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Tag Archives: Harcourt Street (Dublin)


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Death of James Ryan, Doctor, Revolutionary & Fianna Fáil Politician

James Ryan, medical doctor, revolutionary and politician who serves in every Fianna Fáil government from 1932 to 1965, dies on his farm at Kindlestown, County Wicklow, on September 25, 1970.

Ryan is born on the family farm at Tomcoole, near Taghmon, County Wexford, on December 6, 1892. The second-youngest of twelve children, he is educated at St. Peter’s College, Wexford, and Ring College, Waterford. In 1911, he wins a county council scholarship to University College Dublin (UCD) where he studies medicine.

In March 1917, Ryan passes his final medical examinations. That June he sets up medical practice in Wexford. In 1921, he moves to Dublin where he opens a doctor’s practice at Harcourt Street, specialising in skin diseases at the Skin and Cancer Hospital on Holles Street. He leaves medicine in 1925, after he purchases Kindlestown, a large farm near Delgany, County Wicklow. He lives there and it remains a working farm until his death.

In July 1919, Ryan marries Máirín Cregan, originally from County Kerry and a close friend of Sinéad de Valera throughout her life. Cregan, like her husband, also fought in the Easter Rising and is subsequently an author of children’s stories in Irish. They have three children together.

One of Ryan’s sisters, Mary Kate, marries Seán T. O’Kelly, one of Ryan’s future cabinet colleagues and a future President of Ireland. Following her death O’Kelly marries her sister, Phyllis Ryan. Another of Ryan’s sisters, Josephine (‘Min’) Ryan, marries Richard Mulcahy, a future leader of Fine Gael. Another sister, Agnes, marries Denis McCullough, a Cumann na nGaedheal TD from 1924 to 1927. He is also the great-grandfather of Ireland and Leinster Rugby player James Ryan.

While studying at university in 1913, Ryan joins the Gaelic League at Clonmel. The company commander recruits the young Catholic nationalist, who becomes a founder-member of the Irish Volunteers and is sworn into the Irish Republican Brotherhood (IRB) the following year. In 1916, he goes first to Cork to deliver a message from Seán Mac Diarmada to Tomás Mac Curtain that the Easter Rising is due to happen on Easter Sunday, then to Cork again in a 12-hour journey in a car to deliver Eoin MacNeill‘s cancellation order, which attempts to stop the rising. When he arrives back on Tuesday, he serves as the medical officer in the General Post Office (GPO) and treats many wounds, including James Connolly‘s shattered ankle, a wound which gradually turns gangrenous. He is, along with Connolly, one of the last people to leave the GPO when the evacuation takes place. Following the surrender of the garrison, he is deported to HM Prison Stafford in England and subsequently Frongoch internment camp. He is released in August 1916.

Ryan rejoins the Volunteers immediately after his release from prison, and in June 1917, he is elected Commandant of the Wexford Battalion. His political career begins the following year when he is elected as a Sinn Féin candidate for the constituency of South Wexford in the 1918 United Kingdom general election in Ireland. Like his fellow Sinn Féin MPs, he refuses to attend the Westminster Parliament. Instead he attends the proceedings of the First Dáil on January 21, 1919. As the Irish War of Independence goes on, he becomes Brigade Commandant of South Wexford and is also elected to Wexford County Council, serving as chairman on one occasion. In September 1919, he is arrested by the British and interned on Spike Island and later Bere Island. In February 1921, he is imprisoned at Kilworth Internment Camp, County Cork. He is later moved on Ballykinlar Barracks in County Down and released in August 1921.

In the 1922 Irish general election, Ryan and one of the other two anti-Treaty Wexford TDs lose their seats to pro-Treaty candidates. During the Irish Civil War, he is arrested and held in Mountjoy Prison before being transferred to Curragh Camp, where he embarks on a 36-day hunger strike. While interned he wins back his Dáil seat as an abstentionist at the 1923 Irish general election. He is released from prison in December 1923.

In 1926, Ryan is among the Sinn Féin TDs who follow leader Éamon de Valera out of the party to found Fianna Fáil. They enter the Dáil in 1927 and spend five years on the opposition benches.

Following the 1932 Irish general election, Fianna Fáil comes to office and Ryan is appointed Minister for Agriculture, a position he continuously holds for fifteen years. He faces severe criticism over the Anglo-Irish trade war with Britain as serious harm is done to the cattle trade, Ireland’s main export earner. The trade war ends in 1938 with the signing of the Anglo-Irish Trade Agreement between both governments, after a series of talks in London between the British Prime Minister Neville Chamberlain, de Valera, Ryan and Seán Lemass.

