Plunkett is educated expensively: at a primary school in Nice, making him fluent in French and Italian, then at Clongowes Wood College, and, from 1872, at Trinity College Dublin (TCD), where his generous allowance allows him to study renaissance and medieval art. He enrolls at King’s Inns in 1870 and the Middle Temple in 1874, but is not called to the bar until 1886. While there he befriends Oscar Wilde and Jeremiah O’Donovan Rossa. In 1877, he endows a university gold medal for Irish speakers and publishes a book of poems, God’s Chosen Festival, and the following year he issues a pamphlet, The Early Life of Henry Grattan. He also writes articles for magazines, editing a short-lived one, Hibernia, for eighteen months from 1882. In 1883, he donates funds and property to the nursing order of the Little Company of Mary (Blue Sisters), and on April 4, 1884, Pope Leo XIII makes him a count.
On June 26, 1884, Plunkett marries Mary Josephine Cranny (1858–1944). The couple has seven children: Philomena (Mimi) (b. 1886), Joseph (b. 1887), Mary Josephine (Moya) (b. 1889), Geraldine (b. 1891), George Oliver (b. 1894), Fiona (b. 1896), and Eoin (Jack) (b. 1897).
In 1894, Plunkett part-edits Charles O’Kelly‘s memoir The Jacobite War in Ireland. By 1900, when he publishes the standard biography Sandro Botticelli, he is supplementing his income by renewed artistic studies, which until 1923 finances his lease of Kilternan Abbey, County Dublin. His Pinelli (1908) is followed by Architecture of Dublin, and, in 1911, by his revised edition of Margaret McNair Stokes‘s Early Christian Art in Ireland. In 1907, he becomes director of the National Museum of Ireland, where he increases annual visits from 100 to 3,000.
Joseph Plunkett swears his father into the Irish Republican Brotherhood (IRB) in April 1916, sending him secretly to seek German aid and a papal blessing for the projected Easter rising. After its defeat, Plunkett is sacked by the National Museum of Ireland and deported with the countess to Oxford, and the following January he is expelled by the Royal Dublin Society (RDS). This earns him nomination as the surviving rebels’ candidate in the North Roscommon by-election. He returns to Ireland illegally on January 31, 1917, and wins the seat easily three days later. Pledging abstention from attendance at Westminster in accordance with Sinn Féin policy, he initiates a Republican Liberty League, which coalesces with similar groups such as Sinn Féin. In October this front becomes the new Sinn Féin, committed to Plunkett’s republic rather than to the “king, lords and commons“ of Arthur Griffith. Plunkett and Griffith become the new party’s vice-presidents, under Éamon de Valera.
On May 18, 1918, Plunkett is interned again. Released after Sinn Féin’s general election landslide (in which he is returned unopposed), he presides, Sinn Féin’s oldest MP, at the planning meeting for Dáil Éireann on January 17, 1919, and at its opening session on January 21. On the 22nd he is made foreign affairs minister by Cathal Brugha, an appointment reaffirmed by de Valera on April 10. He criticises his president for advocating a continuing Irish external relationship with Britain, and fails to organise an Irish foreign service. In February 1921, de Valera makes Robert Brennan his departmental secretary and a ministry takes shape, while Plunkett publishes a book of poems, Ariel. After uncontested “southern Irish“ elections to the Second Dáil, de Valera moves his implacable foreign minister from the cabinet to a tailor-made portfolio of fine arts. Plunkett’s Dante sexcentenary commemoration is overshadowed by news of the Anglo–Irish Treaty. Opposing this, Plunkett cites his oath to the republic and its martyrs including his son. He leaves his ministry on January 9, 1922.
Plunkett chairs the anti-treaty Cumann na Poblachta, which loses the June general election, though he is returned again unopposed. In the Irish Civil War the treatyites intern him and the republicans appoint him to their council of state. In the August 1923 Irish general election, his first electoral contest since 1917, the interned count tops the poll in County Roscommon. He is released in December.
When de Valera forms Fianna Fáil in 1926, Plunkett stays with Sinn Féin, and loses his deposit in the June 1927 Irish general election. A year later he publishes his last poetry collection, Eros. He runs for a new Cumann Poblachta na hÉireann in a County Galway by-election in 1936, but loses his deposit again. On December 8, 1938, with the other six surviving abstentionist Second Dáil TDs, he transfers republican sovereignty to the IRA Army Council.
Plunkett is a big man with a black beard which whitens steadily after his fiftieth birthday. He is always formally pleasant and courteous. His oratory is described by M. J. MacManus as “level, cultured tones . . . [more] used to addressing the members of a learned society than to the rough and tumble of the hustings” (The Irish Press, March 15, 1948). Theoretically and practically, he is more scholar than politician. His portrait is on display at the Royal Society of Antiquaries of Ireland (RSAI).
Plunkett dies from cancer on March 12, 1948, and is buried in Glasnevin Cemetery, survived by his children Geraldine (wife of Thomas Dillon), Fiona, and Jack. His grandson Joseph (1928–66), son of George Oliver Plunkett, inherits the title.
(From: “Plunkett, Count George Noble” by D. R. O’Connor Lysaght, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Whelan is awarded many prizes in the Royal Dublin Society (RDS) Taylor art competitions, including one in 1912 for a portrait of his sister Lena, entitled On the Moors, rendered in a strongly academic technique. In 1916, he wins the Taylor scholarship for the Royal Hibernian Academy (RHA) schools for his finest early work, The Doctor’s Visit, an adroitly executed composition of contrasting shadows and light. Typical of many of his genre interiors, the painting depicts a room in the family home, with relatives as models: Whelan’s mother sits by the bed watching over his ill cousin, while his sister, dressed in a Mater hospital nurse’s uniform, is in the background opening the door for the doctor. The subtly evoked atmosphere of restrained emotion foreshadowed a hallmark of his mature style.
