George Johnstone StoneyFRS, Irish physicist, dies on July 5, 1911, at Notting Hill, London, England. He is most famous for introducing the term “electron” as the “fundamental unit quantity of electricity.” He introduces the concept, though not the word, as early as 1874, initially naming it “electrine,” and the word itself comes in 1891. He publishes around 75 scientific papers during his lifetime.
Stoney is born on February 15, 1826, at Oakley Park, near Birr, County Offaly, in the Irish Midlands, the son of George Stoney and Anne (née Bindon Blood). His only brother is Bindon Blood Stoney, who becomes chief engineer of the Dublin Port and Docks Board. The Stoney family is an old-established Anglo-Irish family. During the time of the famine (1845–52), when land prices plummet, the family property is sold to support his widowed mother and family. He attends Trinity College Dublin (TCD), graduating with a BA degree in 1848. From 1848 to 1852 he works as an astronomy assistant to William Parsons, 3rd Earl of Rosse, at Birr Castle, County Offaly, where Parsons had built the world’s largest telescope, the 72-inch Leviathan of Parsonstown. Simultaneously he continues to study physics and mathematics and is awarded an MA by TCD in 1852.
From 1852 to 1857, Stoney is professor of physics at Queen’s College Galway. From 1857 to 1882, he is employed as Secretary of the Queen’s University of Ireland, an administrative job based in Dublin. In the early 1880s, he moves to the post of superintendent of Civil Service Examinations in Ireland, a post he holds until his retirement in 1893. He continues his independent scientific research throughout his decades of non-scientific employment duties in Dublin. He also serves for decades as honorary secretary and then vice-president of the Royal Dublin Society (RDS), a scientific society modeled after the Royal Society of London and, after his move to London in 1893, he serves on the council of that society as well. Additionally, he intermittently serves on scientific review committees of the British Association for the Advancement of Science from the early 1860s.
Stoney publishes seventy-five scientific papers in a variety of journals, but chiefly in the journals of the Royal Dublin Society. He makes significant contributions to cosmic physics and to the theory of gases. He estimates the number of molecules in a cubic millimeter of gas, at room temperature and pressure, from data obtained from the kinetic theory of gases. His most important scientific work is the conception and calculation of the magnitude of the “atom of electricity.” In 1891, he proposes the term “electron” to describe the fundamental unit of electrical charge, and his contributions to research in this area lays the foundations for the eventual discovery of the particle by J. J. Thomson in 1897.
Stoney proposes the first system of natural units in 1881. He realizes that a fixed amount of charge is transferred per chemical bond affected during electrolysis, the elementary chargee, which can serve as a unit of charge, and that combined with other known universal constants, namely the speed of lightc and the Newtonian constant of gravitationG, a complete system of units can be derived. He shows how to derive units of mass, length, time and electric charge as base units. Due to the form in which Coulomb’s law is expressed, the constant 4πε0 is implicitly included, ε0 being the vacuum permittivity.
Like Stoney, Max Planck independently derives a system of natural units (of similar scale) some decades after him, using different constants of nature.
Hermann Weyl makes a notable attempt to construct a unified theory by associating a gravitational unit of charge with the Stoney length. Weyl’s theory leads to significant mathematical innovations, but his theory is generally thought to lack physical significance.
Stoney marries his cousin, Margaret Sophia Stoney, by whom he has had two sons and three daughters. One of his sons, George Gerald Stoney FRS, is a scientist. His daughter Florence StoneyOBE is a radiologist while his daughter Edith is considered to be the first woman medical physicist. His most scientifically notable relative is his nephew, the Dublin-based physicist George Francis FitzGerald. He is second cousin of the grandfather of Ethel Sara Turing, mother of Alan Turing.
