Hartnett is born in Croom Hospital in Croom, County Limerick, on September 18, 1941. He is one of the most significant voices in late 20th-century Irish writing and has been called “Munster‘s de facto poet laureate.”
Although Hartnett’s parents’ name is Harnett, he is registered in error as Hartnett on his birth certificate. In later life he declines to change this as his legal name is closer to the Irish Ó hAirtnéide. He grows up in the Maiden Street area of Newcastle West, County Limerick, spending much of his time with his grandmother, Bridget Halpin, who resides in the townland of Camas, in the countryside nearby. He claims that his grandmother is one of the last native speakers to live in County Limerick, though she is originally from northern County Kerry. Although she speaks to him mainly in English, he listens to her conversing with her friends in Irish, and as such, he is quite unaware of the imbalances between English and Irish. When he begins school, he is made aware of the tensions between both languages and is surprised to discover that Irish is considered an endangered language, taught as a contrived, rule-laden code, with little of the literary attraction which it holds for him. He is educated in the local national and secondary schools in Newcastle West. He emigrates to England the day after he finishes his secondary education and goes to work as a tea boy on a building site in London.
Hartnett has started writing by this time and his work comes to be known of the poet John Jordan, who is professor of English at University College Dublin (UCD). Jordan invites him to attend the university for a year. While back in Dublin, he co-edits the literary magazine Arena with James Liddy. He also works as curator of James Joyce‘s tower at Sandycove for a time. He returns briefly to London, where he meets Rosemary Grantley on May 16, 1965, and they are married on April 4, 1966. His first book, Anatomy of a Cliché, is published by Poetry Ireland in 1968 to critical acclaim and he returns to live permanently in Dublin that same year.
Hartnett works as a night telephonist at the telephone exchange on Exchequer Street. He now enters a productive relationship with New Writers Press, run by Michael Smith and Trevor Joyce. They publish his next three books. The first of these is a translation from the Irish, The Old Hag of Beare (1969), followed by Selected Poems (1970) and Tao (1972). This last book is a version of the Chinese Tao Te Ching. His Gypsy Ballads (1973), a translation of the Romancero Gitano of Federico García Lorca, is published by the Goldsmith Press.
In 1974 Hartnett decides to leave Dublin and return to his rural roots, as well as deepen his relationship with the Irish language. He goes to live in Templeglantine, five miles from Newcastle West, and works for a time as a lecturer in creative writing at Thomond College of Education, Limerick.
In his 1975 book, A Farewell to English, Hartnett declares his intention to write only in Irish in the future, describing English as “the perfect language to sell pigs in.” A number of volumes in Irish follow including Adharca Broic (1978), An Phurgóid (1983) and Do Nuala: Foighne Chrainn (1984). A biography on this period of his life entitled A Rebel Act Michael Hartnett’s Farewell To English by Pat Walsh is published in 2012 by Mercier Press.
In 1984 Hartnett returns to Dublin to live in the suburb of Inchicore. The following year marks his return to English with the publication of Inchicore Haiku, a book that deals with the turbulent events in his personal life over the previous few years. This is followed by a number of books in English including A Necklace of Wrens (1987), Poems to Younger Women (1989) and The Killing of Dreams (1992).
Hartnett also continues working in Irish, and produces a sequence of important volumes of translation of classic works into English. These include Ó Bruadair, Selected Poems of Dáibhí Ó Bruadair (1985) and Ó Rathaille The Poems of Aodhaghán Ó Rathaille (1999). His Collected Poems appear in two volumes in 1984 and 1987 and New and Selected Poems in 1995.
Hartnett dies in St. Vincent’s Hospital, Dublin, from Alcoholic Liver Syndrome on October 13, 1999. A new Collected Poems appears in 2001.
Every April a literary and arts festival is held in Newcastle West in honour of Hartnett. Events are organised throughout the town and a memorial lecture is given by a distinguished guest. Former speakers include Nuala O’Faolain, Paul Durcan, David Whyte and Fintan O’Toole. The annual Michael Hartnett Poetry Award of € 4,000 also forms part of the festival. Funded by the Limerick City and County Council Arts Office and the Arts Council of Ireland, it is intended to support and encourage poets in the furtherance of their writing endeavours. Previous winners include Sinéad Morrissey and Peter Sirr.
During the 2011 Éigse, Paul Durcan unveils a bronze life-sized statue of Hartnett sculpted by Rory Breslin, in the Square, Newcastle West. Hartnett’s son Niall speaks at the unveiling ceremony.
McCorley is one of three children born to Roger Edmund McCorley, a meat carver in a hotel, and Agnes Liggett. He has two elder brothers, Vincent and Felix. He joins the Fianna in his teens. His family has a very strong republican tradition, and he claims to be the great-grandson of the United Irishmen folk hero Roddy McCorley, who was executed for his part in the Irish Rebellion of 1798.
