In addition to Beckett’s activity as a music critic for The Irish Times, he also writes biographical articles for dictionaries, in particular for the first edition of Die Musik in Geschichte und Gegenwart. His books include studies on Franz Liszt and ballet music.
Beckett’s more ambitious musical works from the 1940s and 1950s are a Suite for Orchestra (1945), Four Higgins Songs (1946), The Falaingin Dances (1958) and a Suite of Planxties (1960) for harp and orchestra.
In 1963 Beckett moves to England, where he teaches music at various schools before returning to Ireland in 1970 to succeed A. J. Potter at the RIAM as professor of harmony and counterpoint. In the 1980s he produces a number of remarkable works such as Quartet for Strings (1980) and Dublin Symphony (1989) for narrator, chamber choir and large orchestra. While he is never a modernist, his later works nevertheless contain some advanced harmony, particularly in the quartet.
Beckett is forced to retire from the RIAM in 1985 after suffering a stroke. In 1986 he is elected a member of Aosdána and an Honorary Fellow of the RIAM in 1990. He dies in Dublin on April 3, 1996. He is buried in Rathnew Cemetery, County Wicklow.
Shillington originally plans to join the Northern Ireland Civil Service, however he wants a more varied career. He joins the Royal Ulster Constabulary on February 8, 1933, as a cadet officer. He completes his training at the Newtownards depot in County Down. He is promoted to district inspector in 1935, and serves as officer in charge of D District in Belfast. In 1944, he is promoted to 1st Class District Inspector and is posted to Derry, County Londonderry.
In 1953, after nine years in Derry, Shillington is promoted to County Inspector and returns to Belfast. There, he joins the Inspector General’s Headquarters and serves in an administrative post. On January 16, 1961, he is appointed Commissioner of Belfast City.
In 1969, Shillington is appointed Deputy Inspector-General of the RUC, as second-in-command to the Inspector-General, Anthony Peacocke, who, like Shillington, had been educated at Sedbergh and Cambridge. When the Battle of the Bogside breaks out in Derry in August 1969, he requests permission to use CS gas for the first time in the United Kingdom. When that does not halt the rioting, he requests that the British Army be brought in. He telephones Peacocke on August 13 in order to persuade him of this. Peacocke, who has long denied the need for army involvement, eventually agrees, but his reputation never recovers and following the publication of the Hunt Report in October he resigns as Inspector-General.
Shortly thereafter, Sir Arthur Young is seconded from the City of London Police to be the last Inspector-General and the first Chief Constable of the RUC. James Callaghan, then Home Secretary, sends him to implement the Hunt Report. Young’s measures introduce the standard British rank system for police officers in Northern Ireland and disbands the Ulster Special Constabulary (USC). Shillington remains as Young’s deputy, and when the latter returns to the mainland in 1970 he succeeds him to become the RUC’s second Chief Constable.
Shillington marries Mary (Peggy) Bulloch in 1935. They have two sons and a daughter. He dies on August 14, 2001, at the age of 90, in a County Armagh nursing home.
Although born in Cork, Moynihan-Cronin is a native of Killarney, County Kerry. She is educated at St. Brigid’s Secondary School in Killarney, Dominican College Sion Hill in Dublin, and Skerry’s College, Cork. Her father, Michael Moynihan, is a TD for Kerry South from 1981 to 1987 and from 1989 to 1992. She works as a bank official before becoming involved in politics in 1991 when she is elected to Kerry County Council. She is first elected to Dáil Éireann at the 1992 Irish general election as a Labour Party TD for Kerry South, succeeding her father. She is re-elected at every election until 2007.
On October 11, 2005, Moynihan-Cronin announces that she will not stand for re-election at the forthcoming general election due to ill-health. Her decision to retire presents considerable difficulties for the Labour Party to retain her seat, as the party performed poorly at the 2004 Kerry County Council election, failing to elect any councillors within the county. However, on October 28, 2006, she announces that she will stand in the forthcoming general election, having overcome her health difficulties. However, she fails to retain her seat.
In June 2011, Moynihan-Cronin returns to politics when she is co-opted onto Kerry County Council to represent the Killarney area, filling the seat left vacant when Marie Moloney is elected to the 24th Seanad. In 2013, she stands down from the council and is replaced by Sean Counihan.