After moving to London, Stoney lives first at Hornsey Rise, north London, before moving to 30 Chepstow Crescent, Notting Hill, west London. In his later years illness confines him to a single floor of the house, which is filled with books, papers, and scientific instruments, often self-made. He dies at his home on July 5, 1911. His cremated ashes are buried in St. Nahi’s Church, Dundrum, Dublin.
Stoney is born into an old-established Anglo-Irish scientific family at 40 Wellington Road, Ballsbridge, Dublin, on January 6, 1869. The daughter of George Johnstone Stoney, FRS, an eminent physicist who coins the term “electron” in 1891 as the “fundamental unit quantity of electricity,” and his wife and cousin, Margaret Sophia Stoney. One of her two brothers, George Gerald, is an engineer and a Fellow of the Royal Society (FRS). One of her two sisters, Florence Stoney, is a radiologist and receives an OBE. Her cousin is the Dublin-based physicist George Francis FitzGerald FRS (1851–1901), and her uncle Bindon Blood Stoney FRS is Engineer of Dublin Port, renowned for building a number of the main Dublin bridges and developing the Quayside.
Stoney demonstrates considerable mathematical talent and gains a scholarship at Newnham College, Cambridge, where she achieves a First in the Part I Tripos examination in 1893. However, she is not awarded a University of Cambridge degree as women are excluded from graduation until 1948. During her time at Newnham, she is in charge of the College telescope. She is later awarded a BA and an MA from Trinity College Dublin, after they accept women in 1904.
Following the 1876 Medical Act, it is illegal for academic institutions to prevent access to medical education based on gender. The first medical school for women in Britain is established in 1874 by Dr. Sophia Jex-Blake in anticipation of this law. The London School of Medicine for Women quickly becomes part of the University of London, with clinical teaching at the Royal Free Hospital. Stoney’s sister Florence is a student at the school, graduates in medicine with honours in 1895 (MB BS) and obtains her MD in 1898. Meanwhile, Stoney gains an appointment as a physics lecturer at the school in 1899. Her first tasks are to set up a physics laboratory and design the physics course. The laboratory is planned for 20 students, and the course content is pure physics, as required by university regulations. It includes mechanics, magnetism, electricity, optics, sound, heat and energy. In her obituary in The Lancet, an ex-student of hers notes: “Her lectures on physics mostly developed into informal talks, during which Miss Stoney, usually in a blue pinafore, scratched on a blackboard with coloured chalks, turning anxiously at intervals to ask ‘Have you taken my point?’. She was perhaps too good a mathematician … to understand the difficulties of the average medical student, but experience had taught her how distressing these could be”.
In 1901, the Royal Free Hospital appoints Florence into a new part-time position of medical electrician. The following April, the two sisters open a new x-ray service in the electrical department. During their time at the Royal Free Hospital, the two sisters actively support the women’s suffrage movement, though oppose the direct violent action with which it is later associated.
During her time at the school, Stoney also plays a central role in the British Federation of University Women (BFUW). She is elected treasurer, in her absence, at the first executive meeting on October 9, 1909, a position she holds until the end of May 1915. She becomes increasingly engaged with the political lobbying of the Federation. At the executive meeting on October 19, 1912, she proposes the names of two members for a subcommittee to secure the passing into law of a bill to enable women to become barristers, solicitors or parliamentary agents. The legislation is eventually enacted after the war within the Sex Disqualification (Removal) Act 1919.
Stoney resigns her post at the school in March 1915 and it is recorded that “with due regret and most unwillingly a change is desirable in the physics lectureship.” She is offered £300 on tendering her resignation.