Whelan exhibits annually at the RHA for forty-five years (1911–56), averaging six works per year. He is elected an RHA associate in 1920, becoming a full member in 1924. He participates in the Exposition d’art irlandais at the Galerie Barbazanges in Paris in 1922. A visiting teacher at the RHA schools in 1924, he also teaches in the DMSA for a time. He has studios at 64 Dawson Street (1914–27) and 7 Lower Baggot Street (1931–56). Beginning in the 1910s, he receives regular commissions for portraits, constituting his primary source of income. Having become the family’s main breadwinner following his parents’ deaths in the 1920s, he concentrates most of his production on this lucrative activity, portraying numerous leading figures in the spheres of politics, academia, religion, society, medicine, and law.
Situated securely in the academic tradition, in most of his portraits Whelan favours a sombre, restricted palette, with the sitter placed, in grave demeanour, against a monotone background with few accessories. In a 1943 interview he asserts that twentieth-century portraiture suffers from the drabness of modern costume, for which the artist must compensate by careful rendition of the subject’s hands. He tends to depart from his prevailing portrait style when painting women, whom he characteristically depicts in meticulously observed interiors, a notable example being his portrait of Society hostess Gladys Maccabe (c.1946; NGI).
Whelan’s commercial concentration on portraiture notwithstanding, he expresses his true talent in genre compositions, especially kitchen interiors, in which he emulates the technique of the Dutch painter Johannes Vermeer. Two of the most accomplished of these depict his sister Frances in the basement kitchen of the family home: The Kitchen Window (1927; Crawford Art Gallery, Cork) demonstrates a particularly skillful use of light, while Interior of a Kitchen (1935) is notable for the dexterous handling of objects of varied shapes and textures. His genre works include both urban and rural scenes, with a distinctive interest in portraying occupations and other activities. Gypsy (1923), an Orpenesque composition of a shawled woman in a west-of-Ireland landscape with a caravan in the background, receives wide contemporary critical acclaim. Jer (c.1925), depicting a man seated by the fire in a cottage interior, is reproduced in J. Crampton Walker’s Irish Art and Landscape (1927). The Fiddler (c.1932), a naturalistic, sensitively characterised study, is first shown at an Ulster Academy exhibition at Stranmillis, Belfast. A Kerry Cobbler is reproduced in Twelve Irish Artists (1940), introduced by Thomas Bodkin, as among the works denoting the development of a distinctively Irish school of painting.
In 1929, Whelan designs the first Irish Free State commemorative stamp, a portrait of Daniel O’Connell for the centenary of Catholic emancipation. Commissioned by the Thomas Haverty trust to paint an incident from the life of Saint Patrick for the 1932 Eucharistic Congress, he executes The Baptism by St. Patrick of Ethna the Fair and Fedelmia the Ruddy, Daughters of the Ard Rí Laoghaire, a work highly conservative in style. He rapidly completes an oil study of the papal legate, Lorenzo Lauri, also for the Eucharistic Congress. He is represented in the art competitions at the 1932 Summer Olympics in Los Angeles. His depiction of Saint Brigid, shown at the Academy of Christian Art exhibition (1940), becomes a familiar image owing to the wide circulation of reproductions.
Whelan’s political portraits are influential in creating a strong, assured image of the newly formed Irish state, and thus retain an historical significance. His posthumous portrait, The Late General Michael Collins, exhibited at the RHA in 1943 and now held in Leinster House, is an iconic, heroic image of the fallen leader. His portraits of Arthur Griffith and Kevin O’Higgins – commissioned posthumously, as is the Collins, by Fine Gael – also hang in Leinster House, while that of John A. Costello, exhibited at the RHA in 1949, is now held in the King’s Inns, Dublin. He paints two presidents, Douglas Hyde and Seán T. O’Kelly, both works currently in Áras an Uachtaráin. A portrait of Éamon de Valera, painted in 1955 when the sitter is Leader of the Opposition, is in Leinster House. In 1954, he designs a second commemorative stamp, picturing a reproduction of a portrait bust of John Henry Newman, to mark the centenary of the Catholic University of Ireland.
Whelan is elected an honorary academician of both the Ulster Academy of Arts (1931), and the Royal Ulster Academy (1950). He becomes a member of the United Arts Club in 1934. As a representative of the RHA, he sits on the board of governors of the National Gallery of Ireland for many years, and is on the advisory committee of the Municipal Gallery of Modern Art. Unmarried, he resides until his death at the Eccles Street address, with two sisters who continue to manage the family hotel. He dies on November 6, 1956, from leukemia at the Mater private nursing home in Dublin. He is buried in Glasnevin Cemetery.
(From: “Whelan, (Michael) Leo,” by Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
In 1802 Corry is dismissed from the Exchequer and replaced by John Foster (later Lord Oriel), he is awarded, however, £2,000 p.a. in compensation. In 1806 the changes in ownership of the Newry estates alters his position. The lands pass to a senior line of the Needham family and they support General Francis Needham, 1st Earl of Kilmorey, at the general election. Corry does not have the funds needed, in excess of £5000, to purchase a seat elsewhere. However, Lady Downshire is inclined to support the Grenville ministry and comes to a formal agreement with Corry to give him £1000 towards his expenses should he be successful in Newry, and, if not, to bring him in for another borough. He fails against the Needham interest in Newry, but a seat at Newport, Isle of Wight, is purchased for him, with £4000 from Lady Downshire, and he is appointed to the Board of Trade. Six months later Grenville’s ministry has fallen and there is another general election. Corry stands, again unsuccessfully, for Newry.
Corry is unmarried but has a long-term relationship with Jane Symms. They have three sons and three daughters. His daughter Ann marries Lt. Col. Henry Westenra, the brother of Robert Cuninghame, 1st Baron Rossmore. His residence in Newry is the Abbey Yard, now a school, and Derrymore House, Bessbrook, County Armagh, which he had inherited from his father and sold in 1810. It is now the property of the National Trust. During his life, a road is constructed from near the main entrance of Derrymore House around Newry and links up with the Dublin Road on the southern side of the town primarily for his use. This road subsequently becomes known as “The Chancellor’s Road,” as a result of his term as the Irish Chancellor of the Exchequer. A local legend has it that the road is constructed after an incident in which Corry’s stagecoach is stoned while passing through Newry by people angry at an unpopular window tax he had introduced. The road has retained this name, but it is cut in half by the Newry by-pass in the mid-1990s, however, as a result of works associated with the new A1 dual carriageway, the two-halves of the road are now reconnected.
