Manahan’s career begins when, as a young woman, she is recruited by the legendary Irish impresarios and theatrical directorsMicheál Mac Liammóir and Hilton Edwards. She later marries stage director Colm O’Kelly, who dies not long afterward of polio, which he contracts after swimming in the Nile during a theatre tour of Egypt. They have no children and she never remarries. She is known professionally by her maiden name. In 1946 she appears in a production by Irish playwrightTeresa Deevy, The Wild Goose, where she plays the part of Eileen Connolly. This is performed by Equity Productions in the Theatre Royal, Waterford.
In 1957, Manahan plays Serafina in the first Irish production of Tennessee Williams‘s The Rose Tattoo and achieves unexpected notoriety when she and several other members of the cast are arrested for the possession of a condom on stage.
Manahan plays a minor role in the Irish cultsoap operaThe Riordans (1960s), and as Mrs. Mary Kenefick in the TV comedy Me Mammy (1970s). She also plays the lead in the Irish comedy series, Leave It To Mrs O’Brien (1980s) and Mrs. Cadogan in The Irish R.M. (1980s). Most recently she plays Ursula in Fair City, for which her niece, Michele Manahan (daughter of Michael Manahan), is a writer.
Manahan has an extensive theatre portfolio having played at theatres throughout Ireland including the Abbey Theatre, the United Kingdom, continental Europe, the United States and Australia. She wins the Tony Award for Best Featured Actress in a Play for her role as Mag in Martin McDonagh’s The Beauty Queen of Leenane on Broadway. She previously receives a Tony nomination in 1969 for Brian Friel’s Lovers.
The Irish playwright John B. Keane writes the play Big Maggie specifically for Manahan. In 2001 she stars in Keane’s The Matchmaker with veteran Irish actor Des Keogh. In 2005 she stars in Sisters, a new play by Declan Hassett that is also written for her and for which she is nominated for a Drama Desk Award in the category of Outstanding Solo Performance. The production tours Ireland and is staged at the International Festival of World Theatre in Colorado and also plays at the 59E59 Theater in New York City in 2006.
In 2004 Manahan starts to play the role of Ursula in Fair City. All About Anna (2005), a documentary on her life and work is made by Charlie Mc Carthy/Icebox Films for RTÉ Television. In 2008, she becomes the first ever patron of the Active Retirement Ireland organization.
Manahan dies of multiple organ failure on March 8, 2009 in Waterford. She had suffered from a longterm illness.
Her funeral is held on March 11, officiated by her “longtime friend” the psychoanalyst, poet, and priest Bernard Kennedy. “As the final curtain falls, the lights dim, the auditorium becomes silent, we remember her” he says. Describing her as a woman of faith (who “sought to bring the word of God alive”), he says she had brought everyone together to be present at “her last great exit from this great stage of life,” saying her life’s work had drawn people from all over the world. “Anna believed in the empty tomb of the Resurrection and she believed the empty tomb could be filled by hearing the word take the place of the emptiness,” he says. “She knew the bedsits which preceded the Tony nomination.”
In the 1916 Easter Rising in Dublin, de Valera commands an occupied building and is the last commander to surrender. Because of his American birth, he escapes execution by the British but is sentenced to penal servitude. Released in 1917 but arrested again and deported in May 1918 to England, where he is imprisoned, he is acclaimed by the Irish as the chief survivor of the uprising and in October 1917 is elected president of the Irish republican and democratic socialistSinn Féin political party, which wins three-fourths of all the Irish constituencies in December 1918.
