Cosgrove is the son of Michael and Mary Cosgrove. He has four brothers, Dan, Ned, David and Joseph, and a sister Mary-Catherine. While they are still young their father emigrates to Australia, but later returns. In the meantime, his mother moves with his siblings to a cottage in nearby Peafield and they attend school at the National School, Ballinrostig. He begins work as an apprentice butcher at Whitegate. One of his daily chores is a morning delivery to Fort Carlisle (now Fort Davis) with a consignment of meat for the troops. It is from Fort Carlisle that he joins the army.
Cosgrove enlists in the Royal Munster Fusiliers on March 24, 1909, and is given the regimental number 8980. At the outbreak of war, the 1st Battalion of the Munster Fusiliers is stationed in Rangoon, Burma, as regular battalions are routinely stationed overseas. They leave Rangoon on November 21, 1914, and Cosgrove, now a corporal, lands in England on January 10, 1915. Upon landing they still wear their Indian issue uniforms and stand on the cold quay in their khaki drill shorts. The battalion is then assigned to the 86th Brigade of the 29th Division (United Kingdom), in preparation for the landings at the Dardanelles in Turkey.
During the Battle of Gallipoli, Turkey, the 1st Munsters, together with the 1st Battalion Royal Dublin Fusiliers and Royal Hampshire Regiment, are on the converted collier River Clyde when it runs ashore for the Cape Helles ‘V’ beach landing at 6:20 a.m. on April 25, 1915. On departing from the ship’s bay they are subject to fierce enfilading machine gun fire from hidden Turkish defences. One hundred or more of the Battalion’s men fall at this stage of the battle, with just three companies of Munsters making it to the shelter of the dunes. They are unable to advance due to the withering Turkish fire.
At daybreak on the following day it is decided to take the village behind the Sedd el Bahr fort overlooking the bay. Cosgrove leads a company section during the attack on the Turkish positions. Barbed wire holds them up and he sets himself the task of pulling the stanchion posts of the enemy’s high wire entanglement single-handed out of the ground, notwithstanding the terrific fire from both front and flanks with officers and men falling all around him. Thanks to his exceptional bravery, his heroic actions contribute greatly to the successful clearing of the heights. Turkish counter-attacks are held off. It is during this attack that his actions earn him the regiment’s first Victoria Cross of the war. He is also wounded during this action. Promoted to Sergeant, he sees no further action due to his wound, which is a contributing factor in his death years later.
Cosgrove transfers to the Royal Fusiliers in 1918, to the Prince of Wales’s Leinster Regiment in 1920, the Royal Northumberland Fusiliers in 1922, and later goes as an instructor to the Indian Territorial Force in 1928 to become 7042223 Staff Sgt Instructor. He comes home in 1935 pending discharge to pension. However, he is admitted to Millbank hospital and takes discharge before he is fit. After a short leave in Cork, he returns to London, where he is admitted to Middlesex Hospital. He is later transferred to Millbank hospital London, where he dies at the age of 47 on July 21, 1936.
In 1972, Cosgrove’s Victoria Cross medal is sold for a record price £2,300 to a private collector. When questioned about the high price which the medal fetches, the auctioneer replies “When one buys a gallantry medal, it is not just the medal one buys, but the act that won it.” His Victoria Cross, together with his other medals, are sold at an auction by Dix Noonan Webb held on September 22, 2006 for “the world’s most valuable auction of orders, decorations and medals.” A total of £1,965,010 is spent by 305 different buyers, a figure which represents “the highest amount ever realised by any numismatic auction in the UK.” The day’s highest price, £180,000, is paid by a collector for the Gallipoli landings Victoria Cross group of six, which includes the medal awarded to Sgt. William Cosgrove, Royal Munster Fusiliers.
Shiels is born on June 24, 1881, in Milltown, Ballybrakes, near Ballymoney, County Antrim, one of seven sons of Robert Shiels, a railway worker, and Eliza Shiels (née Sweeney), who also has one daughter. The family soon moves to Castle Street, Ballymoney, where he attends the local Roman Catholicnational school. His elder brothers emigrate to the United States when young. With there being no chance of further schooling even if he wanted it, he leaves Ireland when he is 19 years old. He works as a casual labourer in many places in western North America: as a farmworker and miner in Idaho and Montana, and as a lumber camp worker in British Columbia, Canada. In 1904 he is employed by the Canadian Pacific Railway to supervise a gang of workers who are building a stretch of railway in Saskatchewan. In a serious accident, he is badly injured. Despite surgery on his back, he is never able to walk again, and he receives a disability pension from the railway company.
After a long convalescence in Canada, Shiels returns to his mother’s house in Ballymoney around 1908. He sets up in business in Main Street as a shipping agent and as an agent for the Canadian Pacific Railway, taking bookings from intending emigrants. He is encouraged by his parish priest, Fr. John Hasson, by a local solicitor, Jack Pinkerton, and by James Pettigrew, a teacher, to write short stories. To try to preserve anonymity in a small community, he at first uses the pseudonym “George Morshiel,” and is successful with Western stories and other short fiction. His friends urge him to try writing dramas, and in 1918 Away from the Moss is produced by the Ulster Literary Theatre in Belfast.
