Ó Súilleabháin is born on the Great Blasket Island on February 19, 1904. Following the death of his mother when he is six months old, he is raised in an institution in Dingle, County Kerry. At the age of eight, he returns to the Great Blasket Island to live with his father, grandfather and the rest of his siblings, and learns the native language.
Ó Súilleabháin is persuaded to write his memoirs by George Derwent Thomson, a linguist and professor of Greek who had come to the island to hear and learn the Irish language. It is Thomson who encourages him to join Garda Síochána in Dublin in 1927 rather than emigrate to the United States as do most of the young people. He is stationed in the Gaeltacht area of Connemara, where he maintains contact with Thomson.
Fiche Blian ag Fás is published in Irish and English in 1933. As one of the last areas of Ireland in which the old Irish language and culture has continued unchanged, the Great Blasket Island is a place of enormous interest to those seeking traditional Irish narratives. Thomson edits and assembles the memoir, and arranges for its translation into English with the help of Moya Llewelyn Davies.
While Fiche Blian ag Fás is received with tremendous enthusiasm by critics, including E. M. Forster, their praise at times has a condescending tone. Forster describes the book as a document of a surviving “Neolithic” culture. Such interest is tied up with romantic notions of the Irish primitive, and thus when Ó Súilleabháin tries to find a publisher for his second book, Fiche Bliain faoi Bhláth (in English, Twenty Years a-Flowering), there is little interest, as this narrative necessarily departs from the romantic realm of turf fires and pipe-smoking wise-women.
In 1934, Ó Súilleabháin leaves the Guards and settles in Connemara. He marries Cáit ní Chatháin of Carraroe on July 10, 1934. They have one daughter, Máirín, and one son, Eoin, a dramatist and writer.
Ó Súilleabháin drowns on June 25, 1950, while swimming off the Connemara coast. He is buried at Barr an Doire near Carraroe. Dylan Thomas commences, but does not finish, a film script of Twenty Years a-Growing. The partially completed film script is published in 1964.
MacSwiney Brugha is the daughter of the former Lord Mayor of Cork Terence MacSwiney and his wife Muriel Frances Murphy. Her father dies on hunger strike when she is two years old. Her father is in jail when she is born and does not see her until she is brought to see him when she is three months old. Her family’s republican and political activities leave a strong mark on her life.
Following the death of her father, her mother moves to Dublin. MacSwiney Brugha goes to live with Madame O’Rahilly, widow of The O’Rahilly, and sees her mother intermittently. Although as a child her parents decide she would speak the Irish language, her father’s death and her mother’s health results in her move to Germany in 1923 and there she is moved around a lot. She learns German and speaks no English and little or no Irish. In 1930 she is moved to Grainau in Bavaria, where she attends school. Her aunt, Mary MacSwiney, a legal guardian of hers, eventually comes to collect her and takes her back to Ireland. This causes a court case when it is claimed her aunt had kidnapped her. As a result of the court case her aunt is given custody, and she and her mother became estranged.
MacSwiney Brugha attends Scoil Íte and then St. Louis Secondary School in Monaghan where, in 1936, she completes her Leaving Certificate and gets a scholarship to University College Cork to study arts. In 1937 she plays the lead role in a play, The Revolutionist, published in 1914 and written by her father and produced by her aunt. She returns to Germany in 1938 to keep up her German and graduates with a first-class honours degree. She goes on to get her higher diploma and becomes a teacher. She spends some time teaching in Scoil Íte and then goes to Dublin in 1942 to get a master’s degree. She meets Ruairí Brugha while in Dublin. His father, Cathal Brugha, was killed in the Irish Civil War in 1922. They marry on July 10, 1945. The marriage produces four children: Deirdre, Cathal, Traolach and Ruairí.
MacSwiney Brugha’s husband has a strong political career with her support. He is a senator, a TD, and a member of the European Parliament. She leads her Fianna Fáilcumann and volunteers with the aid agency Gorta. With her husband as Official Opposition Spokesman on Northern Ireland from 1975 to 1977, the couple are very much involved in creating the policy of developing conciliation rather than aimed more at ending partition which they previously have been focused on.
