Smith is the fourth child of John Smith (1792–1828), a barrister, who dies when Henry is two. His mother, Mary Murphy (d.1857) from Bantry Bay, very soon afterward moves the family to England. He has thirteen siblings, including Eleanor Smith, who becomes a prominent educational activist. He lives in several places in England as a boy. His mother does not send him to school but educates him herself until age 11, at which point she hires private tutors. In 1841, at the age of 15, he is admitted to Rugby School in Warwickshire, where Thomas Arnold is the school’s headmaster. This comes about because his tutor, Henry Highton, takes up a housemaster position there.
At the age of 19 Smith wins an entrance scholarship to Balliol College, Oxford. He graduates in 1849 with high honours in both mathematics and classics. He is fluent in French having spent holidays in France, and he takes classes in mathematics at the College of Sorbonne in Paris during the 1846–47 academic year. He is unmarried and lives with his mother until her death in 1857. He then brings his sister, Eleanor, to live with him as housekeeper at St. Giles.
Smith remains at Balliol College as a mathematics tutor following his graduation in 1849 and is soon promoted to Fellow status.
In 1874, Smith becomes Keeper of the University Museum and moves, along with his sister, to the Keeper’s House on South Parks Road in Oxford.
On account of his ability as a man of affairs, Smith is in demand for academic administrative and committee work: he is Keeper of the Oxford University Museum of Natural History, a Mathematical Examiner for the University of London, a member of a Royal Commission to review scientific education practice, a member of the commission to reform University of Oxford governance, chairman of the committee of scientists overseeing the Meteorological Office and twice president of the London Mathematical Society.
Palmer’s music includes at least three operas, a number of choral pieces and many songs. His strong interest in opera comes during a politically difficult period in Irish history. Ireland is struggling for independence, and cultural politicians often regard opera (and classical music in general) as alien to Irish culture. Initially, however, he is successful, his earliest stage work being Finn Varra Maa (a transliteration from the Gaelic meaning “good Finbar”), subtitled The Irish Santa Claus. It survives as a libretto only, published in a drama series by Talbot Press, Dublin, in 1917. Contrary to what the (sub-)title may suggest, the work is a political satire that is much criticised for its nationalism. Sruth na Maoile (“The Sea of Moyle”) is first performed in July 1923 and restaged by the O’Mara Opera Company in the cultural by-programme of the Tailteann Games in August 1924. Its story is based on the legend of the Children of Lir, while the music relies on numerous references to Irish traditional music, including the song Silent O Moylefrom Thomas Moore‘s Irish Melodies. A third work, Grania Goes (1924), conceived as a light, comic opera, cannot be performed in the years following Irish independence. The manuscript scores of the Sruth na Maoile and Grania Goes are in the National Library of Ireland.
Between 1925 and 1930, Palmer embarks on a cycle of three full-scale operas on the Cuchullain cycle to words by William Mervyn Crofton. In one of them, Deirdre of the Sorrows (1925), Crofton acknowledges Palmer’s “beautiful music.” Despite this, Palmer’s illness prevents the completion of the score, which is later handed over to the composer Staf Gebruers (1902–70), but they are never performed. The manuscript scores of the operas Cuchullain and Deirdre of the Sorrows composed by Gebruers are held by his son Adrian. Unfortunately, despite extensive searching, the score of The Wooing of Emer has not been located, though it is referenced in Gebruers’ own inventories and mentioned as being of three hours duration. In addition, there is a copy of The King’s Song, also composed by Gebruers with lyrics by Crofton and described as from Act 1 of The Black Hag, but whether or not this has any connection with Palmer is unknown.
Palmer is mainly known as the composer of light songs and ballads, often in a folkloristic style, that find publishers in England and are frequently performed. “They show a skilled hand with a talent for vocal harmony but little originality.” His choral music is mainly on a similar miniature scale, an exception being the early cantataThe Abbot of Innisfallen (1909). There are some isolated examples of orchestral music performed by the orchestra of Radio Éireann, but the surviving references may not give a full picture of his output.
