seamus dubhghaill

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Birth of Thomas Brennan, Co-founder of the Irish National Land League

Thomas Brennan, an Irish republican, agrarian radical, and co-founder and joint secretary of the Irish National Land League, is born on July 28, 1853, at Yellow Furze, County Meath. He plays a key role in Irish land reform and nationalist activism.

Brennan is the second of two children to Patrick Brennan of the Catholic parish of Beauparc and Catherine Brennan (née Rourke). Little is recorded of his early education, but he develops a reputation as an intelligent and articulate public speaker. At age 18, he begins working as a clerk at Murtagh Bros., a Dublin-based bakery, alongside his uncle James Rourke. Through his connections with Patrick Egan, he and his uncle join the Irish Republican Brotherhood (IRB) and become active in election campaigns and nationalist organizing.

By 1877–1878, Brennan has become the civil secretary of the Leinster IRB and honorary secretary of the Dublin Mechanics Institute. In 1879, he plays an instrumental role in establishing the Land League of Mayo, acting alongside Michael Davitt and Patrick Egan. When the Irish National Land League is formally founded in October 1879, Brennan is appointed assistant secretary, effectively helping manage the League’s operations and campaigns for tenant farmers.

Brennan is known for his eloquence at public rallies, often linking land agitation to Irish nationalist objectives and espousing radical, egalitarian ideas. During the Land League’s activities, he faces trial for encouraging non-payment of rent but is not convicted. He later takes on the duties of national secretary after Davitt’s arrest and authorizes the issuance of the “No Rent Manifesto” from Kilmainham Gaol in 1881, a pivotal document in Ireland’s land struggle.

Following internal shifts in Irish nationalist politics and limitations placed on his influence by Charles Stewart Parnell, Brennan emigrates to the United States. He works for Patrick Ford’s Irish World newspaper in New York City, critiquing aspects of the Irish Parliamentary Party (IPP) and emphasizing non-violent republican principles. By 1883, he settles in Omaha, Nebraska, partnering with Patrick Egan in the Omaha Mortgage Company, specializing in real estate, investment, and insurance. He becomes a respected businessman and seeks to maintain connections with the Irish American nationalist community.

Brennan never marries and eventually dedicates himself to business in Omaha. He passes away on December 19, 1912, in Omaha, Nebraska, having left a lasting impact on Irish land reform efforts and the nationalist movement. He is buried in Holy Sepulchre Cemetery in Omaha.

Brennan is remembered as a founder and key administrator of the Irish National Land League, a signatory of the “No Rent Manifesto,” and a prominent voice in the Irish republican movement. His advocacy helps shape the course of land reform in Ireland and fosters Irish nationalist sentiment both domestically and among the diaspora.

Sources confirm that his activism, speeches, and organizational skill were central to the Land League’s influence, and he remains a notable figure in 19th-century Irish political history.


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The Legend of Molly Malone’s Baptism

Molly Malone’s baptism is often cited as having taken place on July 27, 1669, although it is part of a later legend rather than a confirmed historical fact. The story goes that a woman named Molly Malone, a fishmonger in Dublin, is baptized at St. Werburgh’s Church and later dies young of a fever. This narrative becomes part of the folklore surrounding the song Cockles and Mussels, which celebrates her as a street fishwife.

The legend goes that the baptism date and the claim that Molly Malone is a real 17th‑century figure were popularized in the late 20th century, especially during the Dublin Millennium celebrations in 1988. At that time, the Dublin Millennium Commission endorsed a claim that a Mary Malone had been baptized on July 27, 1669, and buried on June 13, 1699, in St. John’s Graveyard. This led to June 13 being declared Molly Malone Day.

However, no verifiable evidence links these baptism and burial records to the Molly Malone of the song. The name “Molly” is a common diminutive for Mary or Margaret, and many such women lived in Dublin over the centuries. The baptism record in question (Mary Malone, baptized July 27, 1669) and the burial record (Mary Malone, died June 13, 1699) are published in church registers, but there is no proof these refer to the same person as the ballad’s heroine.

The ballad “Cockles and Mussels” (also called “In Dublin’s Fair City”) is written in the late 19th century by James Yorkston of Edinburgh, Scotland. It is a fictional tale of a fishwife who sells cockles and mussels and dies young. While the song may have been inspired by older street ballads, it is not based on a confirmed historical Molly Malone.

