

In 1353 the Clan MacCarthy of Muskerry, the dominant clan in central County Cork, who had until then been loyal to the English Crown, rebels. Rokeby shows considerable skill in crushing the uprising and succeeds in replacing the rebellious head of the clan, Dermot MacCarthy, with his more compliant cousin Cormac. Cormac’s descendants gain great wealth, extensive lands and the title Earl of Clancarty.

This promising state of good order does not last long. A rebellion by the O’Byrne Clan of Wicklow in 1354 is followed by a general uprising headed by the MacMurrough-Kavanagh dynasty. Although Muirchearteach MacMurrough-Kavanagh, the self-styled King of Leinster, is captured and executed, Rokeby suffers several military defeats. He is unable to suppress the O’Byrnes’ rebellion, and other risings take place in Tipperary, Kildare and Ulster.

Rokeby, now an ageing and discouraged man, is recalled in 1355. His replacement, rather surprisingly, is that Earl of Desmond whom it had been one of his main tasks to keep in check. Desmond dies a year later on July 26, 1356. Rokeby is reappointed Justiciar, and returns to Ireland, only to die soon afterwards on April 23, 1357 at Kilkea Castle.

Rokeby is married and his wife is named Juliana, but little else is known of her. They have no children, and his estates pass to his nephew, the younger Thomas.

(Pictured: Portrait of Sir Thomas de Rokeby, painting by Godfried Schalcken)


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Birth of Gerry Rafferty, Singer, Songwriter & Musician

Gerald Rafferty, Scottish singer, songwriter, musician, and record producer, is born in Paisley, Renfrewshire, Scotland, on April 16, 1947. His solo hits in the late 1970s include “Baker Street,” “Right Down the Line” and “Night Owl,” as well as “Stuck in the Middle with You,” which is recorded with his band Stealers Wheel in 1973.

Rafferty is the third son of Irish miner and lorry driver Joseph Rafferty and his Scottish wife Mary Skeffington. His abusive alcoholic father dies when Gerry is only sixteen years old. He grows up in a council house on the town’s Glenburn estate and attends St. Mirin’s Academy. Inspired by his Scottish mother, who teaches him both Irish and Scottish folk songs, and the music of Bob Dylan and the Beatles, he starts writing his own material. In 1963 he leaves St. Mirin’s Academy and works in a butcher’s shop and as a civil service clerk while also playing with the local group Maverix on weekends.

In the mid-1960s Rafferty earns money busking on the London Underground. In 1966 he meets fellow musician Joe Egan and they are both members of the pop band the Fifth Column. In 1969 he becomes the third member of the folk-pop outfit the Humblebums, which also features comedian Billy Connolly and Tam Harvey. He and Connelly record two well-received albums on the Transatlantic Records label as a duo.

Rafferty releases his first solo album, Can I Have My Money Back?, in 1972. That same year he and Egan form the group Stealers Wheel. Stealers Wheel has a huge hit with the jaunty and witty song “Stuck in the Middle with You,” which peaks at #6 on the Billboard pop charts. Stealers Wheel has a lesser Top 40 hit with “Star” ten months later and eventually breaks up in 1975.

In 1978 Rafferty hits pay dirt with his second solo album, City to City, which soars to #1 on the Billboard album charts and sells over five million copies worldwide. The album also begets the hit song “Baker Street.” This haunting and poetic ballad is an international smash that goes to #2 in the United States, #3 in the United Kingdom, #1 in Australia, and #9 in the Netherlands.

Rafferty’s third album, Night Owl, likewise does well. Moreover, he has additional impressive chart successes with the songs “Right Down the Line,” “Home and Dry,” “Days Gone Down,” and “Get It Right Next Time.” Alas, a handful of albums he records throughout the 1980s and 1990s all prove to be commercial flops. He sings the vocal on the song “The Way It Always Starts” for the soundtrack of the movie Local Hero.

Rafferty is married to Carla Ventilla from 1970 to 1990. He records his last album, Another World, in 2000 and releases the compilation CD, Life Goes On, in 2009.

Rafferty has problems with alcoholism that directly contributes to his untimely death. In November 2010, he is admitted to the Royal Bournemouth Hospital where he is put on a life support machine and treated for multiple organ failure. After being taken off life support, he rallies for a short time, and doctors believe he might recover. He dies, however, of liver failure at the home of his daughter Martha in Stroud, Gloucestershire, on January 4, 2011.

