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Birth of Seán O’Hegarty, Member of the IRA’s Cork No. 1 Brigade

Seán O’Hegarty, a prominent member of the Irish Republican Army (IRA) in County Cork during the Irish War of Independence, is born on March 21, 1881, in Cork, County Cork. He serves as O/C of the Cork No. 1 Brigade of the IRA after the deaths of Tomás Mac Curtain and Terence MacSwiney.

O’Hegarty comes from a family with strong nationalist roots. His parents are John, a plasterer and stucco worker, and Katherine (née Hallahan) Hegarty. His elder brother is Patrick Sarsfield O’Hegarty, the writer. His parents’ families emigrated to the United States after the Great Famine, and his parents married in Boston. His father is a member of the Irish Republican Brotherhood (IRB). In 1888, his father dies of tuberculosis at the age of 42, and his mother has to work to support the family.

O’Hegarty is educated at the Christian Brothers North Monastery school in Cork. By 1902, he has left school to work as a sorter in the local post office, rising to post office clerk. He is a supporter of the Gaelic revival, Irish traditional music, and Gaelic games. A committed sportsman, in his twenties he is captain of the Post Office HQ’s hurling team. He follows his brother Patrick into Conradh na Gaeilge and eventually the Irish Volunteers and the Irish Republican Brotherhood. He is a member of the Celtic Literary Society by 1905 and founds the Growney branch of Conradh na Gaeilge in 1907. A puritanical character by nature, he is a non-smoker and never drinks.

O’Hegarty is a founder of the local branch of the Irish Volunteers in Cork in December 1913. In June of the following year, he is appointed to the Cork section of the Volunteer Executive, and then to the Military Council. In October, the Dublin government discovers his illegal activities, and he is dismissed. Excluded from Cork under the Defence of the Realm Act (DORA) regulations, he moves to Ballingeary, where he works as a labourer. From there he moves to Enniscorthy, County Wexford, where he lives with Larry de Lacy. On February 24, 1915, he is arrested and tried under the Defence of the Realm Act for putting up seditious posters. But for this and a second charge of “possession of explosives” he is discharged. The explosives belonged to de Lacy.

The Volunteers appoint O’Hegarty as Commandant of Ballingeary and Bandon. During the Easter Rising, he is stationed in Ballingeary when visited by Michael McCarthy of Dunmanway to propose an attack on a Royal Irish Constabulary (RIC) post at Macroom. But their strength is fatally weakened and, having no reserves, they call off the attempt. In 1917, he becomes Vice-commandant of No.1 Cork Brigade. He works as a storekeeper at the workhouse but is intimidating, and clashes with the Poor Law Guardians.

During the Irish War of Independence, O’Hegarty is one of the most active in County Cork. Like others, he is exasperated with Tomás Mac Curtain’s inactivity and refusal to be more bellicose. One such is battalion commander Richard Langford, who joins with O’Hegarty’s unit to make an unauthorized raid on the RIC post at Macroom. Langford is court-martialed, but O’Hegarty continues to rise in the ranks. When a RIC Inspector is murdered, Mac Curtain condemns the shootings and calls for their end. On March 19, 1920, Mac Curtain is shot and killed in his home in Cork. The coroner blames the British establishment in Dublin, but the police never make any attempt to investigate the killings. Shortly after these events General Hugh Tudor begins the policy of official reprisals.

In January 1920, an inquiry is held into corruption alleged against “Hegarty’s Mob” or “Hegarty’s Crowd” running Cork City. O’Hegarty blames the former mayors for the charges of incompetence but remains on good terms with them.

In a raid on Cork City Hall on August 12, 1920, the British manage to net all the top brass of the IRA in Cork. In an incredible failure of intelligence, they do not identify the leadership as their prisoners. They are all released, including Liam Lynch, and O’Hegarty. Only Terence MacSwiney, the new Lord Mayor of Cork, is kept in custody and sent to England.

On February 25, 1921, the Coolavokig ambush is carried out by the 1st Cork Brigade under O’Hegarty at Ballyvourney village, on the road between Macroom and Ballyvourney. The IRA suffers no casualties; however, the number of British casualties has been disputed to this day.

The brigade commanders in the southern division retain a residual lingering resentment of Dublin GHQ’s lack of leadership and supplies. Seán Moylan, commandant of No. 2 Cork Brigade, thinks good communications with No.1 Brigade are to be vital, but little of this is seen via the organizer, Ernie O’Malley, at GHQ. At a meeting set up for April 26, 1921, when the manual of Infantry Training 1914 is produced, the document raises great anger. The meeting ends in uproar when O’Hegarty, who is “a master of invective, tore the communication and its authors to ribbons.”