After further success there with two short plays in which Shiels is learning his craft, the Abbey Theatre in Dublin accepts a one-act play, Bedmates, which is performed in January 1921. With great regularity for the next twenty years, he writes twenty-two plays for the Abbey Theatre. His work forms the basis of the repertoire in the 1920s and 1930s and attracts large audiences. Plays such as The New Gossoon (1930) provide Dublin theatregoers with entertainment, but also help form the style of acting and production which for many years characterises the Abbey and its actors. Three of his plays, Paul Twyning (1922), Professor Tim (1925) and The New Gossoon, are later performed in theatres in London and are also published in a 1945 volume, which is twice reprinted. Professor Tim, produced by the touring Abbey Theatre, receives enthusiastic reviews in Philadelphia, and The New Gossoon appears successfully on Broadway in New York City in 1932, 1934, and 1937.
Shiels’s earlier work is perhaps easiest for audiences to enjoy. Comedies such as Moodie in Manitoba (1918) portray characters so realistic that north Antrim people believe with some alarm that it might be possible to identify who Shiels had in mind when he created them, and he is at first somewhat less than popular in Ballymoney. He superbly reproduces local language and thoroughly understands the local way of life. Plays he writes late in his career are first performed by the Group Theatre in Belfast, and in these productions (and in the radio versions broadcast by the BBC) his work becomes widely known, almost beloved, in the north of Ireland. During the first half of the twentieth century amateur drama groups throughout Ireland are much more important in local life than they have been since the advent of television. Probably all such societies have at some time staged a Shiels play, and this tradition continues. His plays contain amusing dialogue, carefully crafted plots, and usually more or less happy endings.
However, Shiels’s later works, notably The Passing Day (1936), first broadcast as a radio play, and The Rugged Path (1940), which breaks all records at the Abbey Theatre in a run of three months, tackle darker subject matter and feature characters still less sympathetic even than the rogues and hypocrites of the earlier work. In The Rugged Path and its sequel, The Summit (1941), he explores the moral crisis facing Ireland after the political changes of the 1920s. One critic sees in it an allegory for the contemporary struggle against Adolf Hitler. His view of life in the small towns and farms of Ireland is never in the slightest rosy-tinted, but in the symbolism of The Passing Day, he achieves “bitter intensity” (The Irish Times review, quoted by Casey).
Shiels’s modesty leads him to refuse an honorary doctorate from Queen’s University Belfast (QUB), in 1931. He is reticent about his experiences and beliefs and does little to foster his own reputation. In one early interview he expresses the belief that Ulster theatre needs dramatic material that reflects the psychology and setting of the region. His own work, at its best, achieves this and more. The very qualities which make his work popular in the north of Ireland permit some metropolitan literary critics to dismiss his plays as “kitchen comedies.” However, with the passage of time, his importance as a chronicler of a vanishing way of life can be set alongside the recognition due to him as a prolific and gifted dramatist.
Shiels suffers from a lengthy illness, and though he undergoes an operation in Ballymoney in 1949, dies soon afterwards at his house, New Lodge, in Carnlough, County Antrim, on September 19, 1949. He is buried in the graveyard of Our Lady and St. Patrick in Ballymoney. In the month that he dies, the Group Theatre and Garvagh Young Farmers’ Club are both rehearsing Shiels plays, and there have since been many productions of his plays in the north and elsewhere. Ballymoney Drama Festival presents a portrait of Shiels to the Abbey Theatre, and a new production of The Passing Day is staged there to celebrate his centenary in 1981.
After finishing his schooling at fifteen, O’Herlihy follows his grandfather into journalism and secures a job in the reading room of The Cork Examiner. He is only seventeen years-old when he subsequently becomes sub-editor of the Evening Echo, a position he holds for five years. He also graduates to the positions of news, features and sports reporter.
In the early 1960s O’Herlihy begins his broadcasting career when he starts to do local association football reports from Cork for Radio Éireann. In 1965, he makes his first television broadcast in a programme commemorating the sinking of the RMS Lusitania off the Cork coast. After three years O’Herlihy is asked to join RTÉ’s current affairs programme 7 Days to add the required field-reporting skills to the studio-based interviews. The programme has a reputation for its hard-hitting investigative reporting, and he reports on many varying stories from illegal fishing in Cork to the outbreak of the crisis in Northern Ireland. In November 1970, the 7 Days programme comes into controversy when O’Herlihy reports a story on illegal money lending. The report is unconventional as it is one of the first television pieces to use hidden cameras, it claims the government is not responding to illegal moneylending. A tribunal of inquiry follows, and O’Herlihy is forced to move away from current affairs.