In the last decades of his life, Palmer was confined to a wheelchair and depends upon the care of his two sisters, who were running Hillcourt, a private girls’ boarding school in Glenageary, near their home in Sandycove (south Dublin). Palmer dies in Dublin on November 29, 1957.
O’Connor is the eldest of five children and brother of singer Sinéad O’Connor. He is from the Glenageary area of south Dublin. His parents are Sean O’Connor, a structural engineer who later turns barrister, and Marie O’Connor.
O’Connor’s novel Cowboys and Indians (1991) is on the shortlist for the Whitbread Book Award.
On February 10, 1985, O’Connor’s mother is killed in a car accident. The mother of his character Sweeney in The Salesman (1998) dies in the same manner.
In 2002, O’Connor writes the novel Star of the Sea, which The Economist lists as one of the top books of 2003. His 2010 novel Ghost Light is loosely based on the life of the actress Maire O’Neill, born Mary “Molly” Allgood, and her relationship with the Irish playwrightJohn Millington Synge. It is published by Harvill Secker of London in 2010.
In 2014, O’Connor is announced as the inaugural Frank McCourt Chair in Creative Writing at the University of Limerick, where he teaches on the MA in Creative Writing.
O’Connor is a regular contributor to Drivetime, an evening news and current affairs programme on RTÉ Radio 1.
O’Connor’s Shadowplay, published in 2019, is shortlisted for the2019 Costa Book Award in the Novel category.
O’Connor is married to television and film writer Anne-Marie Casey. They have two sons. He and his family have lived in London and Dublin, and occasionally reside in New York City.
Martin is born on July 23, 1921, in Ballylongford, County Kerry, to a middle-class family in which the children are raised speaking Irish at the dinner table. His parents, Conor and Katherine Fitzmaurice Martin, have five sons and five daughters. Four of the five sons become priests, including his younger brother, Francis Xavier Martin.
Martin participates in the research on the Dead Sea Scrolls and publishes 24 articles on Semitic palaeography. He does archaeological research and works extensively on the Byblos syllabary in Byblos, in Tyre, and in the Sinai Peninsula. He assists in his first exorcism while working in Egypt for archaeological research. In 1958, he publishes a work in two volumes, The Scribal Character of the Dead Sea Scrolls.
In 1964, Martin requests a release from his vows and from the Jesuit Order. He receives a provisional release in May 1965 and a dispensation from his vows of poverty and obedience on June 30, 1965. Even if dispensed from his religious vow of chastity, he remains under the obligation of chastity if still an ordained secular priest. He maintains that he remains a priest, saying that he had received a dispensation from Paul VI to that effect.
Martin moves to New York City in 1966, working as a dishwasher, a waiter, and taxi driver, while continuing to write. He co-founds an antiques firm and is active in communications and media for the rest of his life.
In 1967, Martin receives his first Guggenheim Fellowship. In 1970, he publishes the book The Encounter: Religion in Crisis, winning the Choice Book Award of the American Library Association. He then publishes Three Popes and the Cardinal: The Church of Pius, John and Paul in its Encounter with Human History (1972) and Jesus Now (1973). In 1970, he becomes a naturalizedU.S. citizen.
In 1969, Martin receives a second Guggenheim Fellowship, allowing him to write his first of four bestsellers, Hostage to the Devil: The Possession and Exorcism of Five Living Americans (1976). In the book, he calls himself an exorcist, claiming he assisted in several exorcisms. According to McManus Darraugh, William Peter Blatty “wrote a tirade against Malachi, saying his 1976 book was a fantasy, and he was just trying to cash in.” Darraugh also says that Martin became “an iconic person in the paranormal world.”
Martin is a periodic guest on Art Bell‘s radio program, Coast to Coast AM, between 1996 and 1998. The show continues to play tapes of his interviews on Halloween.