Duhan is one of nine children, one of whom dies before Johnny is born. His parents, John and Christina (née Murphy), raise their family on Wolfe Tone Street, Limerick. He attends the Christian Brothersnational school on Sexton Street but hates it.
Duhan is writing songs from an early age. He leaves school and starts his career as the 15-year-old frontman of the Irish beat group Granny’s Intentions. After success in Limerick and Dublin, where he shares a flat with Phil Lynott and Gary Moore, the band moves to London and is signed to the Deram Records record label. His girlfriend, Maureen, leaves her job as a teacher to travel to London with him. The band releases several singles and one album, Honest Injun, with Duhan composing eight of the band’s eleven songs. Granny’s Intentions melds a bluesy rock sound with a down-home earthiness. Moore joins the band at the age of 17, and Pete Cummins (later of The Fleadh Cowboys) is also a member. The band has their sights set on a further move to Los Angeles, California, but the deal falls through. The band disbands before Duhan is twenty-one. While in London he is offered a job as lead singer with St. James Gate, but that deal falls through as well.
From there, the couple set about a different kind of life, with Duhan growing his own vegetables and embarking on a path as a solo singer-songwriter in earnest. He has a cry in his voice that is plaintive and highly distinctive. An advance from Arista Records allows him and Maureen to put a deposit on their first home in Sandyvale Lawn on Headford Road in Galway. Later they move to Barna, where he enjoys a quiet but very orderly, some might say even regimental life: rising daily before dawn, attending daily Mass, reading vociferously and enjoying his daily swims on his beloved Silver Strand. He climbs Diamond Mountain most Sundays and Carrauntoohil annually.
Just Another Town, To the Light, Flame, and The Voyage are some of Duhan’s work. These align with the first four sections of his poetic autobiography, To The Light. His songs have been performed by Christy Moore, The Dubliners, Mary Black, and other Irish and international singers. Christy Moore states that his song “The Voyage” has been performed at over a million weddings worldwide.
His daughters, Ailbhe and Niamh, describe Duhan as a kind, gentle and selfless soul. He is a true family man. Headstrong in his beliefs, he never follows trends. He spends his life seeking meaning, delving deeply into philosophical and theological works. Mornings are devoted to reading and studying his favourite writers, making meticulous notes on whether he agrees or disagrees with their thoughts, and more importantly why. He teaches all his children to play music, and Niamh is now a music teacher.
Duhan drowns on November 12, 2024, while swimming off Silver Strand in Galway. His funeral Mass takes place at St. Killian’s New Inn Church in County Galway. He is laid to rest at Killaan Cemetery, Woodlawn.
Holohan is chairman of the Association of Irish Composers from 1987 to 1989 and is later appointed chairman of the Droichead Arts Centre in Drogheda, County Louth, where he has lived since 1983.
Holohan is elected to Aosdána in 1999 and later serves as a member and chair of its Toscaireacht, its ten-member steering body.
Holohan’s music has been performed and broadcast in Ireland and internationally. Career highlights in Drogheda include performances of Cromwell (1994), The Mass of Fire (1995) and No Sanctuary (1997).
Holohan’s work has been reviewed in Irish music journalism. Writing in The Journal of Music following a National Concert Hall composers’ showcase, Benedict Schlepper-Connolly describes The Dream of Aengus as demonstrating Holohan’s “orchestrational control,” and characterises Portrait of the Artist as “captivating,” while noting the influence of Irish traditional music within his choral writing.
Regional press coverage has also documented performances and recordings of his work, including reports on the release of the piano album Fields of Blue and Whiteand concerts of his music in Drogheda.
Hamilton enters Trinity College Dublin on November 17, 1742, at the age of 13 with Thomas McDonnell as his tutor. He graduates Bachelor of Arts (BA) in 1747 and Trinity Master of Arts (MA Dubl) in 1750. He takes the competitive examination for a vacant fellowship of the college in 1750, but the position is secured instead by his friend Richard Murray, who is a few years older. Two fellowships become vacant the following year and Hamilton is elected to one of them at the age of 22. He is appointed Erasmus Smith’s Professor of Natural and Experimental Philosophy at Trinity College Dublin in 1759 and that same year graduates Bachelor of Divinity (BD). He is elected a Fellow of the Royal Society on February 19, 1761, and graduates Doctor of Divinity (DD) in 1762.
