Cruise O’Brien follows his cousin Owen into Sandford Park School, which has a predominantly Protestant ethos despite objections from Catholic clergy. He subsequently attends Trinity College Dublin (TCD) before joining the Irish diplomatic corps.
Although he is a fierce advocate of his homeland, Cruise O’Brien is a strong critic of Irish Republican Army (IRA) violence and of what he considers the romanticized desire for reunification with Northern Ireland. His collection of essays Maria Cross: Imaginative Patterns in a Group of Modern Catholic Writers (1952; written under the pseudonym Donat O’Donnell) impresses UN Secretary-GeneralDag Hammarskjöld, who in 1961 appoints him UN special representative in the Congo, later the Democratic Republic of the Congo. He orders UN peacekeeping forces into the breakaway Katanga province, and the resulting scandal forces him out of office. Despite UN objections, he writes To Katanga and Back (1963) to explain his actions.
After serving as vice-chancellor of the University of Ghana (1962–65) and Albert Schweitzer Professor of Humanities at New York University (1965–69), Cruise O’Brien enters Irish politics. He holds a Labour Party seat in Dáil Éireann from 1969 to 1977 and then in the Senate from 1977 to 1979, representing Trinity College, of which he is pro-chancellor (1973–2008).
In 1979, Cruise O’Brien is named editor in chief of the British Sunday newspaper The Observer, but he leaves after three tumultuous years. He remains an active newspaper columnist, especially for the Irish Independent until 2007. His books include States of Ireland (1972) and On the Eve of the Millennium (1995), as well as perceptive studies of Charles Stewart Parnell, Edmund Burke, and Thomas Jefferson.
In early July 1996, in the period of Cruise O’Brien’s involvement as a UK Unionist Party (UKUP) representative in talks at Stormont, he suffers a mild stroke. He recovers well, but is left with anxiety about his recall of names. His last public appearance is on September 7, 2006, to deliver an address on the ninetieth anniversary of the death of Tom Kettle, in the old House of Lords chamber of the Bank of Ireland on College Green.
Born in Limerick in 1844, Sheehy is the son of Richard Sheehy and Johanna Shea, and is the brother of Mary Sheehy and Fr. Eugene Sheehy. He is a student for the priesthood at the Irish College in Paris, but leaves due to a cholera epidemic and later marries Bessie McCoy. In his youth he is a member of the Irish Republican Brotherhood (IRB) and is active in the Irish National Land League. He is imprisoned on six occasions for his part in the Land War.
The two factions of the Irish Parliamentary Party reunite for the general election in 1900, but Sheehy does not stand again and is out of parliament for the next three years. After the death in August 1903 of James Laurence Carew, the Independent Nationalist MP for South Meath, he is selected as the Irish Parliamentary Party candidate in the resulting by-election in October 1903. Carew had allegedly been elected in 1900 as a result of a series of errors in nominations, and his predecessor John Howard Parnell stands again, this time as an Independent Nationalist. Sheehy wins with a majority of more than two to one, and holds the seat until he stands down at the 1918 United Kingdom general election in Ireland.
Sheehy and his wife, Bessie, have seven children, of whom six survive to adulthood. One of his daughters, Mary (born 1884), marries the MP Tom Kettle and has one daughter, Betty (1913–1996). Hanna (born 1877), becomes a teacher and marries the writer Francis Skeffington. They have one son, Owen, who is seven years old when his father is murdered by the Captain Bowen-Colthurst in Portobello Barracks, Rathmines, during the 1916 Easter Rising. Kathleen marries Freeman’s Journal and Irish Independentjournalist Frank Cruise O’Brien. The contrarian politician and writer Conor Cruise O’Brien is their son. Margaret (born 1879), an elocutionist, actress and playwright, marries solicitor Frank Culhane. They have four children. After his death she marries her godson, the poet Michael Casey. Sheehy’s two sons, Richard and Eugene, are barristers.
