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Tag Archives: Folk Music


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Birth of Kathleen Behan, Irish Republican & Folk Singer

Kathleen Behan (née Kearney), Irish republican and folk singer, and mother of Irish authors Brendan, Brian and Dominic, is born on September 18, 1889, at 49 Capel Street, Dublin.

She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.

Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.

In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.

The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”

From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.

In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.

Behan dies in the nursing home in Raheny on April 26, 1984, and is buried in Dean’s Grange Cemetery.

(Pictured: Portrait of Kathleen Behan by Sarah Purser, National Gallery of Ireland)


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Birth of Anthony Farquhar, Auxiliary Bishop Emeritus of Down & Connor

Anthony J. Farquhar, Irish Catholic prelate who is the Auxiliary Bishop of the Roman Catholic Diocese of Down and Connor, is born in South Belfast, Northern Ireland, on September 6, 1940.

Farquhar is educated at St. Malachy’s College. He later studies classics at Queen’s University, Belfast. He is then sent to study theology at the Pontifical Lateran University, Rome. He is ordained to the priesthood at the age of 24 on March 13, 1965.

Farquhar is assistant priest at Dunsford and Ardglass Parish. He is a hospital chaplain in 1966. He is later assigned to teach Latin at St. MacNissi’s College, Garron Tower, where he stays as a teacher from 1966 to 1970. From 1970 to 1975 he is assistant chaplain, along with Ambrose Macaulay, to Queen’s University Belfast, and finally as Chaplain/Lecturer at the University of Ulster from 1975 to 1983.

Farquhar’s main outside interests are folk music and football, particularly student football. He is president of Queen’s University Belfast A.F.C. and also serves as patron of the Irish Universities Football Union.

On April 6, 1983, aged 42, Farquhar is appointed Titular Bishop of Hermiana and, with Patrick Walsh, as Auxiliary Bishop of Down and Connor. The principal consecrator is the Bishop of Down and Connor, Cahal Daly, (later Cardinal Archbishop of the Archdiocese of Armagh) and principal co-consecrators are Archbishop Gaetano Alibrandi, the Apostolic Nuncio to Ireland and William J. Philbin (Bishop Emeritus of Down and Connor). During the ordination ceremony, the assistant Priests to Bishop Farquhar are his priest uncles, Canon Walter Larkin and Fr. Thomas Aquinas Larkin O.C.D.

Farquhar’s episcopal motto is “Sapientia Proficere” (“to increase in wisdom”) from Luke 2:52. He takes an active and ongoing interest in interchurch relations and serves as Chairman of the Irish Catholic Bishops’ Conference on Ecumenism.

Farquhar travels to Rome for the quinquennial visit ad limina visit in October 2006.

In December 2007, he officiates at the dedication of the new altar in the Church of the Good Shepherd in his native parish of the Most Holy Rosary, Belfast, following the renovation programme.

A book titled Inter-Church Relations: Developments and Perspectives, published by Veritas Communications to mark the 25th anniversary of Farquhar’s ordination as a bishop, contains contributions by a number of people praising Farquhar’s work. Seán Brady notes he was “engaged actively in promoting bonds of friendship and understanding at times when it has been far from easy to do so.”

On December 3, 2015, Pope Francis accepts Farquhar’s resignation on the grounds of age. He is at the time the longest serving bishop in Ireland.

Farquhar dies in Belfast on November 18, 2023, at the age of 83. His funeral requiem mass is celebrated in the Church of the Good Shepherd, Ormeau Road, Belfast, on November 23 followed by interment in the adjoining cemetery.


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Birth of Paul Brady, Irish Singer-Songwriter

Paul Joseph Brady, Irish singer-songwriter and musician, is born in Belfast, Northern Ireland, on May 19, 1947. Interested in a wide variety of music from an early age, his work straddles folk and pop.

Brady is raised in the small town of Strabane in County Tyrone, Northern Ireland, on the border with County Donegal, Republic of Ireland. His father Seán Brady and mother Mollie Brady (née McElholm) are schoolteachers. He is educated at Sion Mills Primary School, St. Columb’s College, Derry and University College Dublin (UCD). He is featured in the documentary film The Boys of St. Columb’s.