Both Stoney and Florence offer their services to the British Red Cross at the War Office in London, to provide a radiological service to support the troops in Europe, on the day Britain declares war. Their offer is refused, because they are women. Florence sets up her own unit with the Women’s Imperial Service League and spends the next 6 months in Europe. Stoney organises supplies from London where she also serves on the League’s committee. Florence returns to London at the time Stoney resigns from the London School of Medicine for Women. She contacts the Scottish Women’s Hospitals (SWH), an organisation formed in 1914 to give medical support in the field of battle and financed by the women’s suffrage movement. The organisation has gained agreement to set up a new 250-bed tented hospital at Domaine de Chanteloup, Sainte-Savine, near Troyes (France), funded by the Cambridge women’s colleges of Girton and Newnham and it becomes her role to plan and operate the x-ray facilities. She establishes stereoscopy to localise bullets and shrapnel and introduces the use of x-rays in the diagnosis of gas gangrene, interstitial gas being a mandate for immediate amputation to give any chance of survival.
The hospital is near the front line and, in her own words, by September 1915, “the town had been evacuated, the station had been mined, and we heard the heavy guns ever going at nighttime.” The unit is entirely female, except for two part-time male drivers, and her technical assistant, Mr. Mallett.
They are assigned to the Corps Expéditionnaire d’Orient and ordered to move to Serbia. After boarding the steamship Mossoul in Marseille, they reach Salonika (known as Thessaloniki in modern Greece) on November 3, where they take the night train north to Ghevgheli (now Gevgelija in modern North Macedonia), on the Serbian side of the Greek border. They set up a hospital in an unused silk factory where they treat 100 patients with injuries ranging from frostbite to severe lung and head wounds. Following defeats at the hands of Bulgarian forces, Stoney and her staff retreat to Salonika by December 6, 1916. Eleven days later, they have re-established the hospital on a drained low swamp by the sea, and by New Year’s Day 1917 she has the lights on and the x-rays working. Despite the lack of equipment and resources, she establishes an electrotherapy department and various equipments for the muscular rehabilitation of the soldiers in their care. She also assists with problems on two British hospital ships, on which the x-ray systems have been damaged during a storm and gives support to the SWH unit in Ostrovo (now Arnissa on Lake Vegoritida formerly lake Ostrovo in Northern Greece), which arrives during September 1916. She has a break for sick leave in December 1917 and returns the following summer. She applies for an appointment as an army camp radiologist in Salonika, but her demand is blocked by the War Office.
In October 1917, Stoney returns to France to lead the x-ray departments at the SWH hospitals of Royaumont and Villers-Cotterêts. In March 1918, she has to supervise a camp closure and retreat for the third time, when Villers-Cotterêts is overrun by the German troops. During the final months of the war the fighting intensifies and there is a steep increase in workload. In the month of June alone the x-ray workload peaks at over 1,300, partly because of an increased use of fluoroscopy.
On returning to England, Stoney takes a post as lecturer in physics in the Household and Social Science department at King’s College for Women which she holds until retirement in 1925. After leaving King’s she moves to Bournemouth, where she lives with her sister Florence, who is suffering from spinal cancer, dying in 1932.
During her retirement, Stoney resumes her work with the BFUW for which she had acted as the first treasurer before the war. She becomes one of the earliest (and oldest) members of the Women’s Engineering Society and plays an active part in the organisation until shortly before her death. She travels widely and, in 1934, she speaks to the Australian Federation of University Women on the subject of women in engineering, highlighting the contribution made by women workers during the war. In 1936, she establishes the Johnstone and Florence Stoney Studentship in the BFUW, for “research in biological, geological, meteorological or radiological science undertaken preferably in Australia, New Zealand or South Africa.” The studentship is now administered by Newnham College, Cambridge, and supports clinical medical students going abroad for their elective period. The declaration of Trust is dated February 11, 1942 and the Johnstone And Florence Stoney Studentship Fund Charity is registered on March 25, 1976.
Stoney dies on June 25, 1938, at age 69, and obituaries are printed in both the scientific and medical press – Nature, The Lancet, The Woman Engineer and national newspapers in England, The Times and Australia.
Stoney is remembered for her considerable bravery and resourcefulness in the face of extreme danger, and her imagination in contributing to clinical care under the most difficult conditions of war. As a strong advocate of education for women, she enables young graduate women to spend time on research overseas and another to enable physicists to enter medical school thanks to the fund she created. Through her work and engagements, she is remembered as a pioneer of medical physics.