After Dáil Éireann ratifies the treaty by a small majority in 1922, de Valera supports the republican resistance in the ensuing Irish Civil War. W. T. Cosgrave’s Irish Free State ministry imprisons him, but he is released in 1924 and then organizes a republican opposition party that does not sit in Dáil Éireann. In 1927, however, he persuades his followers to sign the oath of allegiance as “an empty political formula,” and his new Fianna Fáil (“Soldiers of Destiny”) party then enters the Dáil, demanding abolition of the oath of allegiance, of the governor-general, of the Seanad Éireann (senate) as then constituted, and of land-purchase annuities payable to Great Britain. The Cosgrave ministry is defeated by Fianna Fáil in 1932, and de Valera, as head of the new ministry, embarks quickly on severing connections with Great Britain. He withholds payment of the land annuities, and an “economic war” results. Increasing retaliation by both sides enables de Valera to develop his program of austere national self-sufficiency in an Irish-speaking Ireland while building up industries behind protective tariffs. In the new Constitution of Ireland, ratified by referendum in 1937, the Irish Free State becomes Ireland, a sovereign, independent democracy tenuously linked with the British Commonwealth (under the Executive Authority (External Relations) Act 1936) only for purposes of diplomatic representation.
De Valera’s prestige is enhanced by his success as president of the council of the League of Nations in 1932 and of its assembly in 1938. He also enters negotiations with British Prime MinisterNeville Chamberlain in which he guarantees that he will never allow Ireland to be used as a base for attacking Britain in the event of war. This culminates in the Anglo-Irish defense agreement of April 1938, whereby Britain relinquishes the naval bases of Cobh, Berehaven, and Lough Swilly (retained in a defense annex to the 1921 treaty), and in complementary finance and trade treaties that end the economic war. This makes possible de Valera’s proclamation in September 1939, upon the outbreak of World War II, that Ireland will remain neutral and will resist attack from any quarter. In secret, however, de Valera also authorizes significant military and intelligence assistance to both the British and the Americans throughout the war. He realizes that a German victory will imperil Ireland’s independence, of which neutrality is the ultimate expression. By avoiding the burdens and destruction of the war, de Valera achieves a relative prosperity for Ireland in comparison with the war-torn countries of Europe, and he retains office in subsequent elections.
In 1948, a reaction against the long monopoly of power and patronage held by de Valera’s party enables the opposition, with the help of smaller parties, to form an interparty government under John A. Costello. Ironically, this precarious coalition collapses within three years after Ireland becomes a republic by means of the repeal of the Executive Authority (External Relations) Act 1936 and the severance of all ties with the British Commonwealth, an act de Valera had avoided. De Valera resumes office until 1954, when he appeals unsuccessfully for a fresh mandate, and Costello forms his second interparty ministry. No clearly defined difference now exists between the opposing parties in face of rising prices, continued emigration, and a backward agriculture. De Valera claims, however, that a strong single-party government is indispensable and that all coalitions must be weak and insecure. On this plea he obtains, in March 1957, the overall majority that he demands.
In 1959, de Valera agrees to stand as a candidate for the presidency. He resigns his position as Taoiseach and leader of the Fianna Fáil party. In June he is elected president, and is reelected in 1966. He retires to a nursing home near Dublin in 1973 and dies there on August 29, 1975.
De Valera’s career spans the dramatic period of Ireland’s modern cultural and national revolution. As an anticolonial leader, a skillful constitutionalist, and a symbol of national liberation, he dominates Ireland in the half century following the country’s independence.
(From: “Éamon de Valera, president of Ireland,” Encyclopedia Britannica, http://www.britannica.com, last updated August 14, 2025)
O’Callaghan is born into a family with a Fenianparamilitary history. His paternal grandfather had taken the Anti-Treaty side during the Irish Civil War, and his father had been interned by the Irish Government at the Curragh Camp in County Kildare for IRA activity during World War II.
By the late 1960s, O’Callaghan ceases to practise his Catholic faith, adopts atheism and has become interested in the theories of Marxist revolutionary politics, which finds an outlet of practical expression in the sectarian social unrest in Northern Ireland at the time, centered on the activities of the Northern Ireland Civil Rights Association. In 1969, communal violence breaks out in Northern Ireland and believing that British imperialism is responsible, he joins the newly founded Provisional IRA at the age of 17.
Soon afterward, O’Callaghan is arrested by local Gardaí after he accidentally detonates a small amount of explosives, which cause damage to the homes of his parents and their neighbours. After demanding, and receiving, treatment as a political prisoner, he quietly serves his sentence.