Following this controversy, while O’Herlihy is not sacked as he has fifteen months left on his contract with RTÉ, he is moved to the RTÉ Sports department. There he works under Michael O’Hehir, who dislikes him and his broadcasting style. In spite of this O’Herlihy fronts RTÉ’s television coverage of the Olympic Games that year. He also becomes involved in the production of various sports programmes.
O’Herlihy is not long in the RTÉ Sports department when he becomes a regular presenter for such programmes as Sunday Sport and Sports Stadium. In 1978 he becomes RTÉ Soccer host alongside Eamon Dunphy and, in 1984, Johnny Giles joins the panel and Liam Brady follows in 1998. Since 1974 O’Herlihy becomes RTÉ’s chief sports presenter for such events as all Olympic Games until 2012, FIFA World Cups until 2014, UEFA European Football Championships until 2012 and European and World Track and Field Championships. He hosts RTÉ highlights of the Ryder Cup in 2006 when it is at the K Club in County Kildare and continues to present coverage of Ireland’s soccer internationals for RTÉ, along with Dunphy, Giles and Brady.
O’Herlihy hosts RTÉ’s coverage of rugby union in the 1980s and early 1990s. However, when RTÉ attains the rights to cover the English Premier League in 1992, Tom McGurk takes over as host of RTÉ’s coverage of rugby union. O’Herlihy covers the Premier League, Irish Internationals and The Champions League before dropping the Premier League in 2008. He continues to cover the Olympic Games and International Athletic Championships such as the European and World Athletics. He presents the first Rugby World Cup on RTÉ television in 1987 and, with Jim Carney, co-presents the first edition of The Sunday Game in 1979.
In 2012, while covering Chloe Magee‘s progress at the 2012 Summer Olympics O’Herlihy remarks that badminton was once considered “a mainly Protestant sport.” RTÉ subsequently receives a number of complaints, and while Magee criticises the remarks, the argument is made that the incident inadvertently reflected a complex historical reality.
O’Herlihy presents RTÉ Sport‘s coverage of the 2010 FIFA World Cup, his ninth FIFA World Cup. He fronts 18 European Championships and FIFA World Cups for RTÉ, the last of which comes in 2014. This proves to be the final tournament with O’Herlihy at the helm. He retires at its conclusion and dies the following year.
O’Herlihy attends the 12th Irish Film & Television Awards on Sunday, May 24, 2015. He dies peacefully in his sleep at his home the following day at the age of 76 nearly a year after his retirement. He is survived by wife Hillary and daughters Jill and Sally. Giles, Brady and Dunphy appear on The Late Late Show in tribute later that week. At the time of his death O’Herlihy is working on a sports version of Reeling in the Years, which RTÉ immediately cancels.
O’Donnell is born on February 22, 1893, in Meenmore, near Dungloe, County Donegal, youngest among six sons and three daughters of Biddy and James O’Donnell. He is greatly influenced by his upbringing in the Rosses, in northwest Donegal, one of the poorest and most remote parts of Ireland. His father, a popular local fiddler, earns a living through his smallholding, seasonal labouring in Scotland, and winter work in a local corn mill. His mother, who comes from a radical labour and nationalist political background, works in a local cooperative store. He attends Rampart national school and Roshine national school, near Burtonport, where he is a monitor for four years. In 1911 he wins a scholarship to attend St. Patrick’s College in Drumcondra, Dublin, and returns in 1913 to the Rosses, where he spends two years teaching on the islands of Inishfree. In 1915 he is appointed head of Derryhenny national school, near Dungloe, and the following year becomes principal of a national school on the island of Arranmore, where he begins to write.
O’Donnell had long been concerned by the poor conditions of the local ‘tatie-hokers’ (potato pickers) who migrate annually to Scotland. In the summer of 1918, he travels there to help organise the Scottish Farm Servants’ Union. While there he is influenced by left-wing radicals such as Willie Gallacher, later a communistMember of Parliament (MP), and Emanuel ‘Manny’ Shinwell, later Baron Shinwell. In September 1918, against a background of rising labour militancy, he leaves teaching to become a full-time organiser for the Irish Transport and General Workers’ Union (ITGWU) in the west Ulster area. The following year he organises one of Ireland’s first “soviets” when the attendants and nurses of the Monaghan District Lunatic Asylum occupy the grounds and appoint O’Donnell as governor until their demands are met.
In early 1919 O’Donnell joins the Irish Republican Army (IRA) in Monaghan, resigning from the ITGWU for full-time IRA service in late 1920. He leads the 2nd Battalion, Donegal IRA, from the summer of 1920. In December 1920 he goes “on the run” and leads a flying column in west Donegal until May 1921, when he is wounded. Regarded as insubordinate and militarily inexperienced, he is unpopular among the other senior officers of the 1st Northern Division. He, in turn, is disappointed by the lack of social radicalism among the nationalist leadership. He opposes the Anglo-Irish Treaty, is placed in command of the minority anti-treaty 1st Northern Division and is a member of the IRA executive that occupies the Four Courts in Dublin in defiance of the provisional government.