Corry dies at his house in Merrion Square, Dublin, on May 15, 1813, his 60th birthday. He is buried in St. Patrick’s Cathedral, Dublin.
Solomons is born to Maurice Solomons and poet Rosa Jane Jacobs. Her father is an optician whose practice in 19 Nassau Street, Dublin, is mentioned in Ulysses. Her father is also the Vice-Consul of Austria-Hungary. The Solomons family, who came to Dublin from England in 1824, are one of the oldest continuous lines of Jews in Ireland.
Solomons grandmother, Rosa Jacobs Solomons, who is born in Hull in England, is the author of a book called Facts and Fancies (Dublin 1883). Her brother, Bethel Solomons, a renowned physician, a master of the Rotunda Hospital and Irish international rugby player, is mentioned in Finnegans Wake. Her brother Edwin is a stockbroker and prominent member of the Dublin Jewish community. Her younger sister Sophie is a trained opera singer. A portrait of Sophie, by her cousin the printmaker Louise Jacobs, survives in the Estella Solomons archives in the Library of Trinity College Dublin (TCD).
In 1898, at the age of 16, Solomons enters the Dublin Metropolitan School of Art where she wins a significant prize. Her classmates include future Irish artists including Mary Swanzy, Eva Hamilton and William J. Leech. She also attends the Chelsea School of Art from 1903 to 1906. A visit to the tercentenary exhibition of the work of Rembrandt in Amsterdam in 1903 impacts her creative practice and possibly influences her adoption of printmaking as her principal vehicle of expression. She studies under two of Ireland’s leading artists, Walter Osborne, who is another major influence, and William Orpen. With her friends Cissie Beckett (aunt of Samuel Beckett) and Beatrice Elvery, she goes to study in Paris at Académie Colarossi. On her return she exhibits in Leinster Hall, Molesworth Street, with contemporaries such as Beatrice Elvery, Eva Hamilton and Grace Gifford. Her work is also included in joint exhibitions with other artists at Mills Hall and the Arlington Gallery, London. She also exhibits at her Great Brunswick Street studio in December 1926.
Solomons illustrates Padraic Colum‘s The Road Round Ireland (1926) and DL Kelleher’s The Glamour of Dublin in 1928. Originally published after the devastation of the 1916 Easter Rising, the later edition features eight views of familiar locations in the city centre including Merchant’s Arch and King’s Inns. Her etching “A Georgian Doorway” is included in Katherine MacCormack’s Leabhar Ultuin in 1920. This publication features illustrations by several prominent Irish artists and is sold in aid of the new Saint Ultan’s Children’s Hospital in Charlemont Street, Dublin, that had been founded by two prominent members of Cumann na mBan, Dr. Kathleen Lynn and Madeleine ffrench-Mullen.
Solomons is elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it is not until 1966 that she is elected an honorary member. Her work is included in the Academy’s annual members’ exhibition every year for sixty years.
Solomons is married to poet and publisher Seumas O’Sullivan, whose birth name is James Sullivan Starkey. Her parents oppose the relationship as O’Sullivan is not of the Jewish faith. They marry in 1925, when she is 43 and he 46, after her parents have died. She collaborates with her husband on The Dublin Magazine (1923–58), the renowned literary and art journal, of which O’Sullivan is editor for 35 years. She provides vital financial support to the magazine, particularly in sourcing advertising, which is difficult in the tough economic climate of the new Free State. She is helped in this endeavour by poet and writer, Kathleen Goodfellow, a lifelong friend. When Solomons and O’Sullivan are looking to move from their house in Rathfarnham because of a damp problem, Goodfellow offers them the house beside her own on Morehampton Road for a nominal rent. Two of Solomons’ portraits of Goodfellow are in the Model Arts and Niland Gallery in Sligo.
Solomons joins the Ranelagh branch of Cumann na mBan at the same time as Goodfellow. They are taught first aid, drilling and signaling by Phyllis Ryan. She is active before and during the Irish War of Independence. She conceals ammunition in the family vegetable garden before delivering it to a Sinn Féin agent. Her studio at Great Brunswick Street is used as a safe house by republicanvolunteers. During this time, she paints the portraits of a number of revolutionaries, some of which she has to later destroy to avoid incriminating them. Her work includes a portrait of Frank Aiken when we was chief of staff of the Irish Republican Army (IRA).
Solomons takes up a teaching position at Bolton Street College, Dublin. In 1939, she organises an exhibition in Dublin to help refugee artists from Europe.
Solomons dies on November 2, 1968, and is buried in Woodtown Cemetery, Rathfarnham. Her friend Kathleen Goodfellow gifts the Morehampton Road Wildlife Sanctuary, where Solomons liked to paint, to An Taisce. Two plaques have subsequently been erected there, one in memory of Solomons and one for Goodfellow.
Some of Solomons works are held in the Niland Collection, at The Model gallery in Sligo and in the National Gallery of Ireland. Her archives, which include artwork and photographs (and prints by Louise Jacobs), and the archives of The Dublin Magazine are in the Library of Trinity College Dublin.
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Thomas “Tom” Michael Kettle, parliamentarian, writer, and soldier, is born on February 9, 1880, in Artane, Dublin, the seventh among twelve children of Andrew Kettle, farmer and agrarian activist, and his wife, Margaret (née McCourt). His father’s record in nationalist politics and land agitation, including imprisonment in 1881, is a valuable political pedigree.