Brady begins learning piano around age six and by the age of eleven he has begun to play guitar, spending hours of his school holidays learning every song that the Shadows had recorded. He is also influenced by Chuck Berry.

In 1963, Brady begins performing as a piano player in a hotel in Bundoran, County Donegal. In October 1964, he attends University College Dublin and performs with a number of R&B groups, covering songs by the likes of Ray Charles and James Brown. The first of these is the Inmates (late 1964–about April 1965), which evolves into the Kult (about April–December 1965), featuring Brady, Jackie McAuley (ex-Them, and future Belfast Gypsies and Trader Horne), Brendan Bonass, and Dave Pennefather. He can be seen in the documentary film Charlie Is My Darling waiting outside Dublin‘s Adelphi Cinema for the Rolling Stones‘ concert of September 3, 1965. He next joins Rootzgroup (late 1965–May 1966) and Rockhouse (about May–December 1966).

During Brady’s time at college in Dublin, the country sees a huge rise in interest in traditional Irish music. He joins the popular Irish band The Johnstons when Michael Johnston leaves in May 1967. They move to London in 1969 and subsequently to New York City in 1972 to expand their audience. Despite some success, he returns to Ireland in 1974 to join the Irish group Planxty, the band that subsequently launches the solo careers of Andy Irvine, Liam O’Flynn, Dónal Lunny, and Christy Moore.

When Planxty disbands in late 1975, Brady forms a duo with Irvine from 1976 to 1978, a partnership that produces the successful album, Andy Irvine/Paul Brady. The next few years see him establish his popularity and reputation as one of Ireland’s best interpreters of traditional songs. His versions of ballads like “Arthur McBride” and “The Lakes of Pontchartrain” are considered definitive and are still popular at concerts today. In 1975 in New York, he records three albums for Shanachie Records as guitar accompanist to resident Irish fiddlers Andy McGann, Paddy Reynolds and John Vesey. He also records a 1976 album, The High Part of the Road, for the same label with Irish fiddler Tommy Peoples.

In 1978, Brady releases his first solo album, Welcome Here Kind Stranger, which wins him critical acclaim and is voted the “Folk Album of the Year” by Melody Maker magazine. However, it proves to be his last album covering traditional material. He decides to delve into pop and rock music and releases his first album of this genre in 1981, Hard Station.

Brady releases a number of successful solo albums throughout the 1980s: True for You (1983), Back to the Centre (1985), and Primitive Dance (1987). By the end of the decade, he is recognised and accepted as a respected performer and songwriter. His songs are being covered by a number of other artists, including Santana and Dave Edmunds.

When Tina Turner hears a demo of his song “Paradise Is Here,” she records it for her Break Every Rule album of 1986. By now, he is a favourite songwriter among such artists as Bob Dylan and Bonnie Raitt, who does a duet with him on his 1991 album, Trick or Treat. A couple of his songs soon appeared on Raitt’s album Luck of the Draw, including the title track.

Dylan is sufficiently impressed by Brady’s work to name-check him in the booklet of his 1985 box set, Biograph. The actual quote is “(…) people get too famous too fast these days and it destroys them. Some guys got it down – Leonard Cohen, Paul Brady, Lou Reed, secret heroes, John Prine, David Allen Coe, Tom Waits. I listen more to that kind of stuff than whatever is popular at the moment. They’re not just witchdoctoring up the planet, they don’t set up barriers (…)”.

In 1991, Brady reaches number 5 in the Irish Singles Chart with Nobody Knows.

Since his Hard Station album (1981), Brady is on various major labels until he creates his own label, PeeBee Music, in the late 1990s. He releases three albums in the 1990s: Trick or Treat, Songs & Crazy Dreams (a remixed compilation of earlier songs) and Spirits Colliding, which are met with critical acclaim. Trick or Treat is on Fontana/Mercury Records and receives a lot of promotion. As a result, some critics consider it his debut album and note that the record benefits from the expertise of experienced studio musicians, as well as producer Gary Katz, who works with the rock group Steely Dan. Rolling Stone, after praising his earlier but less-known solo records, calls Trick or Treat Brady’s “most compelling collection.”