O’Malley and Liam Lynch, the general, meet with O’Hegarty in the mountains of West Cork, near a deserted farmhouse, just off the main road. In the retreat that follows, the Irish take heavy casualties and leave their wounded to the good care of the British. These are the “Round-ups” in which the Irish sleep outside in order to avoid being at home when the Army calls. They are told by the Brigade to learn the national anthem of England to avoid arrest.

In East Cork brigade, O’Hegarty uncovers a spy ring. He is ruthless in the treatment of Georgina Lindsay and her chauffeur, who give away information to the Catholic clergy, but is remarkably lenient on brigade traitors within. He is allegedly not too bothered about evidence but is reminded that all executions of a traitor have to be approved by Dublin first.

O’Hegarty becomes more and more aggressive toward the establishment, using tough language to impose his will over the area. He attempts to force the civilian Teachtai Dála (TDs) for Cork to stand down, to give way to military candidates, telling the Dáil in December 1921, that any TD voting for the treaty will be guilty of treason. But Éamon de Valera is decided and overrules any interference with the Civil Government. Like the commanders, de Valera rejects the treaty but has already been defeated in the Dáil on a vote by W. T. Cosgrave‘s majority.

On February 1, 1922, O’Hegarty marries Maghdalen Ni Laoghaire, a prominent member of Cumann na mBan.

O’Hegarty is on the IRA’s Executive Council, but when there is a meeting on April 9, 1922, it is proposed that the Army should oppose the elections by force. As a result, Florence O’Donoghue and Tom Hales join him in resigning. In May, he and Dan Breen enter into negotiations with Free Stater Richard Mulcahy. A statement is published in the press asking for unity and acceptance of the Treaty. During this time, the republicans become very demoralized and ill-disciplined, but they have to gain strength before announcing independence from Dublin. The debate amongst the anti-Treaty IRA command is increasingly rancorous.

The bitter divisions split the anti-treatyites into two camps. Two motions are debated at the Army Convention on June 18, 1922. At first, the motion to oppose the treaty by force is passed. These men include Tom Barry, Liam Mellows, and Rory O’Connor, who are all in favour of continuing the fight until the British are driven out of Ireland altogether. However, one brigade’s votes have to be recounted, and then the motion is narrowly defeated. Joe McKelvey is appointed the new chief of staff, but the IRA is in chaos. While he strongly opposes the Anglo-Irish Treaty, O’Hegarty takes a neutral role in the Irish Civil War and tries to avert hostilities breaking out into full-scale civil war. He emerges as a leader of the “Neutral IRA” with O’Donoghue. This is a “loose” confederation of 20,000 men who have taken part in the pre-truce wars but have remained neutral during the Civil War from January 1923. Over 150 persons attend its convention in Dublin on February 4, 1923. By April 1923, O’Malley is imprisoned in Mountjoy Prison. In a letter to Seamus O’Donovan on April 7, he blames Hegarty for all this compromise and “peace talk.”

It has been alleged by the author Gerard Murphy that O’Hegarty had a role in the assassination of the Commander-in-Chief, Michael Collins, in August 1922, along with Florrie O’Donoghue and Joe O’Connor. It is alleged that as members of the 1st Southern Division Cork, they are actually feigning claims of neutrality but remain part of the IRB in order to set up talks towards peace and the cessation of hostilities at the start of the Irish Civil War.

Although probably an atheist during the Irish War of Independence, O’Hegarty returns to the Catholic church later in life. On forming the Neutral Group of the IRA in December 1922, he tries to unify differences in the volunteers between Republicans and the Free Staters. He communicates with the Papal Nuncio during the inter-war years in an attempt to have Bishop of Cork Daniel Cohalan‘s excommunication bill lifted. Instead, he turns to commemoration as a way to earn favour in Rome, with the dedication of a Catholic church at St. Finbarr’s Cemetery. After his wife’s passing, he becomes a close friend with Florence O’Donoghue until his own death.

O’Hegarty dies on May 31, 1963, at Bon Secours Hospital, Cork.


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Death of Matilda Tone, Wife of Theobald Wolfe Tone

Matilda Tone, wife of Theobald Wolfe Tone, dies in Georgetown, District of Columbia, on March 18, 1849. She is instrumental in the preservation and publication of Wolfe Tone’s papers.

Tone is born Martha Witherington in Dublin on June 17, 1769. She is the eldest daughter of merchant William Witherington and his wife Catherine (née Fanning). Her father is listed as a woolen draper on Grafton Street, Dublin, from 1768 to 1784, as a wine merchant from 1784 to 1788, and finally as a merchant from 1788 to 1793. It is claimed that he is a lieutenant in the Royal Navy and sits on the merchants’ guild on Dublin’s common council from 1777 to 1783. Her mother is a housekeeper to her father after he is widowed.