Trinity College presents him to the rectory of Kilmacrennan in the diocese of Raphoe, County Donegal, in 1764. This is a small benefice in the gift of the college, for which he resigns his fellowship. He retains the Erasmus Smith’s chair, however, being succeeded in that by Thomas Wilson in 1769. He resigns from Kilmacrenan in 1767 and becomes vicar of St. Ann’s Church in Dublin.
Hamilton then becomes Dean of Armagh, the chief resident cleric of St. Patrick’s Cathedral in Armagh, County Armagh, from April 1768 to 1796. Finding the existing dean’s house inconvenient and poorly situated, he has a new one built in a better location just off Portadown Road, now known as Dean’s Hill. The house, of three stories and a semi-basement, is built in 1772–74. The house is later sold by the church and the present owners provide bed and breakfast accommodation in it. While dean he also acts as treasurer for the infirmary or county hospital, he establishes Sunday schools in the districts of the parish, and he founds a charitable loan for poor tradesmen. He is also instrumental in planning a piped water supply for the town, which is later put into effect. He is one of the 38 original members of the Royal Irish Academy when it is founded in 1785. Gilbert Stuart paints his portrait in about 1790 (pictured above).
Hamilton is promoted to Bishop of Clonfert and Kilmacduagh on January 20, 1796, without seeking it. On January 24, 1799, he is translated to Ossory, where he is bishop until 1805. He dies of a fever at Kilkenny, County Kilkenny, on December 1, 1805. He is buried in the graveyard of St. Canice’s Cathedral at Kilkenny, and there is a memorial to him inside the cathedral.
Hamilton writes a mathematical treatise on conic sections called De Sectionibus Conicis: Tractatus Geometricus, published in 1758. In this book he “was the first to deduce the properties of the conic section from the properties of the cone, by demonstrations which were general, unencumbered by lemmas, and proceeding in a more natural and perspicuous order,” according to writer James Wills in 1847. The work is acclaimed for its lucidity and Leonhard Euler describes it as a perfect book. It is “soon adopted in all the British universities” and is translated from Latin into English as A Geometrical Treatise of the Conic Sections in 1773.
Hamilton also writes Philosophical Essays on Vapours (1767), Four Introductory Lectures on Natural Philosophy (1774), and An Essay on the Existence and Attributes of the Supreme Being (1784). His principal works are collected and republished, with a memoir, as The Works of the Right Rev. Hugh Hamilton by his eldest son, Alexander Hamilton, in two volumes in 1809.
Hamilton marries Isabella, daughter of Hans Widman Wood of Rosmead, County Westmeath, in 1772. Isabella’s mother Frances is the twin sister of Edward King, 1st Earl of Kingston. They have five sons and two daughters. They are Alexander, who was a barrister; Frances; Hans, who is rector of Knocktopher, County Kilkenny, and associated with the Carrickshock incident of 1831; Isabella; Henry; George, who is a biblical scholar; and Hugh, who marries Elizabeth Staples, a daughter of John Staples, a Member of Parliament. The younger Hugh is the great-grandfather of Clive Staples Lewis, better known as C. S. Lewis. Bishop Hugh Hamilton is a great-great-great-grandfather of the mathematicians John Lighton Synge and his brother Edward Hutchinson Synge. Dodgson Hamilton Madden, the High Court judge and noted scholar, is Hamilton’s great-grandson.
(Pictured: “Hugh Hamilton,” oil on canvas by Gilbert Stuart)
McAleese marries Mary Leneghan in 1976. The couple resides in Scholarstown, Dublin, for a short period, and then for almost twelve years near Ratoath, County Meath. In 1980, he returns to full-time education at Trinity College Dublin (TCD), to study as a dentist, subsequently moving back, with his family, to Northern Ireland, where he practises as a dentist in Crossmaglen and Bessbrook, County Armagh.