Despite the lack of solid historical proof, the legend has become a symbol of Dublin. A bronze statue of Molly Malone, “The Tart with the Cart,” (pictured above) stands on Suffolk Street, commemorating her as a cultural icon. The story continues to be celebrated in song, pub culture, and local tradition.

In short, July 27, 1669, is part of the folklore of Molly Malone’s baptism, but it is not confirmed by reliable historical records. The figure remains a fictionalized symbol of Dublin’s street life, immortalized in song and statue.


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William de Vesci Accuses John FitzThomas, Baron of Offaly, of Defamation

On July 24, 1294, before the council of Dublin, William de Vesci, Lord Justice of Ireland and inheritor of County Kildare, formally accuses John FitzThomas, 4th Baron of Offaly, of defamation against him before King Edward I and the English council.

The conflict arises from a series of accusations FitzThomas makes in England. He claims that de Vescy has called Edward I “the most perverse knight of the kingdom” and has accused the king of cowardice during the siege of Kenilworth Castle in 1266. He also alleges that de Vescy is organizing an uprising against the king.

These allegations are part of a broader rivalry between the two nobles over claims to the Crown of Connaught and competing political influence in Ireland.

FitzThomas has previously brought the matter to the attention of the Irish commission of inquiry, but de Vescy sought redress before the Dublin council. The dispute escalates to the English court, where both men are summoned to Westminster for a formal hearing.

On the appointed date, July 24, 1294, de Vescy appears in full armor, but FitzThomas does not attend. De Vescy requests a judgment by default in his favor, but the court does not grant it. The matter is not resolved immediately but is later addressed during the Parliament of August 1295.

Although de Vescy technically loses the default judgment, the absence of FitzThomas and the political context likely weakens the case. De Vescy has already been removed from the Lord Justiciarship in October 1294 following a commission of inquiry into his governance in Ireland. He continues to serve the king in other capacities, including in Wales and Gascony, and is summoned to Parliament in 1295.

In summary, the July 24, 1294, event marks the formal accusation of defamation in Dublin, a legal and political clash between two powerful Irish barons, with the case ultimately decided in England’s court at Westminster, where FitzThomas’s non-appearance becomes a key factor in the proceedings.

(Pictured: Coat of arms of William de Vescy)


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Death of Edward Parry, Church of Ireland Bishop of Killaloe

Edward Parry, Church of Ireland Bishop of Killaloe, County Clare, dies in Dublin on July 20, 1650, after contracting the plague.

Parry is born c. 1599 in Madyn Dyswy, Amlwch, Anglesey, Wales, the son of Rhys Parry, a merchant of Newry, County Down. The name of his mother is disputed. His siblings are Arthur, Grace and Magdalen. He is educated in Newry. In 1616, he enrolls as a student of Trinity College Dublin (TCD) where he graduates with a BA in 1620. He obtains his MA there in 1623 and a fellowship on November 24, 1624. In 1630 he graduates as a Doctor of Divinity and later becomes Pro-Vice-Chancellor of the college.

In Anglican politics Parry is regarded as a Laudian. In 1627, he is appointed Prebendary of Tipperkevin, a living belonging to St Patrick’s Cathedral, Dublin. In 1630, he is Incumbent of St. Bride’s Church, Dublin, where several of his children are baptised. In 1634, he is made Treasurer of Christ Church Cathedral, Dublin and chaplain to Lancelot Bulkeley, Archbishop of Dublin. In 1635, he is appointed one of the High Commission for Ecclesiastical Causes. In 1636, he is appointed Prebendary of Stagonyl, another living belonging to St Patrick’s Cathedral, Dublin. By patent dated April 28, he is presented to St. Olave’s in Waterford where he is installed on May 11, but is also licensed to hold his other preferments at the same time. In 1640, he resigns from St. Olave’s and is appointed Dean of Lismore, County Waterford. Some of the Deanery lands had been seized by Richard Boyle, 1st Earl of Cork and Parry tries to get them back but fails. His successor as Dean of Lismore is his first cousin, Robert Parry. In 1643, he is Archdeacon of Glendalough, County Wicklow.