Tone receives a good education and maintains an interest in drama and literature throughout her life. Katherine Wilmot visits her in Paris in 1802 and comments on the books she has by French, Italian and English authors. When she is fifteen years old, she gets to know Wolfe Tone through her older brother. He is still a student in Trinity College Dublin, and it is he that renames her Matilda. They marry when she is just sixteen, on July 21, 1785, in St. Ann’s Church, Dublin, honeymooning in Maynooth. Upon their return they live with the Witheringtons, though they are not on good terms, and then with Wolfe Tone’s parents in Bodenstown, County Kildare.

The Tone’s first child, Maria, is born before October 1786. She is followed by a son, Richard, who is named for their neighbour Richard Griffith, who dies in infancy. Tone stays with her husband’s family while he is studying for the bar in London from 1787 to 1788. When he returns, the couple has two more sons: William Theobald Wolfe Tone, born on April 29, 1791, and Francis Rawdon Tone, born on June 23, 1793. Francis is known as Frank and is named after Francis Rawdon-Hastings. William is born in Dublin and Frank is probably born in Bodenstown. By this time, the family has a cottage in Bodenstown which Wolfe Tone had inherited from his uncle Jonathan Tone, which the family jokingly refers to as Château Boue. They live there until May 1795, when they leave for Princeton, New Jersey, due to political reasons.

Tone and her children come back to Europe to join Wolfe Tone in France eighteen months later. The family settles in Paris, at first living with Colonel Henry Shee at Nanterre, later moving to the suburb, Chaillot. She educates her children at home. Very few of her letters survive, but many of her husband’s letters and diaries are addressed or intended for her. From these and her letter to her friend Eliza Fletcher, it is clear she shares her husband’s interest in politics. Following her husband’s death in November 1798, she moves to a small apartment at 51 Rue Saint-Jacques in the Latin Quarter of Paris. This is to be close to her son William, who is attending Lycée Louis-le-Grand. She is awarded a pension of 1,200 francs for herself and 400 for each of her children after the expiration of the Treaty of Amiens on May 1, 1803.

Tone’s daughter Maria dies in April 1803, and then her son Frank dies in 1807, both of tuberculosis. William is displaying symptoms of the disease as well, which prompts her to move to the United States in 1807. From there, they attempt to sort out her husband’s affairs, which had been entrusted to James Reynolds. They retrieve only a few of Wolfe Tone’s pre-1795 diaries, and all of the post-1795 letters and diaries, which they add to the autobiography she already has in her possession. When William enters the Cavalry School at Saint-Germain-en-Laye in November 1810 as a cadet, she moves to be close to him, living at the Hôtel de la Surintendance. By approaching Napoleon in 1811, who knew Wolfe Tone, she ensures that her son receives French citizenship and the privileged status of “élève du gouvernement.” In January 1813, when William begins his service, she returns to Paris to live on the Rue de Lille and later moves to the Latin Quarter.

Following the defeat of Napoleon in June 1815, William is refused entry to Ireland or to visit Britain. This leads to both mother and son returning to the United States. Before she leaves Paris, she marries her old friend Thomas Wilson on August 19, 1816. Wilson is a Scottish businessman and advocate who has taken care of her financial affairs after the death of her husband. The couple visit Scotland, and then move to New York City in 1817, and finally to Georgetown, District of Columbia, around 1820. She lives there until her death and calls herself Matilda Tone-Wilson.

Starting in 1824, The New Monthly Magazine begins the unauthorised publication of extracts from Wolfe Tone’s autobiography. In response, Tone decides to publish all of Wolfe Tone’s papers and writing, including the autobiography, pamphlets and diaries, edited by their son William. What results is two large volumes entitled the Life of Theobald Wolfe Tone, published in May 1826. She adds a memoir of her own life in Paris following his death in 1798. The book is a best-seller, and ensures the legacy of Wolfe Tone, as well as being an important contemporary document of both Irish and French revolutionary politics.

William Tone dies in 1828, after which Tone lives more privately. She dies in Georgetown on March 18, 1849. Thomas Wilson predeceases her in 1824. Just two weeks prior to her death she is interviewed by a Young Irelander, Charles Hart. She is initially buried near William Tone at Marbury burying-ground, Georgetown. After that cemetery is sold, she is reinterred in Green-Wood Cemetery, Brooklyn, New York, on October 31, 1891, by her great-grandchildren. A new monument is dedicated to her, which is later restored in 1996.


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Death of Esther Johnson, Close Friend of Jonathan Swift

Esther Johnson, an Englishwoman known as “Stella” and known to be a close friend of Jonathan Swift, dies on January 28, 1728. Whether or not she and Swift are secretly married, and if so, why the marriage is never made public, is a subject of debate.