(Pictured: Edith Anne Stoney during her time in Cambridge in the early 1890s)
Kitchener is the second son of Lieutenant Colonel Henry Horatio Kitchener and his first wife, Frances Anne (née Chevallier), daughter of clergyman John Chevallier. Col. Kitchener resigns his commission in 1849 and purchases Ballygoghlan House estate near Tarbert, County Kerry, in early 1850 under the provisions of the Encumbered Estates Act of 1849. Ballygoghlan House is in a state of disrepair, however, and the family lives in Gunsborough Villa until the end of 1850. In 1857, Col. Kitchener purchases Crotta House, near Kilflynn, County Kerry, and the Kitcheners divide their time between the two residences. While innovative and successful in his agricultural methods, Col. Kitchener is harsh towards his tenants and, after carrying out many evictions, becomes extremely unpopular in the area. He is a rigid disciplinarian and occasionally punishes his son severely.
Although Kitchener attends Ballylongford village school, his education is largely neglected. When examined by his cousin Francis Elliot Kitchener, fellow of Trinity College Dublin (TCD), he is found to have only the most rudimentary knowledge of grammar and arithmetic. Education by private tutors follows. In 1864, his father sells his Irish estates and moves to Switzerland for the sake of his wife’s health. After further private tuition, he passes into the Royal Military Academy, Woolwich, in 1868, and is commissioned into the Royal Engineers in December 1870.
Kitchener begins his career on survey missions and carries out such work in Palestine (1874–78) and Cyprus (1878–82). He then enters the Egyptian Army and takes part in the Sudan campaign of 1883–85, organised to relieve Genral Charles George Gordon. Subsequent appointments include governor of Suakin (1886–88), adjutant-general of the Egyptian Army (1888–92), and Sirdar (Commander-in-Chief) of the Egyptian Army (1892–96). After the Dongola Expedition in 1896, he is promoted to major-general. He commands the Khartoum Expedition of 1898, defeating Mahdist forces at Atbara and Omdurman, and is raised to the peerage.
At the outbreak of the Second Boer War in 1899, he is appointed chief of staff to Frederick Roberts, 1st Earl Roberts, and assumes total command, with the rank of lieutenant-general, in 1900. While acting as commander-in-chief in South Africa he reorganises the British forces and, using new tactics, manages finally to defeat the Boers. He is severely criticised in the world press for the conditions in the concentration camps where Boer families are confined, but is made a viscount, promoted to general, and awarded £50,000 by parliament at the end of the war.
Kitchener serves as commander-in-chief in India beginning in 1902, is promoted to Field Marshal in 1909, and is a member of the Committee of Imperial Defence (1910) and consul-general in Egypt (1911–14). At the outbreak of World War I he is made Secretary of State for War and begins to reorganise the British Army, an immense achievement, raising 1,700,000 men in service battalions by May 1915, creating an army of volunteers to reinforce the depleted regular army in Belgium and France. An archconservative, he totally opposes Home Rule for Ireland, and initially blocks plans by John Redmond for the formation of a southern Irish division from members of the National Volunteers. Convinced that an all-Irish brigade or division would be a security risk, he rejects Redmond’s suggestions in a meeting of August 1915 and originally proposes dispersing Irish recruits through the numerous regiments in the army. Impressed by Redmond’s persistence, and impelled by the recruiting crisis of late 1915, he finally reverses his decision and sanctions the establishment of the 16th (Irish) Division.
On June 5, 1916, Kitchener is making his way to Russia on HMS Hampshire to attend negotiations with Tsar Nicholas II when in bad weather the ship strikes a German mine 1.5 miles (2.4 km) west of Orkney, Scotland, and sinks. He is among 737 who perish. He is the highest-ranking British officer to die in action in the entire war.