The family is prosperous. Kettle and his brothers attend Christian Brothers’ O’Connell School in Richmond Street, Dublin, before being sent to board at Clongowes Wood College, County Kildare. Popular, fiery, and something of a prankster, he soon proves to be an exceptional scholar and debater, as well as a keen athlete, cyclist, and cricketer. He enrolls in 1897 at University College Dublin (UCD), his contemporaries including Patrick Pearse, Oliver St. John Gogarty and James Joyce. He thrives in student politics, where his rhetorical genius soon wins him many admirers and is recognised in his election as auditor of the college’s Literary and Historical Society. He also co-founds the Cui Bono Club, a discussion group for recent graduates. In 1899, he distributes pro-Boer propaganda and anti-recruitment leaflets, arguing that the British Empire is based on theft, while becoming active in protests against the Irish Literary Theatre‘s staging of The Countess Cathleen by W. B. Yeats. In 1900, however, he is prevented from taking his BA examinations due to a mysterious “nervous condition” – very likely a nervous breakdown. Occasional references in his private diaries and notes suggest that he is prone to bouts of depression throughout his life. He spends the following two years touring in Europe, including a year at the University of Innsbruck, practising his French and German, before taking a BA in mental and moral science of the Royal University of Ireland (RUI) in 1902. He continues to edit the college newspaper, remaining active in student politics. He participates, for example, in protests against the RUI’s ceremonial playing of “God Save the King” at graduations as well as its senate’s apparent support for government policy, threatening on one occasion to burn publicly his degree certificate.
In 1903, Kettle is admitted to the Honourable Society of King’s Inns to read law and is called to the bar two years later. Nonetheless, he soon decides on a career in political journalism. Like his father, he is a keen supporter of the Irish Parliamentary Party (IPP), and in 1904 is a co-founder of the resonantly titled Young Ireland Branch of the United Irish League. Here he comes to the notice of John Redmond, who offers him the prospect of a parliamentary seat, but he chooses instead to put his energies into editing the avowedly pro-Irish-party paper, The Nationist, in which he promises that a home rule administration will uphold women’s rights, industrial self-sufficiency, and Gaelic League control of Irish education. He hopes that the paper will offer a corrective alternative to The Leader, run by D. P. Moran, but in 1905 he is compelled to resign the editorship due to an article thought to be anti-clerical. In July 1906, he is persuaded to stand in a by-election in East Tyrone, which he wins with a margin of only eighteen votes. As one of the youngest and most talented men in an ageing party, he is already tipped as a potential future leader. His oratory is immediately put to good use by the party in a propaganda and fund-raising tour of the United States, as well as on the floor of the House of Commons, where his oratorical skills earn him a fearsome reputation. He firmly advocates higher education for Catholics and the improvement of the Irish economy, while developing a close alliance with Joseph Devlin and the Ancient Order of Hibernians (AOH).
Kettle meanwhile makes good use of his connections to ArchbishopWilliam Walsh, the UCD Sodality of the Blessed Virgin Mary, and the Catholic Graduates and Undergraduates Association, as well as political support, to secure the professorship of national economics. T. P. Gill, of the Department of Agriculture and Technical Instruction, exceptionally acts as his referee. His detractors regard the appointment as a political sinecure and Kettle as a somewhat dilettantish “professor of all things,” who frequently neglects his academic duties. However, he takes a keen interest in imperial and continental European economies. He does publish on fiscal policy, even if always taking a pragmatic interest in wider questions, greatly impressing a young Kevin O’Higgins, later Vice-President of the Executive Council of the Irish Free State. He has little time for what he regards as the abstract educational and economic idealism of D. P. Moran. He acknowledges that the “Hungarian policy” of Arthur Griffith has contributed significantly to a necessary debate about the economy, but argues that the Irish are “realists,” that Ireland’s natural resources ought to be scientifically measured, and that the imperial connection is crucial to Ireland’s future development. The achievement of home rule would, he asserts, encourage a healthy self-reliance as opposed to naive belief in self-sufficiency.
Kettle is encouraged by the heightened atmosphere of the constitutional crisis over the 1909 David Lloyd Georgebudget, culminating in the removal of the House of Lords veto, which has been an obstacle to home rule. He is also a supporter of women’s enfranchisement, while stressing that the suffragist cause should not delay or deflect attention from the struggle for home rule. He holds his East Tyrone seat in the January 1910 United Kingdom general election but decides not to stand at the general election in December of the same year. Returning to an essentially journalistic career, he publishes a collection of essays outlining his constitutional nationalist position. He opposes suffragette attacks on private property, but, in contrast, supports the Dublin strikers in 1913, highlighting their harsh working and living conditions. He tries without success to broker an agreement between employers and workers though a peace committee he has formed, on which his colleagues include Joseph Plunkett and Thomas P. Dillon. His efforts are not assisted, however, by an inebriated appearance at a crucial meeting. Indeed, by this time his alcoholic excesses are widely known, forcing him to attend a private hospital in Kent.
In spite of deteriorating health, Kettle becomes deeply involved in the Irish Volunteers formed in November 1913 to oppose the Ulster Volunteers. His appraisal of Ulster unionism is somewhat short-sighted, dismissing it as being “not a party [but] merely an appetite,” and calling for the police to stand aside and allow the nationalists to deal with unionists, whose leaders should be shot, hanged, or imprisoned. These attitudes are mixed in with a developing liberal brand of imperialism based on dominion federalism and devolution, warmly welcoming a pro-home-rule speech by Winston Churchill with a Saint Patrick’s Day toast to “a national day and an empire day.” Nevertheless, he uses his extensive language skills and wide experience of Europe to procure arms for the Irish Volunteers. He is in Belgium when the Germans invade, and the arms he procured are confiscated by the Belgian authorities, to whom they were donated by Redmond on the outbreak of war.
On his return to Dublin, Kettle follows Redmond’s exhortation to support the war effort. He is refused an immediate commission on health grounds, but is eventually granted the rank of lieutenant, with responsibilities for recruitment in Ireland and England. He makes further enemies among the advanced nationalists of Sinn Féin, taunting the party for its posturing and cowardly refusal to confront Ulster unionists, the British Army, and German invaders alike. Coming from a staunchly Parnellite tradition, he is no clericalist, yet he is a devout if liberal Catholic, imbued by his Jesuit schooling with a cosmopolitan admiration for European civilisation which has been reinforced by his European travels, and in particular has been outraged by the German destruction of the ancient university library of Louvain. Despite a youthful flirtation with the philosophy of Friedrich Nietzsche, he comes to regard “Prussianism” as the deadliest enemy of European civilisation and the culture of the Ten Commandments, there not being “room on earth for the two.” He increasingly believes that the German threat is so great that Irish farmers’ sons ought to be conscripted to defend Ireland. He also believes that considerable good might come out of the conflict, exhorting voters in East Galway to support what is practically a future home rule prime minister, cabinet, and Irish army corps. He unsuccessfully seeks nomination as nationalist candidate in the 1914 East Galway by-election in December. Nevertheless, he continues to work tirelessly on behalf of the party, publishing reviews, translations, and treatises widely in such journals as the Freeman’s Journal, The Fortnightly Review, and the Irish Ecclesiastical Record.
