seamus dubhghaill

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Tag Archives: County Limerick


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Death of Poet James Clarence Mangan

James Clarence Mangan (Irish: Séamus Ó Mangáin), Irish poet, weakened by poverty, alcoholism and malnutrition, dies of cholera on June 20, 1849.

Mangan is born on May 1, 1803, in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.

Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.

Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.

Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.

Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.

Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.

Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.

Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.

(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)


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Death of Gerald Griffin, Novelist, Poet & Playwright

Gerald Griffin (Irish: Gearóid Ó Gríofa), Irish novelist, poet and playwright, dies of typhus fever on June 12, 1840. His novel The Collegians is the basis of Dion Boucicault‘s play The Colleen Bawn, or The Brides of Garryowen. Feeling he is “wasting his time” writing fiction, he joins the Congregation of Christian Brothers, a Catholic religious congregation founded by Edmund Ignatius Rice, to teach the children of the poor.

Griffin is born in Limerick, County Limerick, on December 12, 1803, the youngest son of thirteen children of a substantial Catholic farming family. Patrick Griffin, his father, also makes a living through brewing, and he participates as one of Henry Grattan‘s Irish Volunteers (18th century). His mother comes from the ancient O’Brien dynasty and first introduces him to English literature. When he is aged seven, the family moves to Fairy Lawn, a house near Loghill, County Clare, which sits on a hill above the bank of the Shannon Estuary, about twenty-seven miles from Limerick. Here he has an idyllic childhood and receives a classical education.

In 1820 the family at Fairy Lawn is broken up. The parents with several of the children emigrate to the United States and settle in Pennsylvania. Griffin, with one brother and two sisters, is left behind under the care of his elder brother William, a practicing physician in Adare, County Limerick. He meets John Banim in Limerick. Inspired by the successful production of Banim’s play Damon and Pythias (1821), Griffin, at nineteen years of age, moves to London in 1823. After an unsuccessful attempt at becoming a playwright, he endures years of poverty in London, managing only to scrape by through writing reviews for periodicals and newspapers. At the end of two years, he obtains steady employment in the publishing house as reader and reviser of manuscripts, and in a short time becomes frequent contributor to some of the leading periodicals and magazines. His early pieces in The Literary Gazette vividly describe the rural setting of his childhood, recount Irish folklore, translate the Celtic Irish language for the English readers, and, as Robert Lee Wolff observes, “waxed richly sardonic about Irishmen who tried to be more English than the English.”

Griffin’s Holland-Tide or Munster Popular Tales is published by Simpkin & Marshall in 1827. Holland-Tide is a collection of seven short stories, all of which are told in the house of a hospitable Munster farmer during All Hallows’ Eve in Munster. Holland-Tide establishes his reputation, and he returns to Ireland, where he writes Tales of the Munster Festivals in Pallaskenry to which his brother William has moved.

Experience leads Griffin to modify his expectations in relation to literary work, and, with a view to the legal profession, he enters the University of London as a law student, but in a short time removes to Dublin for the study of ancient Irish history, preparatory to his work The Invasion, which is published in 1832. This work has a good sale and is highly praised by scholars but never becomes popular.

With the exception of a tour through Scotland and a short trip on the European continent, Griffin lives with his brother, keeping up to some extent his literary labours. By 1833, he is increasingly concerned that he is wasting his time and begins to devote himself to teaching the poor children of the neighborhood. In 1838, hes all of his unpublished manuscripts and joins the Congregation of Christian Brothers, a Catholic religious order which has as its special aim the education of children of the poor. Writing to an old friend he says he feels a great deal happier in the practice of this daily routine than he ever did while roving about the great city, absorbed in the modest project of rivaling Shakespeare and throwing Scott in the shade. In June 1839, he is transferred from Dublin to Cork, where he dies of typhus fever at the age of thirty-six on June 12, 1840.

Griffin’s play Gisippus is produced posthumously at Theatre Royal, Drury Lane on February 23, 1842, by William Macready, and it runs to a second edition in print.