In 1947, after spending fifteen years as Minister for Agriculture, Ryan is appointed to the newly created positions of Minister for Health and Minister for Social Welfare. Following Fianna Fáil’s return to power at the 1951 Irish general election, he returns as Minister for Health and Social Welfare. Following the 1954 Irish general election, Fianna Fáil loses power and he moves to the backbenches once again.

Following the 1957 Irish general election, Fianna Fáil are back in office and de Valera’s cabinet has a new look to it. In a clear message that there will be a change to economic policy, Ryan, a close ally of Seán Lemass, is appointed Minister for Finance, replacing the conservative Seán MacEntee. The first sign of a new economic approach comes in 1958, when Ryan brings the First Programme for Economic Development to the cabinet table. This plan, the brainchild of T. K. Whitaker, recognises that Ireland will have to move away from self-sufficiency toward free trade. It also proposes that foreign firms should be given grants and tax breaks to set up in Ireland.

When Lemass succeeds de Valera as Taoiseach in 1959, Ryan is re-appointed as Minister for Finance. Lemass wants to reward him for his loyalty by also naming him Tánaiste. However, the new leader feels obliged to appoint MacEntee, one of the party elders to the position. Ryan continues to implement the First Programme throughout the early 1960s, achieving a record growth rate of 4 percent by 1963. That year an even more ambitious Second Programme is introduced. However, it overreaches and has to be abandoned. In spite of this, the annual growth rate averages five percent, the highest achieved since independence.

Ryan does not stand in the 1965 Irish general election, after which he is nominated by the Taoiseach to Seanad Éireann, where he joins his son, Eoin Ryan Snr. At the 1969 dissolution he retires to his farm at Kindlestown, County Wicklow, where he dies at age 77 on September 25, 1970. He is buried at Redford Cemetery, Greystones, County Wicklow. His grandson, Eoin Ryan Jnr, serves in the Oireachtas from 1989 to 2007 and later in the European Parliament from 2004 to 2009.


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Birth of Kathleen Behan, Irish Republican & Folk Singer

Kathleen Behan (née Kearney), Irish republican and folk singer, and mother of Irish authors Brendan, Brian and Dominic, is born on September 18, 1889, at 49 Capel Street, Dublin.

She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.

Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.

In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.

The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”

From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.

In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.

Behan dies in the nursing home in Raheny on April 26, 1984, and is buried in Dean’s Grange Cemetery.

(Pictured: Portrait of Kathleen Behan by Sarah Purser, National Gallery of Ireland)


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Birth of Betty Ann Norton, Irish Drama Teacher

Betty Ann Norton, Irish drama teacher and founder of the Betty Ann Norton Theatre School and actor agency, is born on July 5, 1936.

Norton grows up in Dublin near the South Circular Road. Her mother, Frances, plays the violin and her father, Eugene, is a baritone singer. Frances is a full-time homemaker while Eugene works as manager of the Bacon Shops on Grafton Street. One of two children, her younger brother, Jim Norton, also becomes a successful actor. She attends school at St. Louis High School, Rathmines.

Norton attends the Ena Mary Burke School of Drama and Elocution on Kildare Street, Dublin, where Hollywood star Maureen O’Hara had also trained. Her acting school offers an annual Ena Mary Burke scholarship in Burke’s honour.

Norton is a Licentiate of the Guildhall School of Music and Drama (LGSM) in London and Associate of the Royal Irish Academy of Music (RIAM) in Dublin. She is a member of the Dublin Shakespeare Society.

Norton originally plans to become an actor, but her family does not approve and her mother encourages her to become a teacher. In 1959, she establishes the Betty Ann Norton Theatre School on Harcourt Street in Dublin. Her husband, Michael, is co-director of the school. According to Norton, changes to traffic by the new Luas tram system causes the business to change premises to her childhood school, St. Louis High School in Rathmines in 2006.

Norton meets her husband, Michael J. Cunneen, on the Aran Islands in 1965 and they marry in 1967. They lived in Dún Laoghaire. Michael dies in the Blackrock Clinic on May 12, 2017.

Norton dies in the Beacon Hospital in the Sandyford suburb of Dublin, on June 5, 2020, at the age of 83. She is cremated and interred at Mount Jerome Cemetery and Crematorium. President of Ireland, Michael D. Higgins, pays tribute to Norton, describing her as a “theatre legend” and “one of our foremost theatre teachers.”


