Mitchell is the younger son of David William Mitchell, owner of a Dublin ironmongery and furniture business, and Francis Elizabeth Mitchell (née Kirby). His elder brother David becomes president of the Royal College of Physicians of Ireland (RCPI) and his sister Lillias is a noted weaver and teacher. He is educated at The High School, Dublin, and Trinity College Dublin (TCD), where he is a scholar in 1933 and receives a gold medal the following year. In 1934 he is appointed assistant to the professor of geology at TCD, and later is lecturer in geology (1940), reader in Irish archaeology (1959) and professor of Quaternary studies – a personal chair (1965). He is an efficient administrator and serves TCD successively as registrar, senior lecturer, and tutor, and after retirement is briefly a pro-chancellor of the university.
Mitchell’s major research focuses on the evolution of Ireland during the last two million years, particularly during the Quaternary since the retreat of the glacial ice over Ireland, and the effect man has had on this landscape. His interest in Quaternary studies begins in 1934, when he is appointed by the Royal Irish Academy (RIA) as an assistant to the Danish botanist and Quaternary geologistKnud Jessen, who uses the distribution of ancient pollen grains to reconstruct vegetational history. From 1940 he publishes a series of papers on topics such as the distribution of Irish giant deer and reindeer remains in Ireland, lacustrine deposits in County Meath, interglacial deposits in southeast Ireland, the palynology of Irish raised bogs, cave deposits, fossil pingos in County Wexford, bog flows, and the deposits of the older Pleistocene period in Ireland. His major study in this field is the documentation (1965) of the vegetational history of Littleton bog, County Tipperary, which has given its name to the present interglacial – the Littletonian warm stage.
Mitchell does not confine his studies to Ireland but also carries out work in Glasgow, Cornwall, and the Isle of Man. In 1957, he helps organise the British Association for the Advancement of Science meeting in Dublin and is later chairman of the Geological Society of London sub-commission on British and Irish Quaternary stratigraphy, which produces a comprehensive report in 1973. He is a frequent broadcaster on radio and a prolific author of academic papers, and in later life writes several acclaimed books, including The Irish Landscape (1976), which goes through two further editions as Reading the Irish Landscape (1986, 1997), and a volume of semi-autobiography, The Way That I Followed (1990).
In 1940, Mitchell marries Lucy Margaret (‘Pic’) (1911–87), daughter of E. J. Gwynn, provost of TCD. They have two daughters. For many years they live at Townley Hall, near Drogheda, County Louth, which had been TCD’s agricultural facility. A 1985 portrait by David Hone is displayed at Trinity College Dublin.
(From: “Mitchell, George Francis (‘Frank’)” by Patrick N. Wyse Jackson, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Duffy is born in Nice, France, on July 17, 1884, the daughter of the Irish nationalist Sir Charles Gavan Duffy, one of the founders of The Nation and his third wife, Louise (née Hall) from Cheshire, England. Her mother dies when she is four. She is then raised in Nice by her Australian half-sisters from her father’s second marriage. It is a well-to-do and culturally vibrant home where she is exposed to political figures and ideas.
Duffy’s first visit to Ireland is in 1903, at the age of 18, when her father dies and is buried in Glasnevin Cemetery. This is when she first hears Irish spoken. She finds a grammar book in a bookshop and becomes curious. Her father was not an Irish speaker, though her grandmother in the early 1800s was likely fluent.
Duffy spends the years between 1903 and 1907 between France and England. She takes courses through Cusack’s College in London so that she can matriculate.
Duffy decides to continue her studies in Dublin but cannot afford to move until she receives a small inheritance from her grandmother on the Hall side of the family. Once in Ireland in 1907, at the age of 23, she begins her university studies, taking arts. She lives in the Women’s College, Dominican Convent, as women are not allowed to attend lectures in the Royal University of Ireland. She goes occasionally to the Gaeltacht to learn Irish. Graduating in 1911 with a Bachelor of Arts from University College Dublin (UCD), she is one of the first women to do so.
