seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Paris


by Leave a comment

Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Birth of Julia O’Faolain, Novelist & Short Story Writer

Julia O’Faolain, Irish novelist and short story writer, is born in London on June 6, 1932. She works as a writer, language teacher, editor and translator and lives in France, Italy, and the United States.

Although born in England when her father, Irish writer Seán Ó Faoláin, is lecturing at the Catholic college, St. Mary’s College, at Strawberry Hill, London, O’Faolain grows up in Ireland. The family returns to Ireland when she is just one year old. They live first in Killough House in County Wicklow, where future Taoiseach Garret FitzGerald is a playmate, artist Paul Henry a neighbour and Cork writer Frank O’Connor a regular visitor. The family then moves to Knockaderry House in Killiney, County Dublin, where her father publishes the literary journal The Bell from an outhouse at the bottom of the garden. Writers, poets and intellectuals such as Patrick Kavanagh, Brendan Behan and Conor Cruise O’Brien are regular visitors and often have to entertain her while waiting to speak with her father.

O’Faolain does not begin school until she is eight years old as her mother, Irish writer and teacher Eileen Gould, has little time for nuns. Following her schooling, she completes an arts degree at University College Dublin (UCD) and then further studies at the Sapienza University of Rome and the Sorbonne in Paris. A formidable student and strikingly beautiful, she makes a strong impression on those who meet her.

In search of love, literature and freedom from 1950s Ireland, the young O’Faolain remains abroad working variously as a translator, language teacher, editor and writer in London. She makes lifelong friends who speak highly of her generosity, loyalty and kindness. As well as maintaining a strong interest in politics throughout her life, she attains a black belt in karate and attends karate classes until her early 70s.

In her 2013 memoir, O’Faolain recounts a number of her adult loves before she meets and marries Lauro Martines in Florence in 1957. The couple lives in Florence for a year while Martines completes a travelling fellowship from Harvard University. They then move to Portland, Oregon, where their son Lucien is born in 1959. While in the United States, she teaches French at Reed College in Portland. The family returns to live in Florence from 1962-66 while her husband carries out research. When he is offered a professorship at the University of California, Los Angeles in 1966, they move back to the United States. However, not keen to live full-time in the United States, they purchase a house in Hampstead in 1970 and later in central London where she spends a good deal of time. From the 1990s onwards, she and Lauro spend more and more time in London, and they visit Ireland more during these years. Lucian, a painter and picture repairer, lives in London.

O’Faolain’s novels include No Country for Young Men, which is nominated for the Booker Prize in 1980, Women in the Wall (1975), The Obedient Wife (1982) and The Judas Cloth (1992) which is set in 19th-century Italy. Her first collection of short stories, We Might See Sights and Other Stories, is published in 1968, followed by Man in the Cellar (1974), Melancholy Baby (1978) and Daughters of Passion (1982). And with her husband, she edits Not in God’s Image: Women in History from the Greeks to the Victorians (1973).

O’Faolain’s writings are suffused with themes of clerical intrigue, women’s role in society, power, faith and sexuality. She says once that she is more detached from her characters than her father was. “He was fond of his characters whereas I was more impatient of mine… The fact that he often forgave their foolishness showed that he was fond of Ireland itself, where he lived for the most of his life. I instead left it and found I was happier elsewhere.”

As a writer, O’Faolain is not particularly well-known in Ireland. Following the publication of her memoir in 2013, she is asked by The Irish Times journalist Arminta Wallace if it bothers her that her name does not often figure in lists of famous Irish writers, perhaps because she did not live here. She replies, “Not only do I not live here but when my last book came out someone wrote an article naming me as a ‘forgotten writer’… which was not a cheerful read. It wasn’t in any way offensive, but it wasn’t very comforting…I suppose I didn’t write enough. You mustn’t let too many years go by between books – and I did that.”

O’Faolain dies at the age of 88 in London on October 27, 2020, following a long illness. Her papers, which include manuscripts of her writing and a significant correspondence between her and her father, are donated to UCD in 2018. At the time, archivists expect them to be available to researchers by 2022.


by Leave a comment

Birth of Michael Doheny, Writer, Lawyer & Co-founder of the IRB

Michael Doheny, Irish writer, lawyer, member of the Young Ireland movement, and co-founder of the Irish Republican Brotherhood (IRB), is born on May 22, 1805, at Brookhill, parish of Fethard, County Tipperary, the second son of Michael Doheny of Brookhill, a small farmer, and Ellen Doheny (née Keley).

