In September 1914 Cregan goes to Dublin to study music in the Leinster School of Music, under Madame Coslett Heller. It is while she is in Dublin that she becomes friends with the Ryan family, who are strong nationalists as well as interested in the Gaelic League and Sinn Féin. She begins to sing for concerts which are fundraisers for the Irish Volunteers. The last concert is just two weeks before the Easter Rising.
During Easter week Cregan is sent to Tralee with “automatics and ammunition” by Seán Mac Diarmada. While she is carrying a violin case of munitions, she is also carrying details for the wireless technology needed for communicating with the SS Aud, the boat which is carrying more weapons for the rebellion. The communications with the SS Aud go wrong when the car carrying the Volunteers goes off a pier and the occupants are drowned. She is still in the area to assist with the surviving Volunteer, who unfortunately knows nothing of the details for the SS Aud. She is not easily able to get back to Dublin, because owing to the Rising the city is cut off. By the time she gets back, her friends have been arrested.
When Cregan is going to school in Dublin she is also working in a school in Rathmines. Like many of the teachers, she loses her job after the rising because of her connection to the rebels. However, she is able to get new positions over the next few years in both Ballyshannon and Portstewart until she marries. In Ballyshannon she experiences the early expressions of support and sympathy, but Portstewart is a Unionist enclave with many houses flying union flags on polling day in 1918.
Cregan is a member of Cumann na mBan and with them is active during the Irish War of Independence. She is given a medal for her participation. On July 23, 1919, she marries Dr. James Ryan in Athenry, County Galway. His entire family had been deeply involved in the Easter Rising, as well as the Irish War of Independence and the Irish Civil War. They have three children, Eoin, who becomes a Senator, Nuala (Colgan) and Seamus.
The family is initially based in Wexford during the War. The house is often raided when the British soldiers are looking for her husband and Cregan herself is arrested in February 1921 for refusing to put up martial law posters. Later the family sells the house and remains mobile while she works for the Sinn Féin government, and her husband is in prison. It is during this time that she works as a courier to the continent and to London. After the war, they purchase Kindlestown House in Delgany, County Wicklow, where they remain for the rest of their lives.
Cregan’s first book for children is Old John and gains her considerable international success and attention. Sean Eoin is also published in Irish and is illustrated by Jack Butler Yeats. Her work is also aired on the BBC and RTÉ. Rathina wins the Downey Award in the United States in 1943. She also writes two plays: Hunger strike (1933), based on experience of her husband’s involvement in such a strike, which is broadcast on Radio Éireann on May 5, 1936, and Curlew’s call (1940).
Cregan dies on November 9, 1975, in St. Vincent’s Hospital, Dublin, and is buried in Redford cemetery near her home in County Wicklow.
(Pictured: Máirín Cregan and her husband, Dr. James Ryan)
Josephine McNeill, Irish diplomat, is born on March 31, 1895, in Fermoy, County Cork. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.
McNeill is born Josephine Ahearne, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.
After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.
McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.
McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.
Hamilton begins his commentary career with BBC Sport, before joining RTÉ eight years later in 1984. He had previously worked for RTÉ during the 1978 FIFA World Cup. Since 2003, he works for RTÉ lyric fm, Ireland’s classical radio station, on Saturday mornings. For many years, he fronts a popular weekly quiz show on RTÉ, Know Your Sport, alongside fellow commentator Jimmy Magee.
Hamilton is chief commentator for RTÉ Sport‘s coverage of the 2010 FIFA World Cup in South Africa, the ninth one in which he has been involved. He is RTÉ’s chief commentator at UEFA Euro 2012 and commentates on all of Ireland’s matches in the competition. He is involved in the coverage of the Olympic Games since the 1980 Summer Olympics in Moscow.
Hamilton is known for his use of colourful phrases and memorable quotes when commentating on games, his phrase describing David O’Leary‘s penalty against Romania in the 1990 FIFA World Cup, “The nation holds its breath,” is used for a book of Irish football quotations, compiled by Eoghan Corry, for which Hamilton writes the foreword.