McCorley is noted for his militancy, as he is in favour of armed attacks on British forces in Belfast. The Brigade’s leaders, by contrast, in particular, Joe McKelvey, are wary of sanctioning attacks for fear of loyalist reprisals on republicans and the Catholic population in general. In addition, McCorley is in favour of conducting an armed defense of Catholic areas, whereas McKelvey does not want the IRA to get involved in what he considers to be sectarian violence. McCorley writes later that in the end, “the issue settled itself within a very short space of time, when the Orange mob was given uniforms, paid for by the British, and called the Ulster Special Constabulary (USC).” The role of the USC, a temporary police force raised for counter-insurgency purposes, in the conflict is still debated, but republicans maintain that the organization was responsible for the indiscriminate killings of Catholics and nationalists.
On January 26, 1921, McCorley, is involved in the fatal shooting of three Auxiliary Division officers in their beds in the Railway View hotel in central Belfast. Shortly afterwards, he and another IRA man, Seamus Woods, organize an active service unit (ASU) within the first battalion of the Belfast Brigade, with the intention of carrying out attacks, with or without the approval of the Brigade leadership. The unit consists of 32 men. McCorley later writes, “I issued a general order that, where reprisal gangs [State forces] were cornered, no prisoners were to be taken.” In March 1921, he personally leads the ASU in the killing of three Black and Tans in Victoria Street in central Belfast. He is responsible for the deaths of two more Auxiliaries in Donegall Place in April. In reprisal for these shootings, members of the RIC assassinate two republican activists, the Duffin brothers in Clonard Gardens in west Belfast. On June 10, 1921, both and Woods and McCorley units are involved in the killing a RIC man who is suspected in the revenge killings of the Duffin brothers. Two RIC men and a civilian are also wounded in that attack.
Thereafter, there is what historian Robert Lynch has described as a “savage underground war” between McCorley’s ASU and RIC personnel based in Springfield Road barracks and led by an Inspector Ferris. Ferris is accused of murdering the Lord Mayor of Cork Thomas MacCurtain and had been posted to Lisburn for his safety. Ferris himself is among the casualties, being shot in the chest and neck, but surviving. McCorley claims to have been one of the four IRA men who shot Ferris. In addition, his men bomb and burn a number of businesses including several cinemas and a Reform Club. In May 1921, however, thirteen of his best men are arrested when surrounded by British troops during an operation in County Cavan. They are held in Crumlin Road Gaol and sentenced to death.
On June 3, McCorley organizes an attack on Crumlin Road Gaol in an attempt to rescue the IRA men held there before they are executed. The operation is not a success; however, the condemned men are reprieved after a truce is agreed between the IRA and British forces in July 1921. On Bloody Sunday (July 10, 1921), he is a major leader in the defense of nationalist areas from attacks by both the police and loyalists. On that day twenty people are killed before he negotiates a truce beginning at noon on July 11. At least 100 people are wounded, about 200 houses are destroyed or badly damaged – most of them Catholic homes, leaving 1,000 people homeless.
In April 1922, McCorley becomes leader of the IRA Belfast Brigade after Joe McKelvey goes south to Dublin to join other IRA members who are against the Anglo-Irish Treaty. With McKelvey’s departure, Seamus Woods becomes Officer Commanding of the IRA’s 3rd Northern Division, which has up to 1,000 members, with McCorley designated as Vice Officer Commanding. McCorley for his part, supports the Treaty, despite the fact that it provides for the partition of Ireland and the continued British rule in Northern Ireland. The reason for this is that Michael Collins and Eoin O’Duffy have assured him that this is only a tactical move and indeed, Collins sends men, money and weapons to the IRA in the North throughout 1922.
However, McCorley’s command sees the collapse of the Belfast IRA. In May 1922, the IRA launches an offensive with attacks all across Northern Ireland. In Belfast, he carries out an assault on Musgrave Street RIC barracks. He also conducts an arson campaign on businesses in Belfast. His men also carry out a number of assassinations, including that of Ulster Unionist PartyMPWilliam J. Twaddell, which causes the internment of over 200 Belfast IRA men.
To escape from the subsequent repression, McCorley and over 900 Northern IRA men flee south, to the Irish Free State, where they are housed in the Curragh. McCorley is put in command of these men. In June 1922, the Irish Civil War breaks out between Pro and Anti-Treaty elements of the IRA. He takes the side of the Free State and Michael Collins. After Collins is killed in August 1922, his men are stood down. About 300 of them join the National Army and are sent to County Kerry to put down anti-Treaty guerrillas there. In the Spring of 1923, bitterly disillusioned by the brutal counterinsurgency against fellow republicans, he resigns his command.
McCorley later asserts that he “hated the Treaty” and only supported it because it allowed Ireland to have its own armed forces. Both he and Seamus Woods are severe critics of the Irish Free State inertia towards Northern Ireland after the death of Michael Collins. He comments that when Collins was killed “the Northern element gave up all hope.”
In 1936 McCorley is instrumental in the establishment of the All-Ireland Old IRA Men’s Organization, serving as Vice-President with President Liam Deasy (Cork No. 3 Brigade) and Secretary George Lennon (Waterford No. 2 Brigade).