Doheny receives a rudimentary education from an itinerant scholar while labouring on his father’s holding, and in 1826 attends Maher’s classical academy near Emly for nine months. Educating himself in the late 1820s and early 1830s while teaching the children of local farmers, he determines on a career in law to help secure political redress for the disenfranchised poor. He is admitted to Gray’s Inn in November 1834, enters the King’s Inns, Dublin, in 1835 and is called to the Irish bar in 1838. Settling later that year in Cashel, County Tipperary, he first practises in the local courts and then on the southern circuit. Appointed legal assessor to the borough of Cashel under the Municipal Corporations (Ireland) Act 1840, he successfully prosecutes former borough officers for misappropriation of funds and fraudulent transfer of property, winning wider attention. He had supported the campaign for repeal in the early 1830s, and in 1841 joins Daniel O’Connell‘s Repeal Association, becoming active in forming temperance bands and setting up town meetings. By May 1841 he is on the association’s general committee. O’Connell finds him less tractable than most and is ruffled by his queries into the association’s financial management.

During 1842 Doheny begins to associate with the more militant members of the repeal movement such as Thomas Davis. There is a marked gap in age and class between Doheny and most of this group and some look down on his lack of refinement. Others, however, admire his zeal and sincerity, and an anonymous colleague describes him as “rough, generous, bold, a son of the soil, slovenly in dress, red-haired and red-featured, but a true personification of the hopes, passions, and traditions of the people.” Assisting in the launch of The Nation in October 1842, he is chagrined to find most of his articles rejected as unfit for publication, although fifteen are published between January 1843 and September 1844. He also publishes a competent History of the American Revolution (1846) for The Nation‘s “Library of Ireland” series. More impressive as a speaker than a writer, he contributes regularly to repeal meetings at Conciliation Hall, Burgh Quay, Dublin. He enthuses at the apparent martial potential of the immense, ordered crowds attending the “monster” repeal meetings of 1843, and is one of the main organisers of the Cashel meeting of May 31, 1843, at which he is loudly cheered. However, his later claim to have deliberately set up these meetings, with Davis and John Blake Dillon, on quasi-military lines in order to prepare the peasantry for a future war with Britain, is far-fetched. His opposition to O’Connell’s decision to submit to proclamation of the proposed meeting of October 8, 1843, at Clontarf again greatly irritates O’Connell.

An active member of the Repeal Association parliamentary committee from February 1844, in February and March 1845 Doheny chairs a sub-committee of five senior barristers investigating the legality of withdrawal from the House of Commons by the body of repeal MPs, coming “reluctantly” to the verdict that such an action is open to criminal prosecution. O’Connell’s gruff dismissal of his report testifies to their awkward relationship. He further vexes O’Connell by his advocacy of non-denominational university education during debates over the Maynooth College Act 1845. Irrevocable divisions between the Young Irelanders and O’Connell open up between April and July 1846 when Doheny leads calls for endorsement of the conduct of William Smith O’Brien – imprisoned for a month for refusal to serve on a parliamentary committee – and voices Young Ireland’s martial convictions in a speech at Liverpool. After the secession of the Young Irelanders from the Repeal Association in July 1846, he opposes attempts at reconciliation and is one of the founders of the Irish Confederation on January 13, 1847.

During the summer of 1847, Doheny begins setting up “Confederate Clubs” in east Tipperary and aids James Fintan Lalor in organising a failed tenant league meeting at Holycross, County Tipperary, on September 19. He is one of the few Young Irelanders attracted to Lalor’s revolutionary agrarian philosophy, but supports Smith O’Brien against John Mitchel in January 1848, deploring irresponsible demands for insurrection. However, after Mitchel’s conviction for treason felony in May, he supports armed action. Arrested for seditious speechmaking at Cashel on July 12, he is bailed on July 20. During the confused period of “rebellion” in late July, he attempts to organise the peasantry in Tipperary but is frustrated by O’Brien’s vacillation.