The sports humour website, DangerHere.com, takes its title from another quote by Hamilton: “And Bonner has gone 165 minutes of these championships without conceding a goal. Oh, danger here…”
Greacen is the only child of Henry Greacen and his wife Elizabeth (née McCrea). His father comes from a Presbyterian farming background in County Monaghan and, at one time, holds a position as a creamery manager, but is a heavy drinker and fails in several businesses. Most of his childhood is spent with his maternal grandmother and aunts when his parents temporarily separate. He briefly attends two local primary schools in Belfast, but when his father receives insurance compensation after his Belfast business burned down, he takes his family to the Castleblayney area in County Monaghan and for a short time goes back to farming. He goes to a national school there, but after another fire destroys the farmhouse, the Greacens return to Belfast to run the Kenilworth, a tobacconist’s shop on the Newtownards Road. He attends Templemore primary school and then enters Methodist College Belfast in 1933.
Greacen mostly enjoys school, though he is too short-sighted to participate with success in any sport, and sometimes, because of his background, feels out of his depth among middle-class children. He is always ashamed of his father’s drunken outbursts and is terrified of the violent temper which accompanies them. Literature provides both a temporary escape and the promise of future success. His first poems are published in school magazines, and he decides at a young age to try to make a career as a writer. He fails examinations and interviews for positions in a bank and an insurance company and instead starts studying history and English at Queen’s University Belfast.
At Queen’s, as earlier at Methodist College, the interests which characterise Greacen’s later career are apparent. Largely thanks to meeting John Boyd, he develops sympathies with left-wing political ideas, as well as a deepened commitment to poetry. His youthful 1930s enthusiasm for Marxism disappears after the Molotov-Ribbentrop Pact of 1939 between the Soviet Union and Nazi Germany, but up to his later years he describes himself as a socialist. The formation of enduring friendships and mutually supportive coteries, a phenomenon particularly characteristic of the Ulster literary scene of the period, continues to be of great importance throughout his life. He makes friends with almost all the significant figures in Belfast, especially Roy McFadden, John Hewitt and Sam Hanna Bell. At Queen’s, he and a friend take over in 1940 the editing of a student magazine, The Northman. They try with short-lived, limited success to make it a literary journal for the whole region, so as to enable aspiring poets to get work into print. His own early poems appear in The Bell, and he writes some pieces for the left-wing Irish Democrat newspaper. His poem The Bird (1941) is well reviewed and later appears in anthologies. In 1942 he publishes Poems from Ulster, a small anthology including work by his friends.
For several months, Greacen worships from afar a fellow student named Irene. When he fails to form a relationship with her, he stops going to lectures so that he does not have to see her and does not finish his degree. His McCrea relatives pay for him to go to Trinity College Dublin in 1943 to take a diploma in social work. He is glad to get away from wartime Belfast and never lives there again. At first, he enjoys Dublin, and again makes many friends, among them Brendan and Beatrice Behan, Blanaid Salkeld, Cecil ffrench Salkeld, Joseph and Mary O’Neill, Douglas Gageby, Arland Ussher and Hubert Butler. He and Patrick Kavanagh live in the same boarding house on Raglan Road for several months in 1945, but Kavanagh takes offence at a review in Horizon by Greacen of his poem The Great Hunger and calls him a “Protestant bastard.” Greacen is upset, as he had thought the review favourable, and is disappointed but not surprised when Kavanagh refuses to allow any of his poems to appear in the prestigious Faber and Faber book Contemporary Irish Poetry, edited by Greacen and Valentin Iremonger in 1949.
The collaborative compilation of anthologies of poetry is Greacen’s characteristic way of working. In 1942, he and Alex Comfort edit Lyra: An Anthology of New Lyric. With Roy McFadden, he edits Ulster Voices in 1943. He is sole editor of Northern Harvest in 1944 and, in the same year, he, Bruce Williamson and Valentin Iremonger publish their own work in On the Barricades. His own first solo collection, One Recent Evening, is also a 1944 imprint. In 1946, with support from Maurice Fridberg, a Jewish Dublin and London bookseller, his publishing company, New Frontiers Press, produces Irish Harvest, which, though designed on more ambitious lines, still consists chiefly of poems by his friends. He feels much more affinity with the modernism and social protest that he finds in contemporary English poetry, especially in the “new apocalypse” movement associated with Herbert Read, and later the “new romantics,” than with what he regards as the outmoded Celtic nationalism of W. B. Yeats and his followers. Like others of his contemporaries, he comes to resent the unquestioned shibboleths of life in Ireland, and particularly objects to the censorship of literature and film.