Although he only spends his early years in Kerry, Kitchener occasionally returns to Ireland. While on leave in June 1910 he goes on a tour of County Kerry, visiting places connected to his childhood. There are numerous portraits and memorials to him in England, including a marble effigy by W. Reid Dick in St. Paul’s Cathedral in London and a statue by John Tweed in Horse Guards Parade, London. There is a commemorative bible in the Church of Ireland church at Kilflynn, County Kerry, where he regularly attended Sunday service as a boy. There are some Kitchener letters in the John Redmond papers in the National Library of Ireland.
(From: “Kitchener, Horatio Herbert” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Edward Maturin, novelist and poet, is born in Dublin on June 18, 1812. He is naturalised as an American and works as a professor of Greek. His fiction and poetry generally deal with historical themes, while his work as a Gothic novelist often has an Irish background.
The Maturin family is descended from a Huguenot clergyman who fled to Ireland after the revocation of the Edict of Nantes. Edward’s father, Reverend Charles Robert Maturin, is curate of St. Peter’s Church, Dublin, and well known as a preacher, as well as a poet and Gothic novelist. Born the second son, Edward enters Trinity College Dublin at the age of fifteen and graduates at twenty. Immediately afterward he emigrates to the United States in 1832 with letters of introduction from the poet Thomas Moore and other Irish writers. Having studied law under Charles O’Conor, he is called to the bar but later becomes professor of Greek at South Carolina College and applies for American naturalisation in 1837. He marries Harriet Lord Gailiard in 1842 and has three children by her. In 1848, he returns to New York, where for upward of thirty years he fills professorships in Greek, Latin and belles-lettres. His mastery of Greek is such that he is selected in 1850 by the American Bible Union as one of their revisers and works on the gospel of St. Mark.
All of Maturin’s work is written in the United States and for the most part concentrates on historical themes or Irish fantasy. His first book contains the interconnected stories of Sejanus and Other Roman Tales (1839) and is dedicated to Washington Irving. They concern incidents during the reigns of the Roman emperors from Tiberius to Nero. Self-consciously literary, the dialogue is written in an imitation of Shakespearean English. This is followed by the two-volume romance, Montezuma, the Last of the Aztecs (1845) and then two works on Spanish themes. The long series of “Spanish Ballads” that originally appears in The United States Magazine and Democratic Review during 1845 are eventually collected with his other poems in Lyrics of Spain and Erin (1850). They are followed by the romance Benjamin, the Jew of Grenada (1847), a story of the fall of the Moslem empire in Spain.
After his move to New York, Maturin’s prose work becomes more Gothic. It includes The Irish Chieftain, or The Isles of Life and Death (1848) which is later to be dismissed as “a wild story without foundation in history … melodramatic, sentimental, extravagant,” and the two-volume Eva, or the Isles of Life and Death (1848). His later Bianca, a tale of Erin and Italy (1852) is set in more modern times but is equally condemned as “an outlandish story, full of murders, characters – mostly illegitimate – with terrible secrets, a duel between brothers, banshees, mysterious lady-prophetesses, fee-faw-fum.” A final offering is his four-act play Viola (1858).
Maturin dies in New York City on May 25, 1881.
(Pictured: “Montezuma: The Last of the Aztecs” by Edward Maturin, Paine & Burgess, New York, 1845)
When Oisín Kelly completes his statue of the union leader James Larkin in 1978, he does not know that it is to be among his final works. He is at the height of his power, the go-to sculptor for public commissions in Ireland.
That Larkin would be commemorated by a monument in Dublin is proposed in 1959 by the Workers’ Union of Ireland (WUI), which Larkin had set up in 1924, after his expulsion from the Irish Transport and General Workers’ Union (ITGWU), which he had also established. But it is 1974, the centenary of Larkin’s birth, before the commemoration gets under way. Larkin had claimed to be two years younger than he was, which results in his centenary celebrations taking place in 1976 and the date of his birth inscribed on the monument having to be corrected to read 1874.