The Vatican restores Martin’s faculty to celebrate Mass in 1989, at his request. He is strongly supported by some Traditionalist Catholic sources and severely criticized by other sources, such as the National Catholic Reporter. He serves as a guest commentator for CNN during the live coverage of the visit of Pope John Paul II to the United States in October 1995.
On July 27, 1999, Martin dies in Manhattan of an intracerebral haemorrhage, four days after his 78th birthday. It is caused by a fall in his Manhattan apartment. The documentary Hostage to the Devil claims that Martin says he was pushed from a stool by a demonic force.
Murdoch is the daughter of Irene Alice (née Richardson) and Wills John Hughes Murdoch. Her father, a civil servant, comes from a mainly Presbyterian sheep farming family from Hillhall, County Down. In 1915, he enlists as a soldier in King Edward’s Horse and serves in France during World War I before being commissioned as a second lieutenant. Her mother trains as a singer before Iris is born and is from a middle-class Church of Ireland family in Dublin. Her parents first meet in Dublin when her father is on leave and are married in 1918. Iris is the couple’s only child. When she is a few weeks old the family moves to London, where her father had joined the Ministry of Health as a second-class clerk. She is a second cousin of the Irish mathematician Brian Murdoch.
From 1947 to 1948 Murdoch studies philosophy as a postgraduate at Newnham College, Cambridge. She meets Ludwig Wittgenstein at Cambridge but does not hear him lecture, as he had left his Trinity College professorship before she arrives. In 1948 she becomes a fellow of St. Anne’s College, Oxford, where she teaches philosophy until 1963. From 1963 to 1967 she teaches one day a week in the General Studies department at the Royal College of Art.
In 1956 Murdoch marries John Bayley, a literary critic, novelist, and from 1974 to 1992 Warton Professor of English at Oxford University, whom she had met in Oxford in 1954. The unusual romantic partnership lasts more than forty years until Murdoch’s death. Bayley thinks that sex is “inescapably ridiculous.” She in contrast has “multiple affairs with both men and women which, on discomposing occasions, Bayley witnesses for himself.”
Murdoch’s first novel, Under the Net, is published in 1954 and is selected in 1998 as one of Modern Library’s 100 best English-language novels of the 20th century. She had previously published essays on philosophy, and the first monograph about Jean-Paul Sartre published in English. She goes on to produce 25 more novels and additional works of philosophy, as well as poetry and drama.
Murdoch’s last novel, Jackson’s Dilemma, is published in 1995. She is diagnosed with Alzheimer’s disease in 1997 and dies on February 8, 1999, in Oxford, England. There is a bench dedicated to her in the grounds of Lady Margaret Hall, Oxford, where she enjoyed walking.
Maturin is born on February 15, 1847, at All Saints’ vicarage, Grangegorman, Dublin, the third of the ten children of the Rev. William Basil Maturin and his wife, Jane Cooke (née Beatty). The Maturins, a prominent Anglo-Irish family of Huguenot ancestry, have produced many influential Church of Ireland clergymen over the generations, the most notable being Maturin’s grandfather, the writer Charles Robert Maturin. His own father, whose tractarian convictions are considered too “high church” for many in Dublin, is a somewhat controversial figure in the church. Religion plays a huge part in the Maturin children’s lives. Two of his brothers enter the church and two sisters become nuns. As a young man, he assists in training the choir and playing the organ at his father’s church. Educated at home and at a Dublin day school, he goes on to attend Trinity College Dublin (TCD), from where he graduates BA in 1870.