After becoming a full-time paramilitary with the IRA, in the early to mid-1970s O’Callaghan takes part in over seventy operations associated with Irish Republican political violence including bomb materials manufacture, attacks on IRA targets in Northern Ireland, and robberies to provide funding for the organisation.
In 1976, O’Callaghan ends his involvement with the IRA after becoming disillusioned with its activities. He later recalls that his disenchantment with the IRA began when one of his compatriots openly hoped that a female police officer who had been blown up by an IRA bomb had been pregnant so they could get “two for the price of one.” He is also concerned with what he perceives as an undercurrent of ethnic hatred in its rank and file toward the Ulster Scots population. He leaves Ireland and moves to London. In May 1978, he marries a Scottish woman of Protestantunionist descent. During the late 1970s, he runs a successful mobile cleaning business. However, he is unable to fully settle into his new life, later recalling, “In truth there seemed to be no escaping from Ireland. At the strangest of times I would find myself reliving the events of my years in the IRA. As the years went on, I came to believe that the Provisional IRA was the greatest enemy of democracy and decency in Ireland.”
In 1979, O’Callaghan is approached by the IRA seeking to recruit him again for its paramilitary campaign. In response, he decides to turncoat against the organisation and becomes an agent within its ranks for the Irish Government. He decides to become a double agent even though he knows that even those who hate the IRA as much as he now does have a low opinion of informers. However, he feels it is the only way to stop the IRA from luring teenagers into their ranks and training them to kill.
Soon after being approached by the IRA to re-join, O’Callaghan returns to Tralee from London, where he arranges a clandestine meeting with an officer of the Garda Special Detective Unit in a local cemetery, at which he expresses his willingness to work with it to subvert the IRA from within. At this point, he is still opposed to working with the British Government. A few weeks later, he makes contact with Kerry IRA leader Martin Ferris and attends his first IRA meeting since 1975. Immediately afterward, he telephones his Garda contact and says, “We’re in”.
During the 1981 hunger strike in the Maze Prison, O’Callaghan attempts to start his own hunger strike in support of the Maze prisoners but is told to desist by the IRA for fear it will detract focus from the prisoners. He successfully sabotages the efforts of republicans in Kerry from staging hunger strikes of their own.
In 1984, O’Callaghan notifies the Garda of an attempt to smuggle seven tons of AK-47assault rifles from the United States to Ireland aboard a fishing trawler named Valhalla. The guns are intended for the arsenal of the Provisional IRA’s units. As a result of his warning, a combined force of the Irish Navy and Gardaí intercept the boat that received the weaponry, and the guns are seized. The seizure marks the complete end of any major attempt by the IRA to smuggle guns out of the United States.
In 1983, O’Callaghan claims to be tasked by the IRA with placing 25 lbs. of Frangex in the Dominion Theatre in London, in an attempt to kill Prince Charles and Princess Diana who are due to attend a charity pop music concert there. A warning is phoned into the Garda, and the Royal couple are hurriedly ushered from the theatre by their police bodyguard during the concert. The theatre had been searched before the concert and a second search following the warning reveals no device.
In 1985, O’Callaghan is elected as a Sinn Féin councillor for Tralee Urban District Council, and unsuccessfully contests a seat on Kerry County Council.
After becoming disillusioned with his work with the Irish Government following the murder of another of its agents within the IRA, which it had failed to prevent despite O’Callaghan’s warnings of the threat to him, and sensing a growing threat to himself from the organisation which had become suspicious of his own behaviour, he withdraws from the IRA and leaves Ireland to live in England, taking his wife and children with him. His marriage ends in a divorce in 1987, and on November 29, 1988, he walks into a police station in Tunbridge Wells, Kent, England, where he presents himself to the officer on duty at the desk, confesses to the murder of Ulster Defence Regiment (UDR) Greenfinch (female member) Eva Martin and the murder of D.I. Peter Flanagan during the mid-1970s, and voluntarily surrenders to British prosecution.