A requiem mass is held for Rafferty at St. Mirin’s Cathedral in Paisley on January 21, 2011. The mass is streamed live over the Internet. Politicians in attendance are the First Minister of Scotland Alex Salmond MSP, Wendy Alexander MSP, Hugh Henry MSP, and Robin Harper MSP. The musicians present include Craig and Charlie Reid of The Proclaimers, former bandmates Joe Egan and Rab Noakes, Barbara Dickson, and Graham Lyle. The eulogy is given by Rafferty’s longtime friend John Byrne. His remains are then cremated at the Woodside Crematorium in Paisley and his ashes scattered on Iona. He is survived by his daughter, granddaughter Celia, and brother Jim.


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The Black and Tans Arrive In Ireland

The Black and Tans (Irish: Dúchrónaigh), special constables recruited into the Royal Irish Constabulary (RIC) as reinforcements during the Irish War of Independence, arrive in Ireland on March 25, 1920. Recruitment begins in Great Britain in January 1920 and about 10,000 men enlist during the conflict. The vast majority are unemployed former British soldiers from Britain who had fought in World War I. Some sources count a small number of Irishmen as Black and Tans.

The British administration in Ireland promotes the idea of bolstering the RIC with British recruits. They are to help the overstretched RIC maintain control and suppress the Irish Republican Army (IRA), although they are less well trained in ordinary policing. The nickname “Black and Tans” arises from the colours of the improvised uniforms they initially wear, a mixture of dark green RIC (which appears black) and khaki British Army. They serve in all parts of Ireland, but most are sent to southern and western regions where fighting is heaviest. By 1921, Black and Tans make up almost half of the RIC in County Tipperary, for example.

Few Black and Tans are sent to what becomes Northern Ireland, however. The authorities there raise their own reserve force, the Ulster Special Constabulary (USC). For the most part, the Black and Tans are “treated as ordinary constables, despite their strange uniforms, and they live and work in barracks alongside the Irish police.” They spend most of their time manning police posts or on patrol—”walking, cycling, or riding on Crossley Tenders.” They also undertake guard, escort and crowd control duties. While some Irish constables get along well with the Black and Tans, “it seems that many Irish police did not like their new British colleagues” and se them as “rough.”

Alexander Will, from Forfar in Scotland, is the first Black and Tan to die in the conflict. He is killed during an IRA attack on the RIC barracks in Rathmore, County Kerry, on July 11, 1920.

The Black and Tans gain a reputation for brutality and become notorious for reprisal attacks on civilians and civilian property, including extrajudicial killings, arson and looting. Their actions further sway Irish public opinion against British rule and draw condemnation in Britain.

The Black and Tans are sometimes confused with the Auxiliary Division, a counterinsurgency unit of the RIC, also recruited during the conflict and made up of former British officers. However, sometimes the term “Black and Tans” covers both groups. Some sources say the Black and Tans are officially named the “RIC Special Reserve,” but this is denied by other sources, which say they are not a separate force but “recruits to the regular RIC” and “enlisted as regular constabulary.”

More than a third leave the service before they are disbanded along with the rest of the RIC in 1922, an extremely high wastage rate, and well over half receive government pensions. Over 500 members of the RIC died in the conflict and more than 600 are wounded. Some sources state that 525 police are killed in the conflict, including 152 Black and Tans and 44 Auxiliaries. This figure of total police killed also includes 72 members of the Ulster Special Constabulary killed between 1920 and 1922 and 12 members of the Dublin Metropolitan Police.

Many Black and Tans are left unemployed after the RIC is disbanded and about 3,000 are in need of financial assistance after their employment in Ireland is terminated. About 250 Black and Tans and Auxiliaries, among over 1,300 former RIC personnel, join the Royal Ulster Constabulary. Another 700 joined the Palestine Police Force which is led by former British Chief of Police in Ireland, Henry Hugh Tudor. Others are resettled in Canada or elsewhere by the RIC Resettlement branch. Those who return to civilian life sometimes have problems re-integrating. At least two former Black and Tans are hanged for murder in Britain and another, Scott Cullen, wanted for murder, commits suicide before the police can arrest him.