Though he initially intends to make a career in the army as an engineer, a severe attack of scarlet fever around 1868, and the death of his brother Arthur, changes his outlook on life, and he decides to become a clergyman. He is ordained a deacon in 1870 and later that year goes as a curate to Peterstow, Herefordshire, England, where his father’s friend Dr. John Jebb is rector. He subsequently joins the Society of St. John the Evangelist, entering the novitiate at Cowley, Oxford, in February 1873. As a Cowley father he is sent in 1876 to establish a mission in Philadelphia, Pennsylvania, where he works as an assistant priest and, from 1881, as rector of Saint Clement’s Church. Though he proves to be an effective clergyman and popular preacher, his growing religious doubts and increasing interest in Catholicism results in his returning to Oxford in 1888. Then follows a six-month visit in 1889–90 to a society house in Cape Town, South Africa. He returns to Britain, where he preaches, and conducts retreats around the country and occasionally on the continent. In 1896 he produces the first in a series of religious publications, Some Principles and Practices of Spiritual Life.
Maturin’s continuing religious anxieties eventually lead to his conversion to Catholicism on March 5, 1897, at the JesuitBeaumont College outside London. He then studies theology at the Canadian College, Rome, and is ordained there in 1898. Following his return to England he lives initially at Archbishop’s House, Westminster, and undertakes missionary work. He then serves at St. Mary’s, Cadogan Street, in 1901. He becomes parish priest of Pimlico and, in 1905, having joined the newly established Society of Westminster Diocesan Missionaries, organises the opening of St. Margaret’s chapel on St. Leonard’s Street, where huge crowds come to hear his sermons. As a Catholic priest, he returns to Ireland on several occasions, and frequently preaches at the Carmelite church, Clarendon Street, Dublin. His attempt, at the age of sixty-three, to enter into monastic life at the Benedictinemonastery at Downside, in 1910, proves unsuccessful. He returns to London and begins working in St. James’s, Spanish Place, while maintaining his preaching commitments. He continues to write, publishing Self-Knowledge and Self-Discipline (1905), Laws of the Spiritual Life (1907) and his autobiographical The Price of Unity (1912), in which he traces his gradual move toward Catholicism. His sermons, like his approach when hearing confessions, are said to have much appeal for their integrity. Despite his influence as a preacher, he seems often feel that his life and vocation lack real purpose and at times he suffers from depression.
After a brief visit to the United States in 1913, Maturin accepts the post of Catholic chaplain at the University of Oxford in 1914. He travels to New York in 1915 and, after preaching there throughout the spring, boards the RMS Lusitania in May to return to England. The liner is torpedoed and sinks on May 7, 1915, off the southern coast of Ireland. He assists his fellow passengers in the last minutes, and it is presumed that he refuses a life jacket, as they are in short supply. His body washes ashore. A service is held for him at Westminster Cathedral.
Maturin’s friend Wilfrid Philip Ward edits a collection of his spiritual writings, Sermons and Sermon Notes, in 1916.
(From: “Maturin, Basil William” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Muldoon, the eldest of three children, is born on June 20, 1951, on a farm in County Armagh, Northern Ireland, outside The Moy, near the boundary with County Tyrone. His father works as a farmer (among other jobs) and his mother is a school mistress. In 2001, Muldoon says of the Moy:
“It’s a beautiful part of the world. It’s still the place that’s ‘burned into the retina,’ and although I haven’t been back there since I left for university 30 years ago, it’s the place I consider to be my home. We were a fairly non-political household; my parents were nationalists, of course, but it was not something, as I recall, that was a major area of discussion. But there were patrols; an army presence; movements of troops; and a sectarian divide. And that particular area was a nationalist enclave, while next door was the parish where the Orange Order was founded; we’d hear the drums on summer evenings. But I think my mother, in particular, may have tried to shelter us from it all. Besides, we didn’t really socialise a great deal. We were ‘blow-ins’ – arrivistes – new to the area, and didn’t have a lot of connections.”
Talking of his home life, Muldoon continues, “I’m astonished to think that, apart from some Catholic Truth Society pamphlets, some books on saints, there were, essentially, no books in the house, except one set, the Junior World Encyclopedia, which I certainly read again and again. People would say, I suppose that it might account for my interest in a wide range of arcane bits of information. At some level, I was self-educated.” He is a “Troubles poet” from the beginning.