Patrick Anthony HennessyRHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, is born in Cork, County Cork, on August 28, 1915. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.
Hennessy is the son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.
Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy-dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First-Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First-Class Distinction in 1937.
Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.
On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.
From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.
In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966, he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.
In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.
In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.
Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.
Kathleen Cox, Irish artist, sculptor, and mystic, is born Christina Mary Kathleen Cox in Wo-Sung, China, on July 2, 1904. Cox is considered a pioneer of contemporary Irish pottery.
Cox is the eldest daughter of Dr. R. H. Cox, originally from Dundalk, County Louth, and the port health officer in Shanghai. He is also an amateur geologist and models in clay. In his retirement, he invents a periscope later used during World War I by the Royal Navy. The years living in China leave an impression on the young Cox, visually and culturally. The family returns to Ireland in 1911, first moving to Listowel, County Kerry, and later to Howth, County Dublin. She attends Alexandra College, and later the Dublin Metropolitan School of Art in 1921. While there she studies sculpture under Oliver Sheppard and is considered one of his most talented students, winning the Royal Dublin Society Taylor prize for modelling in 1925, 1926, and 1927. The money from these prizes allows Cox to travel to Paris in 1929.
Cox exhibits in 1924 at the Tailteann exhibitions, and in 1925 submits textile designs to the Arts and Crafts Society of Ireland. She establishes a pottery studio at 7 Schoolhouse Lane, Dublin, with college friend Stella Rayner in 1929. The studio has the first electric kiln in Ireland. The first exhibited piece by Cox shown by the Royal Hibernian Academy (RHA) is in 1930, with a pair of Madonna bookends, and portrait masks of the daughter of Dermod O’Brien, Brigid O’Brien, and writer Norris Davidson. Davidson is a friend and neighbour, who commissions her to design the poster for his 1929 film, Suicide. She exhibits with the RHA from 1931 to 1933, and the Tailteann 1932, while also holding exhibitions in her studio. During this period Hilda Roberts paints her portrait, Strange Spirit. Kathleen Cox in her studio. The theme of womanhood is prominent in her work, including in the sign of her studio.
In 1932, Cox begins producing a line of more commercial figurines, drawing influence from the Royal Doulton Burslem factory, where she works for a time. One such figurine is The Lavender Man (pictured), modelled on Michael Clifford, a Dublin street trader. In the mid 1930s, she develops a frustration with her work and with her lack of impact on the wider world. In attending the Chinese exhibition in London in 1935, it is confirmed to her that pottery should be practical rather than ornamental. It spurs her to destroy all her moulds and sell her kiln upon her return to Dublin.
Cox marries Alan Palmer in 1937, the couple has two daughters and relocate to England. Palmer is a conscientious objector during World War II, with the couple running a farm at Meopham, Kent, returning to London after the war.
Cox dies in early September 1972 in London. Some of her work is held in the collections of the National Museum of Ireland and with four works featured in the exhibition Not Just Pots: Contemporary Irish Ceramics of the 21st Century.
It is during the 1920s that Cox begins to question mainstream religion and becomes a vegetarian. Finding that her personal philosophy is similar to that of theosophy, she joins the movement and speaks at meetings. She is heavily influenced by the founder of the Order of the Great Companions, the Rev. William Hayes, who is living in Dublin in the 1930s. She writes and illustrates a children’s book on world religions, A story of stories, which she publishes under the pseudonym C.M. Kay in 1970.
Paul McGuinness, the founder of Principle Management Limited, a popular music act management company based in Dublin, is born on June 16, 1951, in Rinteln, Westphalia, Germany. He is the manager of the rock band U2 from 1978 to 2013.
McGuinness is born in a British military hospital at Rinteln where his father, Philip McGuinness, a native of Liverpool, is serving with the Royal Air Force. His mother, Sheila McGuinness (née Lyne), is a schoolteacher from County Kerry. There are three children in the family: Paul, Niall, and Katy.
McGuinness receives his early formal education in Ireland at the private Jesuit boarding school, Clongowes Wood College. From there he goes on to Trinity College Dublin, where he directs plays, edits the magazine T.C.D. Miscellany, and promotes gigs, but drops out before obtaining a degree.
Before becoming involved with U2, Guinness works as a film assistant director on productions such as John Boorman‘s Zardoz. For a time, he also manages folk-rock group Spud.
McGuinness first meets U2 at a Dublin gig on May 25, 1978, where they are supporting the Gamblers. Following this meeting, he becomes U2’s manager, having been introduced to the band by Bill Graham, a journalist with Hot Press magazine. His original agreement with the band is that the money is to be split equally five ways, though this is later changed.
McGuinness founds Principle Management Limited on March 29, 1984. He and Bill Whelan set up a music publishing company called McGuinness/Whelan Publishing in the late 1980s. Whelan later composes the music for the theatrical show Riverdance.
In 2002, McGuinness is presented with a Lifetime Achievement Award at the Meteor Music Awards at the Point Theatre in Dublin and U2 wins the best Irish Band Award.