(Pictured: Sir Hamar Greenwood inspects a group of Black and Tans in 1921)


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Birth of Anne Butler Yeats, Painter and Costume and Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, is born in Dublin on February 26, 1919.

Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her birth is commemorated by her father with the poem A Prayer for My Daughter. Her aunts are associated with the arts and crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family.

Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats participates in group exhibitions in the United States, Canada, Germany, the Netherlands, Monaco, and Scotland, along with the Irish Exhibition of Living Art and Taispeántas an Oireachtas.

Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)


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Birth of Pearse Hutchinson, Poet, Broadcaster & Translator

Pearse Hutchinson, Irish poet, broadcaster and translator, is born in Glasgow, Scotland, on February 16, 1927.

Hutchinson’s father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.

Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.

Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.

In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.

Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.

Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.

In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.

In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.

From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.

A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.

Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012.

(Pictured: Pearse Hutchinson in 1976, photographed by Eve Holmes, © RTÉ Archives 2032/078)


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Birth of George Germain, 1st Viscount Sackville

George Germain, 1st Viscount Sackville, a British soldier and politician who is Secretary of State for the Colonies in Lord North‘s cabinet during the American Revolutionary War, is born on January 26, 1716. He is styled The Honourable George Sackville until 1720, Lord George Sackville from 1720 to 1770, and Lord George Germain from 1770 to 1782.

Sackville is the third son of Lionel Sackville, 1st Duke of Dorset, and his wife Elizabeth, daughter of Lieutenant-General Walter Philip Colyear. Between 1730 and 1737 and again from 1750 to 1755, his father holds the post of Lord Lieutenant of Ireland. He is educated at Westminster School in London and graduates from Trinity College Dublin in 1737. While in Dublin he befriends the celebrated writer, Jonathan Swift. He also encounters John Ligonier, 1st Earl Ligonier, who later assists his career in the military.

Sackville then enters the army. He is elected Grandmaster of the Grand Lodge of Ireland in 1751, serving in this post for two years. He marries Diana Sambrooke, daughter of John Sambrooke and Elizabeth Forester, on September 3, 1754. They have two sons and three daughters.

Sackville starts as a captain in the 7th Horse (later the 6th Dragoon Guards). In 1740, he transfers to the Gloucestershire Regiment as a lieutenant colonel. The regiment is sent to Germany to participate in the War of the Austrian Succession. In 1743 he is advanced to brevet colonel. He sees his first battle, leading the charge of the infantry of Prince William, Duke of Cumberland, in the Battle of Fontenoy in 1745. He is wounded, captured and taken to the tent of Louis XV. When he is released and returned home, it is to duty in Scotland as the Colonel of the 20th Foot Regiment.

In 1747 and 1748, Sackville again joins the Duke of Cumberland. He becomes colonel of the 7th Irish horse and serves in Holland. There is a break in his military career between wars (1750-1755) when he serves as first secretary to his father.

During the Seven Years’ War, Sackville returns to active military service. In 1755, he is promoted to major general and returns to active service to oversee ordnance. In 1758, he is given a fourth regiment and joins Charles Spencer, 3rd Duke of Marlborough, as a lieutenant general. He is sworn of the Privy Council of the United Kingdom in January 1758.

In June 1758 Sackville is second in command of a British expedition led by Marlborough which attempts an amphibious Raid on St. Malo. While it fails to take the town as instructed, the raid is still considered to be largely successful as a diversion. Follow-up raids are considered against Le Havre, Caen and other targets in Normandy, but no further landings are attempted, and the force returns home. Later in 1758 they join the allied forces of Duke Ferdinand of Brunswick in Germany. When Marlborough dies, Sackville becomes Commander of the British contingent of the army, although still under the overall command of the Duke of Brunswick.

In the Battle of Minden on August 1, 1759, British and Hanoverian infantry of the centre make an advance on the French cavalry and artillery in that sector. As the disrupted French begin to fall back on Minden, Ferdinand calls for a British cavalry charge to complete the victory, but Sackville withholds permission for their advance repeatedly. For this action, he is cashiered and sent home. John Manners, Marquess of Granby, replaces him as commander of the British contingent for the remainder of the war.