In 1969, Muldoon reads English at Queen’s University Belfast (QUB), where he meets Seamus Heaney and becomes close to the Belfast Group of poets which include Michael Longley, Ciaran Carson, Medbh McGuckian and Frank Ormsby. He says of the experience, “I think it was fairly significant, certainly to me. It was exciting. But then I was 19, 20 years old, and at university, so everything was exciting, really.” He is not a strong student at QUB. He recalls, “I had stopped. Really, I should have dropped out. I’d basically lost interest halfway through. Not because there weren’t great people teaching me, but I’d stopped going to lectures, and rather than doing the decent thing, I just hung around.” During his time at QUB, his first collection New Weather (1973) is published by Faber & Faber. He meets his first wife, fellow student Anne-Marie Conway, and they are married after their graduation in 1973. The marriage breaks up in 1977.
For thirteen years (1973–86), Muldoon works as an arts producer for the BBC in Belfast. In this time, which sees the most bitter period of the Troubles, he published the collections Why Brownlee Left (1980) and Quoof (1983). After leaving the BBC, he teaches English and Creative Writing at the University of East Anglia and at Gonville and Caius College and Fitzwilliam College, Cambridge, where his students include Lee Hall (Billy Elliot) and Giles Foden (The Last King of Scotland). In 1987, he emigrates to the United States, where he teaches in the creative writing program at Princeton University. He is Professor of Poetry at Oxford University for the five-year term 1999–2004, and is an Honorary Fellow of Hertford College, Oxford.
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.
In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.
Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”
Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.
O’Faolain describes her early life as growing up in a Catholic country which, in her view, fears sexuality and forbids her even information about her body. In her writings she often discusses her frustration at the sexism and rigidity of roles in Catholic Ireland that expect her to marry and have children, neither of which she does.
O’Faolain becomes internationally well known for her two volumes of memoir, Are You Somebody? and Almost There; a novel, My Dream of You; and a history with commentary, The Story of Chicago May. The first three are all featured on The New York Times Best Seller list. Her posthumous novel Best Love, Rosie is published in 2009.
O’Faolain’s formative years coincide with the emergence of the women’s movement, and her ability to expose misogyny in all its forms is formidable, forensic and unremitting. However, her feminism stems from a fundamental belief in social justice. Unlike most commentators, who maintain a detached, lofty tone, she places herself at the centre of things, a high-risk strategy that works because of her broad range of erudition, worn lightly, her courage and a truthfulness that sometimes borders on the self-destructive.
O’Faolain is engaged at least once but never marries. In Are You Somebody? she speaks candidly about her fifteen-year relationship with the journalist Nell McCafferty, who publishes her own memoir, Nell. From 2002 until her death, she lives much of the time with Brooklyn-based attorney John Low-Beer and his daughter Anna. They are registered as domestic partners in 2003.
O’Faolain splits her time between Ireland and New York City. She is diagnosed with metastaticcancer and is interviewed on the Marian Finucane radio show on RTÉ Radio 1 on April 12, 2008, in relation to her terminal illness. She tells Finucane, “I don’t want more time. As soon as I heard I was going to die, the goodness went from life.”
In a last attempt to grasp as much of life as she can, O’Faolain holidays with family members in Sicily and visits Berlin with a group of friends to hear music and see art. She previously tended to avoid Berlin because, through contact with Jewish friends and lovers, she associated it with the Holocaust. She dies at the Blackrock Hospice, Dublin, on May 9, 2008.
O’Faolain wins a Jacob’s Award in 1985 for her work as the producer of the RTÉ One television programme Plain Tales. In 2006, she wins the Prix Femina étranger, a French literary award, for The Story of Chicago May.
O’Faolain is the subject of a film documentary, Nuala: A Life and Death (2011), directed by Patrick Farrelly and Kate O’Callaghan, and produced and narrated by Marian Finucane. Hugo Hamilton‘s novel Every Single Minute (2014) is based on his experiences when accompanying O’Faolain to Berlin shortly before her death.
seamus dubhghaill 