As a recruiting officer based far from the fighting, Kettle is stung by accusations of cowardice from advanced nationalists. He had tried repeatedly to secure a front-line position, but was rejected, effectively because of his alcoholism. He is appalled by trench conditions and the prolongation of the war, a disillusionment further encouraged by the Easter Rising, in which his brother-in-law, Francis Sheehy-Skeffington, is murdered by a deranged Anglo-Irish officer, J. C. Bowen-Colthurst. He senses that opinion in Ireland is changing, anticipating that the Easter insurgents will “go down in history as heroes and martyrs,” while he will go down, if at all, as “a bloody British officer.” Nevertheless, he regards the cause of European civilisation as greater than that of Ireland, remaining as determined as ever to secure a combat role. Despite his own poor health and the continuing intensity of the Somme campaign, he insists on returning to his unit, the 9th Battalion, Royal Dublin Fusiliers.
Kettle’s writings demonstrate the mortal danger he is placing himself in, evident not least in his frequently quoted poem, “To my daughter, Betty, the gift of God,” as well as letters settling debts, apologising for old offences, and providing for his family – his wealth at death being less than £200. He has no death wish, wearing body armour frequently, but as Patrick Maume notes, “As with Pearse, there is some self-conscious collusion with the hoped-for cult.” He is killed on September 9, 1916, during the Irish assault on German positions at Ginchy.
Kettle marries Mary Sheehy, alumna of UCD, student activist, suffragist, daughter of nationalist MPDavid Sheehy, and sister-in-law of his friend Francis Sheehy Skeffington, on September 8, 1909. In 1913 the couple has a daughter, Elizabeth.
Kettle is commemorated by a bust in St. Stephen’s Green, Dublin, and in the House of Commons war memorial in London. He is a man of great passions and proven courage. George William Russell put his sacrifice on a par with Thomas MacDonagh and the Easter insurgents:
“You proved by death as true as they, In mightier conflicts played your part, Equal your sacrifice may weigh, Dear Kettle, of the generous heart (quoted in Summerfield, The myriad minded man, 187).
(From: “Kettle, Thomas Michael (‘Tom’)” by Donal Lowry, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Tom Kettle as a barrister when called to the Irish law bar in 1905)
Barry is the fourth of seven children born to Thomas Barry, dairyman, and Mary Barry (née Dowling), both originally from northeast County Carlow. His father dies of heart disease on February 8, 1908, at the age of 56. His mother then moves the family to the family’s farm at Tombeagh, Hacketstown, County Carlow, while retaining the family’s townhouse on Fleet Street. As a child he goes to the National School in Rathvilly. In 1915, he is sent to live in Dublin and attends the O’Connell Schools for three months, before enrolling in the Preparatory Grade at St. Mary’s College, Rathmines, in September 1915. He remains at that school until May 31, 1916, when it is closed by its clerical sponsors. With the closure of St. Mary’s College, he transfers to Belvedere College, a Jesuit school in Dublin. He joins the Irish Volunteers, the forerunner of the IRA, while still at Belvedere College, and enters University College Dublin (UCD) in 1919 to study medicine.
As a member of 1st Battalion, Dublin Brigade of the Irish Volunteers, he takes part in a successful raid for arms on the military post in King’s Inns, Dublin, on June 1, 1920. Within only six minutes the raiders secure rifles, light machine guns, and large quantities of ammunition, and depart the site with no casualties. He also takes part in an abortive attempt to burn Aughavanagh House, Aughrim, County Wicklow in July 1920, and an attack on a British ration party in Church Street, Dublin, on September 20, with the aim of seizing arms. The final operation fails. Gunfire breaks out, three soldiers of around Barry’s own age are killed or fatally wounded, and he becomes the first Volunteer to be captured in an armed attack since 1916.
During interrogation, Barry is threatened with a bayonet and is mistreated. A general court-martial on October 20, which he refuses to recognise, condemns him to death for murdering the three soldiers, although one of the bullets taken from Private Marshall Whitehead’s body is a .45 calibre, while all witnesses state that Barry was armed with a .38 Mauser Parabellum. Despite widespread appeals on grounds of both clemency and expediency, the cabinet in London and officials in Dublin decide separately against a reprieve, probably because of its likely effect on the morale of soldiers and police.
On October 28, the Irish Bulletin, the official propaganda newspaper produced by Dáil Éireann‘s Department of Publicity, publishes Barry’s statement alleging torture. The headline reads English Military Government Torture a Prisoner of War and are about to Hang him. The Irish Bulletin declares Barry to be a prisoner of war, suggesting a conflict of principles is at the heart of the conflict. The British do not recognise a war and treat all killings by the Irish Republican Army (IRA) as murder. The public learns on this day that the date of execution has been fixed for November 1.
He was hanged in Mountjoy Prison, Dublin, on November 1, after hearing two Masses in his cell. The timing of the execution, only seven days after the death by hunger strike of Terence MacSwiney, the republican Lord Mayor of Cork, brings public opinion to a fever-pitch. He is buried in unconsecrated ground on the jail property. His comrade and fellow student Frank Flood is buried alongside him four months later. A plain cross marks their graves and those of Patrick Moran, Thomas Whelan, Thomas Traynor, Patrick Doyle, Thomas Bryan, Bernard Ryan, Edmond Foley and Patrick Maher who are hanged in the same prison before the Anglo-Irish Treaty of July 1921 which ends hostilities between Irish republicans and the British. The graves go unidentified until 1934. They become known as the Forgotten Ten by republicans campaigning for the bodies to be reburied with honour and proper rites. On October 14, 2001, the remains of the ten men are given a state funeral and moved from Mountjoy Prison to be re-interred at Glasnevin Cemetery in Dublin.
