Born in Limerick in 1844, Sheehy is the son of Richard Sheehy and Johanna Shea, and is the brother of Mary Sheehy and Fr. Eugene Sheehy. He is a student for the priesthood at the Irish College in Paris, but leaves due to a cholera epidemic and later marries Bessie McCoy. In his youth he is a member of the Irish Republican Brotherhood (IRB) and is active in the Irish National Land League. He is imprisoned on six occasions for his part in the Land War.
The two factions of the Irish Parliamentary Party reunite for the general election in 1900, but Sheehy does not stand again and is out of parliament for the next three years. After the death in August 1903 of James Laurence Carew, the Independent Nationalist MP for South Meath, he is selected as the Irish Parliamentary Party candidate in the resulting by-election in October 1903. Carew had allegedly been elected in 1900 as a result of a series of errors in nominations, and his predecessor John Howard Parnell stands again, this time as an Independent Nationalist. Sheehy wins with a majority of more than two to one, and holds the seat until he stands down at the 1918 United Kingdom general election in Ireland.
Sheehy and his wife, Bessie, have seven children, of whom six survive to adulthood. One of his daughters, Mary (born 1884), marries the MP Tom Kettle and has one daughter, Betty (1913–1996). Hanna (born 1877), becomes a teacher and marries the writer Francis Skeffington. They have one son, Owen, who is seven years old when his father is murdered by the Captain Bowen-Colthurst in Portobello Barracks, Rathmines, during the 1916 Easter Rising. Kathleen marries Freeman’s Journal and Irish Independentjournalist Frank Cruise O’Brien. The contrarian politician and writer Conor Cruise O’Brien is their son. Margaret (born 1879), an elocutionist, actress and playwright, marries solicitor Frank Culhane. They have four children. After his death she marries her godson, the poet Michael Casey. Sheehy’s two sons, Richard and Eugene, are barristers.
The writer James Joyce, who lives nearby as a youth, often visits the family home, 2 Belvedere Place, where musical evenings and theatricals take place every Sunday evening. Joyce entertains the family with Italian songs. In 1900, Margaret writes a play in which the Sheehys and their friends, including Joyce, act. Joyce takes a particular liking to Eugene and has a long-lasting but unrequited crush on Mary. Joyce’s novel Ulysses wittily describes an encounter between Sheehy’s wife, Bessie, and Father John Conmee, SJ, rector of Clongowes Wood College. Their daughter Mary is the spéirbhean longingly pursued by the protagonist in the story “Araby” in Joyce’s collection Dubliners. Another daughter, Kathleen, is possibly the model for the mockingly nationalist Miss Ivors in the story “The Dead“, which concludes Dubliners.
When Sheehy dies at the age of 88 in Dublin on December 17, 1932, it is reported that he has been the oldest surviving member of the Irish Parliamentary Party.
She studies in the school of Old Irish established by Professor Osborn Bergin and is strongly influenced by the Irish Australian professor O’Daly. She later teaches Latin through Irish at Ballingeary and becomes proficient in French, German, Italian and Spanish.
She spends the last £100 of her scholarship on a dowry for her marriage to Sean MacGearailt, later first Accountant General of Revenue in the Irish civil service, with whom she lives originally in Glasnevin and then in Dalkey.
She is a founder member of the radical Craobh an Chéitinnigh, the Keating branch of Conradh na Gaeilge, composed mainly of Dublin-based Kerry people and regarded, by themselves at least, as the intellectual focus of the League.
In August 1904, some six years after the establishment of the earliest women’s hurling teams, the rules of camogie (then called camoguidheacht), first appears in Banba, a journal produced by Craobh an Chéitinnigh. Camogie had come to public attention when it was showcased at the annual Oireachtas (Conradh na Gaeilge Festival) earlier that year, and it differed from men’s hurling in its use of a lighter ball and a smaller playing-field. Ní Chinnéide and Cáit Ní Dhonnchadha, like Ní Chinnéide, an Irish-language enthusiast and cultural nationalist, are credited with having created the game, with the assistance of Ní Dhonnchadha’s scholarly brother Tadhg Ó Donnchadha, who drew up its rules. She is on the first camogie team to play an exhibition match in Navan, County Meath, in July 1904, becomes an early propagandist for the game and, in 1905, is elected president of the infant Camogie Association.