On December 29, 1646, King Charles I of England in a letter states he favours Parry for the See of the Diocese of Killaloe, County Clare. On March 20, 1647, a patent is issued confirming his appointment as Bishop of Killaloe and he is consecrated at Christ Church Cathedral, Dublin, on March 28, 1647, by Lancelot Bulkeley, Archbishop of Dublin, assisted by the Bishops of Kildare and Cloyne. However, as this is in the middle of the Irish Rebellion he was unable to travel to his diocese and remains in Dublin, where he resides in Chichester House, St. Stephen’s Street, which later houses the Parliament of Ireland. In the Hearth Money Rolls the house is assessed for eight hearths so is quite large. On July 9, 1647, he signs the petition of the clergy praying to be allowed the use of the Liturgy, then abolished by order of the commissioners under Oliver Cromwell. On account of his good character and the smallness of the revenues of Killaloe, the King permits him to hold his former preferments in commendam.

Parry marries the daughter of John Price and by her has six children, who are John Parry, Bishop of Ossory, Benjamin Parry, Bishop of Ossory, Edward Parry, Robert Parry, Mary Parry who marries John Bulkeley, and Elinor Parry who is a love and correspondent of John Locke and later marries Richard Hawkshaw.

Parry dies in his house in St. Stephen’s Street on July 20, 1650, at the age of 51, after contracting the plague which rages there, and is buried in St. Audoen’s Church, Dublin. His will dated July 17, 1650, is proved in the Prerogative Court, Dublin. Its terms are: (1) his body is to be interred in St. Audeon’s Church near the doors, with his face to the east, where he also desires the body of his wife to be translated, and laid by his side, (2) he gives to his eldest daughter, Mary Parry, alias Bulkeley, a little silver watch, and her mother’s dear-head ring, (3) to his other daughter “Eleynor Parry” other ornaments that belonged to her mother, (4) to his sister “Madelius Evans” five pounds, (5) to other beneficiaries are given legacies out of the fifty pounds due to him by William Usher, (6) to his cousin, Robert Parry, he leaves his lexicon and other books, (7) to his cousin, Richard Parry, he leaves a gold ring, (8) to his cousin, Mary Parry, wife of Richard, he leaves a money legacy, and (9) he appoints his cousin, Robert Parry, as overseer of his will.

Parry writes a book entitled David restored; or an Antidote against the Prosperity of the Wicked, and the Afflictions of the Just, which is a sermon on the seventy-third Psalm. This is afterward published by his son, John Parry at Oxford in 1660. This work contains an engraved portrait of Edward Parry (above).

(Pictured: An engraved portrait by John Dickson of Dr. Edward Parry, Bishop of Killaloe, from a book authored by the bishop entitled “David restored; or an Antidote against the Prosperity of the Wicked, and the Afflictions of the Just”, published at Oxford in 1660.)


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Free State Troops Arrive in Waterford to Retake the City

On July 18, 1922, Free State commander General John T. Prout leads a pro‑Treaty force of about 700 troops, one 18‑pounder field gun, and four armoured cars from Kilkenny, County Kilkenny, toward Waterford, County Waterford. This is part of the Irish Free State offensive (June 28 – late August 1922), which aims to retake major towns held by anti‑Treaty Irish Republican Army (IRA) forces in the south and southwest of Ireland.

At the start of the Irish Civil War in June 1922, the Free State controls only Dublin. Anti‑Treaty forces, forming the so‑called Munster Republic, hold Cork, Limerick, and Waterford, along with much of the west. Waterford’s republican garrison has fortified the city, dismantled the drawbridge’s control equipment, and isolated the port by removing wireless and other communications.

On July 16, republican forces learn that Free State troops ae moving toward Waterford. They raise the drawbridge early and move vessels from the Kilkenny side to the Waterford side. On July 18, Prout’s column is spotted from Sallypark Hill, prompting republican machine gun and rifle fire. A Free State volunteer, Costeloe, is wounded and later dies.

From July 19, sniping continues across the River Suir. On July 19, the Free State brings the 18‑pounder artillery into position overlooking the city, bombarding republican positions. The republicans hold key buildings such as the Adelphia Hotel, Country Club, and Reginald’s Tower.