Brady goes on to record several other albums, fifteen in total since going solo in 1978, and collaborates with a number of other established musicians including Bonnie Raitt and Richard Thompson. In 2006, he collaborates with Cara Dillon on the track “The Streets of Derry” from her album After the Morning. He also works with Fiachra Trench.

Brady performs Irish language songs as a character in the 2002 Matthew Barney film Cremaster 3. He also plays tin whistle on the single “One” by Greg Pearle in 2008, from the album Beautiful You, a collaboration between Greg Pearle and John Illsley. This song is featured in the 2008 film Anton, directed by Graham Cantwell.

Brady’s fifteenth studio album, Hooba Dooba, is released in March 2010.

In 2017, a friendship is struck with Theo Katzman (Vulfpeck) and Brady tours Ireland in 2019 as half of this duo with Joe Dart, also of vulfpeck, Louis Cato and Lee Pardini. He continues to tour, record and collaborate with other artists. In 2019, Jimmy Buffett begins performing a cover of Brady’s hit, “The World is What you Make It.” In September 2019, Brady joins Buffett on his tour stops in both Dublin and London.

Brady releases the album Unfinished Business on his own label, PeeBee Music, licensed to Proper Music UK, in 2017.

While Brady and Andy Irvine’s planned tour of their 1976 album Andy Irvine/Paul Brady is impacted by the COVID-19 pandemic, they finish the tour in 2022. Musicians to join them on the tour include fiddle player Kevin Burke and multi-instrumentalist Dónal Lunny, both of whom had played on the original album.

In 2009, Brady receives an honorary degree of Doctor of Letters from the University of Ulster, in recognition of his services to traditional Irish music and songwriting.


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Birth of Danny Doyle, Irish Folk Singer

Daniel Doyle, Irish folk singer, is born in Dublin on April 28, 1940. During the 1960s and 1970s, he is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. He records twenty-five albums and is known for his chart-topping songs “Whiskey on a Sunday,” “Daisy a Day” and “The Rare Ould Times.”

After leaving school at the age of fourteen, Doyle starts doing odd jobs, including working as general factotum in Dublin’s Pike Theatre, where he begins to pick up, from the travelling players, songs from the Irish countryside.

During the 1960s and 1970s, Doyle is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. His song “The Rare Auld Times” notably displaces ABBA‘s “Take a Chance on Me” after just one week at the top. The song is composed in the 1970s by Pete St. John for the Dublin City Ramblers and peaks on the Irish Music Charts for twelve weeks. In 1979, he is the first artist to record St. John’s song “The Fields of Athenry.” He is probably best known for his 1967 number one hit “Whiskey on a Sunday.” His other notable works are “A Daisy a Day” and “The Rare Auld Times.” The hit songs “Daisy A Day,” “Streets of London,” “Lizzie Lindsay” and “Whiskey on a Sunday” that are released in the 1960s make him popular.

In 1983, Doyle moves to the United States from Ireland.

Doyle appears in concert throughout the world, including Carnegie Hall in New York City and the Royal Albert Hall in London. He also collaborates with Bill Whelan who is a pianist, producer and Riverdance composer.

Although retired from performing, Doyle performs with other artists at the 2010 Milwaukee Irish Fest.

Doyle dies on August 6, 2019, at the age of 79 at his residence in the United States. He is survived by his wife Taffy.


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Birth of Pete St. John, Irish Folk Singer-Songwriter

Peter Mooney, Irish folk singer-songwriter known professionally as Pete St. John, is born in Inchicore, Dublin on January 31, 1932. He is best known for composing “The Fields of Athenry.”