She first visits the Blasket Islands in 1932 with her daughter Niamh, who dies tragically young. In the summer of 1934, she puts the idea into Peig Sayers‘s head to write a memoir. According to a later interview with Ní Chinnéide “she knew and admired her gift for easy conversation, her gracious charm as a hostess, her talent for illustrating a point she was making by a story out of her own experience that was as rich in philosophy and thought as it was limited geographically.” Peig answers that she has “nothing to write.” She had learned only to read and write in English at school and most of it has been forgotten.
Ní Chinnéide suggests Peig should dictate her memoir to her son Micheal, known to everyone on the island as An File (“The Poet”), but Peig “only shook her head doubtfully.” At Christmas, a packet arrives from the Blaskets with a manuscript, she transcribes it word for word and the following summer brings it back to the Blaskets to read it to Peig. She then edits the manuscript for the Talbot Press. Peig becomes well known as a prescribed text on the Leaving Certificate curriculum in Irish.
Ní Chinnéide has an acting part in the first modern play performed in Irish on the stage, Casadh an tSugáin by Douglas Hyde in 1901. She is later author of children’s plays staged by An Comhar Drámuidhachta at the Oireachtas and the Peacock Theatre, of which Gleann na Sidheóg and An Dúthchas (1908) are published. She is a broadcaster in Irish on 2RN, a wholly owned subsidiary of Raidió Teilifís Éireann, after its foundation in 1926 and author of a translation of Grimms’ Fairy Tales (1923). She is president of the Gaelic Players Dramatic group during the 1930s and a founder of the Gaelic Writers Association in 1939.
She soon becomes interested in writing children’s plays, including Gleann na Sidheóg (Fairy Glen, 1905) and Sidheoga na mBláth (Flower Fairies, 1909. Although there is little information available on the staging of her first play, by the time her second children’s play, Sidheóga na mBláth, is published in An Claidheamh Soluis in December 1907, “Éire Óg” (“Young Ireland”) branches of Conradh na Gaeilge have been established in conjunction with adults’ branches. Patrick Pearse in particular voices the expectation that this play will be staged by many “Éire Óg” branches “before the New Year is very old,” thus indicating the immediate take up of such plays. Indeed, a week after the play’s publication, it is staged in the Dominican College in Donnybrook, Dublin, where Ní Chinnéide had spent several years as an Irish teacher.
Duffy is born in Nice, France, on July 17, 1884, the daughter of the Irish nationalist Sir Charles Gavan Duffy, one of the founders of The Nation and his third wife, Louise (née Hall) from Cheshire, England. Her mother dies when she is four. She is then raised in Nice by her Australian half-sisters from her father’s second marriage. It is a well-to-do and culturally vibrant home where she is exposed to political figures and ideas.
Duffy’s first visit to Ireland is in 1903, at the age of 18, when her father dies and is buried in Glasnevin Cemetery. This is when she first hears Irish spoken. She finds a grammar book in a bookshop and becomes curious. Her father was not an Irish speaker, though her grandmother in the early 1800s was likely fluent.
Duffy spends the years between 1903 and 1907 between France and England. She takes courses through Cusack’s College in London so that she can matriculate.
Duffy decides to continue her studies in Dublin but cannot afford to move until she receives a small inheritance from her grandmother on the Hall side of the family. Once in Ireland in 1907, at the age of 23, she begins her university studies, taking arts. She lives in the Women’s College, Dominican Convent, as women are not allowed to attend lectures in the Royal University of Ireland. She goes occasionally to the Gaeltacht to learn Irish. Graduating in 1911 with a Bachelor of Arts from University College Dublin (UCD), she is one of the first women to do so.
Given the lack of teachers, even without a full qualification, Duffy then teaches in Patrick Pearse‘s St. Ita’s school for girls in Ranelagh. She studies with the Dominicans again in Eccles Street, gaining a Teaching Diploma from Cambridge University.
A supporter of women’s suffrage, Duffy speaks at a mass meeting in Dublin in 1912 in favour of having the Home Rule bill include a section to grant women the vote. She also joins the Irish republican women’s paramilitary organisation Cumann na mBan, as a founding member in April 1914, serving on the provisional committee with Mary Colum, as a co-secretary.
Duffy is aware that being a suffragist and a nationalist are not necessarily the same thing, realising her involvement in Cumann na mBan is in support of nationalism. When St. Ita’s closes due to funding problems in 1912, she takes the opportunity to complete her qualifications. After receiving her Cambridge teacher’s diploma in 1913, she returns to UCD to study for a Master of Arts degree.