At the age of 85 and after her sight has failed MacSwiney Brugha dictates her story to her daughter-in-law, Catherine Brugha. History’s Daughter: A Memoir from the Only Child of Terence MacSwiney is launched in 2005. Her own story is recorded in Irish Life and Lore. Her story is also the subject of a radio production. She dies unexpectedly at her home in Clonskeagh, County Dublin, at the age of 93 on May 20, 2012. She is buried in Glasnevin Cemetery.
Fianna Fáil leader Micheál Martin describes her as having made a “strong and valued” contribution to the development of Fianna Fáil while Gerry Adams says she “made her mark” on Irish history.
(Pictured: Máire MacSwiney Brugha on her wedding day, July 10, 1945)
Béaslaí is born Percy Frederick Beazley in Liverpool, England on February 15, 1881, to Irish Catholic parents, Patrick Langford Beazley, originally from Killarney, County Kerry, and Nannie Hickey, from Newcastle West, County Limerick. During his summer holidays in his younger years, he spends time in Ireland (near Kenmare, County Kerry) with his paternal uncle, Father James Beazley, where he begins to learn the Irish language. He is educated at St. Francis Xavier’s College in Liverpool, where he develops his keen interest in Irish. By the time he is aged 17 his Irish proficiency is exceptional.
After finishing his education at St. Francis Xavier’s, Béaslaí is encouraged to begin Irish poetry by Tadhg Ó Donnchadha. He follows his father’s footsteps into journalism, initially working for the local Wallasey News. In 1906 he moves to Dublin, and within a year becomes a freelance writer for the Irish Peasant, Irish Independent, Freeman’s Journal and Express. He is offered a permanent position with Independent Newspapers, as assistant leader writer and special reporter for the Dublin Evening Telegraph. He writes regularly for the Freeman’s Journal, including a daily half-column in Irish.
After his early introduction to Irish poetry Béaslaí becomes involved in staging Irish-language amateur drama at the Oireachtas annual music festival. He begins to write both original works and adaptations from foreign languages. One of these works, Eachtra Pheadair Schlemiel (1909), is translated from German into Irish.
Later Béaslaí continues to write poetry, such as the collection “Bealtaine 1916” agus Dánta Eile (1920), and short stories such as “Earc agus Aine agus Scéalta Eile.” Between 1913 and 1939 he writes many plays, including Cliuche Cartaí (1920), An Sgaothaire agus Cúig Drámaí Eile (1929), An Danar (1929) and An Bhean Chródha (1931). He writes two books about his comrade Michael Collins: Michael Collins and the Making of a New Ireland (2 volumes, 1926) and Michael Collins: Soldier and Statesman (1937).
Béaslaí’s works revolve around the Irish language movement and the Irish Republican Army (IRA), focusing on the independence struggle of Ireland. He writes about these topics in newspapers such as the Standard and The Kerryman. His most notable work in newspapers during his later life includes his contribution to the Irish Independent, which publishes a section called ‘A Veteran Remembers’ five days a week from May 16 to June 1957, as well as a weekly section called ‘Moods and Memories’ on Wednesdays from May 24, 1961, to June 16, 1965.
One of the awards Béaslaí gains during his career is on August 14, 1928, a gold medal at the Tailteann Literary Awards. While in Dublin, he joins the Keating Branch of the Gaelic League, and after he moves to Ireland, he begins using the Irish form of his name, Piaras Béaslaí, rather than Percy Beazley.
Béaslaí is a founding member of the Irish Volunteers in 1913. In January 1916 he serves as a courier for political activist and revolutionary leader Seán Mac Diarmada. By the time of the Easter Rising that year, he is deputy commanding officer of the 1st Dublin Battalion. In an audio recording to which he contributes in 1958, he details his experience in the Rising, describing the rebels assembling before noon in Blackhall Street at battalion headquarters. After midday they march out to the Four Courts, erecting barricades as they do so. The Four Courts is his main station.
In the audio, Béaslaí recalls a green flag with a gold harp in the centre. This is the non-Sinn Féin flag at the time. He is in direct charge of the Four Courts area, and at one point during the fight he orders a complete blackout. He recalls, “things were going badly for the English soldiers” and describes the whole event as “a weird experience.” He remembers the streets being lit up with fires in the darkness as if it were bright as day. He speaks of the intensity of the firing line and then how it suddenly ceases on the Friday. He remembers falling asleep and when he awakens being presented with Patrick Pearse‘s order to surrender. The rebels are brought to Richmond Barracks. He then spends fifteen months in English prisons.