After the collapse of the armed adventure at Ballingarry on July 31, Doheny takes refuge near Slievenamon and, with James Stephens, eludes pursuit for nearly two months, until he finally escapes, disguised as a clergyman, on a cattle-ship from Cork to Bristol. Some days later he reaches Paris, where he stays for two months with Stephens and John O’Mahony before leaving for New York City. Practising law in New York, he dedicates himself to the development of an Irish American republican movement. Tensions between conservative and radical Young Ireland exiles, perhaps aggravated by social snobbery, surface by late 1849, when he is arrested for attempting to push Thomas D’Arcy McGee into an open cellar on a New York street, angered by accusations of boasting, drunkenness, and incompetence. Similar criticisms are made by John Blake Dillon and appear to have some foundation.

Doheny finds time to write The Felon’s Track (1849), a polemical account of the repeal agitation and the 1848 insurrection that is highly critical of O’Connell. Despite a rambling narrative, it becomes a popular work and is reprinted several times. He also gives several lectures on historical and literary subjects to Irish American societies and contributes a memoir on Geoffrey Keating to O’Mahony’s translation (1857) of Foras Feasa ar Éirinn.

Involved with the New York Irish militia from his arrival, he is elected lieutenant colonel of the 69th Infantry Regiment in November 1851, and in September 1852 becomes colonel of a new regiment, the Irish Republican Rifles. These formations are often wracked by dissension over strategy and leadership, and in February 1856 he and O’Mahony found the Emmet Monument Association, planning to mobilise an Irish American force to invade Ireland. Efforts to acquire Russian backing fails on the close of the Crimean War in March 1857.

In autumn 1857, Doheny and O’Mahony make overtures to James Stephens to reorganise the republican movement in Ireland, and in March 1858 they accept Stephens’s demands for undisputed authority there, though by the winter of 1858–59 Doheny shows increasing distrust of Stephens’s ambitions. Adopting the organisational structure set out by Stephens in establishing the IRB in 1858, he and O’Mahony found the American equivalent, the Fenian Brotherhood, in early 1859, although he plays a subordinate part. In July 1859, he founds and edits a short-lived newspaper in New York, The Phoenix, to promote Fenian ideals. Active in opposing the national petition for self-government of 1860–61, he argues that Britain will only yield to force. He assists in making preparations for the funeral of Terence Bellew MacManus in Ireland and acts as one of the pallbearers in New York. Travelling to Ireland in October 1861, he appears to argue for using the excitement engendered by the funeral to spark an insurrection in Dublin but is thwarted by Stephens.

Doheny dies suddenly on April 1, 1862, in New York and is buried in Calvary Cemetery in the city’s borough of Queens.

(From: “Doheny, Michael” by James Quinn and Desmond McCabe, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Death of Surrealist Sculptor F. E. McWilliam

Frederick Edward McWilliam CBE RA, Northern Irish surrealist sculptor, dies in London on May 13, 1992. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.

McWilliam is born in Banbridge, County Down, on April 30, 1909, the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.

McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.

During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.

After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.

The 1950s see McWilliam receive many commissions including the Four Seasons Group for the Festival of Britain exhibition in 1951. A major commission in 1957 is Princess Macha for Altnagelvin Area Hospital in Waterside, Derry.

During the Northern Ireland Troubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.

In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.

The Arts Council of Northern Ireland organises a retrospective of his work in 1981 and a second retrospective is shown at the Tate Gallery in 1989 for his 80th birthday.

McWilliam continues carving up to his death. He dies of cancer in London on May 13, 1992.

In September 2009 Banbridge District Council opens a gallery and studio dedicated to the work of and named after McWilliam.


by Leave a comment

Birth of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, is born at Roebuck Grove, County Dublin, on April 22, 1894. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor (née Robinson), daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. Her mother dies two days after her birth. She is related to artists Nathaniel Hone and Nathaniel Hone the Younger.

Shortly before her twelfth birthday, Hone suffers from polio (infant paralysis), suffering a fall while helping to decorate the Taney parish church for Easter. Her resulting ill health leads to her seeking treatment in Harley Street, Marylebone, Central London. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and becoming one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This possibly influences her decision to begin working in stained glass. Initially, she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped in 1940 on the school during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Despite ill health, Hone continues to produce a huge number of small stained glass panels as well as oils, watercolours, and gouache landscapes. In 1953, she is represented at the Contemporary Irish Art exhibition at Aberystwyth, Wales, and at the Tate gallery in London, receiving as well an honorary LLD from Trinity College Dublin (TCD). In 1954, she is elected an honorary member of the Royal Hibernian Academy (RHA).

Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: Portrait of Evie Hone by Hilda van Stockum)


by Leave a comment

Birth of Artist Paul Henry

Paul Henry, Irish artist noted for depicting the Connacht province landscape in the west of Ireland in a spare Post-Impressionist style, is born at 61 University Road, Belfast, on April 11, 1876.

Henry is the third of four sons of the Rev. Robert Mitchell Henry, minister of the Reformed Presbyterian Church, and his wife Kate Ann Berry, eldest of four daughters of Thomas Berry, minister of the Baptist church, Athlone. His father becomes a Baptist in 1858 and pastor of Great Victoria Street Baptist Church, Belfast, resigning in 1875 to join the Plymouth Brethren.

Henry begins to draw in pencil and watercolours at the age of four, even before entering the kindergarten at Methodist College Belfast (MCB), in 1882 where he first begins drawing regularly. At the age of fifteen he moves to the Royal Belfast Academical Institution. He studies art at the Belfast School of Art before going to Paris in 1898 to study at the Académie Julian and at James McNeill Whistler‘s Académie Carmen.

Henry marries the painter Emily Grace Mitchell on September 17, 1903, in London at St Peter’s Anglican church, Bayswater. He returns to Ireland in 1910. From then until 1919 he lives on Achill Island, where he learns to capture the peculiar interplay of light and landscape specific to the west of Ireland. In 1919, he moves to Dublin and in 1920 he is one of the founders of the Society of Dublin Painters, originally a group of ten artists. He designs several railway posters, some of which, notably Connemara Landscape, achieves considerable sales. He separates from his wife in 1929. His second wife is the artist Mabel Young.

In the 1920s and 1930s, Henry is Ireland’s best-known artist, one who has a considerable influence on the popular image of the west of Ireland. Although he seems to cease experimenting with his technique after leaving Achill and his range is limited, he creates a large body of fine images whose familiarity is a testament to its influence.

Henry’s use of colour is affected by his red-green colour blindness. He loses his sight in 1945 and does not regain his vision before his death.

Henry dies on August 24, 1958, at his home at 1 Sidmonton Square, Bray, County Wicklow, and is buried at St. Patrick’s Church, Enniskerry, County Wicklow. He is survived by his wife, Mabel. His papers and sketchbooks are in the libraries of the National Gallery of Ireland and Trinity College Dublin.

A commemorative exhibition of Henry’s work is held at Trinity College, Dublin, in 1973 and the National Gallery of Ireland holds a major exhibition of his work in 2004.

A painting by Henry is featured on an episode of the BBC‘s Antiques Roadshow, broadcast on November 12, 2006. The painting is given a value of approximately £40,000–60,000 by the Roadshow. However, due to the buoyancy of the Irish art market at the time, it sells for €260,000 on December 5, 2006, in James Adams’ and Bonhams’ joint Important Irish Art sale.

Pictured: “Roadside Cottages, below Mweelrea Mountain” by Paul Henry, RHA, oil on panel, 1940)


by Leave a comment

Birth of Josephine McNeill, First Irish Female Diplomat

Josephine McNeill, Irish diplomat, is born on March 31, 1895, in Fermoy, County Cork. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.

McNeill is born Josephine Ahearne, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.

McNeill becomes engaged to Pierce McCan, but he dies of influenza in Gloucester Gaol in March 1919. She marries James McNeill in 1923, while he is serving as Irish High Commissioner in London. Despite her reservations, she becomes a noted hostess, both in London and later in Dublin when her husband becomes the Governor-General of the Irish Free State from 1928 to 1932.

After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.

McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.

McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.

McNeill dies in St. Vincent’s Hospital, Dublin, on November 19, 1969. She is buried in Kilbarrack Cemetery. Her papers are held in the UCD Archives.


by Leave a comment

Death of Matilda Tone, Wife of Theobald Wolfe Tone

Matilda Tone, wife of Theobald Wolfe Tone, dies in Georgetown, District of Columbia, on March 18, 1849. She is instrumental in the preservation and publication of Wolfe Tone’s papers.

Tone is born Martha Witherington in Dublin on June 17, 1769. She is the eldest daughter of merchant William Witherington and his wife Catherine (née Fanning). Her father is listed as a woolen draper on Grafton Street, Dublin, from 1768 to 1784, as a wine merchant from 1784 to 1788, and finally as a merchant from 1788 to 1793. It is claimed that he is a lieutenant in the Royal Navy and sits on the merchants’ guild on Dublin’s common council from 1777 to 1783. Her mother is a housekeeper to her father after he is widowed.