Noted for his business acumen, McGuinness is responsible for U2 3D concert films, U2-branded iPods, sponsorship from BlackBerry and the first-ever concert streamed live on YouTube.
McGuinness is regarded as the fifth member of U2, although in an interview with The Irish Press in 1985, when asked if he is the fifth member of U2, he replies, “The fifth member of U2 is in Adam (Clayton)‘s trousers.” He is also regarded as one of the most successful managers in the music business.
McGuinness steps down as manager of U2 after 34 years on November 13, 2013, with Madonna‘s manager, Guy Oseary, succeeding him in 2014 when he sells Principle Management Limited to Live Nation.
McGuinness is a founding partner of TV3 (Ireland) and is one of the owners of Ardmore Film Studios. He becomes a member of the Arts Council of Ireland on January 1, 1988, having been appointed by Charles Haughey. He serves until February 2000 when he resigns.
McGuinness has been an advocate on behalf of artists, record labels, and music publishers. On January 28, 2008, in a speech at the Midem music industry convention in Cannes, he specifically accuses companies such as Apple, Google, Yahoo!, and Facebook of building “multi-billion dollar industries on the back of our content without paying for it.”
In 2015, McGuinness founds Primo Productions, a film and TV company. Primo produces three seasons of Riviera, a drama set in the South of France. He writes the “list of ingredients” for the show: “Rich people behaving badly in the sun, yachts, Maseratis, great clothes, beautiful women, art fraud, money laundering through the auction houses, Russians, English people, American, French. Murder, adultery.” Everyday life on the Côte d’Azur. His production partner is Kris Thykier of Archery Pictures. The show is originally commissioned by Anne Mensah of Sky Atlantic.
McGuinness marries Kathy Gilfillan in 1977. They meet while he is studying at Trinity. Gilfillan is director of The Lilliput Press. They have two children.
Lynch is born on November 9, 1893, in Barnagurraha, Anglesboro, County Limerick, the fifth child among six sons and a daughter of Jeremiah Lynch, farmer, and Mary Lynch (neé Kelly). The family is politically active. His father’s brother, John, had taken part in the Fenian Rising of 1867 and his mother had been joint secretary of the Ballylanders branch of the Ladies’ Land League.
Lynch attends Anglesboro national school (1898–1909). In 1910 he moves to Mitchelstown, County Cork, to take up a three-year apprenticeship in the hardware store of P. O’Neill on Baldwin Street. He remains there until the autumn of 1915. While in Mitchelstown he is a member of the Gaelic League and the Ancient Order of Hibernians. He also joins the Irish Volunteers. In 1914, when that organisation splits, he does not immediately join the militant rump. He then moves to Fermoy, County Cork, where he works in the store of Messrs J. Barry & Sons Ltd. His move coincides with a period of inactivity as neither Volunteer faction is very active nor is he known. Consequently, he does not take part in the 1916 Easter Rising, but it is a turning point for him. On May 2, 1916, he watches as the Kent family are led through Fermoy, having been captured by British soldiers. Richard Kent dies from a wound sustained that day and Thomas Kent is executed a week later. Lynch becomes a committed Volunteer at this point.
Once committed, Lynch’s enthusiasm and aptitude ensures that he quickly attains positions of responsibility. From early 1917 he is first lieutenant in the small Fermoy company. In September 1917, the Irish Volunteers in east Cork are reorganised. Nine local companies are formed into the Fermoy battalion, and he is elected adjutant. In April 1918, at the height of the conscription crisis, he briefly quits his job to concentrate on organising the Volunteers. In May he is lucky to escape arrest during the sweep that accompanies the “German plot.” When the immediate danger ends, he returns to Barry & Sons.
In January 1919, at the beginning of the Irish War of Independence, the Volunteer organisation in Cork undergoes a major restructuring. Three brigades are established, and Lynch becomes brigade commandant of Cork No. 2. In April he visits Irish Republican Army GHQ in Dublin to discuss plans and to seek arms. It is a frustrating experience as the GHQ has few guns and are cautious about action. Throughout the summer of 1919 he presses GHQ to authorise attacks on British targets as a method of acquiring arms and to prevent boredom and stagnation setting in among his men. Finally, GHQ sanctions attacks if the primary aim is the capture of arms. In response, on September 7, 1919, twenty-five men from the Fermoy company, led by Lynch, ambush fourteen British soldiers on their way to service in the Wesleyan church in Fermoy. Fifteen rifles are captured, one soldier killed, and three wounded. Lynch is shot in the shoulder, probably by one of his own men. As a result, he has to leave his job and hides out in Waterford for a time. A series of arrests follow, among those is Lynch’s close friend, Michael Fitzgerald, who dies on hunger strike in Cork County Gaol in 1920.
Lynch spends the early months of 1920 at GHQ in Dublin. During this time, he is offered the position of deputy chief of staff, but turns it down, preferring to return to Cork. Although not an articulate speaker, he impresses those he meets. His organisational talents, attention to detail, ability to inspire, and intolerance for those who waste meetings endlessly discussing side issues, are noted. He has a low tolerance for politicians and at all times considers the military wing of the movement to be of primary importance. He is engaged to Bridie Keyes, but marriage is postponed pending a final settlement of hostilities.