Duffy is in fact working on her master’s thesis during the Easter break in 1916 when the rumour comes to her that the Rising has begun in Dublin city centre. She walks to the Rebel headquarters in the GPO where she tells Pearse, one of the leaders, that she does not agree with the violent uprising.
Duffy spends all of Easter week working in the GPO kitchens with other volunteers like Desmond FitzGerald and a couple of captured British soldiers, ensuring the volunteers are cared for. The women in the GPO are given the opportunity to leave under the protection of the Red Cross on the Thursday as the shelling of the building has caused fires, but almost all of them refuse. In the end, she is among the second group of the people to leave the GPO on the Friday, tunnelling through the walls of the buildings to avoid coming under fire.
Duffy’s group makes it to Jervis Street Hospital where they spend the night. The next day, Saturday, Pearse formally surrenders. She heads for Jacob’s Biscuit Factory, another volunteer position, on the morning after the surrender, to see what is happening. There she finds a holdout of volunteers who are unaware of the surrender or that the fighting is over.
After 1916 Duffy is elected to the Cumann na mBan’s executive and in 1918 is one of the signatories to a petition for self-determination for Ireland which is presented to President Woodrow Wilson by Hanna Sheehy-Skeffington. During her time in the GPO, she had collected names of the volunteers and promised to take messages to their families. This possibly influences her in being involved in the National Aid Association and Volunteers Dependants Fund. In the aftermath of the rebellion there are 64 known dead among the volunteers, while 3,430 men and 79 women are arrested. Families need support. These organisations are able to arrange funding from the United States.
In 1917, Duffy co-founds and runs Scoil Bhríde, as a secondary school for girls in Dublin through the medium of Gaelic. It is still in operation as a primary school. Her co-founder is Annie McHugh, who later marries Ernest Blythe. The end of the Rising leads to the Irish War of Independence (1919-21). During this time, she is mostly focused on the school. However, it is raided by the military and Duffy later admits it is in fact used for rebel meetings and to safeguard documents. In October 1920, the Irish leader Michael Collins meets Archbishop Patrick Clune there in secret. In an effort to support the nationwide boycott of the police, the Royal Irish Constabulary (RIC), in 1920, she has a leaflet sent to all branches of Cumann na mBan which states in part that the RIC are the “eyes and ears of the enemy. Let those eyes and ears know no friendship.”
The war ends with the Anglo-Irish Treaty in 1921. The result is the Irish Civil War which lasts until 1923. Duffy is a supporter of the Treaty, which her brother had signed, and as such she leaves Cumann na mBan and joins Cumann na Saoirse, in which she is instrumental in founding as an Irish republican women’s organisation which supports the Pro-Treaty side.
Once the civil war is over, Duffy leaves the political arena and returns to education. She especially needs to focus on funding in the early years of the school. She works with UCD’s Department of Education from 1926, once Scoil Bhríde is recognised as a teacher training school. She publishes educational documents like School Studies in The Appreciation of Art with Elizabeth Aughney and published by UCD in 1932.
Until her retirement, Duffy also lectures on the teaching of French. She retires as principal in 1944.
Recognising the importance of her first-hand experience and with a good political understanding, Duffy records her memories of the events in which she has taken part. In 1949, she gives an account of her life in relation to nationalist activities to the Bureau of Military History. She is involved in a Radio Éireann broadcast in 1956 about the women in the Rising. In 1962, she takes part in the RTÉ TV program Self Portrait broadcast on March 20, 1962. In March 1966 she gives a lecture in UCD to mark the 50th anniversary of the Rising which is published in The Easter rising, 1916, and University College Dublin (1966).
Duffy dies, unmarried, on October 12, 1969, aged 85, and is interred in the family plot in Glasnevin Cemetery.
In 2014, An Post issues a stamp to commemorate the centenary of the founding of Cumann na mBan. In 2016, for the centenary, a documentary is produced, discussing seven of the women, including Duffy, who were involved in the Easter Rising.
Among those to welcome the new organisation is Sinn Féin President, Éamon de Valera, who promises all the support he can offer. CardinalMichael Logue, CatholicPrimate of Ireland, also offers his assistance: “Even if peace were restored, of which there seems little prospect at present, all the help which can be obtained shall be necessary, to restore the country from the wreck to which it has been reduced, and to help those who have been left destitute by the murder of those on whom they depended, or ruined by the destruction of their property.”