Although the Royal Ulster Constabulary (RUC) offers him witness protection as part of the informer policy, O’Callaghan refuses it and is prosecuted under charges of two murders and 40 other crimes, to all of which he pleads guilty, committed in British jurisdiction with the IRA. Having been found guilty, he is sentenced to a total of 539 years in prison. He serves his sentence in prisons in Northern Ireland and England. While in jail, he publishes his story in The Sunday Times. He is released after being granted the royal prerogative of mercy by Queen Elizabeth II in 1996.
In 1998, O’Callaghan publishes an autobiographical account of his experiences in Irish Republican paramilitarism, entitled The Informer: The True Life Story of One Man’s War on Terrorism (1998).
In 2002, O’Callaghan is admitted to Nightingale Hospital, Marylebone, an addiction and rehab center where he undergoes a rehabilitation program for alcohol dependency. His identity and past activities are not revealed to the other patients. He lives relatively openly in London for the rest of his life, refusing to adopt a new identity. He is befriended in the city by the Irish writer Ruth Dudley Edwards, and works as a security consultant, and also occasional advisor to the Ulster Unionist Party (UUP) on how to handle Irish republicanism in general, and Sinn Féin in particular.
In 2006, O’Callaghan appears in a London court with regard to an aggravated robbery that occurs in which he is the victim.
In 2015, O’Callaghan publishes James Connolly: My Search for the Man, the Myth & his Legacy (2015), a book containing a critique of the early 20th century Irish revolutionary James Connolly, and what he considers to be his destructive legacy in Ireland’s contemporary politics.
O’Callaghan dies by drowning after suffering a heart attack at the age of 63 while in a swimming pool in Kingston, Jamaica, on August 23, 2017, while visiting his daughter. A memorial service is held in his memory on March 21, 2018, at St. Martin’s-in-the-Fields, a Church of England parish church at the northeast corner of Trafalgar Square in the City of Westminster, London. The service is attended by representatives from Ulster Unionist parties and the Irish Government.
Warden is born in the townland of Ballycastle, near Newtownards in County Down, the eldest among three sons of Robert Warden, tenant farmer, and Elizabeth Warden (née Bailie). Educated locally, he studies for the Presbyterian ministry, despite being told by a clergyman that he is a “blockhead.” Entering the University of Glasgow, he wins a silver medal for his work on barometers, receives a certificate in midwifery, and graduates MA in April 1797. Returning to Ireland, he accepts a provisional license to preach from the Presbytery of Bangor, County Down, and becomes a popular preacher in the region. A patriot in politics, he joins the United Irishmen. Because of this a warrant was issued for his arrest in 1798 and he surrenders himself to the government. Banished from Ireland, he decides to emigrate to the United States and writes a pamphlet explaining his decision, A farewell address to the junto of the presbytery of Bangor, in which he accuses the church leaders of “meanness, injustice and cruelty.”
On his arrival in New York City in 1799, Warden decides to abandon his career as a clergyman and become a teacher. Interested in mathematics, science and literature, he becomes principal of the Columbia Academy in Kinderhook, New York, and is appointed in 1801 the head tutor at Kingston Academy in Ulster County, New York. Employed by General John Armstrong, Jr. to teach his children, he makes useful connections in American society. He becomes a citizen in 1804 and is asked to accompany Armstrong to France when he is appointed ambassador. Arriving in Paris in 1806, he gives strong support to Armstrong and defends him from criticism in the American press. He is appointed acting consul in 1808, and serves as head of the legation on two occasions when Armstrong is absent. Surprisingly, despite their ties of friendship, Armstrong does not recommend Warden to succeed him permanently, and advises President Thomas Jefferson that although “honest and amiable” he is “not well qualified for business.” Stung by these comments, Warden reacts angrily and his friendship with Armstrong ends acrimoniously. As a result he is swiftly recalled from Paris.
Once back in America, Warden lobbies vigorously to be appointed French consul. Supported by Jefferson, now out of office, he returns to Paris in August 1811 having convinced the government of his credentials. Befriending the new ambassador, Joel Barlow, he soon allows pride to get the better of him. Arrogantly styling himself “consul general” after Barlow dies in December 1812, he provokes much anger and is dismissed from office on June 10, 1814. He never holds a diplomatic appointment again.