Arrested in June 1922, O’Donnell shares a prison cell with Liam Mellows and influences his radical “Notes from Mountjoy,” an important document for subsequent left-wing republicans. He spends the next two years in various prisons and internment camps. His execution is widely expected to follow those of December 8, 1922. In August 1923, he is elected as a Sinn FéinTeachta Dála (TD) for Donegal in the general election called after the end of the Irish Civil War. He goes on hunger strike for forty-one days in late 1923 and succeeds in escaping from the Curragh in March 1924. In June 1924, while on the run, he marries Lile O’Donel, a wealthy Cumann na mBan activist who had smuggled communications for republican prisoners. O’Donel, a radical and member of the Communist Party, is the daughter of Ignatius O’Donel, a prominent landowner from Mayo. They have no children but raise their nephew, Peadar Joe, as their own son after the death in New York of O’Donnell’s brother Joe.
O’Donnell begins writing seriously while in jail and remains a prolific writer, journalist, and editor until the 1960s. His first novel, Storm, set in the Irish War of Independence, is published in 1925. One of his most highly regarded books, Islanders, is published in 1928. Adrigoole, like Islanders a story of poverty and starvation in rural Ireland, is published the following year. The Knife (1930) and On the Edge of the Stream (1934) soon follow. The most significant of his later novels is probably The Big Windows (1954). Foremost among his qualities as a writer is his empathy for the people, life, and landscape of rural Ireland. But his novels have been criticised for their slow pace, excessive detail, and didactic nature. He claims his writing is incidental to his political activism. His trilogy of autobiographical non-fiction, The Gates flew Open (1932), Salud! An Irishman in Spain (1936), and There Will Be Another Day (1963), which respectively concern the Irish Civil War, his activism during the Spanish Civil War, and his role in the land annuities agitation, remain highly regarded. His other important literary achievement is with The Bell, an innovative literary and political magazine which plays a useful dissenting role in an insular and conservative period. He founds The Bell with the writer Seán Ó Faoláin in 1940 and edits it from 1946 until it ceases publication in 1954.
O’Donnell exercises an influential role in the interwar IRA, particularly through his editorship of An Phoblacht (1926–29), which he attempts to divert from militarism to socialist agitation. His ultimate aim is for a thirty-two-county socialist republic. His most successful campaign is organising small farmers against the payment of land annuities to the government in the late 1920s and early 1930s. This campaign is later adopted by Fianna Fáil and contributes to their electoral success in 1932. He is less successful in radicalising the IRA. After the failure of Saor Éire, a left-wing IRA front which provokes clerical and popular hostility against the IRA, increasing tensions between the IRA’s left-wing and the leadership lead O’Donnell, along with Frank Ryan and George Gilmore, to split from the IRA to establish the short-lived Republican Congress in 1934.
Although O’Donnell claims he was never a Communist Party member, he plays a central role in forging links between republicans and the revolutionary left both in Ireland and internationally and invariably supports the communist party line at critical junctures. After the failure of Republican Congress, he takes up the cause of the Spanish republic. His championing of unpopular causes such as communism and Spain entail a good deal of frustration. He is physically attacked at political meetings and in 1932, despite having never visited the Soviet Union, loses a high-profile libel action against the Dominican Irish Rosary, which claim he had studied in Moscow‘s Lenin College. He is banned from entering the United States for several decades, although he maintains: “My relations with all the great powers continue to be friendly.”
O’Donnell continues to support radical campaigns until his death. He is an outspoken advocate of Irish emigrants. He is prominent in the Irish Campaign for Nuclear Disarmament and serves as its president in the early 1960s. He is a leading protester against the Vietnam War and a supporter of African anti-colonial movements such as that against apartheid. In later years he is involved in the “Save the west” campaign, highlighting the problems of the west of Ireland.
After several months of ill-health following a heart attack, O’Donnell dies in Dublin, aged 93, on May 13, 1986. He leaves instructions that there are to be “no priests, no politicians and no pomp” at his funeral, and those wishes are granted. He is cremated in Glasnevin Cemetery and his ashes are buried at his wife’s home in Swinford, County Mayo. Although he once remarked that every cause he fought for was a failure, he is now regarded as one of the most influential socialist republican theorists and an important voice of dissent in twentieth-century Ireland.
(From: “O’Donnell, Peadar” by Fearghal McGarry, Dictionary of Irish Biography, http://www.dib.ie)
Hales is born John Hales, eldest child of five sons and four daughters of Robert Hales, a farmer, and Margaret (née Fitzgerald) Hales. He is educated at Ballinadee national school and Warner’s Lane school, Bandon. After leaving school he goes to work on his father’s farm. He plays hurling with Valley Rovers GAA club and is the Munster champion in the 56-lb. weight-throwing competition. From an early age he follows in his father’s footsteps and becomes involved in the republican movement.