One of Griffin’s most famous works is The Collegians, a novel based on a trial that he had reported on, involving the murder of a young Irish Catholic girl (Ellen Hanley) by a Protestant Anglo-Irish man (John Scanlon). The novel is later adapted for the stage as The Colleen Bawn by Dion Boucicault.

Griffin has a street named after him in Limerick and another in Cork. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.

(Pictured: “Portrait of Gerald Griffin (1803-1840), Poet and Novelist,” painting by Richard Rothwell (1800-1868), National Gallery of Ireland)


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Birth of Bill Whelan, Musician & Composer of “Riverdance”

Bill Whelan, composer and musician, is born in Limerick, County Limerick, on May 22, 1950. He is best known for composing a piece for the interval of the 1994 Eurovision Song Contest. The result, Riverdance, is a seven-minute display of traditional Irish dancing that becomes a full-length stage production and spawns a worldwide craze for Irish dancing and Celtic music. It also wins him a Grammy. Riverdance is released as a single in the UK in 1994, credited to “Bill Whelan and Anúna featuring the RTÉ Concert Orchestra.” It reaches number 9 and stays on the charts for 16 weeks. The album of the same title reaches number 31 in the album charts in 1995.

Whelan also composes a symphonic suite version of Riverdance, with its premiere performed by the Ulster Orchestra on BBC Radio 3 in August 2014.

Whelan is educated at Crescent College, University College Dublin and the King’s Inns. While he is best known for his Riverdance composition, he has been involved in many ground-breaking projects in Ireland since the 1970s. As a producer he works with U2 on their War album, Van Morrison, Kate Bush, The Dubliners, Planxty, Andy Irvine & Davy Spillane, Patrick Street, Stockton’s Wing and fellow Limerickman Richard Harris.

As an arranger and composer, Whelan’s credits include:

  • The Spirit of Mayo, performed by an 85-piece orchestra in Dublin‘s National Concert Hall and featuring a powerful Celtic drum corps and a 200 strong choir and choral group Anúna.

In theatre, Whelan receives a Laurence Olivier Awards nomination for his adaption of Gilbert and Sullivan‘s H.M.S. Pinafore. He writes original music for fifteen of W. B. Yeats‘s plays for Dublin’s Abbey Theatre and his film credits include Dancing at Lughnasa (starring Meryl Streep), Some Mother’s Son, Lamb (starring Liam Neeson) and the award-winning At the Cinema Palace.


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The Knocklong Ambush

Dan Breen and Seán Treacy rescue their comrade Seán Hogan from a Dublin-Cork train at Knocklong, County Limerick, on May 13, 1919, in what becomes known as the Knocklong Ambush. Two policemen guarding Hogan are killed.

One of the most famous photographs (left) of the Irish War of Independence (1919-21) is taken at Breen’s wedding in June 1921. Breen is already burnishing his reputation as the romantic guerilla campaigner three years before the publication of his bestselling autobiography My Fight for Irish Freedom. On his lap there is a Luger pistol, an incongruity in a wedding photograph, but in keeping with his penchant for self-mythologising. In the background on the left is his best man Hogan who is dressed in the uniform of the Irish Volunteers. Unlike Breen, he looks shy and awkward, his body tilted as if to convey how ill at ease with himself he is.

Had Hogan shown the same diffidence in May 1919, he might have saved himself and his comrades a great deal of trouble. He is the youngest of those involved in the Soloheadbeg ambush on January 21, 1919, the event that is viewed in retrospect as the event that starts the Irish War of Independence.

Hogan is only 18, according to most reports, but to date no birth certificate has been found for him. His youth may explain his lack of caution in early May 1919 when he slips his minder after a dance in Kilshenane, County Tipperary, and ends up, not in the arms of his sweetheart Bridie O’Keeffe, but in the embrace of the Royal Irish Constabulary (RIC). He escorts O’Keeffe back to her relative’s farmhouse where she is spending the night. He sleeps on the sofa. When he wakes up, the house is surrounded. He flees, but is picked up by the RIC in a laneway near the house. He, along with the others involved in the Soloheadbeg ambush, are the most wanted men in Ireland. He faces interrogation and possible execution.