The writer James Joyce, who lives nearby as a youth, often visits the family home, 2 Belvedere Place, where musical evenings and theatricals take place every Sunday evening. Joyce entertains the family with Italian songs. In 1900, Margaret writes a play in which the Sheehys and their friends, including Joyce, act. Joyce takes a particular liking to Eugene and has a long-lasting but unrequited crush on Mary. Joyce’s novel Ulysses wittily describes an encounter between Sheehy’s wife, Bessie, and Father John Conmee, SJ, rector of Clongowes Wood College. Their daughter Mary is the spéirbhean longingly pursued by the protagonist in the story “Araby” in Joyce’s collection Dubliners. Another daughter, Kathleen, is possibly the model for the mockingly nationalist Miss Ivors in the story “The Dead“, which concludes Dubliners.
When Sheehy dies at the age of 88 in Dublin on December 17, 1932, it is reported that he has been the oldest surviving member of the Irish Parliamentary Party.
O’Connor is a well-known intellectual figure in contemporary Irish affairs and expresses strong opinions against censorship and the war on drugs. He contributes a regular poetry column to the Irish daily, the Evening Herald, also writes a column for the Sunday Mirror and a sporting column for TheSunday Times, as well as broadcasting on RTÉ.
O’Connor is also known for the autobiographical The Ulick O’Connor Diaries 1970-1981: A Cavalier Irishman (2001), which details his encounters with well-known Irish and international figures, ranging from political (Jack Lynch and Paddy Devlin) to the artistic (Christy Brown and Peter Sellers). It also documents the progress of the Northern Ireland peace process during the same time, and the progress of the Northern Ireland Assembly. Although he travels extensively, he lives in his parental home in Dublin’s Rathgar. He is a member of Aosdána.
Gifford is the youngest of twelve children of Frederick and Isabella Gifford. Isabella Gifford (née Burton), is a niece of the artist Frederic William Burton, and is raised with her siblings in his household after the death of her father, Robert Nathaniel Burton, a rector, during the Great Famine.
Gifford’s parents—her father is Catholic and her mother Anglican—are married in St. George’s Church, a Church of Ireland church on the north side of Dublin, on April 27, 1872. She grows up in Rathmines and is raised as a Protestant, as are her siblings.
Gifford is educated in Alexandra College in Earlsfort Terrace. After leaving school she studies music at the Leinster House School of Music. It is her music teacher, in her teens, who first gives her her first Irish national newspaper, The Leader. She begins reading this secretly and then starts reading Arthur Griffith’s newspaper, Sinn Féin.
Gifford is a member of Inghinidhe na hÉireann, a women’s political organisation active from the 1900s. It is founded by Maud Gonne and a group of working-class and middle-class women to promote Irish culture and help to alleviate the shocking poverty of Dublin and other cities at a time when Dublin’s slums are unfavourably compared with Calcutta‘s. Gifford, who is already writing under the name “John Brennan” for Sinn Féin, is asked to write for its newspaper Bean na h-Éireann. Her articles vary from those highlighting poor treatment of women in the workplace to fashion and gardening columns, some written under the pseudonym Sorcha Ní hAnlúan.
She also works, along with her sisters, in Maud Gonne’s and Constance Markievicz‘s dinner system in St. Audoen’s Church, providing good solid dinners for children in three Dublin schools – poor Dublin schoolchildren often arrive at school without breakfast, go without a meal for the day, and if their father has been given his dinner when they arrive home, might not eat or might only have a crust of bread that night.
In 1911, Gifford is elected (as John Brennan) to the executive of the political group Sinn Féin.
Gifford is a member of Cumann na mBan (The Irish Women’s Council) from its foundation in Dublin on April 2, 1914. Its members learn first aid, drilling and signalling and rifle shooting, and serve as an unofficial messenger and backup service for the Irish Volunteers. During the fight for Irish Independence the women carry messages, store and deliver guns and run safe houses where men on the run can eat, sleep and pick up supplies.
In 1914, Gifford moves to the United States to work as a journalist. Through her connection with Padraic Colum and Mary Colum, whom she had met through her brother-in-law Thomas MacDonagh, she meets influential Irish Americans such as Thomas Addis Emmet and Irish exiles like John Devoy, and marries a Hungarian lawyer, Arpad Czira, a former prisoner of war who is said to have escaped and fled to America. Their son, Finian, is born in 1922.