Hales joins the Irish Volunteers in 1915 and becomes captain of the Ballinadee company in 1916. Arrested under the Defence of the Realm Act after the 1916 Easter Rising, he is imprisoned in Frongoch internment camp in Wales. After his release, in April 1917 he becomes executive of the short-lived Liberty League promoted by Count George Plunkett. When the League merges with Sinn Féin, he helps reorganise the Volunteers. With his brothers, Tom, William, and Donal, he continues his father’s fight on behalf of evicted tenants and becomes involved with the anti-British Bandon People’s Food Committee and the anti-landlord Unpurchased Tenants’ Association. He helps in the Sinn Féin takeover of The Southern Star newspaper and is a member of the new board of directors. In 1919 he becomes battalion commander of the first (Bandon) battalion 3rd Cork Brigade of the Irish Republican Army, the name by which the Irish Volunteers increasingly became known. He leads the attack on TimoleagueRoyal Irish Constabulary (RIC) barracks in February 1920, and the ambush of an Essex Regiment patrol at Brinny in August 1920. The military patrol at Brinny manages to surprise the ambushers and Lieutenant Tim Fitzgerald of Bandon is the first Volunteer to be killed in action in west Cork. Hales then commands the assault on two truckloads of British troops at Newcestown Cross in which a British officer is killed and several soldiers are wounded.
Hales is appointed section commander of the west Cork flying column in 1920 and takes part in the major action at Crossbarry on March 19, 1921. In retaliation for the burning of the Hales home in March 1921, he leads a contingent of Volunteers and burns Castle Bernard, the residence of the Earl of Bandon. The occupant, Lord Bandon, is held hostage until General Strickland, the British OC in Cork, guarantees he will not execute Volunteers in Cork prison. The British authorities yield and there is an end to the policy of executing prisoners of war in the Cork area.
At the 1922 Irish general election, Hales is elected to the Third Dáil as a pro-Treaty Sinn Féin Teachta Dála (TD) for the same constituency. He receives 4,374 first preference votes (7.9%). Shortly afterward, the Irish Civil War breaks out between the pro-Treaty faction, who are in favour of setting up the Irish Free State and the anti-Treaty faction, who would not accept the abolition of the Irish Republic.
On December 7, 1922, Hales is killed by anti-Treaty IRA men as he leaves the Dáil. Another TD, Pádraic Ó Máille, is also shot and badly wounded in the incident. His killing is in reprisal for the Free State’s execution of anti-treaty prisoners. In revenge for Hales’ killing, four republican leaders, Joe McKelvey, Rory O’Connor, Liam Mellows and Richard Barrett, are executed the following day, December 8, 1922.
Hales is given a military funeral to the family burial place at St. Patrick’s Cemetery, Bandon.
According to information passed on to playwrightUlick O’Connor, an anti-Treaty IRA volunteer named Owen Donnelly of Glasnevin is responsible for the killing of Hales. Seán Caffrey, an anti-treaty intelligence officer told O’Connor that Donnelly had not been ordered to kill Hales specifically but was following the general order issued by Liam Lynch to shoot all deputies and senators they could who had voted for the Public Safety Act (September 28, 1922) which established military courts with the power to impose the death penalty.
A commemorative statue of Hayes is unveiled at Bank Place in Bandon in 1930.
Molloy is the fifth in a family of five boys and three girls. Two other children die at birth. He is educated at Milltown national school and St. Jarlath’s College, Tuam, County Galway, from 1927 to 1931. His father dies when he is six years old and his uncle, Sonny Tucker, becomes an important influence, encouraging his life-long habit of extensive reading. In 1931 he goes to St. Columba’s Seminary at Dalgan Park, Shrule, County Mayo, but discontinues his studies for the priesthood when he contracts tuberculosis. He undergoes several operations, has to use crutches for three years, and is left with a permanent limp. While under the care of the sanatorium in Newcastle, County Wicklow, in the late 1930s, he is encouraged by a friend to attend a performance of two plays by George Bernard Shaw, Candida and Village Wooing, at the Abbey Theatre, Dublin. He becomes a regular playgoer and is inspired to begin a career as a dramatist.
Having lived in the family home at Milltown until 1955, he takes up residence at a nearby farmhouse on the marriage of his brother Christy. Despite his handicap, he works the small farm for the rest of his life to supplement the irregular income from his plays. He never marries and is attended by his housekeeper, Agnes Johnston. He is a familiar sight as he travels around his local area on the high bicycle he had fitted with one fixed pedal. The purpose of these journeys is to collect folklore, which provides a rich body of material for his plays and which he gathers into a prose volume, though this remains unpublished and privately held.