The Knocklong ambush, which occurs on May 13, 1919, saves Hogan from such a fate, but it comes at a terrible price for all those involved. He is put on the 6:00 p.m. train from Thurles to Cork where he is due to be interrogated in the military prison. Knocklong Station, just over the border in County Limerick, is chosen as the place for the escape attempt because of its distance from the nearest RIC barracks.

Four volunteers of the Irish Republican Army (IRA) East Limerick Brigade get on the train at Emly in order to signal to the men waiting at Knocklong Station the carriage in which Hogan is being detained. He is being escorted to Cork by four RIC men. They face five volunteers, three of whom are armed. A ferocious gun battle ensues, lasting 14 minutes. Constable Michael Enright (30), from Ballyneety, County Limerick, is shot dead immediately.

Sgt. Peter Wallace and Treacy, another of those involved at Soloheadbeg, wrestle over Treacy’s gun. Wallace, who is a huge man, shoots Treacy in the throat before the gun is turned on Wallace, who later dies from his wounds. Hogan smashes his mangled chains in the head of another of his armed guards who is then thrown out of the window of the train. The last remaining guard picks up a rifle and opens fire on the IRA party through the carriage window wounding three volunteers waiting on the platform, including Breen. Hogan is taken immediately to a butcher’s shop where his chains are smashed with a cleaver, setting him free.

Knocklong becomes an exalted event in the iconography of Irish republicanism. At Soloheadbeg, eight armed and ready volunteers faced two unwary policemen. It was not a fair fight. Hogan’s rescue from the train at Knocklong demands organisation, courage and daring of the highest order.

Hogan continues to serve in the Irish War of Independence and on the anti-Treaty side in the Irish Civil War (1922-23). By the time hostilities cease in 1923, he is only 23, but has spent the previous five years in armed combat. The toll on his mind and body are huge. In 1924, he is admitted to St. Bricin’s Military Hospital suffering from “attacks of restlessness and depression – inability to concentrate his mind on anything.” His wife at the time, Christina, runs a nursing home in Tipperary, where her patients include many shellshocked Irish veterans of World War I. The couple later separates.

Hogan’s fortunes change with the change of government in 1932 bringing to power Fianna Fáil, a party which Hogan supports. He is given a job in the Board of Works, but his mental health continues to deteriorate. He complains of the “nerves and all the ailments that go with them.” His circumstances are such that he spends two years living in the family home of Séumas Robinson, the officer commanding at Soloheadbeg.

In early 2019, Robinson’s daughter, Dimphne Brennan, tells The Irish Times, “He had nowhere else to go. He never got over what happened. His nerves were shattered. We were all just kids and we didn’t disturb him in his room. He didn’t talk to us.”

Hogan dies on Christmas Eve 1968 from a cerebral hemorrhage and chronic bronchitis. At the funeral reception, his estranged widow supposedly tells a niece of Hogan, “Well, but wasn’t that some waste of a life.”

Hogan and Christina are buried 50 paces from each other in St. Michael’s Cemetery in Tipperary, divided in death as they were in life. Seán Hogan: His Life: A Troubled Journey, by John Connors, is published by Tipp Revolution.

(From: “Knocklong ambush, on May 13th, 1919 involved a 14-minute gun battle” by Ronan McGreevy, The Irish Times, http://www.irishtimes.com, May 20, 2019)


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Birth of Aengus Finucane, Roman Catholic Missionary

Aengus Finucane, Roman Catholic missionary of the Spiritan Fathers order, is born on April 26, 1932, in Limerick, County Limerick. He organizes food shipments from Ireland to the Igbo people during the Nigerian Civil War. His younger brother, Jack Finucane, also becomes a Holy Ghost priest, and a sister of theirs becomes a nun.

Finucane is educated by the Congregation of Christian Brothers until 1950. He joins the Holy Ghost Fathers in Kimmage Manor, and studies Philosophy, Theology and Education at University College Dublin. He is ordained in Clonliffe College in 1958.