Barry is the first person to be tried and executed for a capital offence under the Restoration of Order in Ireland Act 1920, passed twelve weeks earlier. Together with his youth, this makes him a republican martyr celebrated in many ballads and verses. The best-known, set to a tune popular with British servicemen, is recorded by the American singer Paul Robeson, among others. A memorial stained-glass window by Richard King of the Harry Clarke Studio is later installed in the former UCD council chamber (afterward called the Kevin Barry Room), Earlsfort Terrace, Dublin.
Costello is born on June 20, 1891, in Fairview, Dublin, the younger son of John Costello senior, a civil servant, and Rose Callaghan. He is educated at St. Joseph’s, Fairview, and then moves to O’Connell School, for senior classes, and later attends University College Dublin (UCD), where he graduates with a degree in modern languages and law. He studies at King’s Inns to become a barrister, winning the Victoria Prize there in 1913 and 1914. He is called to the Irish Bar in 1914, and practises as a barrister until 1922.
In 1922, Costello joins the staff at the office of the Attorney General in the newly established Irish Free State. Three years later he is called to the inner bar, and the following year, 1926, he becomes Attorney General of Ireland, upon the formation of the Cumann na nGaedheal government, led by W. T. Cosgrave. While serving in this position he represents the Free State at Imperial Conferences and League of Nations meetings.
Costello is also elected a Bencher of the Honourable Society of King’s Inns. He loses his position as Attorney General of Ireland when Fianna Fáil comes to power in 1932. The following year, however, he is elected to Dáil Éireann as a Cumann na nGaedheal TD. Cumann na nGaedheal soon merges with other parties to form Fine Gael.
During the Dáil debate on the Emergency Powers Act 1939, Costello is highly critical of the Act’s arrogation of powers, stating that “We are asked not merely to give a blank cheque, but to give an uncrossed cheque to the Government.” He loses his seat at the 1943 Irish general election but regains it when Éamon de Valera calls a snap election in 1944. From 1944 to 1948, he is the Fine Gael front-bench Spokesman on External Affairs.
In 1948, Fianna Fáil has been in power for sixteen consecutive years and has been blamed for a downturn in the economy following World War II. The 1948 Irish general election results show Fianna Fáil short of a majority, but still by far the largest party, with twice as many seats as the nearest rival, Fine Gael. It appears that Fianna Fáil is headed for a seventh term in government. However, the other parties in the Dáil realise that between them, they have only one seat fewer than Fianna Fáil, and if they band together, they would be able to form a government with the support of seven Independent deputies. Fine Gael, the Labour Party, the National Labour Party, Clann na Poblachta and Clann na Talmhan join to form the first inter-partygovernment in the history of the Irish state.
While it looks as if cooperation between these parties will not be feasible, a shared opposition to Fianna Fáil and Éamon de Valera overcomes all other difficulties, and the coalition government is formed.
Since Fine Gael is the largest party in the government, it has the task of providing a suitable candidate for Taoiseach. Naturally, it is assumed that its leader, Richard Mulcahy, will be offered the post. However, he is an unacceptable choice to Clann na Poblachta and its deeply republican leader, Seán MacBride. This is due to Mulcahy’s record during the Irish Civil War. Instead, Fine Gael and Clann na Poblachta agree on Costello as a compromise candidate. Costello had never held a ministerial position nor was he involved in the Civil War. When told by Mulcahy of his nomination, Costello is appalled, content with his life as a barrister and as a part-time politician. He is persuaded to accept the nomination as Taoiseach by close non-political friends.
During the campaign, Clann na Poblachta had promised to repeal the Executive Authority (External Relations) Act 1936 but does not make an issue of this when the government is being formed. However, Costello and his Tánaiste, William Norton of the Labour Party, also dislike the act. During the summer of 1948, the cabinet discusses repealing the act, however, no firm decision is made.
In September 1948, Costello is on an official visit to Canada when a reporter asks him about the possibility of Ireland leaving the British Commonwealth. For the first time, he declares publicly that the Irish government is indeed going to repeal the External Relations Act and declare Ireland a republic. It has been suggested that this is a reaction to offence caused by the Governor General of Canada at the time, Harold Alexander, 1st Earl Alexander of Tunis, who is of Northern Irish descent and who allegedly arranges to have placed symbols of Northern Ireland in front of Costello at an official dinner. Costello makes no mention of these aspects on the second reading of the Republic of Ireland Bill on November 24 and, in his memoirs, claims that Alexander’s behaviour had in fact been perfectly civil and could have had no bearing on a decision which had already been made.
The news takes the Government of the United Kingdom and even some of Costello’s ministers by surprise. The former had not been consulted and following the declaration of the Republic in 1949, the UK passes the Ireland Act that year. This recognises the Republic of Ireland and guarantees the position of Northern Ireland within the United Kingdom for so long as a majority there want to remain in the United Kingdom. It also grants full rights to any citizens of the Republic living in the United Kingdom. Ireland leaves the Commonwealth on April 18, 1949, when The Republic of Ireland Act 1948 comes into force. Frederick Henry Boland, Secretary of the Department of External Affairs, says caustically that the affair demonstrates that “the Taoiseach has as much notion of diplomacy as I have of astrology.” The British envoy, John Maffey, 1st Baron Rugby, is equally critical of what he calls a “slipshod and amateur” move.
Many nationalists now see partition as the last obstacle on the road to total national independence. Costello tables a motion of protest against partition on May 10, 1949, without result.
In 1950, the independent-minded Minister for Health, Noël Browne, introduces the Mother and Child Scheme. The scheme would provide mothers with free maternity treatment and their children with free medical care up to the age of sixteen, which is the normal provision in other parts of Europe at that time. The bill is opposed by doctors, who fear a loss of income, and Roman Catholic bishops, who oppose the lack of means testing envisaged and fear the scheme could lead to birth control and abortion. The cabinet is divided over the issue, many feeling that the state cannot afford such a scheme priced at IR£2,000,000 annually. Costello and others in the cabinet make it clear that in the face of such opposition they will not support the Minister. Browne resigns from the government on April 11, 1951, and the scheme is dropped. He immediately publishes his correspondence with Costello and the bishops, something which had hitherto not been done. Derivatives of the Mother and Child Scheme are introduced in Public Health Acts of 1954, 1957 and 1970.