Béaslaí serves three years of penal servitude divided between a stringent HM Prison Portland and a more lenient HM Prison Lewes. He is then imprisoned two times within four months during 1919, both terms ending in celebrated escapes. After his final prison release, Michael Collins approaches him about editing An tOglach, the Irish Volunteer newspaper. This sees communication between GHQ and local volunteers drastically improve.
Later, Béaslaí becomes director of publicity for the Irish Republican Army, and at the 1918 Irish general election he is elected to the First Dáil as Sinn Féin MP for East Kerry. Sinn Féin MPs elected in the Westminster elections of 1918 refuse to recognise the Parliament of the United Kingdom, and instead assemble the following January at the Mansion House in Dublin as a revolutionary parliament, Dáil Éireann. Béaslaí is noted for his translation of the democratic programme of the First Dáil, which he reads aloud at the inaugural sitting.
Béaslaí and Con Collins share the distinction of having been elected in three Irish general elections unopposed by any other candidates.
During Béaslaí’s time in London, he gives a lot of his time to the Gaelic League. In the Keating branch of the league, in Ireland, he develops an interest in the IRB. Cathal Brugha, a branch member, asks him to join the IRB. The Keating branch is where Béaslaí meets Michael Collins, eventually introducing Collins to his cousin and fellow branch member, Elizabeth Mernin. He is also instrumental in establishing An Fáinne, an Irish-speaking league whose members vow to speak solely Irish among themselves and wear a membership badge of a circle. This coincides with his involvement in the IRB. His love of the Irish language gives him an opportunity to delve into his other hobbies. He writes for Banba, an Irish journal published by the Gaelic League. He is able to express his love for theatre, in the Gaelic League, forming a group of men called “Na hAisteoirí.”
Mangan is born on May 1, 1803, in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.
Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.
Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.
Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.
Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.
Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.
Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.
Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.
(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)
Patterson is born on November 10, 1867, at Forgney, Ballymahon, County Longford, the son of a Protestant father and a Roman Catholic mother. He joins the British Army at Dublin in 1885 and is posted with the 3rd Dragoon Guards to India. In 1892 he is seconded to the Indian military works department as a supervisor of civil engineering projects. In 1894 he marries Frances Helena Gray, daughter of William Gray of Cork and Belfast, a building surveyor who founded the free library movement in Belfast. She goes on to earn science and law degrees.
In 1898 Patterson is sent to British East Africa to supervise 3,000 Indian and African labourers who are building a railway bridge spanning the Tsavo River as part of the Mombasa to Lake Victoria line. Construction is interrupted when two man-eating lions repeatedly attack the labourers’ camp at night. He embarks on a lion hunt, but by the time he shoots the two lions they have mauled and mutilated between 130 and 140 labourers.
The following year Patterson leads a safari trip in the protectorate accompanied by Audley James Blyth, a son of James Blyth, 1st Baron Blyth, and his wife, Ethel Jane. During the expedition Blyth shoots himself in the head with a revolver and dies. Patterson claims that Blyth was suffering from heat stroke, but there are rumours of a romantic attachment between Patterson and Mrs. Blyth. The colonial secretary Lord Crewe exonerates Patterson in return for his resignation as chief game warden. The incident serves as the plot for Ernest Hemingway‘s short story “The Short Happy Life of Francis Macomber.”
In 1913 Patterson commands the West Belfast division of the Ulster Volunteer Force (UVF) and sees service in Flanders before being sent to Egypt in early 1915. In Alexandria, two Russian Jewish Zionists, the journalistZe’ev Jabotinsky and veteran of the Russo–Japanese WarJoseph Trumpeldor, ask General John Maxwell, commander of the British forces in Egypt, to establish a Jewish legion that will liberate the Holy Land from the Turks. Maxwell refuses, proposing instead that the Jews form a volunteer transport unit to serve in Gallipoli. Patterson, who is imbued with a deep knowledge of the Old Testament and draws spiritual sustenance from biblical heroes such as Joshua and Gideon, is appointed commander of the Assyrian Jewish refugee mule corps, a colonial corps of the Egyptian expeditionary force. He sails with the Zion Mule Corps, as it is popularly known, to Gallipoli in April 1915, where the corps serves with distinction, carrying water and ammunition to the Allied troops on the peninsula. He falls ill in November 1915 and is sent to convalesce in London. The Zion Mule Corps is evacuated from Gallipoli in December and disbanded in March 1916.