Tone receives a good education and maintains an interest in drama and literature throughout her life. Katherine Wilmot visits her in Paris in 1802 and comments on the books she has by French, Italian and English authors. When she is fifteen years old, she gets to know Wolfe Tone through her older brother. He is still a student in Trinity College Dublin, and it is he that renames her Matilda. They marry when she is just sixteen, on July 21, 1785, in St. Ann’s Church, Dublin, honeymooning in Maynooth. Upon their return they live with the Witheringtons, though they are not on good terms, and then with Wolfe Tone’s parents in Bodenstown, County Kildare.

The Tone’s first child, Maria, is born before October 1786. She is followed by a son, Richard, who is named for their neighbour Richard Griffith, who dies in infancy. Tone stays with her husband’s family while he is studying for the bar in London from 1787 to 1788. When he returns, the couple has two more sons: William Theobald Wolfe Tone, born on April 29, 1791, and Francis Rawdon Tone, born on June 23, 1793. Francis is known as Frank and is named after Francis Rawdon-Hastings. William is born in Dublin and Frank is probably born in Bodenstown. By this time, the family has a cottage in Bodenstown which Wolfe Tone had inherited from his uncle Jonathan Tone, which the family jokingly refers to as Château Boue. They live there until May 1795, when they leave for Princeton, New Jersey, due to political reasons.

Tone and her children come back to Europe to join Wolfe Tone in France eighteen months later. The family settles in Paris, at first living with Colonel Henry Shee at Nanterre, later moving to the suburb, Chaillot. She educates her children at home. Very few of her letters survive, but many of her husband’s letters and diaries are addressed or intended for her. From these and her letter to her friend Eliza Fletcher, it is clear she shares her husband’s interest in politics. Following her husband’s death in November 1798, she moves to a small apartment at 51 Rue Saint-Jacques in the Latin Quarter of Paris. This is to be close to her son William, who is attending Lycée Louis-le-Grand. She is awarded a pension of 1,200 francs for herself and 400 for each of her children after the expiration of the Treaty of Amiens on May 1, 1803.

Tone’s daughter Maria dies in April 1803, and then her son Frank dies in 1807, both of tuberculosis. William is displaying symptoms of the disease as well, which prompts her to move to the United States in 1807. From there, they attempt to sort out her husband’s affairs, which had been entrusted to James Reynolds. They retrieve only a few of Wolfe Tone’s pre-1795 diaries, and all of the post-1795 letters and diaries, which they add to the autobiography she already has in her possession. When William enters the Cavalry School at Saint-Germain-en-Laye in November 1810 as a cadet, she moves to be close to him, living at the Hôtel de la Surintendance. By approaching Napoleon in 1811, who knew Wolfe Tone, she ensures that her son receives French citizenship and the privileged status of “élève du gouvernement.” In January 1813, when William begins his service, she returns to Paris to live on the Rue de Lille and later moves to the Latin Quarter.

Following the defeat of Napoleon in June 1815, William is refused entry to Ireland or to visit Britain. This leads to both mother and son returning to the United States. Before she leaves Paris, she marries her old friend Thomas Wilson on August 19, 1816. Wilson is a Scottish businessman and advocate who has taken care of her financial affairs after the death of her husband. The couple visit Scotland, and then move to New York City in 1817, and finally to Georgetown, District of Columbia, around 1820. She lives there until her death and calls herself Matilda Tone-Wilson.

Starting in 1824, The New Monthly Magazine begins the unauthorised publication of extracts from Wolfe Tone’s autobiography. In response, Tone decides to publish all of Wolfe Tone’s papers and writing, including the autobiography, pamphlets and diaries, edited by their son William. What results is two large volumes entitled the Life of Theobald Wolfe Tone, published in May 1826. She adds a memoir of her own life in Paris following his death in 1798. The book is a best-seller, and ensures the legacy of Wolfe Tone, as well as being an important contemporary document of both Irish and French revolutionary politics.