The Costello government has a number of noteworthy achievements. A new record is set in housebuilding, the Industrial Development Authority and Córas Tráchtála are established, and the Minister for Health, Noel Browne, with the then new Streptomycin, bring about an advance in the treatment of tuberculosis. Ireland also joins a number of organisations such as the Organization for European Economic Co-operation and the Council of Europe. However, the government refuses to join NATO, allegedly because the British remain in Northern Ireland. The scheme to supply electricity to even the remotest parts of Ireland is also accelerated.
While the “Mother and Child” incident does destabilise the government to some extent, it does not lead to its collapse as is generally thought. The government continues; however, prices are rising, a balance of payments crisis is looming, and two TDs withdraw their support for the government. These incidents add to the pressure on Costello and so he decides to call a general election for June 1951. The result is inconclusive but Fianna Fáil returns to power. Costello resigns as Taoiseach. It is at this election that his son Declan is elected to the Dáil.
Over the next three years while Fianna Fáil is in power a dual-leadership role of Fine Gael is taking place. While Richard Mulcahy is the leader of the party, Costello, who has proved his skill as Taoiseach, remains as parliamentary leader of the party. He resumes his practice at the Bar. In what is arguably his most celebrated case, the successful defence of The Leader against a libel action brought by the poet Patrick Kavanagh, dates from this period. Kavanagh generously praises Costello’s forensic skill, and the two men become friends.
At the 1954 Irish general election Fianna Fáil loses power. A campaign dominated by economic issues results in a Fine Gael-Labour Party-Clann na Talmhan government coming to power. Costello is elected Taoiseach for the second time.
The government can do little to change the ailing nature of Ireland’s economy, with emigration and unemployment remaining high, and external problems such as the Suez Crisis compounding the difficulty. Measures to expand the Irish economy such as export profits tax relief introduced in 1956 would take years have sizable impact. Costello’s government does have some success with Ireland becoming a member of the United Nations in 1955, and a highly successful visit to the United States in 1956, which begins the custom by which the Taoiseach visits the White House each Saint Patrick’s Day to present the U.S. President with a bowl of shamrock. Although the government has a comfortable majority and seems set for a full term in office, a resumption of Irish Republican Army (IRA) activity in Northern Ireland and Great Britain causes internal strains. The government takes strong action against the republicans.
In spite of supporting the government from the backbenches, Seán MacBride, the leader of Clann na Poblachta, tables a motion of no confidence, based on the weakening state of the economy and in opposition to the government’s stance on the IRA. Fianna Fáil also tables its own motion of no confidence, and rather than face almost certain defeat, Costello again asks PresidentSeán T. O’Kelly to dissolve the Oireachtas. The general election which follows in 1957 gives Fianna Fáil an overall majority and starts another sixteen years of unbroken rule for the party. Some of his colleagues questioned the wisdom of his decision to call an election. The view is expressed that he was tired of politics and depressed by his wife’s sudden death the previous year.
Following the defeat of his government, Costello returns to the bar. In 1959, when Richard Mulcahy resigns the leadership of Fine Gael to James Dillon, he retires to the backbenches. He could have become party leader had he been willing to act in a full-time capacity. He remains as a TD until 1969, when he retires from politics, being succeeded as Fine Gael TD for Dublin South-East by Garret FitzGerald, who himself goes onto to become Taoiseach in a Fine Gael-led government.
During his career, Costello is presented with a number of awards from many universities in the United States. He is also a member of the Royal Irish Academy from 1948. In March 1975, he is made a freeman of the city of Dublin, along with his old political opponent Éamon de Valera. He practises at the bar until a short time before his death at the age of 84, in Ranelagh, Dublin, on January 5, 1976. He is buried at Dean’s Grange Cemetery in Dublin.
Mary Irvine, Irish judge who is the President of the Irish High Court between 2020 and 2022, is born on December 10, 1956, in Clontarf, Dublin. She first practiced as a barrister. She is a judge of the High Court between 2007 and 2014, a judge of the Court of Appeal from 2014 to 2019 and serves as a judge of the Supreme Court of Ireland from May 2019 until becoming President of the High Court on June 18, 2020. In addition to being the first woman to hold that position, she is the first judge to have held four judicial offices. She is an ex officio member of the Supreme Court and the Court of Appeal.
Irvine is born to John and Cecily Irvine, her father once being deputy director of RTÉ. She is educated at Mount Anville Secondary School, University College Dublin (UCD) and the King’s Inns. She is an international golf player, winning the Irish Girls Close Championship in 1975.
Irvine’s practice also extends to constitutional law. As a junior counsel, she represents the plaintiff in Cahill v. Sutton in 1980 in the Supreme Court with seniors Niall McCarthy and James O’Driscoll. The case establishes the modern Irish law of standing for applicants to challenge the constitutional validity of statutes. She appears with Peter Kelly to argue on behalf the right of the unborn in a reference made by President of IrelandMary Robinson under Article 26 of the Constitution to the Supreme Court in 1995 regarding the Information (Termination of Pregnancies) Bill 1995.
Irvine is appointed as a Judge of the High Court in June 2007. She is in charge of the High Court Personal Injuries list from 2009 to 2014 and subsequently becomes the second Chair of the Working Group on Medical Negligence and Periodic Payments, established by the President of the High Court.
Irvine is appointed to Court of Appeal on its establishment in October 2014. Some of her judgments on the Court of Appeal reduce awards given by lower courts for personal injuries compensation. She writes “most of the key” Court of Appeal judgments between 2015 and 2017 which have the effect of reducing awards arising from subsequent actions in the High Court.
Irvine is appointed to chair a statutory tribunal to conduct hearings and deal with cases related to the CervicalCheck cancer scandal in 2019. However, following her appointment as President of the High Court in 2020, she is unable to continue with the position.