While his wife serves as President of Ireland, McAleese initiates a series of meetings with senior Ulster loyalistparamilitary leaders to pursue peace negotiations. These actions do not take place without controversy, but are widely viewed as instrumental in bringing loyalist paramilitary groups to peace talks.
In May 2011, McAleese is appointed as a Senator by the Taoiseach Enda Kenny. In August 2011, he is appointed the Chancellor of Dublin City University, taking over from David Byrne.
On February 1, 2013, McAleese announces his intention to resign as a member of Seanad Éireann.
McAleese accepts an appointment as Chairman of the Inter-Departmental Committee which is set up by the Government of Ireland to investigate the Magdalene laundries. His findings have been criticised by some survivors and researchers from the Magdalene Names project.
On October 18-19, 2014, McAleese attends the One Young World Summit in Dublin as a keynote speaker. Here, he hosts a special session for the One Young World Peace and Conflict Resolution Project alongside former Ulster Defence Association (UDA) prisoner Jackie McDonald and former Irish Republican Army (IRA) prisoner Sean Murray. They address young people from 191 countries to share and develop ideas to strengthen efforts at conflict resolution in their own countries.
McAleese and his wife Mary have three children. The family moves to Rostrevor, County Down, in 1987, when he sets up practice in County Armagh.
Mitchel is born in Camnish, near Dungiven, County Derry, on November 3, 1815, the son of a Presbyterian minister. At the age of four, he is sent to a classical school, run by an old minister named Moor, nicknamed “Gospel Moor” by the students. He reads books from a very early age. When a little over five years old, he is introduced to Latin grammar by his teacher and makes quick progress. In 1830, not yet 15 years old, he enters Trinity College, Dublin (TCD) and obtains a law degree in 1834.
In the spring of 1836, Mitchel meets Jane Verner, the only daughter of Captain James Verner. Though both families are opposed to the relationship, they become engaged in the autumn and are married on February 3, 1837, by the Rev. David Babington in Drumcree Church, the parish church of Drumcree.
Mitchel works in a law office in Banbridge, County Down, where he eventually comes into conflict with the local Orange Order. He meets Thomas Davis and Charles Gavan Duffy during visits to Dublin. He joins the Young Ireland movement and begins to write for The Nation. Deeply affected by the misery and death caused by the Great Famine, he becomes convinced that nothing will ever come of the constitutional efforts to gain Irish freedom. He then forms his own paper, United Irishmen, to advocate passive resistance by Ireland’s starving masses.
In May 1848, the British tire of Mitchel’s open defiance. Ever the legal innovators in Ireland, they invent a crime especially for the Young Irelanders – felony-treason. They arrest him for violating this new law and close down his paper. A rigged jury convicts him, and he is deported first to Bermuda and then to Australia. However, in June 1853, he escapes to the United States.
Mitchel works as a journalist in New York City and then moves to the South. When the American Civil War erupts, he is a strong supporter of the Southern cause, seeing parallels with the position of the Irish. His family fully backs his commitment to the Southern cause. He loses two sons in the war, one at the Battle of Gettysburg in 1863 and another at the Battle of Fort Sumter in 1864, and another son loses an arm. His outspoken support of the Confederacy causes him to be jailed for a time at Fort Monroe, where one of his fellow prisoners is Confederate PresidentJefferson Davis.
In 1874, the British allow Mitchel to return to Ireland and in 1875 he is elected in a by-election to be a member of the Parliament of the United Kingdom representing the Tipperary constituency. However, his election is invalidated on the grounds that he is a convicted felon. He contests the seat again in the resulting by-election and is again elected, this time with an increased vote.
Unfortunately, Mitchel, one of the staunchest enemies to English rule of Ireland in history, dies in Newry on March 20, 1875. He is buried in his parents’ grave in the unitarian cemetery, High Street, Newry, where a monument is later erected by his widow. He is also commemorated by a statue in Newry. Thirty-eight years later, his grandson, John Purroy Mitchel, is elected Mayor of New York City.
