Edgeworth Lysaght, later Edward Anthony Edgeworth Lysaght, and from 1920 Edward MacLysaght (Irish: Éamonn Mac Giolla Iasachta), a genealogist of twentieth century Ireland, is born on November 6, 1887, at Flax Bourton, Somerset, England. His numerous books on Irish surnames build upon the work of Rev. Patrick Woulfe’s Irish Names and Surnames (1923).
Lysaght is born to Sidney Royse Lysaght (1856-1941), of Irish origin, a director of the family iron and steel firm John Lysaght and Co. and a writer of novels and poetry, and Katherine (died 1953), daughter of Joseph Clarke, of Waddington, Lincolnshire. His grandfather, Thomas Royse Lysaght, is an architect, and his great-grandfather, William Lysaght, a small landowner distantly connected with the Barons Lisle. He is named “Edgeworth Lysaght” after his father’s friend, the economist Francis Ysidro Edgeworth. He loses the sight in one eye after a childhood accident.
Lysaght is educated at Nash House preparatory school, Bristol, and Rugby School at Rugby, Warwickshire, where he is unhappy, his parents’ frequent absence due to his father’s business responsibilities necessitating travel to South America, South Africa, and Australia contributing to this. He is a contemporary there of Rupert Brooke, whose father is Lysaght’s housemaster. Eighteen months after leaving Rugby, on the advice of Francis Edgeworth, he goes to Corpus Christi College, Oxford, to study law, but, having on his own account “had a wild time as part of the smart set” and anticipating rustication after a drunken incident, he leaves after three terms.
Lysaght takes up residence in a caravan at Lahinch, County Clare, where he had previously holidayed and become friendly with local people. His father, himself strongly connected to his Irish boyhood and wanting to establish himself as a “country gentleman,” recognizes his son’s enthusiasm for Ireland and in 1909 purchases a 600-acre estate at Tuamgraney, at which Lysaght farms until 1913, introducing an electrical generator and other forms of modernization including the development of a lime kiln, nursery, and school where young men of means can learn the basics of farming. This is the beginning of a metamorphosis for him. Although of English upbringing, he dislikes the local gentry, considering them “layabout rentiers,” and prefers to make friendships amongst employees and his neighbours. He seeks to replace his English accent with a Clare accent, eschews his lack of religion of a few years before in favour of Roman Catholicism, and becomes involved in the Gaelic League.
An integral factor in Lysaght’s reinvention is his relationship with Mabel (“Maureen”) Pattison. Five years his senior, they meet when he spends a period at a Dublin hospital. She is born and raised in South Africa, her father a civil servant there, but has Irish family including a local postmistress. His family seeks to avoid what they consider an unsuitable marriage, sending him and his brother Patrick on a world tour, but the couple are nevertheless married at the Brompton Oratory on September 4, 1913. Mabel introduces him to friends in the Arts Club, and he enters Dublin literary society. His father invests £300 in Maunsell’s publishers, who produces Lysaght’s book of poems, Irish Eclogues. As of the early 1930s, he serves on the General Committee of the Munster Agricultural Society.
By 1915, Lysaght’s command of the Irish language has improved dramatically, and in that year he founds the Nua-Ghaeltacht at Raheen, County Clare. He is an independent delegate to the 1917-18 Irish Convention in which he opposes John Redmond‘s compromise on Home Rule. By 1918 his involvement in all aspects of the Irish independence movement have deepened greatly. Although not known if he is actually a member of the Irish Republican Army (IRA), he is very active in the Irish War of Independence as a supporter, financially and otherwise, of the East Clare Brigade of the IRA and its legendary leaders, Michael and Conn Brennan.
In 1920, Lysaght, along with others of the name, changes his name to “MacLysaght,” “so as to emphasise its Gaelic origin.”
MacLysaght’s Raheen office serves as a meeting place for the Volunteers and guns, documents and ammunition are stored there. However, the war leads to a sharp decline in the fortunes of his farm. The execution of close friends such as Conor Clune of Quin in November 1920 and the subsequent devastating raids on his farm result in his playing a far more active role in Sinn Féin as a loyal supporter of the new TD for Clare, Éamon de Valera. For this he is imprisoned following his return from Britain as part of a Sinn Féin delegation which is publicising the Black and Tans atrocities.
The opera is originally prepared for the English Opera House but for some reason the theatrical manager, Samuel James Arnold, does not want it. Instead, Alfred Bunn, the manager of Drury Lane Theatre, seizes the opportunity and begins what is a very fruitful collaboration with Balfe that lasts a decade. Balfe is to become the mainstay of English Opera for almost the next 30 years with a succession of popular operas.