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Death of Timothy Harrington, Journalist, Barrister & Politician

Timothy Charles Harrington, Irish journalist, barrister, nationalist politician and Member of Parliament (MP) in the House of Commons of the United Kingdom, dies in Dublin on March 12, 1910, following a stroke.

Harrington is born on September 20, 1851, in Castletownbere, County Cork, son of Denis Harrington and his wife, Eileen (née O’Sullivan). He is educated at the Catholic University of Ireland and Trinity College Dublin (TCD).

As a member of the Irish Parliamentary Party (IPP), Harrington represents Westmeath from February 1883 to November 1885. In 1885 he is elected for the new constituency of Dublin Harbour, which he represents until his death. He serves as Lord Mayor of Dublin three times from 1901 to 1904.

Harrington owns two newspapers, United Ireland and the Kerry Sentinel, and is a member of the so-called Bantry band of prominent nationalist politicians from the Bantry vicinity. They are also more pejoratively known as the Pope’s brass band. Tim Healy is another prominent member of this unofficial group.

In 1884, Harrington publishes a pamphlet, “Maamtrasna Massacres – Impeachment of the Trials,” in which he dismantles the Crown Prosecution’s case against the eight men accused of the murders of the Joyce family on August 17, 1882. He provides evidence that Crown Prosecutor George Bolton had deliberately suppressed evidence that would have acquitted Maolra Seoighe (English: Myles Joyce), who was hanged, and four men who were sentenced to twenty years of penal servitude.

Harrington is secretary and chief organiser of the Irish National League (INL), a supporter of Charles Stewart Parnell and is largely responsible for devising the agrarian Plan of Campaign in 1886. He becomes a Parnellite Nationalist when the party splits in 1891, continuing as secretary of the INL. In 1897 he proclaims himself an Independent Nationalist and sides with William O’Brien‘s United Irish League (UIL) from its early days. He is briefly considered as a possible alternative to John Redmond as leader of the re-united Irish Parliamentary Party in 1900 when he stands in the 1900 United Kingdom general election Ireland as a Nationalist again.

Thereafter Harrington becomes excluded from Redmond’s closed circle of confidants, retains sympathy with O’Brien, and represents the interests of the tenant farmers at the 1902 Land Conference negotiations which lead to the enactment of the unprecedented Wyndham Land Purchase (Ireland) Act 1903.

On September 7, 1901, as the Lord Mayor of Dublin, Harrington kicks off at the official ceremony to open Bohemian F.C.‘s new home, Dalymount Park.

Harrington retains the party nomination for the Dublin Harbour constituency in the January 1910 United Kingdom general election, largely because of local divisions about who should succeed him and because an O’Brienite offer to pay his election expenses deters rivals from going to the polls. He decides that the finely balanced result of the general election means that every nationalist vote would be required at Westminster. He therefore travels to London, but shortly after attending the parliamentary party meeting on February 23 he suffers a stroke. After some days’ recuperation he is brought home to Dublin, but his condition deteriorates and he dies on March 12, 1910, at his home, 70 Harcourt Street. He is buried near the Parnell circle at Glasnevin Cemetery.

Harrington is celebrated by a statue erected in 2001 at the east end of Castletownbere near the Millbrook bar.


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Birth of Richard Orpen, Architect, Painter & Illustrator

Richard Francis Caulfield Orpen, Irish architect, painter, illustrator and designer, is born on December 24, 1863.

Orpen is born to Anne (née Caulfield) and Arthur Herbert Orpen, a solicitor of Oriel, Blackrock, Dublin. His maternal grandfather is the Bishop of Nassau, Charles Caulfield. He is the eldest of four brothers and two sisters. His youngest brother is William, the painter. He attends St. Columba’s College in Whitechurch, Dublin, and graduates from Trinity College Dublin (TCD) with a BA in 1885. While attending St. Columba’s, he publishes an Irish comic alphabet for the present times in 1881, which is a mix of cartoons and verse mocking Charles Stewart Parnell and the home rule movement.

Orpen wants to pursue painting, but “for family reasons” he becomes an architect. He spends eleven years with Thomas Drew, initially as a pupil, and later as a managing assistant from 1885 to 1892. From around 1884, he attends the annual excursions of the English Architectural Association. Around 1890, he establishes his own architectural practice in Drew’s offices at 22 Clare Street, Dublin. In 1896, he moves his office to 7 Leinster Street. In 1888 he is elected as a member of the Royal Institute of the Architects of Ireland (RIAI), serving as a council member from 1902 to 1910, as honorary secretary from 1903 to 1905, and as president from 1914 to 1917. He designs the institute’s official seal in 1909. In 1904, the Irish Builder describes him as the “originator of the bungalow in Ireland.”