On June 26, 1920, Lynch, Seán Moylan, and two colleagues capture Major-GeneralCuthbert Lucas while he is fishing on the Munster Blackwater. He gives a false name when he is arrested on August 12, 1920, at City Hall, Cork, with Terence MacSwiney, Lord Mayor of Cork, and ten others. All but MacSwiney are released four days later. He then sets about organising a flying column within the brigade. Ernie O’Malley arrives from headquarters to train the men. This column achieves a major coup on September 28, 1920, when they briefly capture the British Army barracks at Mallow, leaving with a large booty of rifles, ammunition, and two machine guns. The British respond to this increase in activity and the war settles into a pattern of ambush and counter-ambush. The Mallow battalion suffers severe losses in February 1921 and Lynch himself narrowly escapes when four are killed during an encounter at Nadd in March 1921.
In early 1921 Lynch seeks to encourage greater cooperation between the various brigades in the south. Senior brigade officers meet on three occasions to discuss cooperation and a plan to import arms from Italy. The importation project fails, but the First Southern Division is formed on April 26, 1921, bringing eight brigades from Cork, Kerry, Waterford, and west Limerick together. He is elected divisional commandant, making him the most powerful officer outside GHQ. His influence is further increased by his appointment as Southern Divisional Centre and Supreme Council member of the clandestine Irish Republican Brotherhood (IRB) in March 1921.
Lynch is wary when the truce is called in July 1921. He works hard to maintain order in his division and to achieve a state of readiness in case the negotiations fail. For him the Anglo-Irish Treaty is a failure. When the Supreme Council of the IRB meets on December 10, 1921, he is the only voice against the agreement. He is among the officers who insist that an army convention should be called to discuss the treaty, effectively asserting that the army no longer accepts a position subordinate to the Dáil. The army, he believes, is the army of the Republic, and no civilian body can order it to abandon the Republic. The provisional government tries to ban this convention, but it goes ahead on March 26, 1922, and elects an army executive. Lynch is elected Chief of Staff. Between March and June, he works hard to prevent a civil war. He believes unity can be maintained, even under the Treaty, if a republican constitution can be enacted. He also cooperates with Michael Collins in promoting Irish Republican Army (IRA) activity in Ulster. In his adherence to the idea of a republic, the practicalities of politics have little impact on his consciousness, and he is dismissive of the popular support for the Treaty. He is horrified at the thought of civil war but fails to see that his position is leading almost inexorably in that direction. Distrusted as too moderate by Liam Mellows and Rory O’Connor, he is locked out of the Four Courts for a time.
When the Four Courts are attacked, Lynch immediately leaves his headquarters at the Clarence Hotel to travel south. He is briefly detained, before reaching Kingsbridge Station, and has a meeting with Eoin O’Duffy. He is disgusted when Free State figures later claim that he was released, having promised not to take arms against the government. The most plausible explanation of the incident appears to be that O’Duffy interpreted Lynch’s comments, merely indicating disappointment that a war had started, as constituting a statement of intent not to involve himself.
Lynch’s initial actions seem designed to avoid full-scale conflict. He does not order an attack on Dublin, nor does he attempt to seize Limerick. He chooses a containment strategy, seeking to hold a line from Limerick to Waterford for the republican forces. This fails, as the government sends troops in from the rear by sea. The republicans have no urban base when Lynch abandons Fermoy on August 11, 1922. He continues to meet individuals who seek a way to end the war, but intransigence has set in, and he insists that armed struggle will only end with a republic or absolute defeat. As early as August many republicans believe the war is lost and urge a reassessment of tactics, but Lynch rejects all such calls. Operating from secret headquarters in Santry, he orders the shooting of pro-Treaty politicians in retaliation for the execution of republican prisoners.
Under war conditions it is impossible for the army executive to meet regularly, and this leaves Lynch in almost complete control. As the pro-surrender lobby grows within the republican forces, he delays a meeting of the executive, claiming with some justification that it is too dangerous. He leaves Santry and attends a meeting of the Southern Division Council in the last days of February 1923. Sixteen of the eighteen officers there tell him that the military position is hopeless. This forces the calling of an executive meeting on March 6, 1923. No agreement is reached. He strongly favours fighting on, but a motion from Tom Barry, calling for an immediate end to hostilities, is barely rejected. Another meeting is arranged for April 10. On that morning a group, including Lynch and Frank Aiken, suddenly find themselves in danger of capture in a farmhouse on the slopes of the Knockmealdown Mountains in County Tipperary. They flee and are pursued. During the chase Lynch is shot in the abdomen. It seems clear that he is shot by the pursuing Free State soldiers, although Irish historian Meda Ryan has considered the theory that he may have been shot by one of his own in order to remove the major stumbling block to surrender. His colleagues are forced to abandon him, and he is captured. Initially the Free State troops believe they have caught Éamon de Valera. He is taken first to a public house in Newcastle, County Tipperary, and then to St. Joseph’s Hospital in Clonmel, but dies from his wound at 8:45 p.m. that evening. His last request is to be buried beside Michael Fitzgerald in Kilcrumper Cemetery, Fermoy, County Cork. On hearing of Lynch’s death, Ernie O’Malley writes, “You who were a living force are now a battle cry.” O’Malley is wrong, however, as the peace faction within republicanism is strengthened by his death and Aiken orders the suspension of activities on April 27.