The opera runs for 70 nights on its initial run and is revived in the following three seasons with Balfe singing the role of Michel. Queen Victoria sees the opera on November 15, 1837, her first state visit to a theatre during her reign. In 1836, the opera is reported as staged in Leeds, York, Sheffield, Manchester, Liverpool, Bath and Dublin with Abigail Betts as Clara. John Wilson, who sings in the initial run of the opera, also sings in, at least, some of these. Madame Balfe chooses the opera for her benefit in 1841, and Bunn opens his 1843 season with it on September 30. Emma Romer uses it to open her 1853 season at the Surrey Theatre, although it is being described by then as “somewhat hacknied.”
October 1875 sees a revival of the opera by the Carl Rosa Opera Company at the Princess’s Theatre, and it is then included in the company’s repertoire that tours to Manchester in 1875, Liverpool in 1876, Birmingham in 1877 and Dublin in 1879. The Turner Company tours it in 1893. This is possibly the opera’s last performance until the Wexford Festival Opera performances in 1963. The overture and songs from the opera, such as “When I beheld the anchor weigh’d” continue to retain a place in the concert hall and the home into the 20th century.
In 1838, the opera is performed by the Caradori-Allan troupe at the Park Theatre in New York but fails although it appears to be retained in the repertory. In 1839, it is performed again in Dublin with Balfe as Michel and in Sydney in 1848.
The opera’s production sparks an acrimonious argument between a correspondent in The Examiner accusing Balfe of plagiarism from Luigi Ricci‘s 1832 opera, Chiara di Rosemberg, and, in defence, Frederick Beale, from Balfe’s publishers, and Balfe. The matter seems to be settled in Balfe’s favour when the score of Chiara di Rosemberg is displayed at music publisher Cramer, Beale and Co. so that people can compare the two for themselves. While Edward Fitzball probably uses Ricci’s libretto as the basis for his, it does not seem to have been a straight translation, as some allege, but similarities would help to feed the accusations of plagiarism, bolstered by the Italian training and approach of both composers and the fact that Balfe had sung in Chiara di Rosemberg in Italy in 1834.
Balfe is said to have been paid £5 a night by Bunn and 400 guineas for the score by the publishers Cramer, Beale and Co. In 1871, the Bury and Norwich Post (April 11, 1871) report that the copyright has sold for £156 and just over ten years later the AberdeenEvening Express (May 8, 1883) notes that the copyright has been sold again for approximately £20, adding “So much for Balfe’s ‘popularity.”
Shanahan is involved in the Easter Rising in Dublin in April 1916. This leads to him having legal difficulties over the licence of his public house. He consults the lawyer and politician Tim Healy who comments:
“I had with me today a solicitor with his client, a Dublin publican named Phil Shanahan, whose licence is being opposed, and whose house was closed by the military because he was in Jacob’s during Easter week. I was astonished at the type of man – about 40 years of age, jolly and respectable. He said he ‘rose out’ to have a ‘crack at the English’ and seemed not at all concerned at the question of success or failure. He was a Tipperary hurler in the old days. For such a man to join the Rebellion and sacrifice the splendid trade he enjoyed makes one think there are disinterested Nationalists to be found. I thought a publican was the last man in the world to join a rising! Alfred Byrne, MP, was with him, and is bitter against the Party. I think I can save Shanahan’s property.”
Shanahan is elected for Dublin Harbour at the 1918 Irish general election, defeating Alfred Byrne. Like other Sinn Féin MPs, he does not take his seat at Westminster, but becomes a member of the revolutionary Dáil. He represents Dublin Harbour in the First Dáil from 1919 to 1921. He is arrested and detained in custody by the British government in April 1920 but is released in time to attend the next meeting of the Dáil on June 29, 1920.
During the Irish War of Independence, Billy Dunleavy recalls, “The IRA were the best men we ever had at that time. The Tans used to go around in the tenders with a wire over the top and if it was going by up there in Talbot Street they’d (IRA) say, ‘Get out of the way, quick!’ and they’d throw a hand grenade into the car. Now Phil Shanahan, he owned a pub over there on the corner, he was a great man and he used to hide them after they’d been out on a job. He had cellars and all the IRA men used to go there and hide their stuff.”
Five days earlier, Corcoran refuses tickets to a ball in the prince’s honor, telling those who invited him that he is “not desirous of joining in the festivity.”