Czira writes both for traditional American newspapers and for Devoy’s newspaper, TheGaelic American. She and her sister Nellie found the American branch of Cumann na mBan, and she acts as its secretary. Both sisters tour and speak about the Easter Rising and those involved. She is an active campaigner for Irish independence and against the United States joining the war against Germany, seen as a war for profit and expansion of the British Empire, and so to the disadvantage of the work for Irish independence. She helps Nora Connolly O’Brien to contact German diplomats in the United States.
In 1922, Czira returns to Ireland with her son. As a member of the Women’s Prisoners’ Defence League, she is an activist against the ill-treatment of Republican prisoners during the Irish Civil War. She continues to work as a journalist, though she is stymied in her work, as are the women of her family and many of those who had taken the anti-Free State side. In the 1950s her memoirs are published in The Irish Times, and she moves into work as a broadcaster and produces a series of historical programmes.
Betty Ann Norton, Irish drama teacher and founder of the Betty Ann Norton Theatre School and actor agency, is born on July 5, 1936.
Norton grows up in Dublin near the South Circular Road. Her mother, Frances, plays the violin and her father, Eugene, is a baritone singer. Frances is a full-time homemaker while Eugene works as manager of the Bacon Shops on Grafton Street. One of two children, her younger brother, Jim Norton, also becomes a successful actor. She attends school at St. Louis High School, Rathmines.
Norton attends the Ena Mary Burke School of Drama and Elocution on Kildare Street, Dublin, where Hollywood starMaureen O’Hara had also trained. Her acting school offers an annual Ena Mary Burke scholarship in Burke’s honour.
Norton originally plans to become an actor, but her family does not approve and her mother encourages her to become a teacher. In 1959, she establishes the Betty Ann Norton Theatre School on Harcourt Street in Dublin. Her husband, Michael, is co-director of the school. According to Norton, changes to traffic by the new Luas tram system causes the business to change premises to her childhood school, St. Louis High School in Rathmines in 2006.
Norton meets her husband, Michael J. Cunneen, on the Aran Islands in 1965 and they marry in 1967. They lived in Dún Laoghaire. Michael dies in the Blackrock Clinic on May 12, 2017.
Ffrench-Mullen is born on December 30, 1880, in Malta, where her father, St. Lawrence ffrench-Mullen, a Royal Navy surgeon, is stationed. She has two brothers, St. Lawrence Patrick Joseph (1890–1891) and Douglas (1893–1943).
Ffrench-Mullen’s interest in politics starts young. Her father is a committed Parnellite and their Dundrum home is a campaign headquarters. She is a radical feminist and republican during her life. Like many others of the time, she regards it as a woman’s right to vote. She joins the suffrage movement, and meets women with a similar worldview and values. The women’s suffrage movement is included in the Movements of Extremists reports of the Dublin Metropolitan Police. Ffrench-Mullen goes on to join Inghinidhe na hÉireann, a radical nationalist women’s group founded by Maud Gonne in 1900. The organisation develops into Cumann na mBan in 1913. Suffragist values are central to Cumann na mBan’s goal of standing side-by-side with men in the fight for the Irish Republic. Some members see this as women regaining the rights that had belonged to them in pre-invasion Gaelic civilisation. She is on the socialist wing of the moment, holding to the ideals of universal social equality of the syndicalist James Connolly and the Irish Citizen Army (ICA).
During the 1916 Easter Rising, ffrench-Mullen serves as a lieutenant in the Irish Citizen Army. She sees action with the St. Stephen’s Green and Royal College of Surgeons garrison. In St. Stephen’s Green she is in command of the 15 Citizen Army women who set up a medical station and field kitchen. While occupying St. Stephen’s Green, she and her comrades come under sustained heavy fire from the Shelbourne Hotel and buildings on the north side of the Green. After the surrender of the College of Surgeons garrison, ffrench-Mullen is one of the 77 women who had fought in the Rising who are imprisoned, among them her life partner Kathleen Lynn. While in captivity ffrench Mullen is moved three times, spending time in Richmond Barracks, Kilmainham Gaol and Mountjoy Prison. She is released on June 5, 1916.