St. John is the eldest of six children born to Tommy and Lottie Mooney. He is educated at Scoil Muire Gan Smál and Synge Street CBS. He emigrates to Ontario, Canada in 1958 where he takes what labouring jobs he can find. Within six months he meets a woman named Gert Gorman who has an electrical contracting company in the United States. She and her husband sponsor him to move to Washington, D.C., where he is able to work as an electrician. He marries his sweetheart, Susie Bourke, who is from a well-known Dublin theatrical family with links to both the Gaiety and the Olympia theatres. They have two sons, Kieron and Brian. He travels widely and becomes involved in the peace movement and the civil rights movement. He remains in the United States until 1970, returning to settle in Collins Avenue in north Dublin.

The Dublin city that St. John returns to is a changed place from the one he had grown up in and proves to be the spur that inspires his songwriting. He chooses “St. John” as his nom de plume, inspired by a middle name he had been given while at school when all the boys in his class were assigned saints’ names. In 1975, he is running a theatre in Petticoat Lane on Marlborough Street, and while fixing an alarm outside a window on the first floor, the ledge on which he is leaning gives way, resulting in a bad fall. He breaks his elbow and hip and spends six months in the hospital recuperating. It is during this time that he takes to songwriting in earnest.

St. John is an extrovert who loves people. He is a voracious reader with a particular interest in Irish history. His son Kieron recalls his father writing “The Rare Aul Times” during this recovery period and singing it to his family. The Dublin City Ramblers is the first band to cover the song, but it is Danny Doyle’s version that achieves a real breakthrough, spending eleven weeks in the Irish Singles Chart, reaching No. 1 in 1978.

In 1978, St. John writes “The Fields of Athenry,” a tale of a man exiled to Botany Bay for stealing food to feed his family during the Famine. It has been recorded by several artists, charting in the Irish Singles Chart on a number of occasions. A recording by Paddy Reilly, which is released in 1982, remains in the Irish charts for 72 weeks.

St. John pays close attention to the melding of lyric and melody and has particular form in writing memorable melodies that sound timeless, resonating deeply with listeners across all walks of life. His songs sometime express regret for the loss of old certainties, for example, the loss of Nelson’s Pillar and the Metropole Ballroom, two symbols of old Dublin, as progress makes a “city of my town.”

St. John describes his chosen craft with affection. “Songs are magic carpets. They can tell a story over and over again without boring the pants off the listener and maybe take us out of ourselves for a few moments of peaceful escapism. With easy to remember melody lines, the words can tell of times and events in our daily lives that are worth noting or remembering.”

St. John’s songbook consists of hundreds of compositions, including “The Ferryman,” “Waltzing on Borrowed Time” and “The Furey Man” and are recorded by over 2,500 artists. He is a founding member of the Irish Music Rights Organisation (IMRO) and is always generous and supportive of younger writers, some of whom he continues to mentor well into his 80s.

St. John is surprised and delighted at the affiliation that emerges between “The Fields of Athenry” and rugby and football sporting events. He is present in Croke Park in 2007 when Ireland beats England in the Six Nations, and where the song is sung three times over. It is a song often heard in Anfield in Liverpool, and at Glasgow Celtic games, and reverberates around the stadium at Chicago’s Soldier Field when Ireland beats the All Blacks on November 5, 2016.

St. John wins several awards, including the Irish Music Rights Organisation “Irish Songwriter of the Year.”

St. John lives life to the fullest, and while he suffers ill health in his later years with both diabetes and Parkinson’s disease, he never loses his zest for life. His son Kieron describes his father with affection as a man who had nine lives and lived them all to the fullest. He lives independently at home until his admission to Beaumont Hospital in Dublin. He dies peacefully there at the age of 90 on March 12, 2022. After his funeral, Paddy Reilly and Glen Hansard perform “The Fields of Athenry” at Beaumont House in Dublin as a tribute.


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Death of Liam Clancy, Irish Folk Singer

William “Liam” Clancy, Irish folk singer and actor, dies on December 4, 2009, in Bon Secours Hospital, Cork. He is the youngest and last surviving member of the influential folk group The Clancy Brothers, who are regarded as Ireland’s first pop stars. They record 55 albums, achieve global sales of millions and appear in sold-out concerts at such prominent venues as Carnegie Hall and the Royal Albert Hall.