Johnson is born in Richmond, Surrey, England, on March 13, 1681, and spends her early years at Moor Park, Farnham, home of Sir William Temple, 1st Baronet. Here, when she is about eight, she meets Swift, who is Temple’s secretary. He takes a friendly interest in her from the beginning and apparently supervises her education.

Johnson’s parentage has been the subject of much speculation. The weight of evidence is that her mother acts as companion to Temple’s widowed sister, Martha, Lady Giffard, and that Johnson, her mother and her sister Anne are regarded as part of the family. Her father is said to have been a merchant who died young. Gossip that she is Temple’s illegitimate daughter seems to rest on nothing more solid than the friendly interest he shows in her. There are similar rumours about his supposed relationship with Swift.

When Swift sees Johnson again in 1696, he considers that she has grown into the “most beautiful, graceful and agreeable young woman in London.” Temple, at his death in 1699, leaves her some property in Ireland, and it is at Swift’s suggestion that she move to Ireland in 1702 to protect her interests, but her long residence there is probably due to a desire to be close to Swift. She generally lives in Swift’s house, though always with female companions like Rebecca Dingley, a cousin of Temple whom she has known since childhood. She becomes extremely popular in Dublin and an intellectual circle grows up around her, although it was said that she finds the company of other women tedious and only enjoys the conversation of men.

In 1704, their mutual friend, the Reverend William Tisdall, tells Swift that he wishes to marry Johnson, much to Swift’s private disgust, although his letter to Tisdall, which outlines his objections to the marriage, is courteous enough, making the practical point that Tisdall is not in a position to support a wife financially. Little is known about this episode, other than Swift’s letter to Tisdall. It is unclear if Tisdall actually proposes to her. If he does, he seems to have been met with a firm rejection, and he marries Eleanor Morgan two years later. He and Swift, after a long estrangement, become friends once more after Johnson’s death.

Johnson’s friendship with Swift becomes fraught after 1707 when he meets Esther Vanhomrigh, daughter of the Dutch-born Lord Mayor of Dublin, Bartholomew Van Homrigh. Swift becomes deeply attached to her and invents for her the name “Vanessa.” She in turn becomes infatuated with him and after his return to Ireland follows him there. The uneasy relationship between the three of them continues until 1723 when Vanessa, who is by now seriously ill from tuberculosis, apparently asks Swift not to see Johnson again. This leads to a violent quarrel between them, and Vanessa, before her death in June 1723, destroys the will she had made in Swift’s favour, leaving her property to two men, George Berkeley and Robert Marshall, who though eminent in their respective callings are almost strangers to her.

Whether Swift and Johnson are married has always been a subject of intense debate. The marriage ceremony is allegedly performed in 1716 by St. George Ashe, Bishop of Clogher, with no witnesses present, and it is said that the parties agree to keep it secret and live apart. Johnson always describes herself as a “spinster” and Swift always refers to himself as unmarried. Rebecca Dingley, who lives with Johnson throughout her years in Ireland, says that Johnson and Swift were never alone together. Those who know the couple best are divided on whether a marriage ever took place. Some, like Mrs. Dingley and Swift’s housekeeper Mrs. Brent laugh at the idea as “absurd.” On the other hand, Thomas Sheridan, one of Swift’s oldest friends, believes that the story of the marriage is true. He reportedly gives Johnson herself as his source. Historians have been unable to reach a definite conclusion on the truth of the matter. Bishop Ashe dies before the story first becomes public, and there are no other witnesses to the supposed marriage.

A collection of Johnson’s witticisms is published by Swift under the titles of “Bon Mots de Stella” as an appendix to some editions of Gulliver’s Travels. A Journal to Stella, a collection of 65 letters from Swift to Johnson, is published posthumously.

In 1722, Martha, Lady Giffard, dies and leaves money to Johnson and Swift’s sister, Mrs. Fenton, who had been her companion in 1711.

Johnson’s health begins to fail in her mid-forties. In 1726, she is thought to be dying and Swift rushes back from London to be with her but finds her better. The following year it becomes clear that she is gravely ill. After sinking slowly for months, she dies on January 28, 1728, and is buried in St. Patrick’s Cathedral, Dublin. Swift is inconsolable at her death and writes The Death of Mrs. Johnson in tribute to her. When Swift dies in October 1745, he is buried beside her at his own request. A ward in St. Patrick’s University Hospital is named “Stella” in her memory.

In the 1994 film Words Upon the Window Pane, based on the play by William Butler Yeats, Johnson is played by Bríd Brennan. The plot turns on a séance in Dublin in the 1920s, where the ghosts of Swift, Johnson and Vanessa appear to resume their ancient quarrel.

In the 1982 Soviet film The House That Swift Built, Johnson is played by Aleksandra Zakharova.