Deciding to remain in France, he resumes his scholarly activities and publishes his first book, On the Origin, Nature, Progress and Influence of Consular Establishments in 1813. A friend of many of the leading French writers and intellectuals, he also offers assistance to visiting scholars from America, providing a bridge between the European and American intellectual communities. His reputation increases with the publication of Chorographical and Statistical Description of the District of Columbia (1816) and A Statistical, Political and Historical Account of the United States of North America (3 vols., 1819). The publishers of a series, L’art de vérifier les dates, commissions him to research the volumes on North and South America in 1821. These run to ten volumes and are written over thirteen years.
Beset by financial difficulties, Warden is twice forced to sell part of his vast library to raise money. He dies on October 9, 1845, in Paris, after a long illness. He never marries.
(From: “Warden, David Bailie” by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
Horniman, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother, Emslie, are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their Germangoverness takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.
Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.
Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903, Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.
At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.
As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.
Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.
Magee serves as a missionary priest in Nigeria for almost six years before being appointed Procurator General of St. Patrick’s Society in Rome. In 1969, he is an official of the Congregation for the Evangelization of Peoples in Rome, when he is chosen by Pope Paul VI to be one of his private secretaries. On Pope Paul’s death he remains in service as a private secretary to his successor, Pope John Paul I and Pope John Paul II. He is the only man to hold the position of private secretary to three Popes in Vatican history. He also acts as chaplain to the Vatican’s Swiss Guard.
On April 28, 1981, Magee travels, without the knowledge or approval of the Vatican’s Secretariat of State, to the Long Kesh Detention Centre outside Belfast to meet with Irish Republican Army (IRA) hunger strikerBobby Sands. He seeks, unsuccessfully, to convince Sands to end his hunger strike. Sands dies the following week.
Magee plays a role in the Irish Catholic Bishops’ Conference where he is featured in the modernisation of the liturgy in Ireland. His pastoral approach places heavy emphasis on the promotion of vocations to the priesthood but, after some initial success, the number of vocations in the diocese of Cloyne declines, a trend reflected across the island of Ireland. He appoints Ireland’s first female “faith developer” and entrusts her with the task of transforming an Irish rural diocese into a cosmopolitan pastoral model using techniques borrowed from several urban dioceses in the United States.
Magee involves himself in a dispute with the Friends of St. Colman’s Cathedral, a local conservationist group in Cobh which organises an effective and professional opposition to the Bishop’s plans to re-order the interior of the cathedral, plans similar to previous re-orderings in Killarney, Cork and Limerick cathedrals. In an oral hearing conducted by An Bord Pleanála, the Irish Planning Board, it emerges that irregularities have occurred in the planning application that are traced to Cobh Town Council, which accommodates the Bishop’s plans to modify the Victorian interior designed by E. W. Pugin and George Ashlin. On June 2, 2006, when Bishop Magee was in Lourdes, An Bord Pleanála directs Cobh Town Council to refuse the Bishop’s application.
On July 25, 2006, Magee publishes a pastoral letter stating: “As a result of An Bord Pleanála’s decision, the situation concerning the temporary plywood altar still remains unresolved and needs to be addressed. The Diocese will initiate discussions with the planning authorities in an attempt to find a solution, which would be acceptable from both the liturgical and heritage points of view.”
A diocesan official explains that the bishop does not wish to institute a judicial review in the Irish High Court because of the financial implications of such an action and because of the bishop’s desire to avoid a Church-State clash.
Claims that the decision of An Bord Pleanála infringes the constitutional property rights of religious bodies are dismissed when it is revealed that the cathedral is the property of a secular trust established in Irish law. It is estimated that Bishop Magee spent over €200,000 in his bid to re-order the cathedral. The controversy is reported even outside Ireland.