When manpower and political considerations persuade the British authorities to create the Jewish Legion in 1917, Patterson is appointed its commander. He marches his 38th Battalion Royal Fusiliers through the City of London and Whitechapel, cheered by a crowd of several thousand Jews. The Jewish Legion participates in General Edmund Allenby‘s sustained attack, which successfully pushes the Turks out of Palestine. His experiences with his Jewish soldiers turn him into a committed Zionist. In 1916 he writes With the Zionists in Gallipoli, and in 1922 With the Judaeans in the Palestine Campaign, which contain a scathing attack on Britain’s policy towards the Jews during and after World War I.
Throughout the 1920s and 1930s, Patterson increasingly allies himself with the revisionist Zionist agenda espoused by Jabotinsky’s New Zionist Organisation. When World War II breaks out, he travels with Jabotinsky to the United States, moving permanently to La Jolla, California, in 1940. With others, including the Irish Jew and later Lord Mayor of DublinRobert Briscoe, he agitates for the formation of a large Jewish army that would fight with the Allies against Nazi Germany. After Jabotinsky’s death in 1940, he works with Benzion Netanyahu, the Palestinian Jewish executive director of the American revisionist Zionists. In 1946 he becomes godfather to Netanyahu’s first son, who is named Yonatan (the closest Hebrew name to John) in Patterson’s honour. Yonatan later leads Operation Entebbe, the successful 1976 Israeli raid on Entebbe Airport to free Israeli hostages.
On June 18, 1947, just a year before the establishment of the Zionist state of Israel, for which he had worked so hard, Patterson dies at Bel Air, California. A week later, the United Zionist Revisionists of Great Britain hold a memorial meeting at the Anglo–Palestinian Club near Piccadilly Circus in Patterson’s memory. His documents and personal effects are held at the Jabotinsky Institute and Museum in Tel Aviv. His uniform and other memorabilia are on display in Beit Hagdudim, the Jewish Legions Museum at Netanya, Israel. His two man-eating lions are on display in Chicago’s Field Museum of Natural History, where his son Bryan Patterson later serves as curator.
(From: “Patterson, John Henry” by Yanky Fachler, Dictionary of Irish Biography, http://www.dib.ie)
Lawless’s grandfather is Valentine Lawless, 2nd Baron Cloncurry, a member of the Society of United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father is Edward Lawless, 3rd Baron Cloncurry, thus giving her the title of “The Honourable.” In contrast, her brother Edward Lawless is a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Irish National Land League and “uphold the rights of property against organised combination to defraud.” The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett is a cousin. Lord Castletown, Bernard FitzPatrick, 2nd Baron Castletown is also a cousin. It is widely believed that she is a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) is her lover.
Lawless spends part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother’s family, and draws on West of Ireland themes for many of her works. She occasionally writes under the pen name “Edith Lytton.”
Lawless writes nineteen works of fiction, biography, history, nature studies and poetry, many of which are widely read at the time. She is most famous today for her Wild Geese poems (1902).
Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in The Burren of County Clare which is read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish’s mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour. The book is criticised by Irish-Ireland journals for its “grossly exaggerated violence,” it’s embarrassing dialect, staid characters.
Her reputation is damaged by William Butler Yeats who accuses her in a critique of having “an imperfect sympathy with the Celtic nature” and for adopting “theory invented by political journalists and forensic historians.” Despite this, Yeats includes her novels With Essex in Ireland (1890) and Maelcho (1894) in his list of the best Irish novels.
Griffin is born in Limerick, County Limerick, on December 12, 1803, the youngest son of thirteen children of a substantial Catholic farming family. Patrick Griffin, his father, also makes a living through brewing, and he participates as one of Henry Grattan‘s Irish Volunteers (18th century). His mother comes from the ancient O’Brien dynasty and first introduces him to English literature. When he is aged seven, the family moves to Fairy Lawn, a house near Loghill, County Clare, which sits on a hill above the bank of the Shannon Estuary, about twenty-seven miles from Limerick. Here he has an idyllic childhood and receives a classical education.