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Death of Harry Clarke, Stained-Glass Artist & Illustrator

Henry Patrick (Harry) Clarke, Irish stained-glass artist and book illustrator, dies on January 6, 1931, in Chur, Switzerland. He is a leading figure in the Irish Arts and Crafts movement.

Clarke is born in Dublin on March 17, 1889, the younger son and third child of Joshua Clarke and Brigid Clarke (née MacGonigal). Church decorator Joshua Clarke moves to Dublin from Leeds, West Yorkshire, England, in 1877 and starts a decorating business, Joshua Clarke & Sons, which later incorporates a stained-glass division. Through his work with his father, Clarke is exposed to many schools of art but Art Nouveau in particular.

Clarke is educated at the Model School in Marlborough Street, Dublin, and Belvedere College, which he leaves in 1905. After his mother’s death in 1903, he is apprenticed into his father’s studio and attends evening classes in the Metropolitan College of Art and Design. His The Consecration of St. Mel, Bishop of Longford, by St. Patrick wins the gold medal for stained-glass work in the 1910 Board of Education National Competition. At the art school in Dublin, he meets fellow artist and teacher Margaret Crilley. They marry on October 31, 1914.

Clarke moves to London to seek work as a book illustrator. Picked up by London publisher George G. Harrap and Co., he starts with two commissions which are never completed. Difficulties with these projects makes Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It includes 16 colour plates and more than 24 halftone illustrations. This is followed by illustrations for an edition of Edgar Allan Poe‘s Tales of Mystery and Imagination, the second version of which, published in 1923, makes his reputation as a book illustrator. His work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac. His final book, Selected Poems of Algernon Charles Swinburne, is published in 1928.

Clarke also continues to work in stained-glass, producing more than 130 windows. His glass is distinguished by the finesse of its drawing and his use of rich colours. He is especially fond of deep blues. His use of heavy lines in his black-and-white book illustrations echoes his glass techniques.

Clarke’s stained-glass work includes many religious windows, including the windows of the Honan Chapel in University College Cork. He also produces much secular stained-glass such as a window illustrating John Keats‘ The Eve of St. Agnes (now in the Hugh Lane Gallery in Dublin) and the Geneva Window, (now in the Wolfsonian Museum, Miami Beach, Florida). Perhaps his most seen works are the windows he creates for Bewley’s on Dublin’s Grafton Street.

Clarke is plagued with ill health, in particular respiratory problems. He is diagnosed with tuberculosis in 1929 and goes to a sanatorium in Davos, Switzerland. Fearing that he will die abroad, he begins his journey back to Dublin in 1931, but dies on this journey on January 6, 1931, in Chur where he is buried. A headstone is erected but local law requires that the family pledge to maintain the grave 15 years after the death. This is not explained to the Clarke family and Harry Clarke’s remains are disinterred in 1946 and reburied in a communal grave.


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Death of James Duffy, Author & Publisher

James Duffy, prominent Irish author and publisher, dies at his home at Clontarf, Dublin, on July 4, 1871.

Duffy is born in 1809 probably in County Cavan, at either Shercock or Kingscourt, and is educated locally at a hedge school. He has at least two brothers and two sisters. He first makes a living as a pedlar in County Cavan and County Meath, dealing with Bryan Geraghty, a bookseller in Anglesea Street, Dublin, with whom he exchanges Irish manuscripts for Catholic prayer books. He also buys up Bibles distributed in Ireland by Protestant missionaries for resale in Great Britain. When aged about thirty he sets up in business in Anglesea Street as a publisher, printer and bookseller, specialising in low-priced Catholic books, such as A pocket missal for the use of the laity (1838) and a new edition of the Catechism (1848) by Andrew Donlevy, made possible by the invention of the stereotype. He moves his business to Wellington Quay in 1846. He also prints and distributes public statements by Catholic prelates, and is able to call himself “bookseller to the cardinal archbishop of Dublin.”

At the request of the editor of The Nation, Charles Gavan Duffy (to whom he is not related), he republishes an anthology of nationalistic ballads, The spirit of the nation (1843; 59th ed., 1934), a successful venture that links him to the Young Ireland movement and expands into the publication of numerous popular historical writings, beginning with Gavan Duffy’s Library of Ireland series. He publishes several periodicals for Catholic readers, which combine pietism and patriotism with hagiography: Duffy’s Irish Catholic Magazine (1847–8), Duffy’s Fireside Magazine (1850–54), and Duffy’s Hibernian Magazine (1860–64).