The Irish White Cross is managed by the Quaker businessman, and later Irish Free Statesenator, James G. Douglas. The organisation continues to operate until the Irish Civil War and its books are officially closed in 1928. From 1922, its activities are essentially wound down and remaining funds divested to subsidiary organisations. The longest running of these aid committees is the Children’s Relief Association which distributes aid to child victims of this troubled period, north and south of the border, until 1947. The head of the Children’s Relief Association is Áine Ceannt, the widow of Éamonn Ceannt who is perhaps one of the least known signatories of the 1916 Proclamation of the Irish Republic.
She meets the Robertson commission in 1901 on behalf of St. Mary’s Dominican convent, Eccles Street, Dublin, where, as well as presenting the results of a questionnaire survey of women graduates, compiles in conjunction with Agnes O’Farrelly and Hanna Sheehy-Skeffington, she argues for the right of women to receive education on the same terms as men and in the same colleges, and to be employed by the universities on identical conditions (which is not realised until the Irish Universities Act of 1908). Along with Sheehy-Skeffington, she is a key figure in the formation of the Irish Association of Women Graduates in 1902, which concerns itself with various questions regarding women graduates’ employment in government departments, hospitals, and schools, as well as attempting to influence public policy in relation to sex discrimination.
After the passage of the Irish Universities Act in 1908, Hayden is appointed a member of both the senate of the National University of Ireland (NUI) and the governing body of the new University College Dublin (UCD), the first woman to hold such positions. In November 1909 she is appointed a lecturer in history, and in July 1911 first professor of modern Irish history at UCD, a position she holds until her retirement in 1938.
Hayden’s last major public campaign, at the age of 75, is in the lead-up to the referendum on the 1937 Constitution of Ireland, in opposition to articles 40, 41, and 45 concerning the status of women. Reversing her lifelong non-party-political stance, she helps to form the Women’s Social and Progressive League as a political party committed to opposing the constitution and any regressive consequences it would entail.
Hayden receives an honorary doctorate from the NUI in 1935, three years before her retirement. A dedicated cyclist and swimmer, she is fluent in Irish, Greek, and Hindustani, and after retirement devotes her efforts to improving the welfare of Dublin children through her newly formed social club. She dies on July 12, 1942, at her residence in Rathmines, Dublin. Her unpublished diaries are deposited in the NLI.
A biography of Hayden, Mary Hayden: Irish Historian and Feminist, by Joyce Padbury is published by Arlen House in 2020.
Harry Aaron Kernoff, Irish artist in oils and woodcuts, dies in Dublin on December 25, 1974. Of London/Russian extraction, he is primarily remembered for his sympathetic interest in Dublin and its people. He depicts street and pub scenes, as well as Dublin landmarks with sympathy and understanding. This is particularly evident in his woodcuts.
Born in London on January 10, 1900 to a Russian Jewish father and Spanish mother, Kernoff moves to Dublin in 1914 and becomes a leading figure in Irish modernism. While working as an apprentice in his father’s furniture business, which leads to his woodcuts, he takes night classes at the Dublin Metropolitan School of Art. There, in 1923, he wins the Taylor scholarship and goes on to exhibit at the Royal Hibernian Academy (RHA) every year from 1926. He is elected RHA in 1936.
Kernoff is famously associated with Davy Byrne’s pub. His paintings and woodcuts of Davy Byrne’s pub are documents of his friendship with the original owner. While living in his adopted Dublin Jewish community he produces picture illustrations of his local scenes for a neighbourhood writer and friend, Nick Harris, for his book called Dublin’s Little Jerusalem.
Outside Kernoff’s home in Dublin, where he lives with two unmarried sisters, there is a long-standing sign in the front garden which says “Descendants of the Abravanels.” The Abravanel (or Abrabanel) family is one of the most famous Sephardic Jewish families in history, noted for their large quotas of rabbis, scholars, and members of a variety of scientific and artistic fields, dating from about the 13th century in Lisbon. The emergence of the famous philosopher and scholar Don Isaac Abravanel in the middle of the 16th century brings his works to greater universal recognition.
Kernoff spends the vast majority of his life unappreciated and makes little or nothing from his paintings until a few years before his death, when he begins to be appreciated by contemporary critics. He never marries.
Harry Aaron Kernoff, Irish painter of London/Russian extraction, is born in London on January 10, 1900. He is primarily remembered for his sympathetic interest in Dublin and its people.