The memorial committee, comprising the great and the good of the union, includes Donal Nevin, who is instrumental in choosing the sculptor. Kelly is an inspired choice, as the resulting statue is one of the most dynamic public works in the centre of Dublin. Only John Henry Foley’s representation of Henry Grattan, from 1876, on College Green, exudes a similar energy. In these two works, emphatic gesture and naturalistic treatment of the men’s clothing create a liveliness in the figures. Foley’s 19th-century concern is to create a contrast with his statues of Oliver Goldsmith and Edmund Burke, positioned opposite, in the grounds of Trinity College Dublin (TCD). Kelly’s 20th-century aspiration is to please both his patron and the public.
Kelly, who had not known Larkin, chooses to use a familiar image of the man. Joseph Cashman had photographed Larkin addressing a crowd in Dublin in 1923. He looked so vital and passionate that the photograph has become iconic.
Once his maquette is approved, Kelly begins work on the plaster model in the backyard of his family home, in Firhouse, outside Dublin. His neighbour Eddie Golden, the actor, poses for the statue. When the full-size model is completed, it is transferred to Dublin Art Foundry, where it is cast in bronze by Leo Higgins and John Behan.
Although ready for unveiling in 1978, a delay ensues while attempts are made to quarry a colossal stone for the pedestal. Larkin’s son Denis is keen that it be carved from a single piece of granite, which proves impossible. Also, PresidentPatrick Hillery’s decision to perform the unveiling necessitates careful consideration of his speech. The writing of several drafts ensures that his language is neither controversial nor ambiguous. The word “comrades,” present in early drafts, does not appear in the final text. The statue is unveiled on June 15, 1979.
The sculpture has a commanding presence on O’Connell Street, where it has become one of the most popular monuments in Dublin. It regularly serves as a site of celebration and demonstration and is often a central motif in photographs of union members and politicians of the left gathering for anniversaries, or of crowds of the aggrieved and dissatisfied marching past.
The quotation on the pedestal, in French, Irish and English, dates back to the French Revolution: “The great appear great because we are on our knees. Let us rise.”
(From: “Modern Ireland in 100 Artworks: 1978 – James Larkin statue, by Oisín Kelly” by Paula Murphy, The Irish Times, http://www.irishtimes.com, January 30, 2016)
Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.
After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.
This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.
Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.
On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.
Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.
Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.
Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.
Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.
During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).
Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.
Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.
Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).
Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Mallet is the son of factory owner John Mallet. He is educated at Trinity College, Dublin, entering it at the age of 16 and graduating in science and mathematics in 1830 at the age of 20.
Following his graduation, Mallet joins his father’s iron foundry business and helps build the firm into one of the most important engineering works in Ireland, supplying ironwork for railway companies, the Fastnet Rock lighthouse, and a swing bridge over the River Shannon at Athlone. He also helps manufacture the characteristic iron railings that surround Trinity College, and which bear his family name at the base.
In 1838 Mallet becomes a life member of the Royal Geological Society of Ireland and serves as its President from 1846–1848. From 1848–1849 he constructs the Fastnet Rock lighthouse, southwest of Cape Clear.
On February 9, 1846, Mallet presents to the Royal Irish Academy his paper On the Dynamics of Earthquakes, which is considered to be one of the foundations of modern seismology. He is also credited with coining the word “seismology” and other related words which he uses in his research. He also coins the term epicentre.
From 1852 to 1858, Mallet is engaged in the preparation of his work, The Earthquake Catalogue of the British Association (1858) and carries out blasting experiments to determine the speed of seismic propagation in sand and solid rock.