From 1888, Orpen exhibits with the Royal Hibernian Academy (RHA), with watercolours and architectural drawings. He continues to exhibit with them until 1936. He collaborates with Percy French on a number of projects, including illustrating Racquetry Rhymes (1888) and The First Lord Liftinant and Other Tales (1890). He provides cartoons for French’s periodical, The Jarvey. His architectural illustrations are included in H. Goldsmith Whitton’s Handbook of the Irish Parliament Houses… (1891). He is one of the original members of the Architectural Association of Ireland, serving as its first president in 1896, and as vice-president in 1910.

Orpen is appointed the architect to St. Columba’s from 1897 to 1938, following a fire at the college in 1896. He becomes a fellow of the college, and the sanatorium becomes known as the Orpen building. He is an active member of the Arts and Crafts Society of Ireland, serving as secretary in 1895, on the committee in 1904, and in 1917 sits on the organising committee for the fifth exhibition. In 1906, he is a founding member of the Arts Club. In 1906 he moves his architectural practice to 13 South Frederick Street, and moves into a house he designed, Coologe, Carrickmines, County Dublin.

At the 1907 Irish International Exhibition, Dublin, Orpen exhibits a number of chalk drawings. The same year he designs the cover of a satirical pamphlet, The Abbey row, not edited by W. B. Yeats, which mocks The Arrow and the riots at the first production of The Playboy of the Western World. He unveils a bust of Hugh Lane at the opening of the Municipal Gallery of Modern Art on Harcourt Street in 1908. He is appointed secretary to the municipal gallery committee by Lane. In 1910, he is appointed architect to Christ Church Cathedral, as well as architect to St. Canice’s Cathedral, Kilkenny, and St. Patrick’s Cathedral, Dublin. In 1911 he is elected an associate of the Royal Hibernian Academy, a full member in 1912, and was the academy’s secretary from 1925 to 1937.

From 1910 to 1914, Orpen is in an architectural partnership with Page Dickinson, with the two collaborating on plans for the new Dublin municipal gallery and conversion of the Turkish Baths, Lincoln Place. Lane rejects his and Dickinson’s gallery plans, leading to him refusing to work with Lane’s choice of architect, Sir Edwin Lutyens. In 1914, he is appointed a guardian of the National Gallery of Ireland, and lectures at the Dublin Metropolitan School of Art on architectural history in 1914 and 1915. He is involved in the design of a number of memorials including the setting for a bronze relief by Beatrice Campbell for the members of the Royal Irish Regiment killed in the Second Boer War and the war memorial at the Rathgar Methodist church. He serves as president of the arts and crafts section of the Royal Dublin Society (RDS). He is also a governor of the Royal National Hospital for Consumption for Ireland in Newcastle, County Wicklow.

Orpen marries Violet Caulfield in 1900. They are both descended from William Caulfeild, 1st Viscount Charlemont. He dies on March 27, 1938, at his home, Coologe, and is buried in Dean’s Grange Cemetery.

Orpen features as one of the many portraits in Seán Keating‘s Homage to Sir Hugh Lane. St. Columba’s College holds a portrait of Orpen by his brother, William, as well as a memorial stained-glass window to him by Catherine O’Brien.


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Birth of Joe Clarke, Irish Republican Politician

Joseph Christopher Clarke (Irish: Seosamh Ó Clérigh), Irish republican politician, is born on December 22, 1882, in Rush, Dublin.

Clarke is the son of William Clarke, merchant seaman, and Margaret Clarke (née Austin). Educated locally, he leaves school at the age of eleven and begins work as a kitchen porter, later becoming a boot-shop assistant, a harness maker and a van driver. Influenced by a series of lectures at the Oliver Bond Club, Parnell Square, and by the writings of Arthur Griffith, he commits himself to the republican cause, joining the Irish Republican Brotherhood (IRB) in 1913 and subsequently the Irish Volunteers.

Clarke works for the Sinn Féin Bank and is active in the 1916 Easter Rising. On Easter Monday morning, on April 24, 1916, he is one of thirteen volunteers who hold the Mount Street Bridge for nine hours against the overwhelming forces of the Sherwood Foresters regiment of the British Army. When captured, he is shot in the head, but survives, and is instead imprisoned in Liverpool Prison, Wakefield Prison and then Frongoch internment camp.