Given the lack of teachers, even without a full qualification, Duffy then teaches in Patrick Pearse‘s St. Ita’s school for girls in Ranelagh. She studies with the Dominicans again in Eccles Street, gaining a Teaching Diploma from Cambridge University.
A supporter of women’s suffrage, Duffy speaks at a mass meeting in Dublin in 1912 in favour of having the Home Rule bill include a section to grant women the vote. She also joins the Irish republican women’s paramilitary organisation Cumann na mBan, as a founding member in April 1914, serving on the provisional committee with Mary Colum, as a co-secretary.
Duffy is aware that being a suffragist and a nationalist are not necessarily the same thing, realising her involvement in Cumann na mBan is in support of nationalism. When St. Ita’s closes due to funding problems in 1912, she takes the opportunity to complete her qualifications. After receiving her Cambridge teacher’s diploma in 1913, she returns to UCD to study for a Master of Arts degree.
Duffy is in fact working on her master’s thesis during the Easter break in 1916 when the rumour comes to her that the Rising has begun in Dublin city centre. She walks to the Rebel headquarters in the GPO where she tells Pearse, one of the leaders, that she does not agree with the violent uprising.
Duffy spends all of Easter week working in the GPO kitchens with other volunteers like Desmond FitzGerald and a couple of captured British soldiers, ensuring the volunteers are cared for. The women in the GPO are given the opportunity to leave under the protection of the Red Cross on the Thursday as the shelling of the building has caused fires, but almost all of them refuse. In the end, she is among the second group of the people to leave the GPO on the Friday, tunnelling through the walls of the buildings to avoid coming under fire.
Duffy’s group makes it to Jervis Street Hospital where they spend the night. The next day, Saturday, Pearse formally surrenders. She heads for Jacob’s Biscuit Factory, another volunteer position, on the morning after the surrender, to see what is happening. There she finds a holdout of volunteers who are unaware of the surrender or that the fighting is over.
After 1916 Duffy is elected to the Cumann na mBan’s executive and in 1918 is one of the signatories to a petition for self-determination for Ireland which is presented to President Woodrow Wilson by Hanna Sheehy-Skeffington. During her time in the GPO, she had collected names of the volunteers and promised to take messages to their families. This possibly influences her in being involved in the National Aid Association and Volunteers Dependants Fund. In the aftermath of the rebellion there are 64 known dead among the volunteers, while 3,430 men and 79 women are arrested. Families need support. These organisations are able to arrange funding from the United States.
In 1917, Duffy co-founds and runs Scoil Bhríde, as a secondary school for girls in Dublin through the medium of Gaelic. It is still in operation as a primary school. Her co-founder is Annie McHugh, who later marries Ernest Blythe. The end of the Rising leads to the Irish War of Independence (1919-21). During this time, she is mostly focused on the school. However, it is raided by the military and Duffy later admits it is in fact used for rebel meetings and to safeguard documents. In October 1920, the Irish leader Michael Collins meets Archbishop Patrick Clune there in secret. In an effort to support the nationwide boycott of the police, the Royal Irish Constabulary (RIC), in 1920, she has a leaflet sent to all branches of Cumann na mBan which states in part that the RIC are the “eyes and ears of the enemy. Let those eyes and ears know no friendship.”
The war ends with the Anglo-Irish Treaty in 1921. The result is the Irish Civil War which lasts until 1923. Duffy is a supporter of the Treaty, which her brother had signed, and as such she leaves Cumann na mBan and joins Cumann na Saoirse, in which she is instrumental in founding as an Irish republican women’s organisation which supports the Pro-Treaty side.
Once the civil war is over, Duffy leaves the political arena and returns to education. She especially needs to focus on funding in the early years of the school. She works with UCD’s Department of Education from 1926, once Scoil Bhríde is recognised as a teacher training school. She publishes educational documents like School Studies in The Appreciation of Art with Elizabeth Aughney and published by UCD in 1932.
Until her retirement, Duffy also lectures on the teaching of French. She retires as principal in 1944.