Ó Direáin is born on November 26, 1910, in Inis Mór, Aran Islands, County Galway, the eldest of the three sons and one daughter of Seán Ó Direáin, a small farmer, and Mairéad Ní Dhireáin (widow of Labhrás Mac Confhaola), both of Inis Mór. His father dies in 1917, aged forty-three, leaving his mother to rear a family of four on less than 20 acres of land. Educated at the local national school, he leaves Aran to join the post office in Galway in January 1928.
Ó Direáin is involved with the Irish language movement during the late 1920s and 1930s, during which time he is secretary of the Galway branch of the Gaelic League and writes for and acts on the stage of the Taibhdhearc Theatre. In July 1937 he moves to Dublin to work as a clerical officer in the Department of Posts and Telegraphs and later in the Department of Education. Inspired by a lecture given by the poet and Gaelic scholar Tadhg Ó Donnchadha, he begins writing poetry in Irish in the winter of 1938. Unlike Ó Donnchadha, however, who advocates and practises a poetry based on traditional Gaelic metres, he favours a rhythmically measured form of free verse. He publishes his first collection, Coinnle geala, in 1942, quickly followed by Dánta aniar (1943), both at his own expense. In 1949, a volume of selected poems, Rogha dánta, is one of the first books published by the newly founded Irish language publisher Sáirséal agus Dill.
These books herald not just a new voice, but a new generation of modern poets in Irish, distinct in outlook and ambition from most of the revivalist poets who precede them. The leading figures of this generation, Ó Direáin, Seán Ó Ríordáin and Máire Mhac an tSaoi, all publish poems in various Irish language journals during the 1940s, though the latter two poets do not produce their first collections until the 1950s. Ó Direáin’s poetry is less thematically and linguistically adventurous than that of Ó Ríordáin (whom he nevertheless defends in print against the dogmatic criticism of Ó Ríordáin’s traditionalist detractors), and less consciously indebted to tradition than that of Mhac an tSaoi.
Ó Direáin’s early lyrics celebrate the traditional virtues of island life and mourn its passing because of increasing modernisation and population shifts toward the major cities. One of the best known of these poems, “Stoite“ (“Uprooted”), sets up a gloomy contrast between a traditional life in tune with nature’s rhythms, destined to endure in communal memory, and the fruitless urban existence of the contemporary office worker. This theme of uprootedness haunts his work throughout the 1950s and early 1960s. During this period he publishes his two most significant collections, Ó Mórna agus dánta eile (1957) and Ár ré dhearóil (1962), both of which take their titles from ambitious, and uncharacteristically long, poems. Ó Mórna, a poem of which there are two published versions, charts the colourful life of a proud, amoral tyrant, a figure based loosely on traditional accounts of a hard-living nineteenth-century landlord’s agent from Aran. Ó Mórna represents, in the poet’s view, the timeless Übermensch whose will to power is boundless and awesome. Ár ré dhearóil (“Our wretched era”) is an excoriation of the loveless hedonism of a middle-class Dublin populated by lonely bachelors, bitter spinsters, and immoral, though free-spirited and well-educated, women. The poem, which ends with an ominous if oblique warning against the threat of nuclear annihilation, bears some comparison with T. S. Eliot‘s “The waste land.” Eliot, Ezra Pound and W. B. Yeats are key influences alongside the canonical figures of seventeenth- and eighteenth-century Gaelic poetry. His strong social conscience is registered early on in poems such as “An Stailc“ (“The strike“). His life-long adherence to traditional nationalist values and his scornful attitude to what he perceives as the mercenary embrace of American-style capitalism in the changing economic climate of Ireland in the 1960s is most trenchantly voiced in poems such as “Éire ina bhfuil romhainn” (“Ireland in times ahead”) and “Mar chaitheamar an choinneal” (“As we spent the candle”).
Ó Direáin is an active member of the Irish language literary groups Cumann na Scríbhneoirí and Cumann na hÉigse, and publishes essays on a variety of topics throughout the 1940s and 1950s in magazines such as Ar Aghaidh, An Glór, Comhar and Feasta. A selection of mostly autobiographical essays, Feamainn Bhealtaine (1961), casts valuable light on the Aran of his youth and early adulthood. He is registrar for the National College of Art (1948–55), where he gets to know such prominent artists as Seán Keating, Maurice MacGonigal and Nano Reid, whose artwork adorns Rogha Dánta. From 1955 until his retirement from the civil service in 1975, he is a staff officer in the Department of Education. Cloch choirnéil appears in 1966, followed by Crainn is cairde (1970) and Ceacht an éin (1979).