On his return to Ireland, Clarke acts as the courier for the First Dáil and serves as an usher at the first meeting of the First Dáil. He is interned from January 1921. Released in 1923, he acts as caretaker of the Sinn Féin headquarters on Harcourt Street and founds the Irish Book Bureau. Although the Anti-Treaty Sinn Féin rejects participation in the Dáil, they continue to contest local elections, and Clarke sits on Dublin City Council.

Although jailed many times between 1922 and 1940, Clarke remains an active republican campaigner, supporting the Irish Republican Army (IRA) initiatives of the 1940s and 1950s, taking a prominent role at republican meetings, and publicising the conditions of republican prisoners.

Clarke is a founder member of Comhairle na Poblachta in 1929. In 1937, he works with Brian O’Higgins to establish the Wolfe Tone Weekly as a light-hearted party newspaper. In August 1939, he is interned at Arbour Hill Prison, then later at Cork County Jail.

Although Clarke had served under Éamon de Valera during the Easter Rising, the two become implacable opponents. He is ejected from an official commemoration of the fiftieth anniversary of the First Dáil for interrupting de Valera’s speech in order to raise the complaints of the Dublin Housing Action Committee (DHAC). He vows to outlive de Valera and succeeds in this endeavour by outliving him a year.

Clarke is elected as a Vice-President of Sinn Féin in 1966. In the split of 1970, he supports the provisional wing, remaining Vice-President. In 1973 he is deported from Britain upon his arrival at Heathrow Airport.

Despite crippling arthritis, Clarke continues his work, refusing an IRA pension as he considers himself still on active service. He dies on April 22, 1976, at St. James’s Hospital, Dublin, and is buried in Glasnevin Cemetery close to the republican plot.

Clarke marries Anne, daughter of Thomas Hughes, sawyer, on July 25, 1909. They have two sons and one daughter. After her death, he marries Elizabeth Delaney on May 30, 1949.

The Dublin South West Inner City cumann of Sinn Féin is named for Clarke.

(Pictured: Joe Clarke selling Easter Lilies on Dublin’s O’Connell Street in 1966)


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Death of Kathleen Napoli McKenna, Nationalist Activist & Journalist

Kathleen Napoli McKenna, Irish nationalist activist and journalist closely associated with Arthur Griffith, dies in Rome, Italy, on March 22, 1988.

McKenna is born Kathleen Maria Kenna on September 9, 1897, in Oldcastle, County Meath. Her parents are William, a draper and hardware merchant, and Mary Kenna (née Hanley). She is the eldest child of seven, with three sisters and three brothers. She and her siblings add “Mc” to their surname as teenagers. Her maternal grandfather, a Fenian, miller and land agitator, is a strong influence on her. Agnes O’Farrelly is her paternal great aunt. She attends the Oldcastle Endowed School and goes on to pass the National University of Ireland (NUI) matriculation examination. She attends University College Dublin (UCD) briefly, but the family’s circumstances prevent her from completing her course.

McKenna’s father had been an active member of the Irish National Land League and the Meath Labour Union. He is one of the organisers of a short-lived local newspaper, Sinn Féin – Oldcastle Monthly Review, in 1902. Both her parents are members of Conradh na Gaielge. Arthur Griffith and Brian O’Higgins frequently visit the family home. Denounced by the local parish priest, Fr. Robert Barry, her father’s business goes into decline. The family leaves Oldcastle and moves to Dundalk in August 1915, and to Rugby, Warwickshire, England, in March 1916. In Rugby, her father teaches typing and shorthand, and her mother works in an ammunition factory. She works as a secretary for an engineering firm. Members of the family return to Ireland from 1919 to 1922, and by the time of her father’s death in 1939, he is living back in Oldcastle.

McKenna spends some holidays in Ireland and, during a visit to Dublin in the summer of 1919, she presents herself to the Sinn Féin offices in Harcourt Street. She has a letter of introduction from her father to Griffith, which emphasises her willingness to work for Irish independence. For her holidays, she works in the Sinn Féin press bureau and is employed as one of the first “Dáil girls” of the clandestine government. She is informed that if a planned news bulletin comes through, she will be summoned back to Dublin. In October 1919, she receives that summons and, after a typing test on November 11, she joins the Irish Bulletin under Minister for Publicity, Desmond FitzGerald, and director of publicity, Robert Brennan. She also becomes a member of the Conradh na Gaielge Parnell branch.