Recognising the importance of her first-hand experience and with a good political understanding, Duffy records her memories of the events in which she has taken part. In 1949, she gives an account of her life in relation to nationalist activities to the Bureau of Military History. She is involved in a Radio Éireann broadcast in 1956 about the women in the Rising. In 1962, she takes part in the RTÉ TV program Self Portrait broadcast on March 20, 1962. In March 1966 she gives a lecture in UCD to mark the 50th anniversary of the Rising which is published in The Easter rising, 1916, and University College Dublin (1966).
Duffy dies, unmarried, on October 12, 1969, aged 85, and is interred in the family plot in Glasnevin Cemetery.
In 2014, An Post issues a stamp to commemorate the centenary of the founding of Cumann na mBan. In 2016, for the centenary, a documentary is produced, discussing seven of the women, including Duffy, who were involved in the Easter Rising.
Thomas Pelham, the Chief Secretary for Ireland, introduces a bill for the foundation of a Catholic college, and this is enacted by parliament. It is built to hold up to 500 students for the Catholic priesthood of whom up to 90 are to be ordained each year. It is once the largest seminary in the world.
The town of Maynooth is the seat of the FitzGeralds, Earls of Kildare. The ivy-covered tower attached to St. Mary’s Church of Ireland is all that remains of the ancient college of St. Mary of Maynooth, founded and endowed by Gerald FitzGerald, 8th Earl of Kildare, and dedicated to the Blessed Virgin Mary. On October 7, 1515, Henry VIII grants licence for the establishment of a college. In 1518, the 9th Earl presents a petition to the Archbishop of Dublin, William Rokeby, for a license to found and endow a college at Maynooth, the College of the Blessed Virgin Mary. In 1535 the college is suppressed and its endowments and lands confiscated as part of the Reformation.
The present college is created in the 1790s against the background of the upheaval during the French Revolution and the gradual removal of the penal laws. The college is particularly intended to provide for the education of Catholic priests in Ireland, who until this Act had to go to Continental Europe for their formation and theological education. Many are educated in France, and the church and government are concerned at the Dechristianization of France during the French Revolution, and at the same time at the risk of revolutionary thinking arising from training in revolutionary France. A number of the early lecturers in Maynooth, are exiles from France. Also among the first professors is a layman, James Bernard Clinch, recommended by Edmund Burke. Also relevant is the enactment of the Roman Catholic Relief Act 1793.
The college is legally established on June 5, 1795, by the Maynooth College Act 1795 as The Royal College of St. Patrick, by act of the Parliament of Ireland, to provide “for the better education of persons professing the popish or Roman Catholic religion.” The college is originally established to provide a university education for Catholic lay and ecclesiastical students, the lay college is based in Riverstown House on the south campus from 1802. With the opening of Clongowes Wood College in 1814, the lay college is closed and the college functions solely as a Catholic seminary for almost 150 years.
In 1800, John Butler, 12th Baron Dunboyne, dies and leaves a substantial fortune to the college. Butler had been a Roman Catholic, and Bishop of Cork, who had embraced Protestantism in order to marry and guarantee the succession to his hereditary title. However, there are no children to his marriage, and it is alleged that he had been reconciled to the Catholic Church at his death. Were this the case, a Penal Law demands that the will is invalid, and his wealth is to pass to his family. Much litigation follows before a negotiated settlement in 1808 that leads to the establishment of a Dunboyne scholarship fund.
The land is donated by William FitzGerald, 2nd Duke of Leinster, who had argued in favour of Catholic emancipation in the Irish House of Lords. He lives nearby at Carton House and also at Leinster House. The building work is paid for by the British Government with the parliament continuing to give it an annual grant until the Irish Church Act 1869. When this law is passed the college receives a capital sum of £369,000. The trustees invest 75% of this in mortgages to Irish landowners at a yield of 4.25% or 4.75% per annum. This is considered a secure investment at the time but agitation for land reform and the depression of the 1870s erodes this security. The largest single mortgage is granted to the Earl of Granard. Accumulated losses on these transactions reaches £35,000 by 1906.