Ffrench-Mullen meets Kathleen Lynn through Inghinidhe na h-Éireann. In 1915, she moves into Lynn’s home in Belgrave Road, Rathmines, where they live together for thirty years, until ffrench-Mullen’s death in 1944.
Ffrench-Mullen records in her prison diary in 1916 that she can face prison without fear once Lynn (whom she refers to as “the Doctor”) and she are together. Katherine Lynch of the Women’s Studies Centre at University College Dublin (UCD) describes them as partners, calling them part of a network of lesbians living in Dublin—which includes Helena Molony, Louie Bennett and Elizabeth O’Farrell—who meet through the suffrage movement and later become involved with the national and trade union movement. These women are featured, along with Eva Gore-Booth and others, in a 2023 TG4 documentary about “the radical queer women at the very heart of the Irish Revolution”: Croíthe Radacacha (Radical Hearts).
In 1919, Madeleine ffrench-Mullen and Kathleen Lynn establish Saint Ultan’s Children’s Hospital, also known as Teach Ultan, which is a female-run hospital for infants at 37 Charlemont Street, Dublin. The hospital focuses on children’s health and wellbeing, an area that is perceived at the time as women’s concern. In the aftermath of World War I many health problems have arisen including a rise in venereal diseases such as syphilis, carried from soldiers returning home from war. Many of Ireland’s infants of the time suffer from congenital syphilis (inherited disease from mother at birth), and this is a driving factor in the opening of St Ultan’s hospital. Tuberculosis is endemic in Ireland during its time as a British colony. Against steadfast opposition by the State and the Catholic Church, Lynn and ffrench-Mullen establish a vaccination project, vaccinating thousands of impoverished children who would have died of tuberculosis without their vaccines. Their success leads to the foundation of Ireland’s BCG vaccine programme, which has vaccinated all babies since the 1950s.
Ffrench-Mullen dies at the age of 63 in a Dublin nursing home on May 26, 1944. She is interred with her parents as well as her younger brothers (whom she outlives) in the ffrench-Mullen family plot in Glasnevin Cemetery. Her funeral takes place on the same day as the 1944 Irish general election.
Bushnell is one of four children of John Kavanagh and Evelyn (née Ledwidge). Her father is a motor mechanic with a business on Arnott Street, Portobello, with the family living in Milltown. She dances on the stage of the Theatre Royal as a child and is a junior Irish champion dancer. She attends the St. Louis convent school in Rathmines, where she performs in plays and musicals and sings in the school choir. The nuns disapprove of her musical influences and try to dissuade her interest in jazz and “the music of the night.” Due to the family’s financial circumstances, she leaves school at the age of 16 and takes a job as a typist. She marries Tony Bushnell in April 1961. He is a salesman who shares her interest in music. The couple moves to Templeogue, and have a daughter, Suzanne, and a son, Paul. Paul is now a session musician based in Los Angeles, and Suzanne sings with a female vocal harmony group, Fallen Angels.
Bushnell continues to perform in amateur musicals, and from the early 1960s she sings with an Irish céilí band. With help from her husband’s musical family, she sings in Dublin jazz clubs from 1967, emerging as a well-respected jazz and blues vocalist and cabaret performer. She competes in the national song contest in 1968 singing Ballad to a Boy and becomes a resident singer in the RTÉ Light Orchestra. By the late 1960s, she is one of the busiest singers in Ireland, singing jingles for radio and TV commercials, and featuring on showband records as a backing singer. She is a regular guest on RTÉ television variety shows from 1970, including hosting Girls, girls, girls.