The Irish Bulletin is published five times a week, circulating the misdeeds of the British government in Ireland. McKenna edits and mimeographs a summary of “acts of aggression” from British forces in Ireland weekly, compiled by Anna Kelly. Frank Gallagher does most of the writing, edited by FitzGerald, and later Erskine Childers. Though she is sometimes described as the Bulletin‘s editor, she is more akin to an editorial assistant. R. M. Smyllie later recalls that she was in regular contact with the media. She types out each issue on a wax stencil in a typewriter which is used to create mimeograph copies, and then circulated to England. In the beginning, about 30 recipients, mostly London journalists, receive the Bulletin but by October 1920 it has grown to 600, and by July 1921 over 1,200. She also keeps the accounts, takes dictation of statements, and at times works up articles from notes given to her by Griffith or others. She also acts as a confidential messenger, couriering between Dáil departments and Irish Republican Army (IRA) leaders such as Michael Collins. Through this, she meets Moya Llewelyn Davies.

The Bulletin becomes a symbol of the underground government and a target for British forces. This necessitates the frequent moving of the operation from one Dublin hideout to another. She fears that if she were captured, she would break under interrogation. When FitzGerald is arrested, he is asked about “the girl wearing a green tam” in reference to McKenna’s tam-o’-shanter hat which prompts her to change her choice of hat. Despite the capture of a number of the Bulletin staff, as well as the capture of the office files and equipment on March 26, 1921, it never misses an issue.

McKenna’s sister Winifred also works as a secretary to the clandestine government. Her brother, Tadhg (Timothy), is a member of Sinn Féin and in Greenore, County Louth, is involved in trade union affairs. He is detained, beaten, and interned in March 1921. He is later an activist with the Irish Labour Party. Her brother William is a messenger for the Irish government during this period and during the Irish Civil War serves in the Free State Army.

After the truce in 1921, McKenna is assigned to the Dáil cabinet secretarial staff at the Mansion House, where she continues to work in the publicity department. She travels as Griffith’s private secretary to London as part of the Irish delegation to the treaty negotiations in October 1921. She is an admirer of both Griffith and Collins and is a firm supporter of the Anglo-Irish Treaty. She works as Griffith’s secretary until just before his death and also does some secretarial work for Collins during the negotiations. One of her sisters is anti-Treaty, and she later recalls that she lost friends due to her support of the treaty.

When the Irish Free State government is established, McKenna becomes a private secretary to a number of Ministers for External Affairs, including FitzGerald, Kevin O’Higgins and W. T. Cosgrave. In 1924, she is a private secretary to the Boundary Commission, as well as one of a pair of secretaries who travels with the Irish delegation to the London Imperial Conference in 1924. From 1927 to 1931 she is James Dolan‘s secretary and parliamentary secretary to the Minister for Industry and Commerce. Before its closure in 1924, she writes a number of articles for the Freeman’s Journal.

McKenna marries Vittorio Napoli in 1931. He is a captain, and later a general, in the Italian royal grenadier guards. They meet when she is on holiday in Italy in 1927. For the first five years of their marriage, they live in the port of Derna in Cyrenaica, Libya, while her husband is stationed there. A son and daughter are born there. From September 1939 to June 1940, the family lives in Albania, but after Italy enters World War II, she and the children move to Viterbo. Her husband is taken prisoner in Greece in September 1943, and is detained in Germany and Poland. He returns to Italy in September 1945. Viterbo had been heavily bombed, and after Allied troops arrive, McKenna works as a translator and gives English language lessons to support her family. Her husband remains in the army, and they remain in Viterbo until 1956, later moving to Rome.

After the war, McKenna writes articles for the Irish Independent and other publications from Ireland, the United States and New Zealand, including The Irish Press, Irish Travel, Standard, Word, and Writer’s Digest. Sometimes she writes under her own name, as well as her pen name Kayn or Kayen MacKay. As the wives of Italian officers do not traditionally work, the money she earns from this is kept for travel and other leisure activities. This money allows her to visit her family in Ireland in 1947 for the first time since 1932. After their retirement, she and her husband visit Ireland regularly, and travel around Italy.

McKenna applies for an Irish military pension in 1950/51 and 1970, receiving references in support of her claim from Gallagher. As she had not served in a military organisation, her claims are rejected. As an Irish War of Independence veteran, she is awarded free travel in 1972, which is later extended to her husband. In her later years, she becomes concerned about the inaccuracies in the history around the Irish War of Independence and the Irish Civil War. She gives two talks to Radio Éireann in 1951, speaking about her time with the Irish Bulletin. Copies of these recordings are now held by the Bureau of Military History. During her lifetime, extracts of her memoir are published in the Capuchin Annual and The Irish Times. She drafted and redrafted these memoirs from the late 1940s to the early 1980s. A version edited by her daughter and niece is published in 2014 as A Dáil girl’s revolutionary recollections.