The first building to go up on the site is designed by, and named after, John Stoyte. Stoyte House, which can still be seen from the entrance to the old campus, is a well-known building to Maynooth students and stands very close to the very historic Maynooth Castle. Over the next 15 years, the site at Maynooth undergoes rapid construction so as to cater for the influx of new students, and the buildings which now border St. Joseph’s Square (to the rear of Stoyte House) are completed by 1824.
The Rev. Laurence F. Renehan (1797–1857), a noted antiquarian, church historian, and cleric, serves as president of St. Patrick’s from 1845 until 1857. Under Renehan, many of the college’s most important buildings are constructed by Augustus Pugin.
In 1876, the college becomes a constituent college of the Catholic University of Ireland, and later offers Royal University of Ireland degrees in arts and science. Even after the granting of the Pontifical Charter in 1896 the college becomes a recognised college of the National University of Ireland in 1910, and from this time its arts and science degrees are awarded by the National University of Ireland. However, during this time the Pontifical University of Maynooth continues to confer its degrees in theology, because until 1997 theology degrees are prohibited by the Royal University of Ireland and its successor the National University of Ireland.
In 1997, the Universities Act, 1997 is passed by the Oireachtas. Chapter IX of the Act provides for the creation of the separate Maynooth University. This new university is created from the college’s faculties of Arts, Celtic Studies and Philosophy, and Science.
In 1994, W. J. Smyth had been appointed to the position of Master of St. Patrick’s College Maynooth (NUI). In 1997, this position is converted into President of Maynooth University. After his 10-year term ends in 2004, he is replaced by John Hughes as president of Maynooth University and a new line of heads for the college.
By 2016, the number of resident seminarians has dropped from several hundreds to just 40 to 60. In August 2016, it is revealed that, due to frequent use of Grindr by college students, the then Archbishop of DublinDiarmuid Martin decides to transfer the students from his diocese to the Irish Pontifical College in Rome. According to Martin, “there are allegations on different sides,” one of which of an “atmosphere that was growing in Maynooth” of a “homosexual, a gay culture, that students have been using an app called Grindr,” which “would be fostering promiscuous sexuality, which is certainly not in any way the mature vision of sexuality one would expect a priest to understand.” Subsequently, the college trustees order a review of the college’s policy on social media use.
Drew is the son of the Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton), daughter of a Dublin attorney. He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent Londonjournalist and an early champion of women’s rights.
Drew is trained under Sir Charles Lanyon before moving to work in Dublin, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore, and from that point forward Church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.
Drew marries Adelaide Anne, sister of William George Murray, in 1871.
From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.
Christened as William O’Brien, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath, Ó Briain takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
Geraldine Dorothy Cummins, spiritualist medium, novelist and playwright, dies in Cork, County Cork, on August 24, 1969. She begins her career as a creative writer, but increasingly concentrates on mediumship and “channelled” writings, mostly about the lives of Jesus and Saint Paul, though she also publishes on a range of other topics. Her novels and plays typically document Irish life in a naturalist manner, often exploring the pathos of everyday life.
Cummins is born in Cork, on January 24, 1890, the daughter of the physician Ashley Cummins, professor of medicine at the National University of Ireland and sister to Mary Hearn and Iris Cummins. In her youth she is an athlete, becoming a member of the Irish Women’s International Hockey Team. She is also active as a suffragette. Her desire to follow her father in a medical career is vetoed by her mother, so she begins a literary career as a journalist and creative writer. From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Suzanne R. Day, the most successful of which is the comedy Fox and Geese (1917). She publishes the novel The Land they Loved in 1919, a naturalistic study of working class Irish life.
As she concentrates on mediumship, Cummins’s literary work tails off. However, she continues to publish creative literature in her later years. Her solo-written play, Till Yesterday Comes Again, is produced by the Chanticleer Theatre, London, in 1938. She also publishes another novel, Fires of Beltane (1936) and a short-story collection Variety Show (1959).