Molloy has nine of his thirteen plays produced at the Abbey Theatre, from Old Road in 1943 to Petticoat Loose in 1979. His plays reveal him as a folklorist in the line of John Millington Synge and draw on the same mixture of Christian and pagan beliefs, but with a more sympathetic understanding of his characters’ Catholicism. There is also the same strong vein of grotesque physical humour. His accomplished one-act play The Paddy Pedlar (1953) is based on a folk tale about a man carrying the body of his dead mother around in a sack and takes its bearings from an extraordinary amalgam of beliefs about the afterlife.
Molloy’s history plays re-create a world that shows the oppressions of colonialism on a subject race who respond with a wild anarchy mixed with subdued acceptance. His plays with a contemporary setting most often take emigration as their theme and are prophetic of later work by John B. Keane and Brian Friel. He writes in a heightened folk idiom, which only rarely loses touch with natural speech. Old Road wins an Abbey Prize and is staged in 1943 with Cyril Cusack as the young farm labourer trying to decide whether to emigrate to England or to stay in Ireland. Joseph Holloway gives a touching account of the shy author taking his curtain at this first production, who, though his lips move, is unable to say anything. The Visiting House follows in 1946, and dramatises a night of singing, dancing, and storytelling, peopled by a richly diverse cast of characters.
Molloy’s first masterpiece, The King of Friday’s Men, is launched in 1948. It takes the uncompromising theme of the droit du seigneur exercised by an eighteenth-century Anglo-Irish landlord on the most beautiful young women on his estate. His latest prey seeks to evade her fate by enticing the aged faction fighter, Bartley Dowd, to fight the landlord on her behalf. The play recreates that eighteenth-century world with colour, immediacy, and a strong sense of how the colonial system envelops all of the characters save the marginalised Bartley, who in the first production is played by the actor and author Walter Macken.
Molloy’s even greater The Wood of the Whispering follows in 1953 at the Queen’s Theatre, where the Abbey company is now playing. It is his most probing treatment of the effects of emigration, an issue of which Molloy, living in Galway, is only too aware. It is the most Beckettian of Irish plays, with its old tramp, Sanbatch Daly, and a host of older characters who are not so much eccentric as damaged in some profound way. At the play’s close Sanbatch feigns madness to gain entry to the asylum, though he is not in truth far from genuine madness. The various younger couples agree to stay and marry in Ireland rather than go their separate ways back to England. This idea of cultural renewal also underscores the importance Molloy places on the staging of his plays by amateur drama companies.
From the 1960s onwards Molloy’s plays are less readily accepted by the Abbey Theatre and a Dublin audience, but they still find a ready reception in his native place. In later works, such as Daughter from Over the Water (1963), the older characters retain their exuberance, but the younger ones seem beyond his reach. His last play, The Bachelor’s Daughter, is given its first performance by the Tuam Theatre Guild on March 3, 1985. The revival by Galway’s Druid Theatre of The Wood of the Whispering in 1983, which Molloy lives to see, is a revelation, and a reminder to the wider theatrical and academic world of the continuing importance of this playwright, not just as the ‘missing link’ between Synge and Keane but as an original in his own right.
In later years Molloy is a member of Aosdána. He dies of aortic aneurysms at Galway Hospital on May 27, 1994. He remains a committed Catholic all his life and his tombstone reads: “Woe to those who call evil good and who call good evil” (Isaiah, 5: 20).
(From: “Molloy, Michael Joseph” by Anthony Roche, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
At the 1961 Irish general election, Mac Giolla unsuccessfully contests the Tipperary North constituency for Sinn Féin. In 1962, he becomes President of Sinn Féin and is one of the people who moves the party to the left during the 1960s. In 1969, Sinn Féin splits, and he remains leader of Official Sinn Féin. It is also in 1962 that he marries May McLoughlin who is also an active member of Sinn Féin as well as Cumann na mBan, the women’s section of the IRA. In 1977, the party changes its name to Sinn Féin the Workers Party and in 1982 it becomes simply the Workers’ Party.
In 1999, Mac Giolla writes to the chairman of the Flood Tribunal calling for an investigation into revelations that former Dublin Assistant City and County Manager George Redmond had been the official supervisor at the election count in Dublin West and was a close associate of Liam Lawlor. In 2003, Redmond is convicted of corruption by a Dublin court but subsequently has his conviction quashed due to conflicting evidence.
In his eighties Mac Giolla continues to be active and is a member of the group which campaigns to prevent the demolition of No. 16 Moore Street in Dublin city centre, where the surrender after the Easter Rising was completed. He also serves on the Dublin ’98 committee to commemorate the 200th anniversary of the Irish Rebellion of 1798.
Tomás Mac Giolla dies in Beaumont Hospital in Beaumont, Dublin on February 4, 2010, after a long illness.