As for the order to march, Corcoran says he refuses to ask the sons of Erin to honor the son of “a sovereign under whose reign Ireland was made a desert and her sons forced to exile.” He is also heard to refer to the prince as “the bald-faced son of our oppressor.”
Corcoran’s actions cause a firestorm of outrage around the country and especially in New York. U.S. citizens, most completely ignorant of the conditions under which many of these men had lived in British-controlled Ireland, see the actions of the men of the 69th Infantry Regiment as an insult to American hospitality in welcoming these immigrants to their adopted country, though in truth, the welcome is much less than lukewarm.
Corcoran has written his name forever in the pantheon of Irish heroes in America. New York’s Irish present the regiment with a green flag commemorating the event.
Corcoran is arrested and stripped of his command by New York and a court martial is planned. But before he can be tried on the charge, Fort Sumter is fired upon, and the country is more worried about saving the Union than honoring visiting princes. With the outbreak of war, the court martial is dropped and Corcoran is restored to his command because he had been instrumental in bringing other Irish immigrants to the Union cause.
Corcoran leads the 69th Infantry Regiment to Washington, D.C. and serves for a time in the Washington defenses building Fort Corcoran. On July 21, 1861, he leads the regiment into action at the First Battle of Bull Run with what is now called the “Prince of Wales Flag” flying proudly above his men.
After promotion to brigadier general, Corcoran leaves the 69th Infantry Regiment and forms the Corcoran Legion, consisting of at least five other New York regiments.
The Mayor of New York City, Michael Bloomberg, unveils Ireland’s national monument to the Fighting 69th in Ballymote, County Sligo, on August 22, 2006. The monument is sculpted by Philip Flanagan. The inscription around the top of the monument reads “Michael Corcoran 1827–1863” Around the base is inscribed “New York Ballymote Creeslough Bull Run.” Underneath the monument is a piece of steel from the World Trade Center, donated by the family of Michael Lynch, who died in the tower on September 11, 2001. Lynch’s family are from County Sligo.
(Pictured: Michael Corcoran, Irish American general in the Union Army during the American Civil War and a close confidant of President Abraham Lincoln)
Charles Henri Hector, Count of Estaing, begins landing troops below the city on September 12, and begins moving in by September 16. Confident of victory and believing that British Lieutenant Colonel John Maitland‘s reinforcements will be prevented from reaching Savannah by Major GeneralBenjamin Lincoln, he offers Major General Augustine Prévost the opportunity to surrender. Prevost delays, asking for a 24-hour truce. Owing to miscommunication about who is responsible for preventing Maitland’s movements, the waterways separating South Carolina‘s Hilton Head Island from the mainland are left unguarded, and Maitland is able to reach Savannah hours before the truce ends. Prevost’s response to d’Estaing’s offer is a polite refusal, despite the arrival.
On September 19, as Charles-Marie de Trolong du Rumain moves his squadron up the river, he exchanges fire with Comet, Thunder, Savannah, and Venus. The next day the British scuttleRose, which is leaking badly, just below the town to impede the French vessels from progressing further. They also burn Savannah and Venus. By scuttling Rose in a narrow part of the channel, the British effectively block it. Consequently, the French fleet is unable to assist the American assault.
Germaine takes up a position to protect the north side of Savannah’s defenses. Comet and Thunder have the mission of opposing any attempt by the South Carolinian galleys to bombard the town. Over the next few days, British shore batteries assist Comet and Thunder in engagements with the two South Carolinian galleys. During one of these, they severely damage Revenge.
The French commander, rejecting the idea of assaulting the British defenses, unloads cannons from his ships and begins a bombardment of the city. The city, rather than the entrenched defenses, bear the brunt of this bombardment, which lasts from October 3 to 8. “The appearance of the town afforded a melancholy prospect, for there was hardly a house that had not been shot through,” writes one British observer.
When the bombardment fails to have the desired effect, d’Estaing changes his mind and decides it is time to try an assault. He is motivated in part by the desire to finish the operation quickly, as scurvy and dysentery are becoming problems on his ships, and some of his supplies are running low. While a traditional siege operation would likely have succeeded eventually, it would take longer than d’Estaing is prepared to stay.
Against the advice of many of his officers, d’Estaing launches the assault against the British position on the morning of October 9. The success depends in part on the secrecy of some of its aspects, which are betrayed to Prévost well before the operations are supposed to begin around 4:00 a.m. Dillon’s regiment is sent to the right of the main assault, but their guides prove to be unreliable, and the column goes down the wrong path into a swamp. The British have already learned of the assault and the bagpipes of a Highland regiment begin playing at daybreak, unnerving the allies since it signals that surprise is lost. It is nearly daylight when the attack finally gets underway.