Literary critic Alexander G. Gonzalez says that Cummins work tries to encompass the full range of Irish social life, from the aristocracy to the lower classes. In this respect she is influenced by Somerville and Ross. Gonzalez considers her short story The Tragedy of Eight Pence to be the “finest” of her writings, the tale of a “happily married woman trying to shield her ill husband from the knowledge that his death will leave her penniless.”
Cummins begins to work as a medium following prompting from Hester Dowden and E. B. Gibbes. She receives alleged messages from her spirit-guide “Astor” and is an exponent of automatic writing. Her books are based on these communications. In 1928 she publishes The Scripts of Cleophas, which provides channelled material on early Christian history complementing Acts of the Apostles and St. Paul’s writings, supposed to have been communicated by the spirit of Cleophas, one of Paul’s followers. This is later supplemented by Paul in Athens (1930) and The Great Days of Ephesus (1933).
Cummins’s next work describes human progress through spiritual enlightenment. The Road to Immortality (1932) provides a glowing vision of the afterlife. Its contents are purportedly communicated from the “other side” by the psychologist and psychic researcher Frederic W. H. Myers. Unseen Adventures (1951) is a spiritual autobiography. She also publishes several books of spiritually-derived knowledge about details of the life of Jesus.
During World War II Cummins allegedly works as a British agent, using her personal contacts to identify pro-Nazi factions within the Irish Republican movement. She also employs her psychic activities to support the Allied cause, sending channelled messages from sympathetic spirits to Allied leaders to support the war effort. This includes information from Theodore Roosevelt, Arthur Balfour and Sara Roosevelt, Franklin D. Roosevelt‘s mother.
In the 1940s and 50s Cummins works with psychiatrists to develop a model for using spiritualism to treat mental illness, ideas she explores in Perceptive Healing (1945) and Healing the Mind (1957). She collaborates with a psychiatrist who uses the pseudonym R. Connell on both books. Their method is for her to “read” an object associated with the patient and thus identify either childhood traumas or experiences of ancestors which have created the problem. This includes treating a patient who is concerned about his homosexual desires by discovering that this derives from the fact that his Huguenot ancestors were humiliated by Catholics in the 18th century.
Cummins’s biography of writer and spiritualist Edith Somerville is published in 1952. She also writes The Fate of Colonel Fawcett (1955) which offers her psychic insights into the disappearance of the explorer Percy Fawcett in Brazil in 1925. She claims she had received psychic messages from Fawcett in 1936. He was still alive at that time, informing her that he had found relics of Atlantis in the jungle, but was ill. In 1948 she has a message from Fawcett’s spirit reporting his death. Her last book is an account of her conversations with the spirit of Winifred Coombe Tennant, Swan on a Black Sea; a Study in Automatic Writing; the Cummins-Willett Scripts (1965).
The automatic writing and alleged channeled material from Cummins have been examined and have been described by some psychical researchers to be the product of her own subconscious. For example, Harry Price, who studies various mental mediums including Cummins, writes that “there is no question that most of the automatic writing which has been published is the product of the subconscious.” Paranormal researcher Hilary Evans notes that unlike most spiritualists, Cummins does not accept the phenomena at face value and questions the source of the material.
According to the psychical researcher Eric Dingwall information published in Cummins’ scripts allegedly from Winifred Coombe Tennant are discovered to be erroneous. Biographer Rodger Anderson writes that although spiritualists consider Cummins completely honest “some suspected that she occasionally augmented her store of knowledge about deceased persons by normal means if by doing so she could bring comfort to the bereaved.”
Cummins’ book The Fate of Colonel Fawcett (1955), contains her automatist scripts allegedly from the spirit of Colonel Fawcett. Spiritualists claim the scripts are evidence for survival. However, the psychical researcher Simeon Edmunds notes that before his disappearance Fawcett had written articles for The Occult Review. Cummins also contributes articles to the same review and Edmunds suggests it is likely she had read the work of Fawcett. Edmunds concludes the scripts are a case of subliminal memory and unconscious dramatization.