McKenna dies on March 22, 1988, in Rome. She is buried with an Irish flag which she had kept with her. A large collection of her papers is held in the National Library of Ireland (NLI). In 2010, 2011 and 2016, some of her memorabilia is sold in Dublin.


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Birth of Sir Edward Carson, Politician, Barrister & Judge

Edward Henry Carson, Baron Carson, Irish unionist politician, barrister and judge, known as the “uncrowned king of Ulster,” is born on February 9, 1854, at 4 Harcourt Street, in Dublin. He serves as the Attorney General and Solicitor General for England, Wales and Ireland as well as the First Lord of the Admiralty for the British Royal Navy.

Although Carson is to become the champion of the northern province, he is born into a Protestant family in southern Ireland. He is educated at Portarlington School, Wesley College, Dublin, and Trinity College Dublin, where he reads law and is an active member of the College Historical Society. He graduates BA and MA.

From 1877, early in his Irish legal career, he comes to mistrust the Irish nationalists. As senior Crown prosecutor, he sternly enforces the Criminal Law and Procedure (Ireland) Act 1887, securing numerous convictions for violence against Irish estates owned by English absentee landlords. He is appointed Solicitor-General for Ireland and elected to the British House of Commons in 1892, is called to the English bar at Middle Temple on April 21, 1893, and serves as Solicitor General for England and Wales from 1900 to 1905. During these years he achieves his greatest success as a barrister. In 1895, his cross-examination of Oscar Wilde largely secures the Irish writer’s conviction for homosexuality.

On February 21, 1910, Carson accepts the parliamentary leadership of the anti-Home Rule Irish Unionists and, forfeiting his chance to lead the British Conservative Party, devotes himself entirely to the Ulster cause. His dislike of southern Irish separatism is reinforced by his belief that the heavy industry of Belfast is necessary to the economic survival of Ireland. The Liberal government (1908–16) under H. H. Asquith, which in 1912 decides to prepare a Home Rule bill, cannot overcome the effect of his extra-parliamentary opposition. The Solemn League and Covenant of resistance to Home Rule, signed by Carson and other leaders in Belfast on September 28, 1912, and afterward by thousands of Ulstermen, is followed by his establishment of a provisional government in Belfast in September 1913. Early in that year he recruits a private Ulster army, the Ulster Volunteer Force, that openly drills for fighting in the event that the Home Rule Bill is enacted. In preparation for a full-scale civil war, he successfully organizes the landing of a large supply of weapons from Germany at Larne, County Antrim, on April 24, 1914. The British government, however, begins to make concessions to Ulster unionists, and on the outbreak of World War I he agrees to a compromise whereby the Home Rule Bill is enacted but its operation suspended until the end of the war on the understanding that Ulster’s exclusion will then be reconsidered.

Appointed Attorney General for England in Asquith’s wartime coalition ministry on May 25, 1915, Carson resigns on October 19 because of his dissatisfaction with the conduct of the war. In David Lloyd George’s coalition ministry (1916–22) he is First Lord of the Admiralty from December 10, 1916, to July 17, 1917, and then a member of the war cabinet as minister without portfolio until January 21, 1918.

Disillusioned by the Government of Ireland Act 1920 that partitions Ireland and establishes what is essentially a Home Rule parliament in Belfast, Carson declines an invitation to head the Northern Ireland government and resigns as Ulster Unionist Party leader in February 1921. Accepting a life peerage, he serves from 1921 to 1929 as Lord of Appeal in Ordinary and takes the title Baron Carson of Duncairn.

Carson retires in October 1929. In July 1932, during his last visit to Northern Ireland, he witnesses the unveiling of a large statue of himself in front of Parliament Buildings at Stormont. The statue is sculpted by Leonard Stanford Merrifield, cast in bronze and placed upon a plinth. The inscription on the base reads “By the loyalists of Ulster as an expression of their love and admiration for its subject.” It is unveiled by James Craig, 1st Viscount Craigavon, in the presence of more than 40,000 people.

Carson lives at Cleve Court, a Queen Anne house near Minster-in-Thanet in the Isle of Thanet, Kent, bought in 1921. It is here that he dies peacefully on October 22, 1935. A warship brings his body to Belfast for the funeral. Thousands of shipworkers stop work and bow their heads as HMS Broke steams slowly up Belfast Lough, with his flag-draped coffin sitting on the quarterdeck. Britain gives him a state funeral on Saturday, October 26, 1935, which takes place in Belfast’s St. Anne’s Cathedral. He remains the only person to have been buried there. From a silver bowl, soil from each of the six counties of Northern Ireland is scattered onto his coffin, which had earlier been covered by the Union Jack. At his funeral service the choir sings his own favourite hymn, “I Vow to Thee, My Country.”