Sackville refuses to accept responsibility for refusing to obey orders. Back in England, he demands a court-martial and makes it a large enough issue that he obtains his demand in 1760. The court finds him guilty, and the verdict not only upholds his discharge, but rules that he is “…unfit to serve His Majesty in any military Capacity whatever.” The king has his name struck from the Privy Council rolls.

Sackville is a Member of Parliament at intervals from 1733. He serves terms in both the Dublin and the Westminster bodies, sometimes simultaneously, but does not take sides in political wrangles. Between 1750 and 1755 he serves as Chief Secretary for Ireland, during his father’s second term as Lord Lieutenant of Ireland.

On November 10, 1775, Sackville is appointed Secretary of State for the Colonies replacing William Legge, 2nd Earl of Dartmouth in the post. He becomes a target for the opposition and is eventually persuaded to step down in exchange for a peerage, and in February 1782 he is made Baron Bolebrooke, in the County of Sussex, and Viscount Sackville, of Drayton in the County of Northamptonshire. His political career ends with the fall of the North government in March 1782.

The controversy over Sackville’s handling of the war continues. Some members are opposed to his taking a seat in the House of Lords, an almost unprecedented incident. In spite of this he is admitted to the Lords, where he is staunchly defended by Edward Thurlow, 1st Baron Thurlow, and his declining health soon makes the issue irrelevant. He retires to his country home at Stoneland Lodge and dies there on August 26, 1785. He maintains to his dying day that he had not been a coward at Minden. Following his death, a defence of his reputation, The character of the late Viscount Sackville, is written by Richard Cumberland.

(Pictured: “George Germain,” 1766 painting by George Romney (1734-1802))


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Birth of James Craig, 1st Viscount Craigavon & First Prime Minister of Northern Ireland

James Craig, 1st Viscount Craigavon PC PC (NI) DL, prominent Irish unionist politician, leader of the Ulster Unionist Party and the first Prime Minister of Northern Ireland from 1921 until his death in 1940, is born at Sydenham, Belfast, on January 8, 1871.

Craig is the seventh of nine children of James Craig (1828–1900), a wealthy whiskey distiller who had entered the firm of Dunville & Co. as a clerk and by age 40 is a millionaire and a partner in the firm. Craig Snr. owns a large house called Craigavon, overlooking Belfast Lough. His mother, Eleanor Gilmore Browne, is the daughter of Robert Browne, a prosperous man who owned property in Belfast and a farm outside Lisburn. Craig is educated at Merchiston Castle School in Edinburgh, Scotland. After school he begins work as a stockbroker, eventually opening his own firm in Belfast.

Craig enlists in the 3rd (Militia) battalion of the Royal Irish Rifles on January 17, 1900, to serve in the Second Boer War. He is seconded to the Imperial Yeomanry, a cavalry force created for service during the war, as a lieutenant in the 13th battalion on February 24, 1900, and leaves Liverpool for South Africa on the SS Cymric in March 1900. After arrival he is soon sent to the front and is taken prisoner in May 1900, but released by the Boers because of a perforated colon. On his recovery he becomes deputy assistant director of the Imperial Military Railways, showing the qualities of organisation that are to mark his involvement in both British and Ulster politics. In June 1901 he is sent home suffering from dysentery, and by the time he is fit for service again the war is over. He is promoted to captain in the 3rd Royal Irish Rifles on September 20, 1902, while still seconded to South Africa.

On his return to Ireland, having received a £100,000 legacy from his father’s will, Craig turns to politics, serving as Member of the British Parliament for East Down from 1906 to 1918. From 1918 to 1921 he represents Mid Down and serves in the British government as Parliamentary Secretary to the Minister for Pensions (1919–20) and Parliamentary Secretary to the Admiralty (1920–21).

Craig rallies Ulster loyalist opposition to Irish Home Rule in Ulster before World War I, organising the paramilitary Ulster Volunteers (UVF) and buying arms from Imperial Germany. The UVF becomes the nucleus of the 36th (Ulster) Division during World War I. He succeeds Edward Carson as leader of the Ulster Unionist Party in February 1921.

In the 1921 Northern Ireland general election, the first ever, Craig is elected to the newly created House of Commons of Northern Ireland as one of the members for Down.

On June 7, 1921, Craig is appointed the first Prime Minister of Northern Ireland by the Lord Lieutenant of Ireland. The House of Commons of Northern Ireland assembles for the first time later that day.