Finucane contributes humanitarian aid during the Nigerian Civil War (also known as the “Nigerian-Biafran War”), from 1967 to 1970. The Nigerian government had blocked food supplies to the successionist state of Biafra causing starvation in the country. This is reported on international television stations and receives worldwide condemnation.

In an effort to save the population from starvation, Finucane organizes food to be sent through makeshift airstrips, including one at Uli, Bafaria, and cargo trips with other Dublin-based workers. This leads to the formation of the organisation Concern Worldwide in 1968. He works with Concern for 41 years and views his mission as “love in action.”

Finucane is banished from Nigeria in January 1970. Following this, he gains a diploma in development studies and a Master of Arts degree in Third World poverty studies from the Swansea University. In 1971, he is again giving food supplies to the population during the operations which are ongoing in Bangladesh and flies often with Mother Teresa during the drop-offs.

The United Nations High Commissioner for Refugees (UNHCR) invites Finucane to lead a survey of people displaced in Southeast Asia. During the 1980s and 1990s he leads Concern Worldwide, becoming involved in the response to famine in Ethiopia, Sudan, Somalia and Rwanda. While in Somalia, he is in a convoy that is attacked and results in the death of nurse Valerie Place.

Finucane dies of cancer at the age of 77 on October 6, 2009, in a Dublin Spiritan Fathers’ nursing home in Kimmage Manor. His funeral is held at the Church of the Holy Spirit, Kimmage and is attended by hundreds. The Minister for Foreign Affairs, Micheál Martin, and Minister for Overseas Development, Peter Power, dub him as a “tireless force for good across the globe for more than four decades.” He is buried at Dardistown Cemetery, in the Spiritan plot.

Finucane’s biography, Aengus Finucane: In the Heart of Concern, written by Deirdre Purcell is published by New Island Books in January 2015.


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Birth of Edmund Pery, 1st Viscount Pery

Edmund Sexton Pery, 1st Viscount Pery, Irish politician who served as Speaker of the Irish House of Commons between 1771 and 1785, is born in Limerick, County Limerick on April 8, 1719.

Pery is born into one of Limerick’s most politically influential families, elder son of the Rev. Stackpole Pery and Jane Twigge. His maternal grandfather is William Twigg, Archdeacon of Limerick.

A trained barrister, Pery becomes a member of the Irish House of Commons for the Wicklow Borough constituency in 1751. On the dissolution of the house following the death of George II, he is elected for the constituency of Limerick City and serves from 1761 until 1785, becoming Speaker of the House in 1771. In 1783, he stands also for Dungannon, however chooses to sit for Limerick City. He is considered one of the most powerful politicians in Ireland in his time, leading a faction which includes his nephew, the future Earl of Limerick, and his relatives by marriage, the Hartstonges. Following his resignation, he is created Viscount Pery, of Newtown Pery, near the City of Limerick, in the Peerage of Ireland, entitling him to a seat in the Irish House of Lords. As he has no male heirs, his title becomes extinct on his death on February 24, 1806.

Pery is also noted for his part in the history of the architecture of Limerick. In 1765, he commissions the engineer Davis Ducart to design a town plan for land that he owns on the southern edge of the existing city, which leads to the construction of the Georgian area of the city later known as Newtown Pery. He is also commemorated in the naming of Pery Square.

Pery marries Patricia (Patty) Martin of Dublin in 1756, who dies a year later, and secondly Elizabeth Vesey, daughter of John Vesey, 1st Baron Knapton, and Elizabeth Brownlow. He and Elizabeth have two daughters:

Pery’s younger brother, William, is a leading figure in the Church of Ireland, becoming Bishop of Killala and Achonry and subsequently Bishop of Limerick, Ardfert and Aghadoe, and also ennobled as Baron Glentworth. William’s son, Edmund, is made Earl of Limerick in 1803 as a result of his support for the Act of Union. Pery’s younger sister is Lucy Hartstonge, the founder of what is now St. John’s Hospital, Limerick.