In 1935, a massive memorial, consisting of a 60-foot-tall round tower, guarded by four bronze Irish Wolfhounds, is erected at Goatenbridge, County Tipperary, near the site of his capture. It is unveiled on April 7, 1935. Separate annual commemorations are held at Goatenbridge and Kilcrumper. Three biographies have been written and the Liam Lynch memorial pipe band is based in his native Anglesboro. The Lynch family possess a substantial collection of private correspondence.
Ó Dálaigh, one of four children, is born on February 12, 1911, in Bray, County Wicklow. His father, Richard O’Daly, is a fishmonger with little interest in politics. His mother is Una Thornton. His birth name is registered in English as Carroll O’Daly, which he uses during his legal career, and which is recorded by some publications.
Ó Dálaigh is a committed Fianna Fáil supporter who serves on the party’s National Executive in the 1930s. He becomes Ireland’s youngest Attorney General in 1946, under TaoiseachÉamon de Valera, serving until 1948. Unsuccessful in Dáil and Seanad elections in 1948 and 1951, he is re-appointed as Attorney General of Ireland in 1951. In 1953, he is nominated as the youngest-ever member of the Supreme Court by his mentor, de Valera. Less than a decade later, he becomes Chief Justice of Ireland, on the nomination of Taoiseach Seán Lemass. He is a keen actor in his early years and becomes a close friend of actor Cyril Cusack. It is commonly stated that Ó Dálaigh and Cusack picketed the Dublin launch of Disney‘s Darby O’Gill and the Little People in 1959, for what they felt was the film’s stereotyping of Irish people. However, there is no known contemporary reference to this having occurred.
In 1972, Taoiseach Jack Lynch suggests to the opposition parties that they agree to nominate Ó Dálaigh to become President of Ireland when President de Valera’s second term ends in June of the following year. Fine Gael, confident that its prospective candidate, Tom O’Higgins, will win the 1973 presidential election, having almost defeated de Valera in 1966, turn down the offer. Fianna Fáil’s Erskine H. Childers goes on to win the election that follows.
When Ireland joins the European Economic Community (EEC), Lynch appoints Ó Dálaigh as Ireland’s judge on the European Court of Justice. When President Childers dies suddenly in 1974, all parties agree to nominate Ó Dálaigh to replace him.
Ó Dálaigh’s tenure as president proves to be contentious. While popular with Irish language speakers and with artists, and respected by many republicans, he has a strained relationship with the Government of the 20th Dáil, particularly with Minister Conor Cruise O’Brien and Taoiseach Liam Cosgrave.
Ó Dálaigh’s decision in 1976 to exercise his power to refer a bill to the Supreme Court to test its constitutionality brings him into conflict with the Fine Gael-Labour National Coalition. Following the assassination of the British Ambassador to Ireland, Christopher Ewart-Biggs, by the Provisional Irish Republican Army (IRA), on July 23, 1976, the government announces its intention to introduce legislation extending the maximum period of detention without charge from two to seven days.
Ó Dálaigh refers the resulting bill, the Emergency Powers Bill, to the Supreme Court. When the court rules that the bill is constitutional, he signs the bill into law on October 16, 1976. On the same day, an IRA bomb in Mountmellick, County Laois, kills Michael Clerkin, a member of the Garda Síochána, the country’s police force. Ó Dálaigh’s actions are seen by government ministers to have contributed to the killing of this Garda. On the following day, Minister for DefencePaddy Donegan, visiting a barracks in Mullingar, County Westmeath, to open a canteen, attacks the President for sending the bill to the Supreme Court, calling him a “thundering disgrace.”
Ó Dálaigh’s private papers show that he considered the relationship between the President (as Commander-in-Chief of the Defence Forces) and the Minister for Defence had been “irrevocably broken” by the comments of the Minister in front of the army Chief of Staff and other high-ranking officers. Donegan offers his resignation, but Taoiseach Liam Cosgrave refuses to accept it. This proves the last straw for Ó Dálaigh, who believes that Cosgrave had additionally failed to meet his constitutional obligation to regularly brief the President. He resigns from the presidency on October 22, 1976, “to protect the dignity and independence of the presidency as an institution.” He is succeeded as President of Ireland by Patrick Hillery.
Ó Dálaigh dies of a heart attack on March 21, 1978, less than two years after resigning the presidency. He is buried in Sneem, County Kerry.