Craig is made a baronet in 1918, and in 1927 is created Viscount Craigavon, of Stormont in the County of Down. He is also the recipient of honorary degrees from Queen’s University Belfast (1922) and the University of Oxford (1926).

Craig had made his career in British as well as Northern Irish politics, but his premiership shows little sign of his earlier close acquaintance with the British political world. He becomes intensely parochial and suffers from his loss of intimacy with British politicians in 1938, when the British government concludes agreements with Dublin to end the Anglo-Irish trade war between the two countries. He never tries to persuade Westminster to protect Northern Ireland‘s industries, especially the linen industry, which is central to its economy. He is anxious not to provoke Westminster, given the precarious state of Northern Ireland’s position. In April 1939, and again in May 1940 during World War II, he calls for conscription to be introduced in Northern Ireland (which the British government, fearing a backlash from nationalists, refuses). He also calls for Winston Churchill to invade Ireland using Scottish and Welsh troops in order to seize the valuable ports and install a Governor-General at Dublin.

While still prime minister, Craig dies peacefully at his home at Glencraig, County Down at the age of 69 on November 24, 1940. He is buried on the Stormont Estate on December 5, 1940, and is succeeded as the Prime Minister of Northern Ireland by the Minister of Finance, J. M. Andrews.

(Pictured: James Craig, 1st Viscount Craigavon, bromide print by Olive Edis, National Portrait Gallery, London)


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Death of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).


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Death of Samuel Henry Butcher, Scholar & Politician

Samuel Henry Butcher, Anglo-Irish classical scholar and politician, dies in London on December 29, 1910.

Butcher is born in Dublin on April 16, 1850, the son of Samuel Butcher, Bishop of Meath, and Mary Leahy. John Butcher, 1st Baron Danesfort, is his younger brother. He is educated at Marlborough College in Wiltshire and then receives a place at Trinity College, Cambridge, attending between 1869 and 1873 where he is Senior Classic and Chancellor’s medalist. He is elected fellow of Trinity in 1874.

Butcher leaves Trinity on his marriage, in 1876, to Rose Julia Trench (1840-1902), the daughter of Archbishop Richard Chenevix Trench. The marriage produces no children.

From 1876 to 1882 Butcher is a fellow of University College, Oxford, and tutors there. From 1882 to 1903 he is Professor of Greek at the University of Edinburgh succeeding Prof. John Stuart Blackie. During this period, he lives at 27 Palmerston Place in Edinburgh‘s West End. He is succeeded at the University of Edinburgh by Prof. Alexander William Mair.

Butcher is one of the two Members of Parliament for Cambridge University, between 1906 and his death, representing the Liberal Unionist Party. He is President of the British Academy from 1909 to 1910.

Butcher dies in London on December 29, 1910, and his body is returned to Scotland and interred at the Dean Cemetery in Edinburgh with his wife. His grave has a pale granite Celtic cross and is located near the northern path of the north section in the original cemetery.

Butcher’s many publications include, in collaboration with Andrew Lang, a prose translation of Homer‘s Odyssey which appears in 1879 and the OCT edition of Demosthenes, Orationes, vol. I (Or. 1-19, Oxford, 1903), II.i (Or. 20–26, Oxford, 1907).


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The Derryard Checkpoint Attack

The Provisional Irish Republican Army (IRA) attacks a British Army permanent vehicle checkpoint complex manned by the King’s Own Scottish Borderers (KOSB) near the Northern Ireland–Republic of Ireland border at Derryard, north of Rosslea, County Fermanagh, on December 13, 1989.

According to journalist Ed Moloney, the IRA Army Council, suspecting a great deal of infiltration by double agents at the grassroots level of the IRA, decide to form an experimental flying column (rather than the usual active service unit) to mount a large-scale operation against a permanent vehicle checkpoint along the border. It hopes that this will prevent any information leak that might result in another fiasco like the Loughgall Ambush of 1987.

Moloney maintains that the planning is in the charge of Thomas Murphy, alleged leader of the South Armagh Brigade, and that the raid is to be led by East Tyrone Brigade member Michael “Pete” Ryan. Journalist Ian Bruce instead claims that the IRA unit is led by an Irish citizen who had served in the Parachute Regiment, citing intelligence sources. The column is made up of about 20 experienced IRA volunteers from throughout Northern Ireland, eleven of whom are to carry out the attack itself. Bruce reports that IRA members from County Monaghan, supported by local Fermanagh militants, carry out the raid.