(Pictured: Tomás Mac Giolla, former president of the Workers’ party and lord mayor of Dublin in 2007, by Niall Carson, PA Wire, Press Association Images)
Ó hEithir’s parents are national school teachers, Pádraic Ó hEithir and Delia Ní Fhlaithearta. He is a nephew of Aran Islands authors Liam Ó Flaithearta and Tom Maidhc Ó Flaithearta, the brothers of his mother. He attends the Kilronan national school where his parents teach. He receives his secondary school education at Coláiste Éinde (St. Enda’s College), Galway. He attends University College Galway for three years, finishing his university course in 1952 but leaves without sitting his final examinations. He writes in both Irish and English and is highly regarded for the originality and liveliness of his journalism, especially his work in Irish.
Ó hEithir marries Catherine von Hildebrand, a young student recently arrived in Dublin from Colombia, in 1957 and they have five children: Ruairí, Máirín, Brian, Aindriú, and Rónán. Catherine is born in Paris, the daughter of Deirdre Mulcahy from Sligo and Franz von Hildebrand from Munich, son of the noted philosopher and theologian Dietrich von Hildebrand.
After college, Ó hEithir spends a number of years working as an itinerant bookseller for Comhdháil Náisiúnta na Gaeilge. He serves as an editor at Sáirséal agus Dill, the Irish language publishing house, and as Irish language editor for The Irish Press from 1957 to 1963. He also writes a column for The Sunday Press. He is a regular columnist with the journal Comhar and also contributes a weekly column to The Irish Times. He also serves as a staff journalist with Raidió Teilifís Éireann (RTÉ), working on the current affairs programmes Cúrsaí and Féach.
In 1975 the Irish American Cultural Institute awards Ó hEithir a scholarship of £2,000 to allow him to devote more time to writing. The following year his first novel, Lig sinn i gcathú (1976), loosely based on his student days in Galway, becomes a best-seller. He and Catherine move to Paris in 1986, where most of his second novel, Sionnach ar mo Dhuán (1988), is written. Hopes of having produced his definitive novel are soon dashed by a series of devastating reviews.
Ó hEithir visits Colombia with his wife in the summer of 1990. On his return, he is presented with the Butler literary award of $10,000 in further recognition of his writing in Irish. A month later, after a very short illness, he dies of cancer in St. Vincent’s University Hospital in Dublin on October 26, 1990. He is survived by his wife, Catherine, daughter Máirín, and sons Ruairí, Brian, and Aindriú.
Criostóir Mac Aonghusa, teacher, author, critic, and campaigner for the Irish language, is born on December 13, 1905, in Gort an Ghabhainn, Banagher, King’s County (now County Offaly), son of Francis McGuiness (surname thus on his birth certificate), farmer, and his wife, Rosanna (née Egan). He is educated at La Sainte Foi, Banagher, Reachra national school, Shannonbridge, and Naas CBS. He qualifies as a primary school teacher from De La Salle Training College, Waterford, in 1926 and has the distinction of being the first person to sit all exams through the medium of Irish. He graduates BA at University College Galway (UCG) in 1933 and his further education includes a diploma in Spanish literature from University of Barcelona and an MA on the Irish scholar Tomás Ó Máille.
Mac Aonghusa’s teaching career begins in 1926 when he becomes headmaster on Inis Treabhair, County Galway, spending fourteen months there. Afterwards he transfers to Gort Mór, Rosmuc, County Galway, where he continues teaching until 1962. He remains an active member of Cumann na Múinteoirí Náisiúnta throughout his life. Between 1962 and 1972 he is employed as an ad-hoc examiner at the civil service commission. An active member of Fianna Fáil, he helps to organise the party in County Galway in the 1920s and 1930s and is elected a member of Galway County Council in 1934.
Mac Aonghusa is a prominent advocate of the Irish language and together with his close friend Máirtín Ó Cadhain and another Connemara schoolteacher, Seosamh Mac Mathúna, founds Cumann na Gaeltachta to agitate for the civil rights of the Gaeltacht communities and of Irish speakers in general. He is one of the main campaigners for the establishment of the Rath Carn Gaeltacht in County Meath and forms part of the delegation that meets Éamon de Valera on November 11, 1932, and receives from him a promise to provide land in County Meath for that purpose. The Gaeltacht is established in 1935. Mac Aonghusa continues to support the project throughout his life and is involved in further campaigns relating to the area, including the recognition of Rath Carn’s Gaeltacht status. He is also an active member of Conradh na Gaeilge in the 1940s and is later involved in the campaign for the establishment of an Irish-language television broadcasting service.
Mac Aonghusa is a prolific writer and begins publishing short stories and articles from 1926 onward. His contributions appear in An tÉireannach, An Phoblacht, The Irish Tribune, An Stoc, and Ar Aghaidh. From 1948, he is a regular contributor to Feasta and his essays and reviews on Máirtín Ó Cadhain’s works appear in Comhar. He is a member of several literary organisations, including Cumann na Scríbhneoirí and the Galway Literary Society. His first book, An Cladóir agus scéalta eile, appears in 1952. Between 1963 and 1972 he is a contributor to The Irish Press and works also as a literary journalist. An essay on Pádraic Ó Conaire earns him a prize from Acadamh Liteartha na hÉireann.