Rinuccini is born in Rome on September 15, 1592. He is educated by the Jesuits in Rome and studies law at the Universities of Bologna and Perugia. In due course, he is ordained a priest, having at the age of twenty-two obtained his doctor’s degree from the University of Pisa. He is named a camariere (chamberlain) by Pope Gregory XV and in 1625 becomes Archbishop of Fermo. In 1631 he carefully refuses an offer to be made Archbishop of Florence.
Rinuccini departs France from Saint-Martin-de-Ré near La Rochelle on October 18, 1645, on the frigate San Pietro and arrives in Kenmare, County Kerry, on October 21, 1645, with a retinue of twenty-six Italians, several Irish officers, and the Confederation’s secretary, Richard Bellings. He proceeds to Kilkenny, the Confederate capital, where Richard Butler, 3rd Viscount Mountgarret, the president of the Confederation, receives him at the castle. He speaks Latin to Montgarret, but all the official business of the Confederates is done in English. He asserts in his discourse that the object of his mission is to sustain the King, but above all to help the Catholic people of Ireland in securing the free and public exercise of their religion, and the restoration of the churches and church property to the Catholic Church.
Rinuccini had sent ahead arms and ammunition: 1,000 braces of pistols, 4,000 cartridge belts, 2,000 swords, 500 muskets and 20,000 pounds of gunpowder. He arrives twelve days later with a further two thousand muskets and cartridge-belts, four thousand swords, four hundred braces of pistols, two thousand pike-heads, and twenty thousand pounds of gunpowder, fully equipped soldiers and sailors and 150,658 livres tournois to finance the Irish Catholic war effort. These supplies give him a huge input into the Confederate’s internal politics because he doles out the money and arms for specific military projects, rather than handing them over to the Confederate government, or Supreme Council.
Rinuccini hopes that by doing so he can influence the Confederates’ strategic policy away from making a deal with Charles I and the Royalists in the English Civil War and towards the foundation of an independent Catholic-ruled Ireland. In particular, he wants to ensure that churches and lands taken in the rebellion would remain in Catholic hands. This is consistent with what happened in Catholic-controlled areas during the Thirty Years’ War in Germany. His mission can be seen as part of the Counter-Reformation in Europe. He also has unrealistic hopes of using Ireland as a base to re-establish Catholicism in England. However, apart from some military successes such as the Battle of Benburb on June 5, 1646, the main result of his efforts is to aggravate the infighting between factions within the Confederates.
The Confederates’ Supreme Council is dominated by wealthy landed magnates, predominantly of “Old English” origin, who are anxious to come to a deal with the Stuart monarchy that will guarantee them their land ownership, full civil rights for Catholics, and toleration of Catholicism. They form the moderate faction, which is opposed by those within the Confederation, who want better terms, including self-government for Ireland, a reversal of the land confiscations of the plantations of Ireland and establishment of Catholicism as the state religion. A particularly sore point in the negotiations with the English Royalists is the insistence of some Irish Catholics on keeping in Catholic hands the churches taken in the war. Rinuccini accepts the assurances of the Supreme Council that such concerns will be addressed in the peace treaty negotiated with James Butler, 1st Duke of Ormond, negotiated in 1646, now known as the First Ormond Peace.
However, when the terms are published, they grant only the private practice of Catholicism. Alleging that he had been deliberately deceived, Rinuccini publicly backs the militant faction, which includes most of the Catholic clergy and some Irish military commanders such as Owen Roe O’Neill. On the other side there are the Franciscans Pierre Marchant, and later Raymond Caron. In 1646, when the Supreme Council tries to get the Ormond Peace ratified, Rinuccini excommunicates them and helps to get the Treaty voted down in the Confederate General Assembly. The Assembly has the members of the Supreme Council arrested for treason and elects a new Supreme Council.
However, the following year, the Confederates’ attempts to drive the remaining English (mainly Parliamentarian) armies from Ireland meets with disaster at the battles of Dungan’s Hill on August 8, 1647 and Knocknanuss on November 13, 1647. As a result, the chastened Confederates hastily conclude a new deal with the English Royalists to try to prevent a Parliamentarian conquest of Ireland in 1648. Although the terms of this second deal are better than those of the first one, Rinuccini again tries to overturn the treaty. However, on this occasion, the Catholic clergy are split on whether to accept the deal, as are the Confederate military commanders and the General Assembly. Ultimately, the treaty is accepted by the Confederacy, which then dissolves itself and joins a Royalist coalition. Rinuccini backs Owen Roe O’Neill, who used his Ulster army to fight against his former comrades who had accepted the deal. He tries in vain to repeat his success of 1646 by excommunicating those who support the peace. However, the Irish bishops are split on the issue and so his authority is diluted. Militarily, Owen Roe O’Neill is unable to reverse the political balance.
Despairing of the Catholic cause in Ireland, Rinnuccini leaves the country on February 23, 1649, embarking at Galway on the ship that had brought him to Ireland, the frigate San Pietro. In the same year, Oliver Cromwell leads a Parliamentarian re-conquest of the country, after which Catholicism is thoroughly repressed. Roman Catholic worship is banned, Irish Catholic-owned land is widely confiscated east of the River Shannon, and captured Catholic clergy are executed.