Judged by the distinction of his authors (who include William Carleton, Thomas Davis, John Mitchel, James Clarence Mangan and Richard Robert Madden, the number and popularity of his productions, and their formative influence on Catholic popular opinion, he can be considered the most important Irish publisher in the middle decades of the nineteenth century. He is particularly significant in providing the Young Ireland movement with a cheap and reliable publisher for the dissemination of their writings. Charles Gavan Duffy describes him as “a man of shrewd sense and sly humour but without cultivation or judgment in literature.” He never takes a holiday and, though a kindly employer, never allows his staff to take holidays. The Irish American newspaper Irish American Weekly credits him with providing employment for 500 people and with having bought enough land to give him an income of £5,000 a year. It also notes that his ruthlessness had made him unpopular within his trade.

In 1840 Duffy marries Frances Lynch in Kingscourt, County Cavan. They have five sons and five daughters. The family susceptibility to pulmonary illnesses takes a dreadful toll: none of the sons live beyond the age of twenty-three, three dying from tuberculosis, while one of his daughters dies of pneumonia at the age of fourteen and another two daughters succumb as relatively young adults to tuberculosis.

Duffy dies at the age of 62 on July 4, 1871, at his home at Clontarf, Dublin. He is buried at Glasnevin Cemetery. His will, which disposes of an estate worth almost £25,000, is contested unsuccessfully in court by the younger of his two surviving sons. His son-in-law, Edmund Burke, becomes managing director of James Duffy and Company Limited, but after his death in 1901 the company passes out of the control of its founder’s family.

(From: “Duffy, James” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of John Costello, Taoiseach and Fine Gael Politician

John Aloysius Costello, Fine Gael politician who serves as Taoiseach from 1948 to 1951 and from 1954 to 1957, Leader of the Opposition from 1951 to 1954 and from 1957 to 1959, and Attorney General of Ireland from 1926 to 1932, is born on June 20, 1891, in Fairview, Dublin. He serves as a Teachta Dála (TD) from 1933 to 1943 and from 1944 to 1969.

Costello is the younger son of John Costello senior, a civil servant, and Rose Callaghan. He is educated at St. Joseph’s, Fairview, and then moves to O’Connell School, for senior classes, and later attends University College Dublin (UCD), where he graduates with a degree in modern languages and law. He studies at King’s Inns to become a barrister, winning the Victoria Prize there in 1913 and 1914. He is called to the Irish Bar in 1914, and practises as a barrister until 1922.

In 1922, Costello joins the staff at the office of the Attorney General in the newly established Irish Free State. Three years later he is called to the inner bar, and the following year, 1926, he becomes Attorney General of Ireland, upon the formation of the Cumann na nGaedheal government, led by W. T. Cosgrave. While serving in this position he represents the Free State at Imperial Conferences and League of Nations meetings.

Costello is also elected a Bencher of the Honourable Society of King’s Inns. He loses his position as Attorney General of Ireland when Fianna Fáil comes to power in 1932. The following year, however, he is elected to Dáil Éireann as a Cumann na nGaedheal TD. Cumann na nGaedheal soon merges with other parties to form Fine Gael.

During the Dáil debate on the Emergency Powers Act 1939, Costello is highly critical of the Act’s arrogation of powers, stating that “We are asked not merely to give a blank cheque, but to give an uncrossed cheque to the Government.” He loses his seat at the 1943 Irish general election but regains it when Éamon de Valera calls a snap election in 1944. From 1944 to 1948, he is the Fine Gael front-bench Spokesman on External Affairs.

In 1948, Fianna Fáil has been in power for sixteen consecutive years and has been blamed for a downturn in the economy following World War II. The 1948 Irish general election results show Fianna Fáil short of a majority, but still by far the largest party, with twice as many seats as the nearest rival, Fine Gael. It appears that Fianna Fáil is headed for a seventh term in government. However, the other parties in the Dáil realise that between them, they have only one seat fewer than Fianna Fáil, and if they band together, they would be able to form a government with the support of seven Independent deputies. Fine Gael, the Labour Party, the National Labour Party, Clann na Poblachta and Clann na Talmhan join to form the first inter-party government in the history of the Irish state.

While it looks as if cooperation between these parties will not be feasible, a shared opposition to Fianna Fáil and Éamon de Valera overcomes all other difficulties, and the coalition government is formed.

Since Fine Gael is the largest party in the government, it has the task of providing a suitable candidate for Taoiseach. Naturally, it is assumed that its leader, Richard Mulcahy, will be offered the post. However, he is an unacceptable choice to Clann na Poblachta and its deeply republican leader, Seán MacBride. This is due to Mulcahy’s record during the Irish Civil War. Instead, Fine Gael and Clann na Poblachta agree on Costello as a compromise candidate. Costello had never held a ministerial position nor was he involved in the Civil War. When told by Mulcahy of his nomination, Costello is appalled, content with his life as a barrister and as a part-time politician. He is persuaded to accept the nomination as Taoiseach by close non-political friends.