Kernoff’s family moves to Dublin when he is 14 years old where he ultimately becomes a leading figure in Irish modernism. He studies drawing and painting during night classes at the Metropolitan School of Art. In 1923, he wins the Taylor Scholarship and becomes a full-time art student. During his studies he meets and is encouraged by fellow artists Patrick Tuohy (1894-1930), Seán Keating (1889-1977), and Maurice MacGonigal (1900-79).
Influenced by Keating, he paints the Irish landscape, genre scenes, portraits, street and pub scenes, as well as Dublin landmarks with sympathy and understanding. This is particularly evident in his woodcuts. While living in his adopted Dublin Jewish community he produces picture illustrations of his local scenes for a neighbourhood writer and friend Nick Harris for his book entitled Dublin’s Little Jerusalem.
Kernoff spends the vast majority of his life unappreciated, and makes little or nothing from his paintings until a few years before his death, when he begins to be appreciated by contemporary critics. He never marries.
Outside his home in Dublin, where he lives with two unmarried sisters, there is a long-standing sign in the front garden which says “… Descendants of the Abravanels…” The Abravanel (or Abrabanel) family is one of the most famous Sephardic Jewish families in history, noted for their large quotas of Rabbis, scholars, and members of a variety of scientific and artistic fields, dating from about the 13th century in Lisbon. The emergence of the famous philosopher and scholar Don Isaac Abravanel in the middle of the 16th century brings his works to greater universal recognition.
Kernoff dies in Dublin on December 25, 1974.
(Pictured: Portrait of Harry Aaron Kernoff, Oil on Canvas by John F. Kelly)
In June 1912, after a meeting of a number of women’s organisations, Hanna Sheehy-Skeffington and Margaret Cousins with six other members of the IWFL smash government windows in the General Post Office (GPO) and other government buildings. They are arrested, charged, and jailed. The following month Asquith makes a visit to Dublin to address a meeting in the Theatre Royal. Frank Sheehy-Skeffington manages to gain entrance and demands votes for women before being thrown out. Meanwhile Asquith’s carriage is attacked by British suffragists Mary Leigh and Gladys Evans. In that attack John Redmond is injured. Leigh and Evans go on hunger strike in Mountjoy Gaol, and are joined by the imprisoned Irish IWFL members in solidarity.
In March 1913 a bust of John Redmond in the Royal Hibernian Academy is defaced by a suffragist protesting against the failure of the Irish Parliamentary Party to support a Women’s Franchise Bill in the House of Commons. In contrast, as a mark of solidarity with the women, James Connolly travels from Belfast to Dublin to speak at one of the IWFL’s weekly meetings which is held in the Phoenix Park, and members of the Irish Transport and General Workers’ Union (ITGWU) provide protection and offer escorts to women as they leave the meetings.
Hanna Sheehy-Skeffington loses her teaching job in 1913 when she is arrested and put in prison for three months after throwing stones at Dublin Castle. While in jail she starts a hunger strike but is released under the Prisoners (Temporary Discharge of Ill Health) Act 1913 and is soon rearrested.
The league keeps a neutral stance on Home Rule, but is opposed to World War I. After the killing of Francis Sheehy-Skeffington by a British officer in 1916, it supports Sinn Féin.
The Irish Women’s Franchise League publishes a paper, The Irish Citizen, from 1912 to 1920. The paper is edited originally by James H. Cousins.
Gillespie is educated locally and in Derry. She studies music at the Royal University of Ireland in Dublin, graduating in 1902, and becomes a teacher. As a student she meets the poet and literary critic James Cousins. They are married in 1903. The pair explore socialism, vegetarianism, and parapsychology together. In 1906, after attending a National Conference of Women (NCW) meeting in Manchester, Cousins joins the Irish branch of the NCW. In 1907 she and her husband attend the London convention of the Theosophical Society, and she makes contact with suffragettes, vegetarians, anti-vivisectionists, and occultists in London.
Cousins co-founds the Irish Women’s Franchise League with Hanna Sheehy-Skeffington in 1908, serving as its first treasurer. In 1910 she is one of six Dublin women attending the Parliament of Women, which attempt to march to the House of Commons to hand a resolution to the Prime Minister. After 119 women marching to the House of Commons have been arrested, fifty requiring medical treatment, the women decide to break the windows of the houses of Cabinet Ministers. Cousins is arrested and sentenced to a month in Holloway Prison.