A February 2006 article by Kieron Wood in The Sunday Business Post claims that Magee does not have the backing of the Vatican in his proposals for St. Colman’s. At the oral hearing of An Bord Pleanála he is requested to provide a copy of the letter from the Vatican in which he claims he has been given approval for the modernising of the cathedral. The letter that he produces is a congratulatory message dated December 9, 2003 to the team of architects who worked on the cathedral project from Cardinal Francis Arinze, Prefect of the Dicastery for Divine Worship and the Discipline of the Sacraments. The whole text of this letter is then reproduced in a publication called Conserving Cobh Cathedral: The Case Stated pp. 108–109.
At a meeting of his liturgical advisers and diocesan clergy in November 2006, Bishop Magee speaks of his conversation with the Pope in the course of that ad limina visit at the end of the previous month. He mentions that he has been closely questioned on several aspects of his proposals to re-order St. Colman’s Cathedral. It is obvious, he says, that the Pope has been kept well informed of the entire issue.
Bishop Magee’s contribution to the ad limina visit concerns not only his diocese of Cloyne but also ceremonial matters on behalf of the Conference. He also facilitates the broadcasting, in coincidence with the visit, of a life of Pope John Paul I prepared some months earlier by Italian state television (RAI). In an interview published on the Italian Catholic daily Avvenire on October 26, 2006, Cardinal Secretary of State Tarcisio Bertone criticises the image that the programme presents of Pope John Paul I.
After the ad limina visit, Bishop Magee represents the Irish bishops at a meeting in Rome of the International Commission for Eucharistic Congresses.
In 2007, for the third year in succession, Magee fails to complete his personal schedule of confirmations in Cloyne diocese. On May 12, 2007, he is admitted to the Bon Secours Hospital in Cork to undergo a knee replacement operation. All official engagements are cancelled for the next ten weeks to allow him to recuperate, after which he resumes work.
In December 2008, Magee is at the centre of a controversy concerning his handling of child sexual abuse cases by clergy in the diocese of Cloyne. Calls for his resignation follow. On March 7, 2009, he announces that, at his request, the Pope has placed the running of the diocese in the hands of Dermot Clifford, metropolitan archbishop of the Archdiocese of Cashel and Emly, to whose ecclesiastical province the diocese of Cloyne belongs. Magee remains Bishop of Cloyne, but withdraws from administration in order, he says, to dedicate his full-time to the matter of the inquiry. On March 24, 2010, the Holy See announces that Magee has formally resigned from his duties as Bishop of Cloyne. He is eventually succeeded by Canon William Crean whose appointment comes on November 25, 2012.
The subsequent report of the Irish government judicial inquiry, The Cloyne Report, published on July 13, 2011, finds that Bishop Magee’s second in command, Monsignor Denis O’Callaghan, then the parish priest of Mallow, had falsely told the Government and the HSE in a previous inquiry that the diocese was reporting all allegations of clerical child sexual abuse to the civil authorities.
The inquiry into Cloyne – the fourth examination of clerical abuse in the Church in Ireland – finds the greatest flaw in the diocese is repeated failure to report all complaints. It finds nine allegations out of 15 were not passed on to the Garda.
Speaking in August 2011, Magee says that he felt “horrified and ashamed” by abuse in his diocese. He says he accepts “full responsibility” for the findings. “I feel ashamed that this happened under my watch – it shouldn’t have and I truly apologise,” he says. “I did endeavour and I hoped that those guidelines that I issued in a booklet form to every person in the diocese were being implemented but I discovered they were not and that is my responsibility.”
Magee also offers to meet abuse victims and apologise “on bended knee.” He says he had been “truly horrified” when he read the full extent of the abuse in the report. However, a victim says apologies would “never go far enough.” “It’s too late for us now, the only thing it’s not too late for is that maybe there will be a future where people will be more enlightened, more aware and protect their children better,” she says. Asked about restitution for victims, Magee says it is a matter for the Cloyne Diocese.
A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.
In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
Rossa becomes a shopkeeper in Skibbereen where, in 1856, he establishes the Phoenix National and Literary Society, the aim of which is “the liberation of Ireland by force of arms.” This organisation later merges with the IRB, founded two years later in Dublin.
In December 1858, Roosa is arrested and jailed without trial until July 1859. He is charged with plotting a Fenian rising in 1865, put on trial for high treason, and sentenced to penal servitude for life due to previous convictions. He serves his time in Pentonville, Portland, and Chatham prisons in England.