The redoubt on the right side of the British works had been chosen by the French admiral in part because he believed it to be defended only by militia. In fact, it is defended by a combination of militia and Scotsmen from John Maitland’s 71st Regiment of Foot, Fraser’s Highlanders, who had distinguished themselves at Stono Ferry. The militia includes riflemen, who easily pick off the white-clad French troops when the assault is underway. Admiral d’Estaing is twice wounded, and Polishcavalry officer Casimir Pulaski, fighting with the Americans, is mortally wounded. By the time the second wave arrives near the redoubt, the first wave is in complete disarray, and the trenches below the redoubt are filled with bodies. Attacks intended as feints against other redoubts of the British position are easily taken.
The second assault column is commanded by the Swedish Count Curt von Stedingk, who manages to reach the last trench. He later writes in his journal, “I had the pleasure of planting the American flag on the last trench, but the enemy renewed its attack, and our people were annihilated by crossfire.” He is forced back by overwhelming numbers of British troops, left with some 20 men, all being wounded, including von Stedingk. He later writes, “The moment of retreat with the cries of our dying comrades piercing my heart was the bitterest of my life,”
After an hour of carnage, d’Estaing orders a retreat. On October 17, Lincoln and d’Estaing abandon the siege.
The Irish Brigade of France suffers more than 40 killed and close to 150 wounded. Among the dead is Captain Bernard O’Neill, a 5th generation officer in Dillon’s regiment. Dillon’s regiment is the only one of the Brigade units to remain in command of one family for its entire service. Count Arthur Dillon, commander at Savannah, is the grandson of Colonel Arthur Dillon, who brought the regiment into French service in 1690. The Count later becomes a victim of the French Revolution. He is condemned for alleged participation in a prison conspiracy and executed by guillotine on April 13, 1794.
O’Connor is the eldest son of Thomas O’Connor, an Athlone shopkeeper, and his wife Teresa (née Power), the daughter of a non-commissioned officer in the Connaught Rangers. He is educated at The College of the Immaculate Conception in Athlone, and Queen’s College Galway, where he wins scholarships in history and modern languages and builds up a reputation as an orator, serving as auditor of the college’s Literary and Debating Society.
O’Connor enters journalism as a junior reporter on Saunders’ Newsletter, a Dublin journal, in 1867. In 1870, he moves to London and is appointed a sub-editor on The Daily Telegraph, principally on account of the utility of his mastery of French and German in reportage of the Franco-Prussian War. He later becomes London correspondent for the New York Herald. He compiles the society magazine Mainly About People (M.A.P.) from 1898 to 1911.
O’Connor is elected Member of Parliament for Galway Borough in the 1880 United Kingdom general election, as a representative of the Home Rule League, which is under the leadership of William Shaw, though virtually led by Charles Stewart Parnell, who wins the party’s leadership a short time later. At the next general election in 1885, he is returned both for Galway Borough and for the Liverpool Scotland constituencies, which has a large Irish population. He chooses to sit for Liverpool and represents that constituency in the House of Commons from 1885 until his death in 1929. He remains the only British MP from an Irish nationalist party ever to be elected to a constituency outside of the island of Ireland. He continues to be re-elected in Liverpool under this label unopposed in the 1918, 1922, 1923, 1924 and 1929 general elections, despite the declaration of a de factoIrish Republic in early 1919, and the establishment by the 1921 Anglo-Irish Treaty of a quasi-independent Irish Free State in late 1922.
From 1905, O’Connor belongs to the central leadership of the United Irish League. During much of his time in parliament, he writes a nightly sketch of proceedings there for The Pall Mall Gazette. He becomes “Father of the House,” with unbroken service of 49 years, 215 days. The Irish Nationalist Party ceases to exist effectively after the Sinn Féin landslide of 1918, and thereafter he effectively sits as an independent. On April 13, 1920, he warns the House of Commons that the death on hunger strike of Thomas Ashe will galvanise opinion in Ireland and unite all Irishmen in opposition to British rule.
O’Connor founds and is the first editor of several newspapers and journals: The Star, the Weekly Sun (1891), The Sun (1893), M.A.P. and T.P.’s Weekly (1902). In August 1906, he is instrumental in the passing by Parliament of the Musical Copyright Act 1906, also known as the T.P. O’Connor Bill, following many of the popular music writers at the time dying in poverty due to extensive piracy by gangs during the piracy crisis of sheet music in the early 20th century. The gangs often buy a copy of the music at full price, copy it, and resell it, often at half the price of the original. The film I’ll Be Your Sweetheart (1945), commissioned by the British Ministry of Information, is based on the events of the day.