From 1972 to 1974, Bushnell is part of a group called Family Pride, which is a group of session musicians who record together regularly. They compete in the 1973 national song contest, playing in Dublin venues and on radio shows. The group has two top ten Irish hits. Their 1973 album, Family Pride, is not a chart success, however. She represents Ireland at a number of international contests and festivals as a solo artist, releasing a few singles and an unsuccessful album with CBS Records, Are You Ready (1977). She is a backing singer for two of Ireland’s entries to the Eurovision Song Contest in 1974 and 1980. She is a regular in stage musicals from the mid to late 1970s, in productions such as the tribute shows to Jacques Brel (1974) and Bing Crosby (1978), sometimes performing alongside her brother John Kavanagh. From the late 1970s she appears in pantomimes with Maureen Potter.
In 1984 Bushnell stars in a musical based on the life of Édith Piaf, No Regrets, written specially for her by Leland Bardwell. She is lauded for capturing Piaf’s stage presence and husky voice. The show suffers when it has to move from the Gaiety Theatre to the National Stadium. She reworks it into a successful one-woman show called The Little Sparrow and also devises a one-woman tribute to Judy Garland. Her cabaret act in the late 1980s is highly successful, featuring big numbers by Brel, Garland, and Piaf. Due to her talent at singing blues and jazz, she is awarded the freedom of New Orleans by its mayor in 1986.
Bushnell struggles with depression brought on initially by an underactive thyroid and later exacerbated by her father’s death and her husband’s unemployment in the late 1980s. Disheartened by the lack of recognition in Ireland and her family’s financial difficulties, she considers emigrating or returning to her career as a typist. To aid with her depression, she takes up painting in 1992, holding a number of exhibitions in Dublin. She continues to sing regularly until her death, often at events for charity. She is awarded the Cheshire Foundation award in 1994 for her charitable work. She also appears in the film Agnes Browne.
Ireland wins the rugby Triple Crown for first time on March 10, 1894. In rugby union, the Triple Crown (Irish: An Choróin Triarach) is an honour contested annually by the national teams of England, Scotland, Ireland, and Wales as part of the Six Nations Championship. If any one team manages to win all their games against the other three then they win the Triple Crown.
The history of the Ireland national rugby union team begins in 1875, when Ireland plays its first international match, a 0–7 loss against England. Ireland has competed in the Six Nations (formerly known as the Five Nations and originally known as the Home Nations) rugby tournament since 1883. Ireland has also competed at the Rugby World Cup every four years since its inception.
Dublin University is the first organised rugby football club in Ireland, having been founded in 1854. The club is organised by students who have learned the game while at English public schools. During the third quarter of the nineteenth century, and following the adoption of a set of official rules in 1868, rugby football begins to spread quickly throughout Ireland, resulting in the formation of several other clubs which are still in existence, including North of Ireland F.C. (1868), Wanderers F.C. (1869), Queen’s University RFC (1869), Youghal RFC (1869), Lansdowne F.C. (1873), Dungannon RFC (1873), County Carlow F.C. (1873), University College Cork RFC (1874) and Ballinasloe RFC (1875) which amalgamates with Athlone RFC to form Buccaneers RFC.
In 1874, the Irish Football Union. reconstituted as the Irish Rugby Football Union after unification with the North of Ireland Union, is formed by Dublin University Football Club, Wanderers F.C., Engineers F.C., Lansdowne F.C., Bray, Portora, Dungannon RFC and Monaghan. Ireland loses their first test match against England 0-7 at The Oval on February 15, 1875. Both teams field twenty players in this match, as is customary in the early years of rugby union. It was not until 1877 that the number of players is reduced from twenty to fifteen. Ireland’s first home game is also against England in the same year. It is held at the Leinster Cricket Club in Rathmines as Lansdowne Road is deemed unsuitable. The first match at Lansdowne Road is held on March 11, 1878, with England beating Ireland by 2 goals and 1 try to nil.
It is not until 1881 that Ireland first wins a test, beating Scotland at Ormeau Cricket Ground in Belfast. Ireland turns up two men short for their game in Cardiff in 1884 and has to borrow two Welsh players. The first victory Ireland has at Lansdowne Road takes place on February 5, 1887. It is also their first win over England, by two goals to nil. On March 3, 1888, Ireland records their first win over Wales with a goal, a try and a drop goal to nil.