On December 16, 1857, the area around Padula, Italy is devastated by the Great Neapolitan earthquake which causes 11,000 deaths. At the time it is the third largest known earthquake in the world and has been estimated to have been of magnitude 6.9 on the Richter Scale. Mallet, with letters of support from Charles Lyell and Charles Darwin, petitions the Royal Society of London and receives a grant of £150 to go to Padula and record at first hand the devastation. The resulting report is presented to the Royal Society as the Report on the Great Neapolitan Earthquake of 1857. It is a major scientific work and makes great use of the then new research tool of photography to record the devastation caused by the earthquake. In 1862, he publishes the Great Neapolitan Earthquake of 1857: The First Principles of Observational Seismology in two volumes. He brings forward evidence to show that the depth below the Earth’s surface, from where the impulse of the Neapolitan earthquake originated, is about 8–9 geographical miles.
One of Mallet’s papers is Volcanic Energy: An Attempt to develop its True Origin and Cosmical Relations, in which he seeks to show that volcanic heat may be attributed to the effects of crushing, contortion, and other disturbances in the crust of the earth. The disturbances leading to the formation of lines of fracture, more or less vertical, down which water would find its way, and if the temperature generated be sufficient volcanic eruptions of steam or lava would follow.
Born on December 18, 1895, Roe is the daughter of William Ernest Roe and Anne Lambert Sheilds of Mountrath, County Laois. Her grandfather is Francis Henry Sheilds of Parsonstown (now Birr, County Offaly), owner of the King’s County Chronicle. She is sent first to the local primary school and then to the Preston School in Abbeyleix. Although she attends Trinity College Dublin (TCD), she does not begin her career due to the outbreak of World War I. She joins the St. John’s Ambulance Brigade and serves at the Cambridge Military Hospital and at Aldershot Barracks. In the immediate aftermath, she continues her medical career with the Military Hospital in Bray, County Wicklow. She also spends time touring in Europe visiting museums and beginning her appreciation for medieval art. She is raised Protestant and has done her duty as part of the aristocracy by serving in the war. But the soldiers treat her as Irish and abuse her especially during the Easter Rising of 1916. The result is that she supports nationalism from that point forward. She goes back to TCD and completes her degree in modern languages in 1921. She finally completes her MA in 1924 and begins a teaching career. She spends time working in the Royal School, Dungannon, and Alexandra College, Milltown, Dublin.
In 1926, Roe’s parents need her, and she returns home. She then becomes the County Librarian in Laois. While working as a librarian she is able to study further and, as a rare person with a car, she tours sites and visits schools. One result of her presentations to schools is to inspire Ireland’s first female archaeologist, Ellen Prendergast. In 1940, she retires from the library and moves to Dublin where she is able to buy a house and garden. Apart from her antiquarian work, she is a regular supporter of charities and is honorary secretary of The Queen’s County Protestant Orphan’s Society and actively involved in The Dublin University Mission to Chota Nagpur, India.
Roe becomes a regular contributor to various journals and newspapers including Journal of the Royal Society of Antiquaries of Ireland, An Leabharlann, Béaloideas, Seanchas Ard Mhacha, Carloviana, the The Irish Press and the Leinster Express. From 1965 until 1968 she serves as the president of the Royal Society of Antiquaries of Ireland, the first woman to be elected to the position. She is elected to be a member of the Royal Irish Academy in 1984. She continues touring and lecturing into her nineties.
Roe lives at Santry, Dublin, and later at Oak House, Sussex Road, Dublin. She dies on May 28, 1988, at Grove Nursing Home, Killiney, County Dublin, and is buried beside her parents at St. Peter’s Churchyard, Mountrath, County Laois.
The Royal Society of Antiquaries of Ireland have an annual lecture in her honour and have named one of their lecture rooms after her.
Dowden is the son of John Wheeler Dowden, a merchant and landowner, and is born three years after his brother John, who becomes Bishop of Edinburgh in 1886. His literary tastes emerge early, in a series of essays written at the age of twelve. His home education continues at Queen’s College, Cork and at Trinity College, Dublin. He contributes to the literary magazine Kottabos.