(Pictured: “Portrait of Edmund Sexton, later 1st Viscount Pery” by Gilbert Stuart, oil on canvas, circa 1790, National Gallery of Ireland)


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Death of Nelly O’Brien, Miniaturist, Artist & Activist

Ellen Lucy or Nelly O’Brien, Irish miniaturist, landscape artist, and Gaelic League activist, dies suddenly on April 1, 1925, while visiting her brother Dermod at 66 Elm Park Gardens, London.

O’Brien is born Ellen Lucy O’Brien on June 4, 1864, at Cahirmoyle, County Limerick. She is the eldest child of Edward William O’Brien and Mary O’Brien (née Spring Rice). Her siblings are Lucy and Dermod, with Dermod also becoming an artist. Her father is a landowner, and her mother is a sculptor and painter and sister of Thomas Spring Rice. Her grandfather is William Smith O’Brien.

While a young child, O’Brien spends two years living on the French Riviera from 1866 to 1868. Her mother later dies of tuberculosis, and the three children are raised by their aunt, the writer and nationalist, Charlotte Grace O’Brien. Their father remarries in 1880, to Julia Marshall, with whom he has two sons and two daughters.

O’Brien attends school in England from 1879, and later enrolls to study painting at the Slade School of Fine Art. She meets Walter Osborne through her brother Dermod, and considers herself engaged to him, but Osborne dies on April 24, 1903. A portrait of O’Brien by Osborne is held in the Hugh Lane Gallery.

O’Brien returns to Ireland and begins to paint miniatures on ivory using a magnifying glass. She also paints watercolour landscapes. Her first exhibition with the Royal Hibernian Academy (RHA) is in 1896, where she shows three works including Sketch near Malahide. She exhibits with the RHA on and off until 1922. During some of her time in Dublin, she lives with her half-brother, Edward Conor Marshall O’Brien, on Mount Street.

As part of an exhibition of Irish painters, O’Brien exhibits a number of portrait miniatures at the London Guildhall in 1904. The 1906 Oireachtas na Gaeilge features a number of her paintings, and in the same year she becomes honorary secretary of a newly established art committee. At the Munster–Connacht exhibition in Limerick of 1906, she exhibits a miniature of William Smith O’Brien amongst her 12 works on show. She produces many portraits, including one of Douglas Hyde, which is exhibited by the RHA in 1916.

O’Brien is an early member of the Gaelic League, being present at its first Oireachtas na Gaeilge in 1897 and founding the Craobh na gCúig gCúigí (Branch of the Five Provinces). In 1905, she writes a long letter in defence of Douglas Hyde and the Gaelic League in The Church of Ireland Gazette. She holds meetings of Craobh na gCúig gCúigí in her flat at 7 St. Stephen’s Green every Saturday night in 1907. In 1911, she founds Coláiste Eoghain Uí Chomhraí (O’Curry Irish College) in Carrigaholt, County Clare, which is named in honour of Eugene O’Curry, with the help of her cousin and friend Mary Spring Rice.

One of her ultimate goals is to create a national Irish church, which would unite Protestants and Catholics through the Irish language. To this end, she establishes the Irish Guild of the Church with Seoirse de Rút in 1914. The aim of the organisation is to provide a communal union for members of the Church of Ireland who are dedicated to “Irish Ireland” ideals.

Acting as a representative for the Gaelic League, she travels to the United States with Fionan MacColuim in 1914 to 1915, to fund raise and promote Irish art and industries. At Coláiste Eoghain Uí Chomhraí, she stresses the importance of the Irish language in the home, as well as the skills of housewives and those in domestic service in strengthening the language and Irish culture.

O’Brien notes that she initially thought that the 1916 Easter Rising was “in the nature a demonstration against conscription as it had been announced that the volunteers would resist disarmament.” She is staying with the Hydes at 1 Earlsfort Place during the Rising, as her flat at College Park Chambers had been destroyed. She protests the conscription bill in Ireland as a mass meeting of women at the Mansion House in 1918. She launches the Gaelic Churchman in 1919 as the official publication of the Irish Guild of the Church. In one article entitled A plea for the Irish services, she promotes her campaign for Irish language services in Protestant churches. In her capacity of vice-president of the guild, she invites Éamon de Valera to attend one of their meetings in 1921.