William Tone dies in 1828, after which Tone lives more privately. She dies in Georgetown on March 18, 1849. Thomas Wilson predeceases her in 1824. Just two weeks prior to her death she is interviewed by a Young Irelander, Charles Hart. She is initially buried near William Tone at Marbury burying-ground, Georgetown. After that cemetery is sold, she is reinterred in Green-Wood Cemetery, Brooklyn, New York, on October 31, 1891, by her great-grandchildren. A new monument is dedicated to her, which is later restored in 1996.


by Leave a comment

Birth of Thomas Reynolds, United Irishman and Informant

Thomas Reynolds, United Irishman, informant, consul and heir to a fortune, is born at his father’s house, 9 West Park Street, Dublin, on March 12, 1771.

Reynolds’s family history is well documented. His great-great-grandfather was Connor Reynolds of Rhynn Castle, County Leitrim, who married the daughter of Sir Robert Nugent, by whom he leaves three sons, Conor, George Nugent and Thomas. The second of these renounces his family’s Catholicism and becomes a Protestant in order to obtain possession of the greater part of the family estates and was grandfather of the George Nugent Reynolds who was killed in a duel in 1786. The third son, Thomas, a successful wool-stapler in Dublin, married Margaret Lacy, the sister of the famous Austrian general, Franz Moritz von Lacy, and by her had three sons and one daughter. Thomas’s eldest son, James, inherited his business and was one of the seven Catholics who in 1757 met at the Globe coffee-house, Essex Street, to form a committee to request the removal of legal disabilities imposed on Catholics. Thomas’s second son, also Thomas, a manufacturer of woolen poplins, had three daughters, whose marriages connected him with several distinguished Catholic families, and an only son, Andrew, father of the main subject of this article. Andrew Reynolds, admitted into partnership with his father, later developed a new poplin “by having the warp of silk and the weft, or shoot, of worsted.” These poplins came to be “prized in foreign countries as Irish tabinets.” He had an annual turnover of £100,000 to £150,000 and eventually made profits of £15,000 to £20,000 a year. On April 20, 1767, Andrew Reynolds married as his second wife, a second-cousin, Rose Fitzgerald, eldest daughter of Thomas Fitzgerald of Kilmead, County Kildare, a distant kinsman and substantial creditor of the Duke of Leinster, and his wife Rose, daughter of Francis Lacy of Inns Quay, Dublin. By Rose he had two sons and twelve daughters.

Until the age of eight, Reynolds, the future United Irishman and the only son to survive to adulthood, lives at the seat of his maternal grandfather in the care of a Catholic priest, William Plunkett. He is then moved to the school of a Protestant clergyman named Crawford at Chiswick near London and by the age of twelve he spends all vacations in the house of Sir Joshua Reynolds, who appears to take pleasure in teaching him the first principles of drawing. From Chiswick, he moves to Liège in 1783 to be educated by Catholics priests, former Jesuits, returning to Ireland shortly before his father’s death, at the age of 44, on May 8, 1788.

After 1784, the introduction of cottons to Ireland spoiled Andrew Reynolds’s trade. Loans to his nephews, the O’Reilly brothers (Thomas, Patrick and Andrew), iron-smelters at Arigna, County Roscommon, worsen his losses, which reach £200,000 at the time of his death. Lodging with his mother in Dublin, 17-year-old Reynolds mixes with “dissipated idlers” such as Simon Butler and Valentine Lawless. He revisits the Continent and is in Paris in July 1789 when the Bastille is stormed. At the behest of his mother, he becomes a member of the Catholic Committee in succession to his father on February 9, 1791, and attends the Catholic Convention as a delegate of the Dublin parish of St. Nicholas Without in December 1792. He chooses not to enter his late father’s business, preferring, despite his small income, the carefree life of a gentleman, doing the rounds of his well-to-do country relations. On March 25, 1794, he marries Harriet Witherington, fourth daughter of William Witherington, a Dublin woolen merchant, and a younger sister of Matilda Tone. His mother thereupon assigns to him half of the capital in the family business – now carried on by a relation, Thomas Warren, formerly clerk to Andrew Reynolds – and one third of the profits. He has other property as well and expectations of more, including a life-interest in an estate in Jamaica and the promise from the Duke of Leinster of the reversion of Kilkea Castle in County Kildare. A poor manager, Warren is forced out and later testifies against him in a judicial process. He still has £18,500 in assets and in 1797 obtains possession of Kilkea Castle and winds up his business affairs.