During the campaign, Clann na Poblachta had promised to repeal the Executive Authority (External Relations) Act 1936 but does not make an issue of this when the government is being formed. However, Costello and his Tánaiste, William Norton of the Labour Party, also dislike the act. During the summer of 1948, the cabinet discusses repealing the act, however, no firm decision is made.

In September 1948, Costello is on an official visit to Canada when a reporter asks him about the possibility of Ireland leaving the British Commonwealth. For the first time, he declares publicly that the Irish government is indeed going to repeal the External Relations Act and declare Ireland a republic. It has been suggested that this is a reaction to offence caused by the Governor General of Canada at the time, Harold Alexander, 1st Earl Alexander of Tunis, who is of Northern Irish descent and who allegedly arranges to have placed symbols of Northern Ireland in front of Costello at an official dinner. Costello makes no mention of these aspects on the second reading of the Republic of Ireland Bill on November 24 and, in his memoirs, claims that Alexander’s behaviour had in fact been perfectly civil and could have had no bearing on a decision which had already been made.

The news takes the Government of the United Kingdom and even some of Costello’s ministers by surprise. The former had not been consulted and following the declaration of the Republic in 1949, the UK passes the Ireland Act that year. This recognises the Republic of Ireland and guarantees the position of Northern Ireland within the United Kingdom for so long as a majority there want to remain in the United Kingdom. It also grants full rights to any citizens of the Republic living in the United Kingdom. Ireland leaves the Commonwealth on April 18, 1949, when The Republic of Ireland Act 1948 comes into force. Frederick Henry Boland, Secretary of the Department of External Affairs, says caustically that the affair demonstrates that “the Taoiseach has as much notion of diplomacy as I have of astrology.” The British envoy, John Maffey, 1st Baron Rugby, is equally critical of what he calls a “slipshod and amateur” move.

Many nationalists now see partition as the last obstacle on the road to total national independence. Costello tables a motion of protest against partition on May 10, 1949, without result.

In 1950, the independent-minded Minister for Health, Noël Browne, introduces the Mother and Child Scheme. The scheme would provide mothers with free maternity treatment and their children with free medical care up to the age of sixteen, which is the normal provision in other parts of Europe at that time. The bill is opposed by doctors, who fear a loss of income, and Roman Catholic bishops, who oppose the lack of means testing envisaged and fear the scheme could lead to birth control and abortion. The cabinet is divided over the issue, many feeling that the state cannot afford such a scheme priced at IR£2,000,000 annually. Costello and others in the cabinet make it clear that in the face of such opposition they will not support the Minister. Browne resigns from the government on April 11, 1951, and the scheme is dropped. He immediately publishes his correspondence with Costello and the bishops, something which had hitherto not been done. Derivatives of the Mother and Child Scheme are introduced in Public Health Acts of 1954, 1957 and 1970.

The Costello government has a number of noteworthy achievements. A new record is set in housebuilding, the Industrial Development Authority and Córas Tráchtála are established, and the Minister for Health, Noel Browne, with the then new Streptomycin, bring about an advance in the treatment of tuberculosis. Ireland also joins a number of organisations such as the Organization for European Economic Co-operation and the Council of Europe. However, the government refuses to join NATO, allegedly because the British remain in Northern Ireland. The scheme to supply electricity to even the remotest parts of Ireland is also accelerated.

While the “Mother and Child” incident does destabilise the government to some extent, it does not lead to its collapse as is generally thought. The government continues; however, prices are rising, a balance of payments crisis is looming, and two TDs withdraw their support for the government. These incidents add to the pressure on Costello and so he decides to call a general election for June 1951. The result is inconclusive but Fianna Fáil returns to power. Costello resigns as Taoiseach. It is at this election that his son Declan is elected to the Dáil.

Over the next three years while Fianna Fáil is in power a dual-leadership role of Fine Gael is taking place. While Richard Mulcahy is the leader of the party, Costello, who has proved his skill as Taoiseach, remains as parliamentary leader of the party. He resumes his practice at the Bar. In what is arguably his most celebrated case, the successful defence of The Leader against a libel action brought by the poet Patrick Kavanagh, dates from this period. Kavanagh generously praises Costello’s forensic skill, and the two men become friends.

At the 1954 Irish general election Fianna Fáil loses power. A campaign dominated by economic issues results in a Fine Gael-Labour Party-Clann na Talmhan government coming to power. Costello is elected Taoiseach for the second time.

The government can do little to change the ailing nature of Ireland’s economy, with emigration and unemployment remaining high, and external problems such as the Suez Crisis compounding the difficulty. Measures to expand the Irish economy such as export profits tax relief introduced in 1956 would take years have sizable impact. Costello’s government does have some success with Ireland becoming a member of the United Nations in 1955, and a highly successful visit to the United States in 1956, which begins the custom by which the Taoiseach visits the White House each St. Patrick’s Day to present the U.S. President with a bowl of shamrock. Although the government has a comfortable majority and seems set for a full term in office, a resumption of Irish Republican Army (IRA) activity in Northern Ireland and Great Britain causes internal strains. The government takes strong action against the republicans.