In 1894, Ireland follows the Welsh model of using seven backs instead of six for the first time. After victory over England at Blackheath, Ireland wins back-to-back matches for the first time when recording their first win over Scotland on February 24, 1894. Ireland goes on to beat Wales in Belfast on March 10, 1894, and wins the Triple Crown for the first time.
In the 1890s, rugby is primarily a game for the Protestant middle class, the only Catholic in Edmund Forrest’s 1894 team is Thomas Crean. Of the eighteen players used in the three games, thirteen are from three Dublin clubs – Wanderers, Dublin University and Bective Rangers – and the remaining five are from Ulster. They go on to win the Home international championship twice more before the century is out (1896 and 1899), so that by 1901 all four of the Home Unions have tasted success at a game that is growing in popularity with players and spectators.
(Pictured: The 1894 Ireland Rugby Union team, Kildare Observer, Irish News Archives)
Margaret Brady is born to Patrick Brady, a coal merchant whose family are from County Meath, and Brigid Brady (née Savage) of Oldtown, Dublin. She is baptised in St. Lawrence O’Toole’s parish. At the time, her parents are living at 1 Clarence Street. She has three known siblings and is educated by the Sisters of St. Vincent de Paul. She is employed as a stationery shop assistant where she meets her future husband, James Pearse.
In 1877, she marries James Pearse at St. Agatha’s Church, off the North Strand. James is born in Bloomsbury, Middlesex, on December 8, 1839, and later lives in Birmingham. He comes to Ireland to work as a sculptor in the late 1850s with his first wife, Emily Susanna Fox, who dies in 1876. They have four children together. The first three children are Margaret Mary (born on August 4, 1878), Patrick (born on November 10, 1879) and William (born on November 15, 1881). All three children are born while the family lives in 27 Great Brunswick Street. Their youngest child, Mary Brigid, is born on September 29, 1888, by which time the family has moved to Newbridge Avenue, Sandymount. Pearse’s aunt, Margaret Brady, an Irish speaker, is a frequent visitor to the family home and encourages the children’s interest in the Irish language and culture. Her husband dies in 1900. Pearse does not permit her children to play with other children, however, she supports her children in all their aspirations. She has a very strong relationship and consequent effect on her eldest son, Patrick, who founds St. Enda’s School in 1908 and is the headmaster up until the time of his execution. She takes over the responsibility of Housekeeper at the school.
Pearse supports her sons’ political beliefs. After their execution, she wishes to maintain their legacy and becomes involved in political life. She joins Sinn Féin after the Rising and gives support and endorsement to candidates during the 1918 Westminster election. During the 1920 Poor Law Elections for the Rathmines area of Dublin, she stands as a Sinn Féin candidate and is elected on the first count. She is elected to Dáil Éireann as a Sinn Féin Teachta Dála (TD) for the Dublin County constituency at the 1921 Irish elections.
Pearse strongly opposes the Anglo-Irish Treaty, as do all the female TDs. She states during the Treaty debate that:
“I rise to support the motion of our President for the rejection of the Treaty. My reasons for doing so are various, but my first reason for doing so I would like to explain here today is my son’s account. It has been said here on several occasions that Patrick Pearse would have accepted this Treaty. I deny it. As his mother I deny it, and on his account, I will not accept it.”
Later she continues in a similar vein:
“Always we had to be on the alert. But even the Black and Tans alone would not frighten me as much as if I accepted this Treaty; because I feel in my heart – and I would not say it only I feel it – that the ghosts of my sons would haunt me.”
Following the ratification of the Treaty Pearse leaves the Dáil with the other anti-Treaty deputies. She is defeated at the 1922 Irish general election. She supports those who oppose the Treaty during the Irish Civil War and continues to be a member of Sinn Féin until 1926. In 1926 she leaves the party conference with Éamon de Valera and becomes a founder member of Fianna Fáil. She never stands for election again.
At the launch of The Irish Press newspaper, Pearse is asked to press the button to start the printers rolling. At many public occasions she states that were her sons alive they too would have joined Fianna Fáil. Accordingly, Patrick Pearse is recognised as the spiritual figurehead of the party to this day.