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First Edition of the “Irish Bulletin” is Produced

First edition of the Irish Bulletin, the official gazette of the government of the Irish Republic, is produced by Dáil Éireann’s Department of Propaganda on November 11, 1919, during the Irish War of Independence. The Irish Bulletin appears in weekly editions until July 11, 1921, and becomes very important in getting the Irish side of events known to a wide audience.

In April 1919, Terence MacSwiney proposes the establishment of a daily paper by the Dáil for the purpose of publicity. His suggestion is not implemented until November, when Desmond FitzGerald decides that some form of printed counterpropaganda is vital to republican aims and to take advantage of the success of Sinn Féin and the increasing international interest in Ireland. Fitzgerald succeeds Laurence Ginnell in the Ministry following the latter’s arrest in April 1919, though he does not take up the position until July. At a Cabinet meeting held on November 7, there is agreement that there should be “A scheme for daily news bulletin to foreign correspondents, weekly lists of atrocities; entertainment of friendly journalists approved, and £500 voted for expenses under Mr. Griffith’s personal supervision.” Four days later the Irish Bulletin makes its debut, in a run consisting of just thirty copies. Five issues of the bulletin are issued each week for the next two years, despite efforts by the British authorities to suppress it.

The Irish Bulletin‘s offices are originally located at No. 6 Harcourt Street, Dublin. FitzGerald is the paper’s first editor, until his arrest and replacement by Erskine Childers. In the early days, the paper is produced mainly by Frank Gallagher and Robert Brennan. Brennan, as Sinn Féin’s Director of Publicity since April 1918, had played a leading role in that party’s success in the 1918 Irish General Election.

Following FitzGerald’s arrest in 1921, Childers is appointed Director of Propaganda taking charge of publicity and thus becoming the paper’s new editor. On May 9, 1921, both Childers and Gallagher are arrested and taken to Dublin Castle. Following the intervention of Sir Alfred Cope, both are released that night and go on the run. The hasty release of the two leads to speculation between Art O’Brien and Michael Collins that there is a rift developing between the British military authorities and the civil administration. Despite the arrests, the Irish Bulletin continues to appear on schedule. Alan J. Ellis, a journalist with The Cork Examiner makes occasional contributions to the paper. Kathleen Napoli McKenna is “a key force behind the daily newssheet.”

In the early days, the Irish Bulletin consists mainly of lists of raids by the security forces and the arrests of suspects. In order to stimulate interest, this is expanded in 1921 at the behest of the Irish President, Éamon de Valera, in his direction to Childers to give more detailed accounts of events. Extracts from foreign publications, particularly sympathetic English papers, are frequently included. A regular feature is accounts from the Dáil Courts, which are reported in detail.

The Irish Bulletin is more graphic in its coverage of violence than is usual for its time. An example is its reporting on the deaths of two prominent Sinn Féin leaders, Henry and Patrick Loughnane, from Shanaglish, Gort, County Galway. The men had been handed over by the Royal Irish Constabulary (RIC) to local members of the Auxiliary Division. On December 6, the bodies are found in a pond. The skulls had been battered in and the flesh was hanging loose on both bodies.The two men were evidently tied by the neck to a motor lorry and dragged behind it until they were dead. Before the bodies were hidden in a pond an effort was made to burn them.

On the night of March 26-27, 1921, the offices of the Irish Bulletin are discovered by the British authorities. Captured typewriters and duplicators are used to fabricate bogus issues of the paper. These are distributed to the usual subscribers using lists found at the office. Lord Henry Cavendish-Bentinck MP on receiving some of the counterfeit papers through the post, asks in the House that those responsible “not (to) waste their money in sending me any more of their forgeries.” The initial efforts of the forgers, Captains Hugh Pollard and William Darling, are of poor quality and easily identified as counterfeit.

(Pictured: The “Irish Bulletin” issue of October 12, 1920, National Museum of Ireland)


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Birth of Evelyn Gleeson, Designer & Co-founder of Dun Emer Press

Evelyn Gleeson, English embroidery, carpet, and tapestry designer, is born on May 15, 1855, in Knutsford, Cheshire, England. Along with Elizabeth and Lily Yeats, she establishes the Dun Emer Press.

Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.

Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.

During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.

Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.

Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.

Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.

The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.

Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.

(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)