On the eve of the rebellion of 1798, Reynolds is a gentleman “of ample fortune and of the first connexions in the country.” In January or February 1797, he is drawn into the United Irish organisation by Peter Sullivan, a confidential clerk in the Reynolds family business, who refers him to Richard Dillon, a Catholic linen-draper, and to Oliver Bond, in whose house in Bridge Street he is sworn in, believing, according to his son, that the sole objects of the organisation are Catholic emancipation and the reform of parliament. Soon he is attending meetings of a baronial committee, but only after meeting Lord Edward FitzGerald in November 1797 achieves a position of importance, that of County Kildare treasurer and membership of the Leinster provincial committee. After being informed of a plan for an insurrection and for the assassination of approximately eighty individuals, some of them his own relations, and knowing the provincial committee is to meet on March 12 at the house of Oliver Bond to decide finally on a general rising, he communicates the United Irishmen’s plan to Dublin Castle through William Cope, a merchant. Those present at Bond’s house are arrested and so the plan is spoiled. He resigns as county treasurer on March 18, to be replaced by John Esmonde. Known to the United Irish leadership as an informant and in danger of his life – at least two unsuccessful attempts on his life are made – but known to Dublin Castle only as an influential United Irishman, he suffers the ransacking of his house at Kilkea on April 20 by dragoons and militia, who believe FitzGerald is concealed there. Finally, he is arrested and is to face a court-martial at Athy but, his true identity being disclosed to Dublin Castle by Cope, he is delivered to a grateful Irish privy council on May 5.

During the rebellion, Kilkea Castle, which had been renovated by Reynolds in 1797 at an expense of over £2,500 and contains priceless paintings, is garrisoned by troops and attacked by insurgents, rendering it uninhabitable for many years. It is refitted in the late 1830s. He is the principal prosecution witness in the trials of John McCann, William Michael Byrne and Bond. There being few other grounds of defence, the defence counsel, John Philpot Curran, seeks to impeach his character and motives, which, with adverse remarks by Thomas Moore in his Life and Death of Lord Edward Fitzgerald (1831) and a hostile obituary in The Morning Chronicle, gives rise after his death to a two-volume apologia by his son, Thomas, based on family papers and a remarkably detailed source for the history of the Reynolds family. For his action in coming forward at a critical period to save Ireland from the wicked plans of the conspirators, he is honoured by Dublin Corporation with the Freedom of the City on October 19, 1798.

His life threatened, Reynolds resides for some months in Leinster Street, Dublin, then moves with his family to Britain, spending some time in Monmouthshire before settling in London in 1803. In 1810, he is appointed British postmaster-general in Lisbon, an onerous but lucrative appointment owing to the Peninsular War. In September 1814 he returns to England. In July 1817, favoured by Lord Castlereagh, he goes to Copenhagen as consul to Iceland. He has to visit that remote island part of the kingdom of Denmark only once (June–August 1818) and in January 1820 finally leaves Copenhagen leaving his younger son, Thomas, in charge of consular affairs. With his wife and daughters, he settles in Paris. There in 1825, his elder son, Andrew Fitzgerald, fights a duel with Thomas Warren, a French army officer and son of Thomas Warren who had been Reynolds’s clerk, and is later a United Irishman. In 1831, he undergoes a religious experience and embraces evangelical Protestantism.

Reynolds dies in Paris on August 18, 1836, and is buried in a vault in the churchyard at Welton, near Brough, East Riding of Yorkshire.

(From: “Reynolds, Thomas” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Death of Seán Cronin, Journalist & IRA Chief of Staff

Seán Gerard Cronin, journalist and former Irish Army officer and twice Chief of Staff of the Irish Republican Army (IRA), dies on March 9, 2011, in Baltimore, Maryland.

Cronin is born on August 29, 1922, in Dublin, the only son among three children of Con Cronin, a member of the IRA, and his wife Kate. After his father’s death, his mother works as a cook in a boarding school while the children are brought up by relatives in Ballinskelligs in the County Kerry Gaeltacht. Educated locally, he is deeply influenced by his Gaeltacht childhood; his later writings often refer to the hypocrisy of a state that romanticises the Gaeltacht while neglecting its social problems.

During World War II, Cronin’s sisters emigrate to England to train as nurses while he works as a labourer for Kerry County Council. In December 1941, he joins the Irish Army and is selected in 1943 for an officers’ training course, on which he forms a lifelong friendship with the future theatre director Alan Simpson. He is commissioned and remains in the army until 1948.