In 1913, she and her husband move to Liverpool, where James Cousins works in a vegetarian food factory. In 1915 they move to India. James Cousins initially works for New India, the newspaper founded by Annie Besant. After Besant is forced to dismiss him for an article praising the 1916 Easter Rising, she appoints him Vice-Principal of the new Besant Theosophical College, where Margaret teaches English.
In 1916, Cousins becomes the first non-Indian member of the SNDT Women’s University at Poona. In 1917, Cousins co-founds the Women’s Indian Association (WIA) with Annie Besant and Dorothy Jinarajadasa. She edits the WIA’s journal, Stri Dharma. In 1919 Cousins becomes the first Head of the National Girls’ School at Mangalore. She is credited with composing the tune for the Indian national anthem Jana Gana Mana in February 1919, during Rabindranath Tagore’s visit to Besant Theosophical College. In 1922, she becomes the first woman magistrate in India. In 1927, she co-founds the All India Women’s Conference, serving as its President in 1936.
In 1932, she is arrested and jailed for speaking against the Emergency Measures. By the late 1930s she feels conscious of the need to give way to indigenous Indian feminists:
“I longed to be in the struggle, but I had the feeling that direct participation by me was no longer required, or even desired by the leaders of India womanhood who were now coming to the front.”
A stroke leaves Cousins paralysed from 1944 onwards. She receives financial support from the Madras government, and later Jawaharlal Nehru, in recognition of her services to India. She dies on March 11, 1954. Her manuscripts are dispersed in various collections across the world.
Sheehy is educated at the Dominican Convent on Eccles Street, where she is a prize-winning pupil. She then enrolls at St. Mary’s University College, a third level college for women established by the Dominicans in 1893, to study modern French and German. She sits for examinations at Royal University of Ireland and receives a Bachelor of Arts degree in 1899, and a Master of Arts Degree with first-class honours in 1902. This leads to a career as a teacher in Eccles Street and an examiner in the Intermediate Certificate examination.
Sheehy marries Francis Skeffington in 1903, and they both take the surname Sheehy Skeffington, which they do not hyphenate but use as a double name. In 1908, they found the Irish Women’s Franchise League, a group aiming for women’s voting rights.
Sheehy-Skeffington gets into numerous scuffles with the law. She is jailed in 1912 for breaking windows of government buildings in support of suffrage as part of an IWFL campaign. That same year she also throws a hatchet at visiting British Prime Minister Herbert Asquith. She loses her teaching job in 1913 when she is arrested and imprisoned for three months after throwing stones at Dublin Castle and assaulting a police officer in a feminist action. While in jail she goes on hunger strike and is released under the Prisoner’s Temporary Discharge of Ill Health Act but is soon rearrested.
Being free from her teaching job enables Sheehy-Skeffington to devote more time to the fight for suffrage. She is influenced by James Connolly and during the 1913 lock-out works with other suffragists in Liberty Hall, providing food for the families of the strikers.
She strongly opposes participation in World War I which breaks out in August 1914 and is prevented by the British government from attending the International Congress of Women held in The Hague in April 1915. The following June her husband is imprisoned for anti-recruiting activities. He is later shot dead during the 1916 Easter Rising after having been arrested by British soldiers.
Sheehy-Skeffington refuses compensation for her husband’s death, which is offered on condition of her ceasing to speak and write about the murder. Rather, she travels to the United States to publicise the political situation in Ireland. In October 1917, she is the sole Irish representative to League for Small and Subject Nationalities where, along with several other contributors, she is accused of pro-German sympathies. She publishes British Militarism as I Have Known It, which is banned in the United Kingdom until after the World War I. Upon her return to Britain she is once again imprisoned, this time in Holloway prison. After release, Sheehy-Skeffington attends the 1918 Irish Race Convention in New York City and later supports the anti-Treaty Irish Republican Army (IRA) during the Irish Civil War.
In 1926, Sheehy-Skeffington becomes a founding member of Fianna Fáil and is elected to the party’s Ard Comhairle. During the 1930s, she is assistant editor of An Phoblacht. In January 1933, she is arrested in Newry for breaching an exclusion order banning her from Northern Ireland. At her trial she says, “I recognize no partition. I recognize it as no crime to be in my own country. I would be ashamed of my own name and my murdered husband’s name if I did…Long live the Republic!” She is sentenced to a month’s imprisonment.
seamus dubhghaill 