O’Brien dies suddenly on April 1, 1925, while visiting Dermod at 66 Elm Park Gardens, London. She is buried at the family plot in Cahirmoyle.

(Pictured: Nelly O’Brien by Sir Joshua Reynolds, 1723-1792)


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Birth of Jeremiah Newman, Bishop of Limerick

Jeremiah Newman, Bishop of Limerick from 1974 to 1995 after having served as Professor and President of St. Patrick’s College, Maynooth, is born in Dromcolliher, County Limerick, on March 31, 1926.

Following a local primary education, Newman attends St. Munchin’s College, Limerick. He studies for the priesthood at St. Patrick’s College, Maynooth, and is ordained there on June 18, 1950.

Newman begins postgraduate studies in Philosophy at the Catholic University of Leuven and is awarded a Doctorate in Philosophy there in 1951. After that he takes up studies in Sociology at the University of Oxford for four years before taking up a teaching post at Queen’s University, Belfast.

In 1953 Newman is appointed Professor of Sociology at St. Patrick’s College, Maynooth, succeeding Peter McKevitt. It is an institution he remains within, and eventually leads with distinction, until he is appointed Bishop of Limerick in May 1974. He publishes two books about the college: Maynooth and Georgian Ireland (1979) followed by Maynooth and Victorian Ireland (1983).

Newman arrives in Limerick with a strong reputation for reform having served a number of years as President of Maynooth where he adapted and shaped the college to the new challenges of the 1970s. His academic background in sociology gives him an informed understanding of the changing dynamic in Irish life, especially rural life which he has been writing about since the early 1960s, especially the dangers of depopulation.

Newman often makes comment on national matters particularly about church-state relations which has been his special area of study for over 20 years. He takes what might be called a broadly ‘conservative’ approach which, as time goes on, jars with wider public opinion especially as Ireland faces a number of constitutional referenda in the 1980s. At least one modern author has quoted the epithet alleged to have been conferred on Newman by Conor Cruise O’Brien, The Mullah of Limerick, for articulating a neo-conservative position more commonly associated with the United States.

Newman’s later years are dogged by periodic bouts of ill-health, and he dies in office on April 3, 1995, of hepatoma. He is buried in St. John’s Cathedral, Limerick. He is the subject of many obituaries not least because of his extensive public statements in his years as Bishop of Limerick. The Tablet suggests he was most “well known for his conservatism and taste for controversial remarks” before quoting the homily by Cardinal Cahal Daly that “he seemed to have a strange sense of inadequacy; and, for one who was so lovable, he seemed to have difficulties in believing that others respected and admired and indeed loved him.” The Irish Times obituary says he was a man “who kept fighting the battles of long ago.”

Newman is succeeded as Bishop of Limerick by Bishop Donal Murray.

Limerick City Library holds an extensive set of newspaper articles about Bishop Jeremiah Newman which have been made available online.


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Birth of Rosaleen Brigid Ganly, Painter & Sculptor

Brigid Ganly HRHA, Irish painter and sculptor, is born Rosaleen Brigid O’Brien on January 29, 1909, in Dublin.

Ganly is one of five children born to Dermod O’Brien, a painter, and his wife Mabel Smiley. Her great-grandfather is the Irish Republican William Smith O’Brien. She grows up on a farm in Cahirmoyle, County Limerick, until the family moves to Fitzwilliam Square in Dublin. She goes on to attend the Metropolitan School of Art where she has the opportunity to study under Patrick Tuohy, Seán Keating and Oliver Sheppard. She is a talented sculptor and wins several awards, including the Taylor scholarship in 1929, for her allegorical male nude, Pity. She spends time in Paris in 1951 where she trains with André Lhote. She travels to Greece where Lhote continues to influence her work.