Dowden has a distinguished career, becoming president of the University Philosophical Society, and wins the vice-chancellor’s prize for English verse and prose, and the first senior moderatorship in ethics and logic. In 1867 he is elected professor of oratory and English literature in Dublin University.
Dowden’s first book, Shakespeare: A Critical Study of His Mind and Art (1875), results from a revision of a course of lectures, and makes him widely known as a critic: translations appear in German and Russian; his Poems (1876) goes into a second edition. His Shakespeare Primer (1877) is translated into Italian and German. In 1878 the Royal Irish Academy awards him the Cunningham gold medal “for his literary writings, especially in the field of Shakespearian criticism.”
Later works by Dowden in this field include an edition of The Sonnets of William Shakespeare (1881), Passionate Pilgrim (1883), Introduction to Shakespeare (1893), Hamlet (1899), Romeo and Juliet (1900), Cymbeline (1903), and an article entitled “Shakespeare as a Man of Science” (in the National Review, July 1902), which criticizes T. E. Webb’s Mystery of William Shakespeare. His critical essays “Studies in Literature” (1878), “Transcripts and Studies” (1888), “New Studies in Literature” (1895) show a profound knowledge of the currents and tendencies of thought in various ages and countries; but his The Life of Percy Bysshe Shelley (1886) makes him best known to the public at large. In 1900 he edits an edition of Shelley‘s works.
Other books by Dowden which indicate his interests in literature include: Southey (1879), his edition of Southey’s Correspondence with Caroline Bowles (1881), and Select Poems of Southey (1895), his Correspondence of Sir Henry Taylor (1888), his edition of William Wordsworth‘s Poetical Works (1892) and of his Lyrical Ballads (1890), his French Revolution and English Literature (1897), History of French Literature (1897), Puritan and Anglican (1900), Robert Browning (1904) and Michel de Montaigne (1905). His devotion to Johann Wolfgang von Goethe leads to his succeeding Max Müller in 1888 as president of the English Goethe Society.
In 1889 Dowden gives the first annual Taylorian Lecture at the University of Oxford, and from 1892 to 1896 serves as Clark lecturer at Trinity College, Cambridge. To his research are due, among other matters of literary interest, the first account of Thomas Carlyle‘s Lectures on periods of European culture; the identification of Shelley as the author of a review (in The Critical Review of December 1814) of a romance by Thomas Jefferson Hogg; a description of Shelley’s Philosophical View of Reform; a manuscript diary of Fabre d’Églantine; and a record by Dr Wilhelm Weissenborn of Goethe’s last days and death. He also discovers a Narrative of a Prisoner of War under Napoleon (published in Blackwood’s Magazine), an unknown pamphlet by Bishop George Berkeley, some unpublished writings of William Hayley relating to William Cowper, and a unique copy of the Tales of Terror.
Dowden’s wide interests and scholarly methods make his influence on criticism both sound and stimulating, and his own ideals are well described in his essay on The Interpretation of Literature in his Transcripts and Studies. As commissioner of education in Ireland (1896–1901), trustee of the National Library of Ireland, secretary of the Irish Liberal Union and vice-president of the Irish Unionist Alliance, he enforces his view that literature should not be divorced from practical life. His biographical/critical concepts, particularly in connection with Shakespeare, are played with by Stephen Dedalus in the library chapter of James Joyce‘s Ulysses. Leslie Fiedler is to play with them again in The Stranger in Shakespeare.
Dowden marries twice, first to Mary Clerke in 1866, and secondly in 1895 to Elizabeth Dickinson West, daughter of the dean of St Patrick’s. His daughter by his first wife, Hester Dowden, is a well-known spiritualist medium.
Dowden dies in Dublin on April 4, 1913. His Letters are published in 1914 by Elizabeth and Hilda Dowden.
A Dublin City Council plaque commemorating Dowden is unveiled on November 29, 2016.
seamus dubhghaill 