After Patrick’s death, the responsibility for running the school falls to Pearse and her two daughters. As Patrick Pearse had died without a will, the school is left in a precarious financial position. In May 1924, when she is aged 70, she undertakes a trip to the United States to raise funds for the school, alongside showing support for Éamon de Valera and the Irish Republic. At an event in Brooklyn on May 19, 1924, when referencing the execution of her two sons, she declares herself the “proudest mother in Ireland.” She also states that Michael Collins had attempted to “bribe” her with an offer to subsidise the school, which she refused. During a meeting in Seattle on August 11, 1924, she again discusses her sons and how she believes “the best way to honour their memory was to carry on their work for Ireland.” She raises over $10,000 in donations for the school during the trip. Notwithstanding her fundraising activities, St. Enda’s continues to decline and eventually closes in 1935. Great Brunswick Street, where she and the Pearse family originally lived, is renamed Pearse Street in 1920 by a resolution passed at the Dublin City Council meeting.
Pearse dies on April 22, 1932. She is honoured with a large state funeral and a motion is passed at the meeting of Dublin City Council expressing sympathy with the Pearse family. On April 26, 1932, sizeable crowds pay their respects as her funeral procession makes its way through the streets of Dublin. At the General Post Office (GPO), where Patrick and William fought during the Easter Rising, the funeral cortege pauses for a minute of silence before proceeding to Glasnevin Cemetery. Éamon de Valera gives an oration as she is laid to rest, which praises her inspiring courage, charity and cheerfulness during the years after her son’s death.
After Pearse’s death, her daughter, Mary Margaret, continues to reside at St. Enda’s. She also joins Fianna Fáil, and serves as a TD from 1933 to 1937 and later serves in Seanad Éireann as a Senator from 1938 until her death in 1968. Upon her death, as per her mother’s request, she passes St. Enda’s on to the people of Ireland.
Connolly travels to Russia on several occasions in 1920 and 1921 and forms a close association with Vladimir Lenin and is hugely influenced by the Soviet leader. He is a delegate to the Second Congress of the Communist International (Comintern) as a delegate of the Industrial Workers of the World (IWW) in June 1920. It is here he meets Lenin at just 19 years of age following an introduction from journalistJohn Reed. According to Connolly, Lenin speaks English with a Rathmines accent which he acquired from his Irish tutor.
Connolly helps form and becomes President of the first Communist Party of Ireland (CPI) in October 1921. He is editor of the CPI newspaper, The Workers’ Republic. He opposes the 1921 Anglo-Irish Treaty between the representatives of the Irish Republic and the British state, and fights in the Irish Civil War on the anti-treaty side. The CPI is the first Irish political party to oppose the Treaty and urges the Irish Republican Army (IRA) to adopt socialist policies to defeat the new Irish Free State government. The CPI is dissolved in 1924 by the Comintern but in 1926, Connolly helps set up a second Marxist party, the Irish Workers’ Party. He is the party leader and editor of its journal, The Hammer and Plough. This party too is dissolved in 1927.
Connolly enters a semi-retirement between the mid-1950s and mid-1960s, but in the late 1960s, he begins a comeback. He is elected as party chairman in 1971 and holds this position until 1978. During his time as chairman, he oversees the expulsion of the Socialist Labour Alliance in 1971, some of whose members go on to form the Socialist Workers Network (SWN), which in turn eventually establishes People Before Profit (PBP).
In 1921, Connolly marries Jessica Maidment, a socialist activist in England and chartered accountant, who from 1928 works for Russian Oil Products in Dublin. She dies in 1930 from blood poisoning arising from an operation. He is survived by his second wife, Peggy, whom he marries in 1937, sons, and daughters. His recreations include chess and bridge; highly adept at both, he learns the former from Seán Mac Diarmada as prisoners after the Easter rising and is international bridge correspondent for the Irish Independent.
(Pictured: Roddy Connolly during an interview conducted for the RTÉ Television project “Portraits 1916” on January 9, 1966)
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