By July 21, Free State forces cross the River Suir downstream at Gyles Quay, enter the city, and drive out republican troops from their positions. The drawbridge on Redmond Bridge is lowered by hand, and republican reinforcements from Cork and Tipperary either withdraw or do not engage. The Free State takes Waterford on July 21, 1922, ending the republican hold on the city.

Two anti‑Treaty volunteers, Maurice McGrath and John “Bonny” Boyle, are killed. Two Free State soldiers, Sergeant James Howlett and Michael Costelloe, are killed. At least six civilians are killed, including Joseph Dwan, William Long, and a 10‑year‑old girl. Many civilians are wounded.

The fall of Waterford marks a key Free State victory in the conventional phase of the Irish Civil War, contributing to the re‑capture of major southern cities and paving the way for the later guerrilla phase.

(Pictured: John T. Prout at his wedding to Limerick native Mary Conba at St. John the Evangelist Church (O’Loughlin Memorial Church), Kilkenny, July 12, 1922)


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Irish Socialist Federation Farewell Dinner for James Connolly

On July 14, 1910, the Irish Socialist Federation (ISF) in New York City hosts a farewell dinner for James Connolly, marking the end of his time as its leader. This event is a significant moment in his career, as he had been instrumental in founding the Federation on March 29, 1907, and has been its driving force in organizing Irish socialist and trade union activity in the United States.

By 1910, Connolly has been active in the socialist movement in the United States for several years. He initially joins the Socialist Labor Party of America but becomes a full-time organizer for the Industrial Workers of the World (IWW) from 1905 to 1910, aligning with its syndicalist approach. His work with the Irish Socialist Federation has been central to building a network of Irish workers in America, linking them to socialist principles and Irish nationalist aspirations.

The July 14, 1910, dinner is a public acknowledgment of Connolly’s contributions and a symbolic send-off as he prepares to return to Ireland. Upon his return, he takes on a major role in the Irish Transport and General Workers Union (ITGWU), first in Belfast and then in Dublin, and later becomes acting General Secretary and Commandant of the Irish Citizen Army (ICA).

The political and labor impact of the event underscores Connolly’s growing influence in both the Irish socialist movement abroad and the domestic labor struggle. It reflects the Federation’s commitment to supporting Irish socialist leaders and their work in the United States and Ireland. It is also remembers as a key moment in Connolly’s transition from U.S. organizer to a central figure in the Irish labor and republican movements.

In short, the July 14, 1910, farewell dinner is both a personal farewell and a political milestone, highlighting Connolly’s role as a bridge between Irish socialism in the United States and the emerging labor and republican movements in Ireland.


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Founding of the Dublin Harp Society

The Dublin Harp Society is founded on July 13, 1809, by John Bernard Trotter, a former secretary to Charles James Fox and a passionate supporter of Irish music, to revive and preserve the ancient Irish harp tradition, and it flourishes briefly with contributions from prominent patrons and musicians before closing in 1812 due to financial difficulties.

Inspired by the Belfast Irish Harp Society, Trotter aims to create a society that will extend the revival of the Irish harp to the capital and broaden its audience across Ireland. The society’s purpose is to rescue the old Irish harp from oblivion, teach blind and talented harpers, and promote Irish music through public events, publications, and performances.

Trotter gathers an influential list of subscribers, including Thomas Moore, the poet and songwriter, and Sir Walter Scott, the Scottish novelist. He brings to Dublin Patrick Quin (pictured), a blind harper from Portadown, County Armagh, as the society’s instructor. Quin is one of the last of the traditional blind harpers and performs extensively at society events, including Turlough O’Carolan commemorations, delighting patrons and audiences. The Bishop of Kildare, Charles Dalrymple Lindsay, also supports the society by providing a house in Glasnevin for the instruction of harpers.

The society engages in multiple avenues to revive Irish harp music. In addition to the previously mentioned Turlough O’Carolan commemorations, circulars and subscription notices are published to drum up public support and secure funding. The Society hosts concerts and gatherings at prominent Dublin locations, offering elaborate performances for subscribers. Tuition and mentorship to young Irish harpers is provided, particularly to blind musicians, as part of a broader cultural and philanthropic effort. Trotter also personally subsidizes the society, contributing £200 annually, which helps maintain performances and attract participants.