O’Connor is appointed as the second president of the British Board of Film Censors (BBFC) in 1916 and appears in front of the Cinema Commission of Inquiry (1916), set up by the National Council of Public Morals where he outlines the BBFC’s position on protecting public morals by listing forty-three infractions, from the BBFC 1913–1915 reports, on why scenes in a film may be cut. He is appointed to the Privy Council by the first Labour government in 1924. He is also a Fellow of the Chartered Institute of Journalists, the world’s oldest journalists’ organisation. It continues to honour him by having a T.P. O’Connor charity fund.
In 1885, O’Connor marries Elizabeth Paschal, the daughter of a judge of the Supreme Court of Texas.
Cosgrove is the son of Michael and Mary Cosgrove. He has four brothers, Dan, Ned, David and Joseph, and a sister Mary-Catherine. While they are still young their father emigrates to Australia, but later returns. In the meantime, his mother moves with his siblings to a cottage in nearby Peafield and they attend school at the National School, Ballinrostig. He begins work as an apprentice butcher at Whitegate. One of his daily chores is a morning delivery to Fort Carlisle (now Fort Davis) with a consignment of meat for the troops. It is from Fort Carlisle that he joins the army.
Cosgrove enlists in the Royal Munster Fusiliers on March 24, 1909, and is given the regimental number 8980. At the outbreak of war, the 1st Battalion of the Munster Fusiliers is stationed in Rangoon, Burma, as regular battalions are routinely stationed overseas. They leave Rangoon on November 21, 1914, and Cosgrove, now a corporal, lands in England on January 10, 1915. Upon landing they still wear their Indian issue uniforms and stand on the cold quay in their khaki drill shorts. The battalion is then assigned to the 86th Brigade of the 29th Division (United Kingdom), in preparation for the landings at the Dardanelles in Turkey.
During the Battle of Gallipoli, Turkey, the 1st Munsters, together with the 1st Battalion Royal Dublin Fusiliers and Royal Hampshire Regiment, are on the converted collier River Clyde when it runs ashore for the Cape Helles ‘V’ beach landing at 6:20 a.m. on April 25, 1915. On departing from the ship’s bay they are subject to fierce enfilading machine gun fire from hidden Turkish defences. One hundred or more of the Battalion’s men fall at this stage of the battle, with just three companies of Munsters making it to the shelter of the dunes. They are unable to advance due to the withering Turkish fire.
At daybreak on the following day it is decided to take the village behind the Sedd el Bahr fort overlooking the bay. Cosgrove leads a company section during the attack on the Turkish positions. Barbed wire holds them up and he sets himself the task of pulling the stanchion posts of the enemy’s high wire entanglement single-handed out of the ground, notwithstanding the terrific fire from both front and flanks with officers and men falling all around him. Thanks to his exceptional bravery, his heroic actions contribute greatly to the successful clearing of the heights. Turkish counter-attacks are held off. It is during this attack that his actions earn him the regiment’s first Victoria Cross of the war. He is also wounded during this action. Promoted to Sergeant, he sees no further action due to his wound, which is a contributing factor in his death years later.
Cosgrove transfers to the Royal Fusiliers in 1918, to the Prince of Wales’s Leinster Regiment in 1920, the Royal Northumberland Fusiliers in 1922, and later goes as an instructor to the Indian Territorial Force in 1928 to become 7042223 Staff Sgt Instructor. He comes home in 1935 pending discharge to pension. However, he is admitted to Millbank hospital and takes discharge before he is fit. After a short leave in Cork, he returns to London, where he is admitted to Middlesex Hospital. He is later transferred to Millbank hospital London, where he dies at the age of 47 on July 21, 1936.
In 1972, Cosgrove’s Victoria Cross medal is sold for a record price £2,300 to a private collector. When questioned about the high price which the medal fetches, the auctioneer replies “When one buys a gallantry medal, it is not just the medal one buys, but the act that won it.” His Victoria Cross, together with his other medals, are sold at an auction by Dix Noonan Webb held on September 22, 2006 for “the world’s most valuable auction of orders, decorations and medals.” A total of £1,965,010 is spent by 305 different buyers, a figure which represents “the highest amount ever realised by any numismatic auction in the UK.” The day’s highest price, £180,000, is paid by a collector for the Gallipoli landings Victoria Cross group of six, which includes the medal awarded to Sgt. William Cosgrove, Royal Munster Fusiliers.