Ganly also studies painting in the Royal Hibernian Academy School where she has Margaret Clarke and Seán O’Sullivan as teachers. She is made an associate of the Royal Hibernian Academy (RHA) in 1928 and becomes a member in 1935 though, in 1969, resigns her membership in protest of the lack of young artists being given the opportunity to exhibit. In 1972 she is made an honorary member and returns.

Ganly is a representational artist and while known as a portrait artist, she also paints landscapes, interiors and may be best known for her still lifes. Some of her best works are portraits of her husband, her sister Ethel, her father, and her friend Sheila Pim. She illustrates the book-jackets of Sheila Pim’s works. She has many exhibitions, with the RHA and the Water Colour Society of Ireland. There is a retrospective of her life in 1998 at the Hugh Lane Gallery and her works are in the collections there. She is also in the collections of the Waterford Municipal Gallery, Crawford Art Gallery, Cork and in The National Self-Portrait Collection of Ireland. She is part of the 2014 exhibition ‘Irish Women Artists: 1870-1970.’

Ganly’s sister-in-law is Kitty Wilmer O’Brien with whom she often exhibits. She marries Andrew Ganly, a dental surgeon and writer with a strong involvement in theatre, in 1936. He dies in 1982. They have two children, Eoghan and Phillida.

Brigid Ganly dies on March 25,2002.

(Pictured: “Storm Over Poros” (1964) by Rosaleen Brigid Ganly, HRHA)


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Death of T. P. Gill, Member of the Irish Parliamentary Party

Thomas Patrick (T. P.) Gill, a prominent member of the Irish Parliamentary Party (IPP) in the late 19th and early 20th century, dies on January 19, 1931. He is a Member of Parliament (MP) in the British House of Commons representing the South Louth constituency unopposed from 1885 to 1892. His uncle Peter is an unsuccessful election candidate in 1868 in County Tipperary.

Gill is born on October 25, 1858, in Ballygraigue, Nenagh, County Tipperary, the first of four sons of Robert Gill, a civil engineer who is assistant county surveyor, and Mary (née Clampett), daughter of a woolen merchant, James Clampett of Mount Kennett, County Limerick. He attends St. Joseph’s CBS Nenagh, St. John’s College, Kilkenny, and Trinity College Dublin becoming a journalist, firstly as editor of the Catholic World magazine of New York, and an associate editor of the North American Review (1883–85). He marries Annie Fennell of Dublin in 1882 and they have two sons, Donat and Roy, and a daughter Finola.

Gill is a friend and political ally of Charles Stewart Parnell. After the death of Parnell, he remains with the Irish Parliamentary Party. He works with Horace Plunkett in developing the Irish co-operative movement. He is member and honorary secretary to the 1895 Recess Committee which leads to the formation of both the Department of Agriculture and Technical Instruction (DATI), forerunner of the Irish Department of Agriculture, and the Vocational Education Committee (VEC). His key work for the Recess Committee is research into the state aid to agriculture in France and Denmark. In February 1900, he is appointed Secretary of the new Department of Agriculture and Technical Instruction in Ireland. In 1907, he is appointed Chairman of the Departmental Committee on Irish Forestry. He also serves on a number of governmental committees concerning agriculture and agricultural production. He is President of the Irish Technical Instruction Association from 1925 to 1929.

A raconteur with, in the words of R. A. Anderson, ‘a queer charm about him,’ Gill moves in Dublin literary circles, and in his retirement, he makes a translation of Louis Paul-Dubois’ Le drame irlandais et l’Irlande nouvelle (1927), published posthumously as The Irish struggle and its results (1934).

Gill is an uncle of former Workers’ Party of Ireland president and Dublin West TD Tomás Mac Giolla.

Gill dies in a Dublin hospital on January 19, 1931. His papers are in the National Library of Ireland.

(Pictured: “Portrait of T.P. Gill, Journalist, Secretary, Department of Agriculture and Technical Instruction,” oil on canvas by Sarah Purser, 1898, National Gallery of Ireland)