Despite early enthusiasm, the society struggles financially due to Trotter’s generous hospitality and personal funding of its activities. By the close of 1812, the Dublin Harp Society becomes defunct when Trotter goes bankrupt. The society attempts to publish rules and regulations in 1810 and conduct active recruitment of subscribers and pupils, but it cannot be sustained beyond three years.

Although short-lived, the Dublin Harp Society contributes significantly to the preservation and promotion of the Irish harp, inspiring subsequent societies and harp revival initiatives in Ireland. It highlights the importance of cultural patrimony, music education, and public patronage, acting as a bridge between the older harp traditions and the modern revival movements seen in later 19th-century Ireland.

In summary, the Dublin Harp Society represents an early 19th-century endeavor to revive Ireland’s venerable harp tradition through education, sponsorship, and celebration of master harpers, leaving a lasting mark on the cultural memory of Irish music.


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Death of Noel Sheridan, Painter & Actor

Cecil Noel Sheridan, influential Irish painter, performance artist, installation artist and actor, dies on July 12, 2006, in Perth, Western Australia. He is known for his abstract landscapes and conceptual art, with a significant impact on art institutions in Ireland and Australia.

Sheridan is born in Dublin on December 12, 1936, to Cecil Brinsley Sheridan, a noted comic actor, and Ann ‘Nan’ Doyle. He attends Synge Street CBS and later pursues a Bachelor of Commerce (BCom) at Trinity College Dublin, while also joining the Trinity Players drama group, reflecting his early interest in both theatre and visual arts. He later earns a Master of Fine Arts from Columbia University in New York City in 1967, where he is influenced by the emerging conceptual art movement.

Sheridan begins exhibiting in the late 1950s, participating in the annual Living Art exhibitions and the Biennale de Paris in 1960. He wins the Carroll Prize for Painting in 1965 and 1969. Initially focused on abstract landscapes, his work evolves to include conceptual, performance, and installation art, integrating multimedia elements. Notable works include Everybody Should Get Stones (1975) and On Reflection (2001).

Sheridan is also deeply engaged in the international art scene. He represents Ireland at the 1962 UNESCO Convention of Young Painters in Paris and contributes to avant-garde movements in Australia, including serving as the first Professor of Conceptual Arts in Sydney during the 1970s. He directs the Experimental Art Foundation in Adelaide from 1975 to 1980, introducing experimental and post-object art to Australian audiences.

From 1980 to 2002, Sheridan serves as Director of the National College of Art and Design (NCAD) in Dublin, with a four-year hiatus to direct the Perth Institute of Contemporary Arts in Australia. His leadership shapes art education in Ireland and helps modernize institutional structures, curricula, and multimedia practices.

Sheridan is also a member of Aosdána, an elite Irish association of artists, and a committee member of Rosc, an important art exhibition initiative in Ireland.

Sheridan’s early works consist of abstract and lyrical landscapes, which later expand to include conceptual and performance art, often engaging audience participation and multimedia formats. He is known for his wit, charisma, and generosity as both a teacher and an arts administrator, influencing a generation of artists in Ireland and Australia.

Sheridan’s art is represented in major institutions, including the Irish Museum of Modern Art and the Centro de Arte Moderna Gulbenkian in Lisbon, with numerous works having been sold at auction, achieving prices up to $7,624 USD for pieces like Window. Retrospectives of his work are held at the Royal Hibernian Academy in Dublin in 2001, accompanied by publications that compile his artistic philosophy and contributions.

Sheridan is married to Liz Murphy, and they have five children. His commitment to both art and education continues throughout his life until he dies on July 12, 2006, in Perth, Western Australia. Paul Durcan writes a poem in his honour after his death.

In summary, Sheridan’s career spans painting, performance, installation, and education. His innovative approach, international influence, and dedication to teaching and institutional development mark him as a pivotal figure in postwar and contemporary Irish art.


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First Mail Coach Run from Dublin to Waterford

On July 5, 1790, the Irish mail coach service makes its first run from Dublin to Waterford, marking a significant milestone in Ireland’s postal history. This is part of the broader expansion of the General Post Office’s (GPO) mail coach network, which had been introduced in Ireland in 1789.