In 1820 the family at Fairy Lawn is broken up. The parents with several of the children emigrate to the United States and settle in Pennsylvania. Griffin, with one brother and two sisters, is left behind under the care of his elder brother William, a practicing physician in Adare, County Limerick. He meets John Banim in Limerick. Inspired by the successful production of Banim’s play Damon and Pythias (1821), Griffin, at nineteen years of age, moves to London in 1823. After an unsuccessful attempt at becoming a playwright, he endures years of poverty in London, managing only to scrape by through writing reviews for periodicals and newspapers. At the end of two years, he obtains steady employment in the publishing house as reader and reviser of manuscripts, and in a short time becomes frequent contributor to some of the leading periodicals and magazines. His early pieces in The Literary Gazette vividly describe the rural setting of his childhood, recount Irish folklore, translate the Celtic Irish language for the English readers, and, as Robert Lee Wolff observes, “waxed richly sardonic about Irishmen who tried to be more English than the English.”
Griffin’s Holland-Tide or Munster Popular Tales is published by Simpkin & Marshall in 1827. Holland-Tide is a collection of seven short stories, all of which are told in the house of a hospitable Munster farmer during All Hallows’ Eve in Munster. Holland-Tide establishes his reputation, and he returns to Ireland, where he writes Tales of the Munster Festivals in Pallaskenry to which his brother William has moved.
Experience leads Griffin to modify his expectations in relation to literary work, and, with a view to the legal profession, he enters the University of London as a law student, but in a short time removes to Dublin for the study of ancient Irish history, preparatory to his work The Invasion, which is published in 1832. This work has a good sale and is highly praised by scholars but never becomes popular.
With the exception of a tour through Scotland and a short trip on the European continent, Griffin lives with his brother, keeping up to some extent his literary labours. By 1833, he is increasingly concerned that he is wasting his time and begins to devote himself to teaching the poor children of the neighborhood. In 1838, hes all of his unpublished manuscripts and joins the Congregation of Christian Brothers, a Catholic religious order which has as its special aim the education of children of the poor. Writing to an old friend he says he feels a great deal happier in the practice of this daily routine than he ever did while roving about the great city, absorbed in the modest project of rivaling Shakespeare and throwing Scott in the shade. In June 1839, he is transferred from Dublin to Cork, where he dies of typhus fever at the age of thirty-six on June 12, 1840.
One of Griffin’s most famous works is The Collegians, a novel based on a trial that he had reported on, involving the murder of a young Irish Catholic girl (Ellen Hanley) by a ProtestantAnglo-Irish man (John Scanlon). The novel is later adapted for the stage as The Colleen Bawn by Dion Boucicault.
Griffin has a street named after him in Limerick and another in Cork. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.
(Pictured: “Portrait of Gerald Griffin (1803-1840), Poet and Novelist,” painting by Richard Rothwell (1800-1868), National Gallery of Ireland)
In 1910 Day forms the local Irish Women’s Franchise League branch in Cork as an activist group for women’s suffrage. The following year she leaves that group and founds the non-militant Munster Women’s Franchise League. Her new interest in politics leads to her winning the election of poor law guardians the same year. Her later writings reveal that she sees the Cork workhouses as an expensive self-perpetuating evil run by amateurs. This leads to her first novel, The Amazing Philanthropists (1916). From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Geraldine Cummins, Broken Faith (1913), The Way of the World (1914), and Fox and Geese (1917), which is the most successful of the three.
The Battle of Verdun lasts most of 1916 and during that time Day is amongst a group from the Society of Friends who cares for the wounded. She is in France for fifteen months and uses the experience to create her 1918 book Round about Bar-le-Duc. Where the Mistral Blows is published in 1933 and describes her time in Provence in France.
Day works as a member of the fire service in London during World War II. She lives in Cork, France and London. At the time of her death she is living at 47 Argyle Road, Kensington, London. She dies in the Cromer and District Hospital on May 26, 1964.
The work of Suzanne Rouviere Day and Geraldine Cummins has been described as a mixture of paganism and melodrama and has been suggested as a precursor to John B. Keane.