Clancy is born in Carrick-on-Suir, County Tipperary on September 2, 1935, the ninth and youngest surviving child of Robert Joseph Clancy and Joanna McGrath. He receives a Christian Brothers education before taking a job as an insurance man in Dublin. While there he also takes night classes at the National College of Art and Design.

Clancy begins singing with his brothers, Paddy and Tom Clancy, at fund-raising events for the Cherry Lane Theatre and the Guthrie benefits. The Clancy Brothers and Tommy Makem, begin recording on Paddy Clancy’s Tradition Records label in the late 1950s. Liam plays guitar in addition to singing and also records several solo albums. They record their seminal The Rising of the Moon album in 1959. There are international tours, which include performances at Carnegie Hall and the Royal Albert Hall. The quartet records numerous albums for Columbia Records and enjoys great success during the 1960s folk revival. In 1964, thirty percent of all albums sold in Ireland are Clancy Brothers and Tommy Makem records.

After The Clancy Brothers split up, Liam has a solo career in Canada. In 1975, he is booked to play a festival in Cleveland, Ohio, where Tommy Makem is also playing. The two play a set together and form the group Makem and Clancy, performing in numerous concerts and recording several albums together until 1988. The original Clancy Brothers and Tommy Makem line-up also get back together in the 1980s for a reunion tour and album.

In later life, Liam maintains a solo career accompanied by musicians Paul Grant and Kevin Evans, while also engaging in other pursuits. In 2001, Clancy publishes a memoir titled The Mountain of the Women. He is also in No Direction Home, the 2005 Bob Dylan documentary directed by Martin Scorsese. In 2006, Clancy is profiled in a two-hour documentary titled The Legend of Liam Clancy, produced by Anna Rodgers and John Murray with Crossing the Line Films, which wins the award for best series at the Irish Film and Television Awards in Dublin. His final album, The Wheels of Life, is released in 2009. It includes duets with Mary Black and Gemma Hayes as well as songs by Tom Paxton and Donovan.

Liam Clancy dies from pulmonary fibrosis on December 4, 2009, in Bon Secours Hospital, Cork. He is buried in the new cemetery in An Rinn, County Waterford, where he spent the last number of years of his life, owning a successful recording studio.


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Birth of Irish Poet Trevor Joyce

Irish poet Trevor Joyce is born in Dublin on October 26, 1947. He co-founds New Writers’ Press (NWP) in Dublin in 1967 and is a founding editor of NWP’s The Lace Curtain, a magazine of poetry and criticism in 1968.

Joyce is brought up between Mary Street, in the city centre, and the Galway Gaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.

In Dublin and Oxford, in the early eighties, Joyce conducts seminars and lectures on classical Chinese poetry. Having studied Philosophy and English at University College Dublin (UCD), he moves in 1984 to Cork, where he reads Mathematical Sciences at University College Cork (UCC). He now resides in the city.

Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).

After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.

Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.

A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.

Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.

Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.

Joyce has residencies at Cill Rialaig, County Kerry, and at the University of Galway. He is also co-founder and director of the annual SoundEye Festival that is held in Cork City.


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Birth of Irish Folk Singer Patsy Watchorn

Patsy Watchorn, Irish folk singer notable for being a member of the Dublin City Ramblers and later The Dubliners, is born in Crumlin, Dublin, on October 16, 1944.

Watchorn first comes to prominence in 1969 as the lead singer of The Quare Fellas, a Dublin-based ballad group. They evolve into the Dublin City Ramblers in the early 1970s and with Watchorn as their lead singer they have hits with songs such as “The Rare Ould Times” and “The Ferryman,” both of which are written by Pete St. John.

Watchorn also writes and sings the Irish Football Team anthem, “We are the Boys in Green” (Home & Away album), with The Dublin City Ramblers for the teams European Championship campaign in Germany and again for the 1990 FIFA World Cup in Italy. The lyrics change slightly in both releases in 1988 and 1990.