A twice-weekly mail coach service operates between Dublin and Drogheda to the north, Kilkenny to the south and Athlone to the west as early as 1737 and for a short period from 1740, a Dublin to Belfast mail coach exists. In winter, this route takes three days, with overnight stops at Drogheda and Newry. In summer, travel time is reduced to two days. In 1789, mail coaches begin a scheduled service from Dublin to Belfast. They meet the mail boats coming from Portpatrick in Scotland at Donaghadee, County Down.

The Irish mail coach system is modeled on the successful English service introduced in 1784 by John Palmer, which uses specially built coaches to carry the Royal Mail under contract to independent operators. These coaches are designed for speed and efficiency, stopping only for mail collection and delivery, and are protected by armed guards. The Dublin–Waterford route is one of the early inland services added to the network, complementing other major routes such as London–Norwich, Liverpool–Leeds, and London–Dover.

The July 5, 1790 run from Dublin to Waterford is notable because it is the first scheduled mail coach service on that route, replacing slower and less secure methods like mounted riders or carts. It demonstrates the GPO’s ability to extend its network to key inland towns, improving communication between Dublin and the southeast of Ireland. It also reflects the rapid expansion of the mail coach system in Ireland by 1790, with many towns already having daily mail delivery and collection.

While the primary purpose is to carry the Royal Mail, passengers can also travel at a premium fare. The coaches can carry four seated passengers inside and more standing outside, with the driver and guard occupying the front seats. The journey from Dublin to Waterford is relatively short for the time, but still requires careful scheduling to meet the strict post office timetable.

This first run lays the foundation for a regular mail service that becomes a vital part of Ireland’s transport and communication infrastructure until the advent of railways in the 1830s. By the mid-19th century, most of the mail coaches in Ireland are eventually out-competed by Charles Bianconi’s country-wide network of open carriages, before this system in turn succumbs to the railways. The Dublin–Waterford route, like others, is eventually replaced by the faster rail services, but its role in modernizing Ireland’s postal system is crucial.


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Capture of Enniscorthy During the Irish Civil War

On July 4, 1922, Enniscorthy in County Wexford is captured by Republican forces during the early phase of the Irish Civil War. The town has been a key Free State (pro-Treaty) stronghold, but by mid-July, anti-Treaty Irish Republican Army (IRA) units, bolstered by reinforcements from Tipperary and members of the Four Courts garrison who have escaped Dublin’s fighting, seize control of the main towns in County Wexford and force the surrender of National Army positions at Enniscorthy and Ferns.

Wexford had been relatively quiet during the Irish War of Independence, but the Treaty split in 1921 creates deep divisions. The South Wexford Brigade under Thomas O’Sullivan is overwhelmingly anti-Treaty, while the North Wexford Brigade under Joseph Cummins is nominally pro-Treaty but contains a significant anti-Treaty minority. This division means that when the Irish Civil War breaks out on June 28, 1922, Wexford becomes one of the most violent counties, with Republican forces rapidly moving to secure strategic towns.

On July 4, anti-Treaty IRA units, including Tipperary volunteers and escaped Four Courts fighters, move into Enniscorthy, take over key positions and force the surrender of Free State troops. In the opening fighting, three combatants are killed — two IRA and one National Army — marking the first major Republican gains in the county. James Roche, an IRA member, is fatally wounded in an accident outside Newtownbarry (now Bunclody) on the same day, one of several accidental deaths among IRA personnel in Wexford during the Irish Civil War.

The capture of Enniscorthy is part of a broader Republican offensive in County Wexford in early July 1922. However, the balance of power shifts quickly. By July 6, a large relief force of government troops sets out from Dublin to retake the town. This marks the beginning of a protracted and bloody campaign in County Wexford, which sees the county become one of the most violent in the Irish Civil War.

In summary, the capture of Enniscorthy on July 4, 1922, is a significant Republican victory in County Wexford, driven by the Treaty split and reinforced by external IRA units. It reflects the rapid escalation of violence in the county and sets the stage for a prolonged and destructive phase of the Irish Civil War in County Wexford.

(Pictured: Enniscorthy at the turn of the last century, National Library of Ireland collections)