Ulster’s Solemn League and Covenant, commonly known as the Ulster Covenant, is signed by nearly 500,000 people on and before September 28, 1912, in protest against the Third Home Rule Bill introduced by the British Government in the same year.
The Covenant has two basic parts: the Covenant itself, which is signed by men, and the Declaration, which is signed by women. In total, the Covenant is signed by 237,368 men; the Declaration, by 234,046 women. Both the Covenant and Declaration are held by the Public Record Office of Northern Ireland (PRONI). An online searchable database is available on the PRONI website.
In January 1913, the Ulster Volunteers aim to recruit 100,000 men between the ages of 17 and 65 who had signed the Covenant as a unionist militia. A British Covenant, similar to the Ulster Covenant in opposition to the Home Rule Bill, receives two million signatures in 1914.
The majority of the signatories of the Covenant are from Ulster, although the signing is also attended by several thousand southern unionists. Acknowledging this, Carson pays tribute to “my own fellow citizens from Dublin, from Wicklow, from Clare [and], yes, from Cork, rebel Cork, who are now holding the hand of Ulster,” to cheers from the crowd.
The signature of Frederick Hugh Crawford is claimed by him to have been written in blood. However, this is disputed. Based on the results of a forensic test that he carries out in September 2012 at PRONI, Dr. Alastair Ruffell of Queen’s University Belfast asserts that he is 90% positive that the signature is not blood. Crawford’s signature is injected with a small amount of luminol. This substance reacts with iron in blood’s hemoglobin to produce a blue-white glow. The test is very sensitive and can detect tiny traces even in old samples. Crawford’s signature is still a rich red colour today which would be unlikely if it had been blood. Nevertheless, some unionists are not convinced by the evidence.
The Ulster Covenant is used as a template for the “Natal Covenant,” signed in 1955 by 33,000 British-descended Natalians against the nationalistSouth African government’s intention of declaring the Union a republic. It is signed in Durban‘s City Hall. Loosely based on Belfast’s Ulster Covenant, the Ulster scene is almost exactly reproduced.
September 28 is today known as “Ulster Day” to unionists.
(Pictured: Sir Edward Carson signing the Solemn League and Covenant)
O’Grady’s father is the Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and his mother Susanna Doe (or Dowe). The Glebe, his childhood home, lies a mile west of Castletownbere near a famine mass grave and ruined Roman Catholic chapel. He is a cousin of Standish Hayes O’Grady, another noted figure in Celtic literature, and of Standish O’Grady, 1st Viscount Guillamore. After a rather severe education at Tipperary Grammar School, he follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady is a paradox for his times, proud of his Gaelic heritage, he is also a member of the Church of Ireland, a champion of aristocratic virtues (particularly decrying bourgeois values and the uprooting cosmopolitanism of modernity) and at one point advocates a revitalised Irish people taking over the British Empire and renaming it the Anglo-Irish Empire.
O’Grady proves too unconventional of mind to settle into a career in the church, and takes a job as a schoolmaster at Midleton College, then in a period of expansion. He also qualifies as a barrister, while earning much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran’s A general history of Ireland (1778) sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: The Heroic Period (1878) and Early Bardic Literature of Ireland (1879), he realises that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people had made the Tudors into kings of Ireland to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, O’Grady works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator, which is printed at 28 High Street. It is here he becomes involved with Ellen Cuffe, Countess of Desart, and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. He also contributes to James Larkins‘ The Irish Worker paper.
O’Grady’s influence crosses the divide of the Anglo-Irish and Irish-Ireland traditions in literature. His influence is explicitly stated by the Abbey Theatre set with Lady Gregory, W. B. Yeats and George William Russell attributing their interest in the Fenian Cycle of Gaelic tradition in part to him. This leads to him being known as the “Father of the Celtic Revival.” Some of the figures associated with the political party Sinn Féin, including its founder Arthur Griffith, have positive things to say about his efforts in helping to retrieve from the past the Gaelic heroic outlook.
O’Grady marries Margaret Allen Fisher, daughter of William Allen Fisher, and they have three sons. Advised to move away from Ireland for the sake of his health, they leave Ireland in 1918. After living in the north of France and Northamptonshire, they move to the Isle of Wight. He is working on a final exposition of his ideas when he dies suddenly on May 18, 1928.
seamus dubhghaill 