Rinuccini returns to Rome, where he writes an extensive account of his time in Ireland, the Commentarius Rinuccinanus. His account blames personal vainglory and tribal divisions for the Catholic disunity in Ireland. In particular, he blames the Old English for the eventual Catholic defeat. The Gaelic Irish, he writes, despite being less civilised, are more sincere Catholics.
Rinuccini returns to his diocese in Fermo in June 1650 and dies there on December 13, 1653.
Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, dies on February 18, 1964, in Blackrock, Dublin.
Walsh is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry, the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.
Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service entrance examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.
Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.
When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time, and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers’ Edinburgh Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.
Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.
Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to TheSaturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.
Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.
Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.
Spring Rice is educated at Trinity College, Cambridge, and later studies law at Lincoln’s Inn, but is not called to the Bar. His family is politically well-connected, both in Ireland and Great Britain, and he is encouraged to stand for Parliament by his father-in-law, Lord Limerick.
Spring Rice first stands for election in Limerick City in 1818 but is defeated by the Tory incumbent, John Vereker, by 300 votes. He wins the seat in 1820 and enters the House of Commons. He positions himself as a moderate unionist reformer who opposes the radical nationalist politics of Daniel O’Connell and becomes known for his expertise on Irish and economic affairs. In 1824 he leads the committee which establishes the Ordnance Survey in Ireland.
Spring Rice’s fluent debating style in the Commons brings him to the attention of leading Whigs and he comes under the patronage of the Marquess of Lansdowne. As a result, he is made Under-Secretary of State for the Home Department under George Canning and Lord Goderich in 1827, with responsibility for Irish affairs. This requires him to accept deferral of Catholic emancipation, a policy which he strongly supports. He then serves as joint Secretary to the Treasury from 1830 to 1834 under Lord Grey. Following the Reform Act 1832, he is elected to represent Cambridge from 1832 to 1839. In June 1834, Grey appoints him Secretary of State for War and the Colonies, with a seat in the cabinet, a post he retains when Lord Melbourne becomes Prime Minister in July. A strong and vocal unionist throughout his life, he leads the Parliamentary opposition to Daniel O’Connell’s 1834 attempt to repeal the Acts of Union 1800. In a six-hour speech in the House of Commons on April 23, 1834, he suggests that Ireland should be renamed “West Britain.” In the Commons, he also champions causes such as the worldwide abolition of slavery and the introduction of state-supported education.
The Whig government falls in November 1834, after which Spring Rice attempts to be elected Speaker of the House of Commons in early 1835. When the Whigs return to power under Melbourne in April 1835, he is made Chancellor of the Exchequer. As Chancellor, he has to deal with crop failures, a depression and rebellion in North America, all of which create large deficits and put considerable strain on the government. His Church Rate Bill of 1837 is quickly abandoned and his attempt to revise the charter of the Bank of Ireland ends in humiliation. Unhappy as Chancellor, he again tries to be elected as Speaker but fails. He is a dogmatic figure, described by Lord Melbourne as “too much given to details and possessed of no broad views.” Upon his departure from office in 1839, he has become a scapegoat for the government’s many problems. That same year he is raised to the peerage as Baron Monteagle of Brandon, in the County of Kerry, a title intended earlier for his ancestor Sir Stephen Rice. He is also Comptroller General of the Exchequer from 1835 to 1865, despite Lord Howick‘s initial opposition to the maintenance of the office. He differs from the government regarding the exchequer control over the treasury, and the abolition of the old exchequer is already determined upon when he dies.
From 1839 Spring Rice largely retires from public life, although he occasionally speaks in the House of Lords on matters generally relating to government finance and Ireland. He vehemently opposes John Russell, 1st Earl Russell‘s policy regarding the Irish famine, giving a speech in the Lords in which he says the government had “degraded our people, and you, English, now shrink from your responsibilities.”
Spring Rice is well regarded in Limerick, where he is seen as a compassionate landlord and a good politician. An advocate of traditional Whiggism, he strongly believes in ensuring society is protected from conflict between the upper and lower classes. Although a pious Anglican, his support for Catholic emancipation wins him the favour of many Irishmen, most of whom are Roman Catholic. He leads the campaign for better county government in Ireland at a time when many Irish nationalists are indifferent to the cause. During the Great Famine of the 1840s, he responds to the plight of his tenants with benevolence. The ameliorative measures he implements on his estates almost bankrupts the family and only the dowry from his second marriage saves his financial situation. A monument in honour of him still stands in the People’s Park in Limerick.
Even so, Spring Rice’s reputation in Ireland is not entirely favourable. In a book regarding assisted emigration from Ireland, a process in which a landlord pays for their tenants’ passage to the United States or Australia, Moran suggests that Spring Rice was engaged in the practice. In 1838, he is recorded as having “helped” a boat load of his tenants depart for North America, thereby allowing himself the use of their land. However, he is also recorded as being in support of state-assisted emigration across the British Isles, suggesting that his motivation is not necessarily selfish.
seamus dubhghaill 