In 1995, Watchorn leaves The Dublin City Ramblers and makes a number of solo albums. He joins The Dubliners in 2005, taking Paddy Reilly‘s place. He is well received throughout Ireland, the United Kingdom, Europe, Australia and the United States. He appears on their Tour Sampler EP in 2005, as well as the double album Live at Vicar Street (2006). He plays the banjo, bodhrán and spoons. He cites Luke Kelly, former lead singer with The Dubliners, as his favourite singer.

When The Dubliners announce their retirement in 2012 after finishing their 50 Years Anniversary Tour, Watchorn decides to keep on touring with former band members Seán Cannon and Eamonn Campbell and banjo player Gerry O’Connor under the name of “The Dublin Legends.”

On April 28, 2014, Watchorn posts a message on his website, stating that he has “decided to take a break from the music business for a while” and will not be touring the rest of 2014 with The Dublin Legends. He later admits this is due to ill health and that doctors had advised him that touring would do further damage to his health.

Watchorn’s distinctive and passionate vocals have made him a huge rock on the Irish folk scene. In his solo projects in the mid- and late-1990s, after his departure from The Dublin City Ramblers, he has session men who used to play alongside him and he uses the stage name “Patsy Watchorn, agus a Cháirde” (which means “and his Friends” in Irish).


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Birth of Derek Warfield, Founding Member of The Wolfe Tones

Derek Warfield, Irish singer, songwriter, historian, and a former member of the musical group The Wolfe Tones, is born in the Dublin suburb of Inchicore on September 15, 1943.

Warfield is educated at Synge Street CBS. He is apprenticed as a tailor until becoming a folk musician. He is a cousin of Sinn Féin Senator Fintan Warfield.

Warfield is a singer, songwriter, mandolin player and a founding member of The Wolfe Tones, performing with the band for nearly thirty-seven years, writing and recording over 60 songs. As a founding member, he is featured on every album recorded by the band from 1965’s debut album The Foggy Dew through to 1989’s 25th Anniversary.

In 1989, a contract is signed by Warfield, signing rights to an American distributor, Shanachie Records. The contents of this contract are apparently misrepresented to the other members of The Wolfe Tones, resulting in a clause that prevents them from recording any new material. Unable to reverse this agreement, they continue to tour, albeit without any new material. As of July 2017, Warfield has not spoken to his brother and former bandmate Brian Warfield since he left The Wolfe Tones in 2001.

A solo album, Legacy, is released in 1995 as he is still eligible to record under his own name. With Warfield on vocals and mandolin, the music on this album is performed by a new band, although he is still touring with The Wolfe Tones. Legacy is followed by Liberte’ ’98, Sons of Erin, Take Me Home To Mayo and Clear The Way. He also has a video Legacy and two books, The Songs and Ballads of 1798 and The Irish Songster of the American Civil War.

In 2001, after a show played in Limerick, Warfield leaves The Wolfe Tones to concentrate on his own career. Calling themselves “Brian Warfield, Tommy Byrne and Noel Nagle, formerly of The Wolfe Tones,” the remaining three go on to release You’ll Never Beat the Irish (2001) and the subsequent album Child of Destiny (2011).

Warfield has performed his music and songs at American Civil War events and commemorations at such sites as Gettysburg, Sharpsburg and Harrisburg with his band, The Sons of Erin. His 2002 release, Clear the Way, is the second in his Irish Songs in the Civil War series.

The ballad “Take Me Home to Mayo,” written by Belfastman Seamus Robinson as a tribute to Michael Gaughan, is recorded as a duet with Irish American Andy Cooney and is the title track of another 2002 Warfield release.

In 2003, following a complaint by an Ulster Unionist Party (UUP) politician, Roy Beggs, Jr., a radio channel dedicated to the music of Derek Warfield is removed from the in-flight entertainment of Aer Lingus. Beggs complains of the “Blatant promotion of militant, armed republicanism” by the playing of this music, saying it is the same as “the speeches of Osama bin Laden being played on a trans-Atlantic Arabian airline.” Aer Lingus removes the material from their flights stating: “It is something that should not have been on board and we removed it immediately we became aware of it.”