Consequently, when Greacen’s second small volume of poems, The Undying Day (1948), sells badly, and other avenues seem unpromising, he and his wife give up on Dublin and move to London. He finds a job with the United Nations Association, which suits his outlook and ideals. However, when he is made redundant, he has to take various jobs in adult education, in creative-writing courses, and in teaching English as a foreign language, in the City of London College, the City Literary Institute, and West London College. He retires in 1986. His involvement with the London literary world continues throughout his career, as he gets to know many of the leading figures, including Stephen Spender and T. S. Eliot, and he organises poetry readings and other projects, though he himself writes no poetry for more than twenty years. At one time he considers taking up journalism and continues to produce book reviews and articles in journals, as well as many letters to newspapers. He writes several, well-received short works of criticism, in particular, The Art of Noël Coward (1953) and The World of C. P. Snow (1962). After returning to Dublin in 1986, he writes an interesting memoir about his many friends and acquaintances, Brief Encounters: Literary Dublin and Belfast in the 1940s (1991) and Rooted in Ulster: Nine Northern Writers (2000).
Greacen marries Patricia Hutchins in Fisherwick Presbyterian Church in Belfast on April 10, 1946. She is from a Protestant family who has a small estate at Ardnagashel, near Bantry, County Cork, and is related to the botanist Ellen Hutchins. They have one daughter, Arethusa, but, after four years of separation, the marriage ends in divorce in 1966. He resents his wife’s conversion to vegetarianism and seems also to disapprove of her desire to achieve her own career goals. Probably also the depression he experiences throughout the 1950s contributes to the breakdown of the marriage, but he feels that twelve experiences in the early 1960s with the hallucinogenic drug LSD, under the guidance of a psychiatrist, had cured him. After the LSD treatments he feels that he is ready to begin working on an autobiography, Even Without Irene, published several years later in 1969. This comes out again in an enlarged version in 1995, and, still further augmented, as The Sash My Father Wore (1997).
Greacen begins to publish poetry again in his fifties, in A Garland for Captain Fox (1975). Poems about the career and friends of an imaginary, sophisticated adventurer do not always strike the exactly right note but are popular and mark a new beginning for him, who increasingly writes elegiacally about personalities, real and fictional, in more restrained diction and with careful irony. In interviews, he denies that Captain Fox is his own alter ego, but the interplay between the character of Fox and elements of his creator’s own life suggests a metaphor for the poet’s creative process, as well as reminding the reader of the poet friends whose support means much to his writing in real life. At the very least, Captain Fox becomes what could be called a character of virtual reality for his creator.
Greacen’s later poetry collections include Young Mr. Gibbon (1979), A Bright Mask (1985), Carnival at the River (1990), Collected Poems 1944–1994 (1995; awarded The Irish Times Literature Prize for Poetry in that year), Protestant Without a Horse (1997), Captain Fox: A Life (2000), Lunch at the Ivy (2002), Shelley Plain (2002), and Selected and New Poems (2006).
On his return to Dublin in 1986, Greacen for a time shares a flat on Anglesea Road with Beatrice Behan, until he finds her dead in her bed in 1993. In later years he lives in a flat in Sandymount. He is elected to membership of Aosdána in 1986, and during his later years in Dublin enjoys the status of a senior figure in the world of literature. He gives readings in the United States, appears often on RTÉ radio programmes, and has poems republished in anthologies. There was even one poem displayed on the Dublin Dart suburban rail network, St. Andrew’s Day: An Elegy for Patricia Hutchins, perhaps his best work. Perhaps only a few of his poems have been lodged in the public memory, but it is appropriate, given the themes of his career, that his work will be read with most attention by poets and by scholars, and that his reputation in the future may largely be based on his friendships with other poets.
seamus dubhghaill 