The most comprehensive selection of Ó Direáin‘s poetry, Máirtín Ó Direáin: dánta 1939–1979 (1980), edited by Eoghan Ó hAnluain, covers all but two final volumes, Béasa an túir (1984) and Craobhóg dán (1986), neither of which add much of major significance to his oeuvre. A bilingual selection, Selected poems: Tacar dánta (1984), includes translations by Tomás Mac Síomóin and Douglas Sealy. In 1969, Ó Direáin delivers a series of lectures on his own work at University College Dublin (UCD), later edited by Eoghan Ó hAnluain as Ón ulán ramhar siar (2002), which provides useful background information on many individual poems. He receives the Irish American Cultural Institute (IACI) award in 1967 and is made a member of the Irish Academy of Letters in 1970. In 1977, he receives an honoraryDoctor of Letters degree from the National University of Ireland and the Ossian-Preis of the Freiherr von Stein Foundation in Hamburg. He is a full-time visiting lecturer in the department of Irish at University College Galway for the academic year 1978–79. He was also a member of Aosdána.
Ó Direáin marries Áine Colivet, a Dubliner of French extraction, in 1945. Their only child, Niamh, is born in 1947. He dies in Dublin on March 19, 1988.
A selection of Ó Direáin’s essays, An chuid eile díom féin, edited by Síobhra Aiken, and a bilingual volume of poems Máirtin Ó Direáin: Selected poems/ Rogha dánta, translated by Frank Sewell, are both published in 2018.
(From: “Ó Direáin, Máirtín” by Caoimhín Mac Giolla Léith, Dictionary of Irish Biography, www dib.ie, October 2009, last revised March 2021)
Shannon is the eldest child of solicitor George William Shannon and Emily Shannon (née Goodman). She has two sisters and two brothers. She attends Alexandra College, and later lectures for women at Trinity College Dublin (TCD). On July 27, 1875, she marries Maurice Dockrell, eldest son of Thomas Dockrell, a well known Dublin merchant, and Anne Morgan Dockrell (née Brooks). The couple has seven children, one daughter and six sons. She goes on to become a director and member of the board of her husband’s family company: Messrs Thomas Dockrell & Sons & Co. Ltd.[1]
Dockrell is an active member of the committee of the Dublin Women’s Suffrage and Local Government Association, later known as the Irish Women’s Suffrage and Local Government Association (IWSLGA), founded in 1876 to promote women’s suffrage by democratic methods. She attends international women’s suffrage conferences in Stockholm in 1911 and Budapest in 1913. She is also a committee member of the London Women’s Suffrage Society, speaking on the role of women in local government at the International Congress of Women in London in 1899. The Irish Citizen lists her as a suitable woman candidate to run for the senate seat proposed by the Home rule bill in 1912.
Dockell is a member of the National Union of Women Workers, sitting as a member of its public services committee. Like many of her contemporaries, she believes that women are best placed to address issues around health, societal moral well-being, and housing. From 1898, the Local Government (Ireland) Act, allows women to be candidates for local government elections. Dockrell first runs as a candidate in the Urban District Council (UDC) of the Monkstown ward of Blackrock, Dublin in the 1898 local elections, where she is returned as the third of nine elected, becoming one of only four women councillors elected in Ireland.
Dockrell describes herself as a unionist and a Protestant, sitting as a council on the Blackrock UDC until her death. She is the only woman councillor on that UDC until 1925 and the election of Ellen O’Neill. She is also the first woman chair of a UDC when she is elected to the position in 1906.
Despite the political and societal turmoil of the early 20th century in Ireland and the establishment of the Irish Free State, Dockrell continues in her commitment to local politics. This includes being the first woman to be elected to a Dublin county council in 1920. Despite remaining a committed unionist, she works with the Free State government. Following her husband’s knighthood, she is also known as Lady Dockrell.
seamus dubhghaill 