On April 4, 2019, Irvine is nominated by the Government of Ireland as a Judge of the Supreme Court. She is appointed by the President of Ireland, Michael D. Higgins, on May 13, 2019. She writes decisions for the court in appeals involving planning law, the law of tort, intellectual property law, judicial review, and chancery law.
Irvine is appointed by Chief Justice Frank Clarke in 2019 to chair the Personal Injuries Guidelines Committee of the Judicial Council. The purpose of the committee is to review the levels of compensation issues in court cases arising out of personal injuries. Minister of State at the Department of FinanceMichael W. D’Arcy writes a letter to congratulate her on her appointment and outlines his views that personal injuries awards in Ireland should be “recalibrated.” She responds to the letter by saying it is the not the committee’s duty to tailor its findings “in a manner favourable to any particular interest group.”
Following a cabinet meeting on June 12, 2020, it is announced that Irvine will be nominated to succeed Peter Kelly as President of the High Court. A three-person panel consisting of the Chief Justice Frank Clarke (later substituted by George Birmingham), the Attorney GeneralSéamus Woulfe and a management consultant, Jane Williams, reviews applications for the position, before making recommendations to cabinet. The President of the Law Society of Ireland welcomes her appointment, describing her as an “outstandingly able judge.” She is the first woman to hold the role. As she is previously an ordinary judge of three courts, her appointment as President of the High Court makes her the first person to have held four judicial offices. She is appointed on June 18, 2020, and makes her judicial declaration on June 19.
Irvine takes over as president in the midst of the COVID-19 pandemic in the Republic of Ireland. She issues guidelines for lawyers to negotiate personal injuries cases outside of court due to the backlog formed by delays in hearings. She issues a practice direction in July 2020 that face coverings are to be worn at High Court hearings. She criticises barristers and solicitors in October 2020 for not wearing masks in the Four Courts.
In Irvine’s first week as president, she presides over a three-judge division of the High Court in a case taken by a number of members of Seanad Éireann. The plaintiffs seek a declaration that the Seanad should sit even though the nominated members of Seanad Éireann have not been appointed. The court refuses the relief and finds for the State. In 2021, she also presides over a three-judge division on a Seanad Éireann voting rights case, where the plaintiff argues for the extension of voting rights to graduates of all third-level educational institutions and the wider population. The court finds against the plaintiff.
Irvine continues to sit in the Supreme Court following her appointment.
In April 2022, Irvine announces her intention to retire in July 2022. She retires on July 13, 2022, and is succeeded by David Barniville.
Irvine is formerly married to retired judge Michael Moriarty, with whom she has three children. Her only known son, Mark Moriarty, dies suddenly on August 19,2022.
(Pictured: Justice Mary Irvine with the President of Ireland, Michael D. Higgins, on her appointment on the Supreme Court in 2019)
Willes is born on February 13, 1814, in Cork, County Cork, the eldest among six children of James Willes, physician, and his wife, Elizabeth Aldworth, daughter of John Shaw, mayor of Cork in 1792. Educated at Dr. Porter’s school in Cork and Trinity College Dublin (TCD), he graduates BA in 1836, having entered the King’s Inns the previous year. In 1837, he goes to London and joins the Inner Temple as a pupil of the noted barrister Thomas Chitty (1802–78), in whose chambers he remains as a salaried assistant and special pleader before being called to the English bar on June 12, 1840. The Willes and Chitty families are connected, and James’s younger sister, Mary, later marries Thomas Chitty’s son.
Willes joins the home circuit, though his practice is chiefly in London in mercantile and maritime law. A leading junior in the Court of Exchequer, he holds the post of tubman from 1851, an honorary position in the gift of the Lord Chief Baron. Known for his erudition, he is persuaded to edit, with Sir Henry Singer Keating, the third and fourth editions of John William Smith‘s Leading Cases (1849, 1856). In 1850, his reputation is such that he is appointed one of the commissioners to draft the common law procedure bill (1854) and is credited with having effected most of the reform therein. On July 3, 1855, he is appointed judge of the Court of Common Pleas, though he has not yet taken silk and is only 41, the youngest lawyer but one to have been appointed to the bench since 1778.
A classical scholar and linguist who knows oriental as well as European languages, who travels widely, loves poetry, and frequents literary men, and whose judgments are clear and philosophical, Willes is accounted among the best common law judges of his day, and is celebrated for the simplicity and lucidity of his style. Notable judgments include Esposito v. Bowden (1857), which lays down that the force of a declaration of war is equal to that of an act of parliament prohibiting commercial transactions with the enemy. In the law of torts, he gives an oft-cited judgment in the case of Indermaur v. Dames (1866), which has been accepted almost as statutory, on the liability of the occupier of a building for the safety of a visitor. In 1868, as one of the first judges appointed to try election petitions, he lays down the rules of practice generally followed afterward. A strong British patriot, he serves in the Inns of Court Volunteers from 1859 until shortly before his death.
On November 3, 1871, Willes is sworn of the privy council. However, his health has deteriorated through overwork and an emotional temperament, and he has long suffered heart disease and gout. In August 1872, after a heavy assize at Liverpool, he returns to his house, Otterspool, Watford, Hertfordshire, and succumbs to a nervous breakdown, which leads to his shooting himself on October 2, 1872. He is buried on October 7 at Brompton Cemetery in London. He is survived fifteen years by his wife, Helen, daughter of Thomas Jennings of Cork, whom he married on May 17, 1856. There have no children.
A tall, reserved man, with a prominent nose and sad eyes, Willes has great affection for children and animals and is singularly emotional. He is known to return to his room and shed tears before passing sentence on a criminal. He never loses his Irish accent. His marriage is allegedly unhappy, as he had been forced into it after he had fallen out of love. Sir Frederick Pollock (1845–1937), author of the magisterial History of English Law before the Time of Edward I and sometime marshal to Willes, dedicates to him his first textbook on torts in 1879, writing that he was “one of those whose knowledge is radiant and kindles answering fire.” A century later, A. W. B. Simpson maintains that “his reputation as a jurist will last as long as the law reports of England are read.”
(From: “Willes, Sir James Shaw” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 