After giving an understanding that he will not return to Ireland, Rossa is released as part of the Fenian amnesty of 1870. Boarding the S.S. Cuba, he leaves for the United States with his friend John Devoy and three other exiles. Together they were dubbed “The Cuba Five.”
In 1885, Rossa is shot outside his office near Broadway by an Englishwoman, Yseult Dudley, but his wounds are not life-threatening. He is allowed to visit Ireland in 1894, and again in 1904. On the latter visit, he is made a “Freeman of the City of Cork.”
Rossa is seriously ill in his later years and is finally confined to a hospital bed in St. Vincent’s Hospital, Staten Island, where he dies suddenly at the age of 83 on June 29, 1915. His body is returned to Ireland for burial and a hero’s welcome. The funeral at Glasnevin Cemetery on August 1, 1915, is a huge affair, garnering substantial publicity for the Irish Volunteers and the IRB at time when a rebellion, later to emerge as the Easter Rising, is being actively planned. The graveside oration given by Patrick Pearse remains one of the most famous speeches of the Irish independence movement stirring his audience to a call to arms.
Hanafin marries Mona Brady, daughter of J. P. Brady, on August 2, 1958, in Clonmel, County Tipperary. The wedding is followed by a reception at the Galtee Hotel, Cahir, which is attended by various notables including Rev. Father J. J. Hampson, president of Blackrock College. Their first child, Mary Hanafin, is born in June 1959, followed by John Hanafin in September 1960. Mary Hanafin is a former Fianna Fáil TD and government minister, and John Hanafin is a former Fianna Fáil senator.
Hanafin operates the Anner Hotel, located in Thurles during the 1960s. Initially successful, the business fails in 1967, which Mary Hanafin later blames on her father’s excess drinking. Subsequently, Hanafin is a director of the Transinternational Oil Company.
Hanafin’s first attempt for election to public office proves unsuccessful. In 1953, he seeks to be co-opted to fill the vacancy on North Tipperary County Council created by the death of his father. In the event councillors co-opt a Labour Party nominee, Michael Treacy, by eleven votes to seven.
Hanafin is elected a member of North Tipperary County Council in 1955, polling 934 first preference votes. Subsequently, in 1956, drawing support from the Clann na Poblachta representatives, he is elected Chairman of the County Council.
Hanafin is re-elected to North Tipperary County Council in 1960, polling 797 first preference votes. In 1961, he votes against the Fianna Fáil nominee for Chair of the County Council, Thomas F. Meagher, and in favour of the Clann na Poblachta nominee, Michael F. Cronin, who is elected by 10 votes to 9. In 1964, he controversially votes in favour of Jeremiah Mockler, “a former school mate,” who is elected by 10 votes to 9 to the office of Rate Collector for Borrisokane, County Tipperary.
Hanafin holds the seat until 1985. He is first elected to Seanad Éireann in 1969 and retains his seat until the 1993 Seanad election at which he loses his seat by one vote. He regains his seat in the 1997 elections, and in 2002 announces his retirement from politics. He unsuccessfully contests the 1977 and 1981 Irish general elections for the Tipperary North constituency. He is a chief fundraiser of the Fianna Fáil party for many years.
In May 2015, Hanafin accuses “Yes” campaigners in the same-sex marriage referendum of spreading a “palpable climate of fear,” and calls for a “No” vote.
Hanafin opposes the legalisation of divorce, which is introduced in 1995, and attempts to overturn the referendum result in the Supreme Court, but is refused by the court.
An opponent of abortion, Hanafin is one of the promoters of the constitutional amendment that enshrines the legal ban on abortion in the Constitution of Ireland. He is co-founder, chairman and later honorary president of the Pro Life Campaign.
Hanafin dies in County Tipperary at the age of 86 on June 22, 2017. A Requiem Mass is held at the Cathedral of the Assumption, Thurles, on June 25, with burial afterward in St. Patrick’s Cemetery.
seamus dubhghaill 