(Pictured: Suzanne R. Day in the cast of the 1901 production of The Mikado, Cork, County Cork)
Healy is the second son of Maurice Healy, clerk of the Bantry Poor Law Union, and Eliza Healy (née Sullivan). His elder brother, Thomas Healy (1854–1924), is a solicitor and Member of Parliament (MP) for North Wexford and his younger brother, Maurice Healy (1859–1923), with whom he holds a lifelong close relationship, is a solicitor and MP for Cork City.
Healy then moves to England in 1871, working first as a railway clerk and then from 1878 in London as parliamentary correspondent of The Nation, writing numerous articles in support of Charles Stewart Parnell, the newly emergent and more militant home rule leader, and his policy of parliamentary obstructionism. Healy takes part in Irish politics and becomes associated with Parnell and the Irish Parliamentary Party. After being arrested for intimidation in connection with the Irish National Land League, he is promptly elected as member of Parliament for Wexford Borough in 1880.
In Parliament, Healy becomes an authority on the Irish land question. The “Healy Clause” of the Land Law (Ireland) Act 1881, which protects tenant farmers’ agrarian improvements from rent increases imposed by landlords, not only makes him popular throughout nationalist Ireland but also wins his cause seats in ProtestantUlster. He breaks with Parnell in 1886 and generally remains at odds with subsequent leaders of the Irish Parliamentary Party, though he is a strong supporter of proposals for Irish Home Rule. Meanwhile, he is called to the Irish bar in 1884 and becomes a queen’s counsel in 1899.
Healy believes that he has been awarded the Governor-Generalship for life. However, the Executive Council of the Irish Free State decides in 1927 that the term of office of Governors-General will be five years. As a result, he retires from the office and public life in January 1928 and publishes his extensive two volume memoirs later in that year. Throughout his life he is formidable because he is ferociously quick-witted, because he is unworried by social or political convention, and because he knows no party discipline. Towards the end of his life, he becomes more mellowed and otherwise more diplomatic.
Boylan is born in Dublin on April 21, 1948, the youngest of three daughters of Patrick Boylan, a clerk, and his wife Evelyn (née Selby). Her mother feels trapped by the limitations that domesticity imposes on women in 1950s Ireland, and had wanted to have a writing career. She encourages her daughter to send off stories and poems to newspapers. The first piece is published when she is 14, and she wins a prize in the national Texaco Children’s Art Competition when she is about 10 years old.
The family lives in the Dublin suburb of Terenure. Boylan goes to school in the Presentation convent, then St. Louis convent in Rathmines, and does her leaving certificate in Rathmines College.
After leaving St. Louis convent, Boylan takes a job as a sales assistant in a bookshop before beginning her career as a journalist at The Irish Press, now defunct. She marries Alan Wilkes, a journalist who is a colleague at The Irish Press, in St. Patrick’s Church in Straffan, County Kildare, on September 18, 1970. In 1974 she wins the Journalist of the Year award when working in the city for the Evening Press. Later in her career she edits the glossy magazine Image, before largely giving up journalism to focus on a career as an author.
Boylan’s novels are Holy Pictures (1983), Last Resorts (1984), Black Baby (1988), Home Rule (1992), Beloved Stranger (1999), Room for a Single Lady (1997), which wins the Spirit of Light Award and is optioned for a film, and Emma Brown (2003). The latter work is a continuation of a 20-page fragment written by Charlotte Brontë before her death.
Boylan’s short stories are collected in A Nail on the Head (1983), Concerning Virgins (1990) and That Bad Woman (1995). The film Making Waves, based on her short story “Some Ladies on a Tour”, is nominated for an Oscar in 1988.
Boylan’s non-fiction includes The Agony and the Ego (1994) and The Literary Companion to Cats (1994). She writes introductions to the novels of Kate O’Brien and Molly Keane and adapts Keane’s novel Good Behaviour as the classic serial for BBC Radio 4 (2004). Her work has been translated as far afield as Russia and Hong Kong.
In later life, Boylan lives in County Wicklow with her husband. When she is diagnosed with ovarian cancer, she faces her illness with characteristic strength. She takes up kickboxing and spends time in France, shopping, cooking and entertaining friends. She succumbs to cancer at the age of 58 on May 16, 2006.