The target is a permanent vehicle checkpoint at Derryard. Described as a “mini base,” it includes an accommodation block and defensive sangars. It is manned by eight soldiers of the 1st Battalion, King’s Own Scottish Borderers and a Royal Ulster Constabulary (RUC) officer. The eleven IRA members are driven to the checkpoint in the back of a makeshift Bedford armoured dumper truck. They are armed with 7.62mm AK-47s, 5.56mm ArmaLite AR-18s, two 12.7mm DShK heavy machine-guns, RPG-7s, different kinds of grenades, and a LPO-50 flamethrower. The heavy machine guns and the flamethrower are mounted on a tripod on the lorry bed. To assure widespread destruction, the column plan to detonate a van bomb after the initial assault.

The attack takes place shortly after 4:00 PM. IRA members seal off roads leading to the checkpoint in an attempt to prevent civilians from getting caught up in the attack. The truck is driven from the border and halted at the checkpoint. As Private James Houston begins to check the back of the truck, the IRA open fire with assault rifles and throw grenades into the compound. Two RPG-7s are fired at the observation sangar while the flamethrower stream is directed at the command sangar. Heavy shooting continues as the truck reverses and smashes through the gates of the compound. At least three IRA volunteers dismount inside the checkpoint and spray the portacabins with gunfire and the flamethrower’s fire stream, while throwing grenades and nail bombs. The defenders are forced to seek shelter in sangars, from where they fire into their own base. A farmer some distance away sees an orange ball of flames and hears gunfire ‘raking the fields.’ As the truck drives out of the now wrecked compound, a red transit van loaded with a 400-lb. (182 kg) bomb is driven inside and set to detonate once the IRA unit has made its escape. However, only the booster charge explodes.

The attack is finally repulsed by a four-men Borderers section from the checkpoint that is patrolling nearby, with the support of a Westland Wessex helicopter. The patrol fires more than 100 rounds at the IRA unit. The Wessex receives gunfire and is forced to take evasive action. The IRA column, at risk of being surrounded, flee toward the border in the armoured truck. It is found abandoned at the border with a 460-lb. (210 kg) bomb on board.

Two soldiers are killed in the attack: Private James Houston (22) from England and Lance-Corporal Michael Patterson (21) from Scotland. Corporal Whitelaw is badly wounded by shrapnel and later airlifted for treatment. Another soldier suffers minor injuries.

There is outrage in Westminster and among unionists, as a supposedly well-defended border post has been overrun by the IRA and two soldiers killed. On the other hand, according to Moloney, there is also some disappointment among republicans. Despite the positive propaganda effect, the quick and strong reaction from the outpost’s defenders convince some high-ranking IRA members that the Army Council has been infiltrated by a mole.

KOSB officers and security sources believe that the IRA unit involved was not locally recruited, putting the blame instead on IRA members from Clogher, County Tyrone and South Monaghan in the Republic. The same sources say that the attack was executed “in true backside-or-bust Para style.”

After the action of Derryard, the British Army in Northern ireland are issued the French designed Luchaire 40mm rifle grenade, fitted on the muzzle of the SA80 rifle. This gives the troops a lightweight armour piercing capability to deal with the threat imposed by improvised armoured vehicles. Permanent checkpoints along the border are also fitted with general-purpose machine guns. From 1990 until the end of the IRA campaign in 1997, there are a number of further bloodless, small-scale attacks against permanent vehicle checkpoints along this part of the border using automatic weapons, particularly in County Fermanagh and against a military outpost at Aughnacloy, County Tyrone.

Two soldiers, Corporal Robert Duncan and Lance Corporal Ian Harvey, are bestowed the Distinguished Conduct Medal (DCM), while Lance-Corporal Patterson receives a posthumous mention in dispatches for his actions during the attack. The checkpoint is dismantled in March 1991, as part of a major border security re-arrangement codenamed Operation Mutilate.

(Pictured: Republican memorial at Carragunt bridge, on the border between Northern Ireland and the Republic, often crossed by Provisional IRA forces during the Troubles to attack British targets inside County Fermanagh)