Mac Aonghusa speaks a number of European languages including German, Spanish, French, Romanian, and Greek and travels widely throughout Europe. In the early 1970s he lives in Russia, and a collection of essays entitled Ó Rosmuc go Rostov is published in 1972. For health reasons he lives in Málaga, Spain, from the middle of the 1970s until 1987. While there, RTÉ produces a documentary on his life entitled Ó Ros Muc go Malaga.
Mac Aonghusa dies on April 9, 1991, in Portiuncula General Hospital, Ballinasloe, County Galway, and is interred in Clonmacnoise. In 1930 he marries Mairéad Ní Lupain, a nurse from Annaghvane in Connemara, and has four children, Proinsias (1933), Micheál (1937), Róisín (1939), and Máirín (1944). The couple separates in the 1940s. Proinsias follows in his father’s footsteps as a writer and journalist and becomes president of Conradh na Gaeilge and chairman of Bord na Gaeilge.
(From: “Mac Aonghusa, Criostóir” by Lesa Ní Mhunghaile, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Dirrane is born in Oatquarter in the townland of Kilmurvey on Inishmore, Aran Islands, County Galway on November 15, 1894. She is the youngest child of Joseph Gillan and Maggie (née Walsh). Her father is a weaver of flannel cloth and has a small farm. She has four brothers and three sisters. Her oldest brother is a fisherman, who dies at age 21 in 1901, and her father dies before 1911. Despite this hardship, all of the children go to school, with one of her brothers becoming an Irish teacher, and later an Irish inspector. The family speaks Irish at home, but they are all bilingual with English. She is schooled at the national school in Oatquarter until the age of 14. She leaves to work in local homes, looking after children. When she writes her memoirs late in life, she claims to have met Joseph Plunkett, Éamonn Ceannt, Thomas MacDonagh, Thomas Ashe and Patrick Pearse when they visited the island, visiting a house where she looked after the children, discussing politics and plans for the Easter Rising with them. She is a republican, becoming a member of Cumann na mBan in 1918 while she is working for Fr. Matthew Ryan as a housekeeper. She is involved in drilling and assisting fugitives from the authorities. Because of their known republican sympathies, the Black and Tans raid the Gillan family homes.
Dirrane moves to Dublin in 1919 to train in Saint Ultan’s Children’s Hospital as a nurse. She is still under surveillance, being arrested alongside her employer, Claude Chavasse, when she is working as a nurse in his house. She is held in Dublin’s Bridewell Garda Station for two days before being transferred to Mountjoy Prison. In the time of her imprisonment, she is not charged or put on trial. Her refusal to speak English angers the guards, culminating in her going on hunger strike for a number of days in 1920 until she is released. She takes part in the Cumann na mBan vigil outside of Mountjoy Prison in November 1920, when Kevin Barry is hanged.
Dirrane works in Richard Mulcahy‘s house for two years, before emigrating to the United States in 1927 to continue her career as a nurse. She works in Boston where she is an active member of the Irish emigrant community alongside former neighbours from the Aran Islands and some relatives. She works in a hotel for a time but returns to nursing after her marriage to Edward ‘Ned’ Dirrane in November 1932 in the Jamaica Plain section of Boston. Ned, a labourer in Boston and also from Inishmore, dies from heart failure in 1940. Dirrane continues her career nursing in hospitals and as a district nurse. On May 13, 1940, she naturalises as U.S. citizen. During World War II, she works as a nurse in a munitions factory, and at a U.S. Army Air Forcesbomber base in Mississippi. She canvases for John F. Kennedy in the Irish community in South Boston when he runs for president in 1960. Jean Kennedy Smith visits Dirrane in 1997 in Galway to acknowledge her contribution. She also meets Senator Edward Kennedy.
Following her retirement, Dirrane lives with her nephew, but she returns to the Aran Islands in 1966 at age 72. There she lives with her brother-in-law, Pat Dirrane, a widower with three grown sons. They marry in a private ceremony on April 27, 1966. She continues to live on the island after Pat’s death on February 28, 1990, living with her stepson. She eventually moves into a nursing home in Newcastle in the suburbs of Galway. When she celebrates her 100th birthday, she funds a statue of Our Lady Mary at a holy well in Corough on Inishmore. At age 103, the matron of her nursing home arranges for a local writer, Jack Mahon, to record her memories and collate the information into a book. The book, A Woman of Aran, is published in 1997 and is a bestseller for several weeks. She is awarded an honorary degree, an MA honoris causa, from NUI Galway in May 1998, the oldest person to ever receive one.
Dirrane dies at age 109 on December 31, 2003, in Galway. She is buried on Inishmore.
seamus dubhghaill 