Other researchers such as Mary Rose Barrington have suspected fraud as Cummins had long standing connections with friends and families of the deceased that she claimed to have contacted and could have easily obtained information by natural means. The classical scholar E. R. Dodds writes that Cummins worked as a cataloguer at the National Library of Ireland and could have taken information from various books that would appear in her automatic writings about ancient history. Her writings were heavily influenced by literature and religious texts. Dodds also studies her book Swan on a Black Sea which was supposed to be an account of spirit conversation but writes there is evidence suggestive of fraud as Cummins had received some of the information by natural means.
Cox is the younger of two sons of Dr. Michael Cox, physician originally of Roscommon and Sligo, and Elizabeth Cox (née Nolan). Like his father, he supports the Irish Parliamentary Party (IPP) and maintains an interest in a wide range of subjects outside his chosen career throughout his life. He attends Belvedere College (1900-09), where he often obtains first place in his class and wins the Union prize for essay writing three years in a row (1905–07). He is the first auditor of the Belvedere Debating Society and is succeeded in the post by George O’Brien, who remains his lifelong friend. In 1909, he wins both a Royal University of Ireland (RUI) scholarship and an entrance exhibition to University College Dublin (UCD), a college of the new National University of Ireland (NUI).
Working for an arts degree at UCD, then housed at 86 St. Stephen’s Green, Cox overcomes an innate shyness to cultivate a reputation as a skillful and humorous orator in the Literary and Historical Society (L&H), where he befriends both Kevin O’Higgins and John A. Costello. He has immense respect for both men, and they remain firm friends. The respect is reciprocal, and during their subsequent careers O’Higgins and Costello often have occasion to seek Cox’s wise counsel. In 1912, Cox defeats Costello for the auditorship of the L&H by 112 votes to 63, and in the same year attains a first-class honours BA. His role as auditor means that he is involved with UCD for a further year. He attends lectures at the Incorporated Law Society while at the same time he pursues both the LL. B course, a one-year postgraduate law degree, and an MA at UCD. By the end of 1913 he has achieved first place in the LL. B and first-class honours in his MA. In addition, he has become auditor of the Solicitors’ Apprentices’ Debating Society.
After university Cox is apprenticed to a solicitor, Francis Joseph Scallan, who runs a firm in partnership with his brother, John Louis Scallan. On qualifying in 1915, he remains with the firm as an assistant solicitor until 1920, when he forms a partnership with another solicitor, John McAreavey. The firm is called Arthur Cox & Co. and has its offices at 5 St. Stephen’s Green. Initially the new firm’s clients are predominantly made up of those for whom he worked at his previous firm, and friends from his university days. Through George O’Brien he meets Sir Horace Plunkett, president of the Irish Agricultural Organisation Society (IAOS), a connection of enormous benefit, which sees the firm both become solicitor to the IAOS and gain a large number of clients through its membership.
Despite his relative youth, Cox is held in high esteem by those attempting to construct the apparatus of the newly independent Irish Free State in 1922. This is clear when he provides Hugh Kennedy, law officer to the provisional government and future Chief Justice of Ireland, with a lengthy opinion on the status of the Anglo–Irish Treaty, in the context of drafting a constitution for the new state. He is conscious of the need to counter claims that the treaty does not go far enough in acknowledging Irish nationhood; and he advises that the first article of the new constitution should explicitly state that the sovereignty of the new state derives from the Irish people. This is ultimately done in the preamble of the Constitution of the Irish Free State (1922).
In 1923, Cox is appointed solicitor to Siemens-Schuckert, the German engineering firm, and helps to negotiate the terms of an agreement with the Irish government for the construction of a hydro-electric station at Ardnacrusha, County Clare. In 1926, the Electricity (Supply) Act is passed, on which he advises. Although he experiences much success in these years, he is very much affected by the death of his friend Kevin O’Higgins, who is shot and dies from his injuries on July 10, 1927. He visits O’Higgins on his deathbed. Arthur Cox & Co. expands rapidly in its early years, and in 1926 Cox and McAreavey purchase new premises at 42–3 St. Stephen’s Green. Four years later he buys his partner out of the firm.