Shortly thereafter Cronin emigrates to New York City, where he finds work as a journalist writing for The Advocate, an Irish American newspaper. He is strongly influenced by interviewing 1916 veterans for The Advocate and by contact with left-wing Irish American associates of Michael Quill, who played leading roles in the foundation of the Transport Workers Union of America. He becomes active in the semi-secret separatist organisation Clan na Gael, and in autumn 1955 returns to Ireland with the aim of helping the IRA to prepare for another military campaign.

Cronin begins work as a sub-editor with the Evening Press and also contributes summaries of world affairs to The Irish Times.

Cronin establishes contact with the IRA, and his military experience leads to his rapid assignment to GHQ staff. He is initially placed in charge of training and instruction, composing a manual on guerrilla warfare and twelve lectures on battlefield training. He teaches new military techniques and new recruits, such as the future IRA Chief of Staff Ruairí Ó Brádaigh, find him deeply impressive.

Cronin becomes a leading advocate of an early IRA campaign against Northern Ireland and becomes the chief strategist for Operation Harvest, a campaign which sees the carrying out of a range of military operations from direct attacks on security installations to disruptive actions against infrastructure. He is arrested on January 8, 1957, near the border in County Cavan. He is imprisoned several times over the course of the campaign (1956–1962).

Most of the IRA and Sinn Féin leadership are interned by the Dublin government on July 6, 1957. Cronin, one of the few to escape, becomes IRA Chief of Staff. He also acts for a time as editor of the movement’s newspaper, United Irishman. He tries to secure weapons from various sources, leading an unsuccessful raid on a British Army base at Blandford Camp in Dorset on February 16, 1958, and through contacts with Spanish republican exiles in Paris. The Irish American community remains the IRA’s main source of external support.

Cronin is arrested on September 30, 1958, and interned, causing considerable disarray, as he had been running much of the campaign single-handed. When the internees are released in March 1959, he resumes his position as Chief of Staff after a factional dispute causes the resignations of Tomás Óg Mac Curtain and the former Chief of Staff Tony Magan. He continues to argue that a sustained guerrilla campaign might yet succeed, but in June 1960 is again arrested and imprisoned for six months.

In November 1960, the Irish Freedom Committee (IFC), a Clan na Gael splinter group, accuses Cronin of being a communist and a “Free State agent,” supposedly implicated in the 1944 execution of Charlie Kerins. The IRA supports Cronin, but he nevertheless decides to resign successively as Chief of Staff, as a member of the Army Council, and as an IRA volunteer, on the grounds that his presence endangers the American support necessary for the continuance of the campaign. He then secures a job as a journalist on the Irish Independent. He withdraws his resignation in November 1961 after the Irish government reinstates military tribunals to try suspected IRA men. He is subsequently sentenced to six months’ imprisonment by a military tribunal and is in prison when the border campaign ends on February 26, 1962. Released on amnesty on April 19, 1962, he finally resigns from the IRA the next day.

By February 1966, Cronin has returned to the United States, where he resides for the remainder of his life, with regular visits to Ireland. He works as a journalist on the Newark Evening News and the Dow Jones News Service and is the U.S. correspondent of The Irish Times from 1967 to 1991, becoming that paper’s first Washington, D.C. correspondent.

In the 1970s Cronin takes a degree at New York University, then teaches and studies for a doctorate at The New School for Social Research in New York under Hans Morgenthau. His dissertation forms the basis for his magnum opus, Irish nationalism: its roots and ideology (1980). Although limited by its colonial model and socialist-republican intellectual framework, this historically oriented account draws on his extensive research and personal contacts to some effect.

Cronin is the author of a dozen books and pamphlets, including a biography of republican Frank Ryan, Washington’s Irish Policy 1916-1986: independence, partition, neutrality (1987), an authoritative account of Irish-US relations, Our Own Red Blood: The Story of the 1916 Rising (1966), and a number of works on guerrilla strategy, including an early Sinn Féin pamphlet Resistance under the pseudonym of J. McGarrity.

After the death of his first wife in 1974, Cronin marries Reva Rubinstein, a toxicologist. In 1980 they move to Washington, D.C. He has no children by either marriage, though his second wife brings him a stepson. After several years of illness, he dies in Baltimore, Maryland, on March 9, 2011. He is survived by his second wife, Reva Rubenstein Cronin.