In March 2006, Warfield releases his ninth solo album, a 36-song double CD of Irish songs. On March 1, 2006, his wife Nuala dies, followed by the death of his eldest daughter on September 28, 2007.

Warfield now tours with his new band, Derek Warfield and The Young Wolfe Tones.

A biography of Robert Emmet in two volumes, although not written by Warfield, has been published by him, and a collaboration with Raymond Daly of Tullamore has resulted in the publishing of a critically acclaimed book of lyrics and histories of Irish songs called Celtic and Ireland in Song and Story.


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The Execution of Roddy McCorley, Irish Nationalist

Roddy McCorley, Irish nationalist, is executed on February 28, 1800. He is alleged to be a member of the United Irishmen and claimed as a participant in their rebellion of 1798.

McCorley, the son of a miller, and is born near Toome in the civil parish of Duneane, County Antrim, in what is now Northern Ireland. A few years before the Irish Rebellion of 1798, his father is believed to have been executed for stealing sheep. These charges appear to be politically motivated in an attempt to remove a troublesome agitator at a time of great social unrest. Following his father’s execution, his family is evicted from their home.

There is uncertainty as to whether McCorley is actually actively involved with the predominantly Presbyterian United Irishmen or the predominantly Catholic Defenders. His role in the 1798 rebellion itself is unrecorded. In a ballad called “Roddy McCorley” written in the 1890s by Ethna Carbery, he is claimed to have been one of the leaders of the United Irishmen at the Battle of Antrim, however there is no contemporary documentary evidence to support this claim or prove that he was even active in the rebellion.

After the rebellion, McCorley joins a notorious outlaw gang known as Archer’s Gang, made up of former rebels and led by Thomas Archer. Some of these men had been British soldiers who changed sides in the conflict, and as such are guilty of treason and thus exempt from the terms of amnesty offered to the rank and file of the United Irishmen. This means that they are always on the run in an attempt to evade capture. This “quasi-rebel” group are claimed to have attacked loyalists and participated in common crime. It is believed that McCorley is caught while in hiding, having been betrayed by an informer.

After McCorley is arrested he is tried by court martial in Ballymena on February 20, 1800, and sentenced to be hanged “near the Bridge of Toome,” in the parish of Duneane. His execution occurs on February 28, 1800. The bridge had been partially destroyed by rebels in 1798 to prevent the arrival of loyalist reinforcements from west of the River Bann.

McCorley’s body is then dismembered and buried under the gallows, on the main Antrim to Derry road. A letter published in the Belfast News Letter a few days after his execution gives an account of the execution and how he was viewed by some. In it he is called Roger McCorley, which may be his proper Christian name.

His great-grandson, Roger McCorley, is an officer in the Irish Republican Army in the Irish War of Independence (1919–1921).

In addition to Ethna Carbery’s ballad, historian Guy Beiner uncovers earlier references to McCorley in Presbyterian folklore, which he shows to have been repeatedly forgotten and obscured on the background of mainstream Presbyterian identification with Unionism.

Carbery’s ballad is re-popularised by The Clancy Brothers and Tommy Makem, The Dubliners, The Kingston Trio, and others during the folk music revival of the 1960s. It is recorded in 1995 by Shane MacGowan and The Popes for their album The Snake and has also been recorded by other contemporary artists, such as Heather Dale on her 2006 album The Hidden Path. The melody for “Roddy McCorley” is reused in 1957 for “Sean South,” about a failed operation that year during the IRA’s border campaign.

An account of McCorley’s career compiled in the early twentieth century from local traditions and correspondence with his descendants, Who Fears to Speak of ’98?, is written by the Belfast antiquary and nationalist Francis Joseph Bigger. It contains an edited version of an early 19th-century ballad about Roddy McCorley’s fate.