Given his friendships with various members of the original Free State administration, and the amount of work he receives from it, government work for Cox dries up when Fianna Fáil comes to power in 1932. However, the protectionist corporate policies and implementing legislation of the new administration bring new opportunities. The legislation places severe restrictions on foreign companies owning and operating enterprises in Ireland. He develops a reputation for assisting corporate clients to circumnavigate the restrictive laws. Along with his friend James Beddy, chief executive of the Industrial Credit Corporation, he realises that foreign investment is essential to the growth of the Irish economy. He introduces many clients to Beddy, and between them they find ways to assist the firms in investing in various enterprises without breaching the law. During this period, he cements his reputation as the foremost corporate lawyer in Ireland. This is evident when James Marmion Gilmor Carroll appoints him, as one of only two non-family members, to the board of the tobacco manufacturers P. J. Carroll & Co. He plays a key role in transforming the archaic practices of the firm by persuading Carroll to recruit Kevin McCourt as executive director. He and McCourt later convince Carroll to employ his nephew, Don Carroll, who plays a key role in the modernisation and diversification of the firm. In 1960 He and Carroll negotiate the sale of 40 per cent of the company to Rothmans International.
Despite his reputation as a corporate lawyer, Cox also represents non-corporate clients, some of whom include well-known personalities. In 1946, he agrees to assist Hungarian film-maker Gabriel Pascal in attempting to persuade the Irish government to establish an Irish film studio, with a view to filming the plays of George Bernard Shaw. He puts much time and energy into trying to convince the government to provide finance for the venture, but to no avail.
In 1942, Cox is elected to the council of the Incorporated Law Society and becomes president of the society for the 1951-52 term, presiding over the celebrations to commemorate the centenary of the society’s charter of incorporation. In 1951, he also becomes chairman of the company law reform committee, which produces its report, known as “the Cox report,” in 1958. Renowned for his eccentricities, he is almost as well known for his shabby mode of dress as he is for his incisive mind and immense capacity for work. His reputation is also based on a strict adherence to discretion and confidentiality. This is clear in 1948 when his old friend John A. Costello, having been offered the office of Taoiseach in the first inter-party government, turns to him for advice on whether he should accept the post. In 1954, Costello nominates him to the 8th Seanad.
In October 1953, the London firm of Nicholl Manisty & Co. retains him to represent British Prime Minister Sir Winston Churchill in a libel action brought by BrigadierEric Dorman O’Gowan, arising from comments in Churchill’s The Second World War: The Hinge of Fate. Churchill also relies on the advice of his friend Sir Hartley Shawcross, leader of the English bar, who makes several visits to Dublin to meet Cox and counsel (including John A. Costello). Cox and Shawcross believe it necessary to reach some form of settlement to avoid Churchill having to appear in court. The action is therefore withdrawn in return for an undertaking that certain corrections will be made.
On August 5, 1940, Cox marries Brigid O’Higgins (née Cole), widow of his friend Kevin O’Higgins. Prior to this he lives with his mother at 26 Merrion Square. He had purchased Carraig Breac in Howth in 1936 and moves there on his marriage. His commitment to his work means that he often works seven days a week and he therefore keeps a flat on Mespil Road, Dublin, from 1940. In 1959, he sells Carraig Breac and moves to 8 Shrewsbury Road, Dublin.
On February 14, 1961, Brigid Cox dies. Soon after, Cox decides to retire from his profession and study for the priesthood. He is intent on becoming a Jesuit and discusses his intentions with the Archbishop of Dublin, John Charles McQuaid, who agrees to ordain him after two years of private tuition at the Jesuit theologate at Milltown Park, Dublin. On being accepted by the Jesuits, he makes arrangements to settle his worldly affairs by selling his home on Shrewsbury Road and leaving his practice to the existing partners. He enters Milltown Park on October 15, 1961, and is ordained on December 15, 1963. His impact on Irish life over the previous forty years is evident by the presence at his ordination of John A. Costello, W. T. Cosgrave, Seán T. O’Kelly, and James Dillon, among others.
Following ordination Cox is appointed to serve at the Jesuit mission in Monze, Northern Rhodesia (Zambia). He arrives at Monze in August 1964 and is appointed extraordinary chaplain to the local convent and hospital. On June 8, 1965, he suffers head injuries in a car accident while traveling to Namwada in Zambia. Taken to Choma hospital, he initially appears to be relatively unscathed but collapses and dies on June 11, 1965. He is found to have suffered from a cerebral haemorrhage and a fractured skull. He is buried in the grounds of the Jesuit retreat house in Chikuni, Zambia.
Many of the Cox family papers are housed at the UCD archives.
(From: “Cox, Arthur Conor Joseph” by Shaun Boylan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
O’Brien is born in Dublin on May 9, 1871, where he lives all his life. He is an important figure in early 20th-century Irish music. For some, he is mainly known as the first teacher of singers such as John McCormack, Margaret Burke Sheridan and the writer James Joyce.
O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.
O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.
O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.
Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.
Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.
Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.
Lester is born on September 28, 1888, in Carrickfergus, County Antrim, as John Ernest Lester, the son of a Protestant grocer Robert Lester and his wife, the former Henrietta Ritchie. Although the town of Carrickfergus is strongly Unionist, he joins the Gaelic League as a youth and is won over to the cause of Irish nationalism. As a young man, he joins the Irish Republican Brotherhood (IRB). He works as a journalist for the North Down Herald and a number of other northern papers before he moves to Dublin, where he finds a job at the Freeman’s Journal. By 1919, he has risen to its news editor.
After the Irish War of Independence, a number of Lester’s friends join the new government of the Irish Free State. He is offered and accepts the position as director of publicity.
Lester marries Elizabeth Ruth Tyrrell in 1920 by whom he has three daughters.
In 1923, Lester joins Ireland’s Department of External Affairs. He is sent to Geneva in 1929 to replace Michael MacWhite as Ireland’s Permanent Delegate to the League of Nations. In 1930, he succeeds in organising Ireland’s election to the Council (or executive body) of the League of Nations for three years. He often represents Ireland at Council meetings and stands in for the Minister for External Affairs. He becomes increasingly involved in the work of the League, particularly in its attempts to bring a resolution to two wars in South America. His work brings him to the attention of the League Secretariat and begins his transformation from national to international civil servant.
When Peru and Colombia have a dispute over a town in the headwaters of the Amazon River, Lester presides over the committee that finds an equitable solution. He also presides over the less-successful committee when Bolivia and Paraguay go to war over the Gran Chaco.
In 1933, Lester is seconded to the League’s Secretariat and sent to Danzig (now Gdańsk, Poland), as the League of Nations’ High Commissioner from 1934 to 1937. The Free City of Danzig is the scene of an emerging international crisis between Nazi Germany and the international community over the issue of the Polish Corridor and the Free City’s relationship with the Third Reich. He repeatedly protests to the German government over its persecution and discrimination of Jews and warns the League of the looming disaster for Europe. He is boycotted by the representatives of the German Reich and the representatives of the Nazi Party in Danzig.
Lester returns to Geneva in 1937 to become Deputy Secretary General of the League of Nations. In 1940, he becomes Secretary General of the body, becoming the League’s leader a year after the beginning of World War II which shows that the League has failed its primary purpose. The League has only 100 employees, including guards and janitors, out of the original 700.
Lester remains in Geneva throughout the war and keeps the League’s technical and humanitarian programs in limited operation for the duration of the war. In 1946, he oversees the League’s closure and turns over the League’s assets and functions to the newly established United Nations.
Despite rumours that he would be prepared to stand for election as President of Ireland, Lester seeks no permanent office and retires to Recess, County Galway, in the west of Ireland, where he dies on June 13, 1959. In its obituary, The Times describes him as an “international conciliator and courageous friend of refugees.”
In August 2010, a room in the Gdańsk City Hall, the building that had been Lester’s residence during his stay, is renamed by Mayor Paweł Adamowicz as the Seán Lester Room.
Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.
After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.
This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.
Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.
On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.
Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.
Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.
Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.
Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.
During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).
Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.
Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.
Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).
Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.
seamus dubhghaill 