In spite of supporting the government from the backbenches, Seán MacBride, the leader of Clann na Poblachta, tables a motion of no confidence, based on the weakening state of the economy and in opposition to the government’s stance on the IRA. Fianna Fáil also tables its own motion of no confidence, and rather than face almost certain defeat, Costello again asks President Seán T. O’Kelly to dissolve the Oireachtas. The general election which follows in 1957 gives Fianna Fáil an overall majority and starts another sixteen years of unbroken rule for the party. Some of his colleagues questioned the wisdom of his decision to call an election. The view is expressed that he was tired of politics and depressed by his wife’s sudden death the previous year.

Following the defeat of his government, Costello returns to the bar. In 1959, when Richard Mulcahy resigns the leadership of Fine Gael to James Dillon, he retires to the backbenches. He could have become party leader had he been willing to act in a full-time capacity. He remains as a TD until 1969, when he retires from politics, being succeeded as Fine Gael TD for Dublin South-East by Garret FitzGerald, who himself goes onto to become Taoiseach in a Fine Gael-led government.

During his career, Costello is presented with a number of awards from many universities in the United States. He is also a member of the Royal Irish Academy from 1948. In March 1975, he is made a freeman of the city of Dublin, along with his old political opponent Éamon de Valera. He practises at the bar until a short time before his death at the age of 84, in Ranelagh, Dublin, on January 5, 1976. He is buried at Dean’s Grange Cemetery in Dublin.


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Birth of Andrew Cooney, Irish Republican & Medical Doctor

Andrew Cooney, Irish republican and medical doctor, is born on April 22, 1897, in Ballyphillip, Nenagh, County Tipperary.

Cooney is the second of three children of John Cooney and Mary Ann Cooney (née Gleeson), middling farmers. While his grandfather, Patrick Cooney, from nearby Garrykennedy, is reputed to have been a member of the Irish Republican Brotherhood (IRB) and an Irish National Land League activist, his father does not have any inclination towards radical politics. He is educated at Lissenhall national school and St. Joseph’s CBS, Nenagh. In October 1916, he commences studies in medicine at University College Dublin (UCD) just as the Irish War of Independence is getting underway. He plays briefly with the College’s hurling club.

In 1917, Cooney joins the Third Battalion of the Dublin Brigade of the Irish Republican Army (IRA). A year later he is jailed for two months in Mountjoy Prison and Crumlin Road Gaol, Belfast, for illegal drilling. Joining the IRB at the end of 1918, he assists in the December 1918 election by protecting candidates and acts as a guard at sittings of the First Dáil. On June 26, 1920, he plays a major role in the attack on Borrisokane Royal Irish Constabulary (RIC) barracks. He takes part in the Bloody Sunday operations of November 21, 1920, at 28 Upper Pembroke Street where a number of British agents are killed and attends Croke Park afterwards. He then goes on the run as a full-time Volunteer and serves with the Dublin Brigade active service unit (ASU).

After the Anglo-Irish truce of July 1921, Cooney is appointed Officer Commanding (O/C) of the 1st Kerry Brigade, IRA, reorganising it and forming a flying column. Opposing the Anglo-Irish Treaty of 1921, he does not immediately break with GHQ, who sends him to organise the 1st Eastern Division. Later in January 1922, the Chief of Staff, Eoin O’Duffy, asks him to become O/C of the 3rd Eastern Division, but later rescinds the appointment. In March 1922 he is appointed O/C of the 1st Eastern Division of the anti-Treaty IRA during the Irish Civil War.

That same year he is captured by Free State forces and interned in Mountjoy Prison, where he becomes O/C of the prisoners in C Wing. He accepts responsibility for an attempted escape bid on October 10, 1922, in which a fellow prisoner, Peadar Breslin, is killed and another man is wounded. After sojourns in Newbridge and Arbour Hill Prison, he is moved with the other leaders to Kilmainham Gaol, where he spends forty-one days on hunger strike. Removed to Harepark Camp, the Curragh, on January 1, 1924, he is among the last to be released on May 29, 1924.

Cooney succeeds Frank Aiken as Chief of Staff of the IRA on November 18, 1925. Central to the reorganisation scheme he puts in place is the need to secure American funds for the IRA and to combat Frank Aiken’s fundraising work in the United States since December 1925 on behalf of the embryo Fianna Fáil organisation. Receiving permission on April 21, 1926, he departs on a fund-raising trip to the United States but returns to Ireland in October. He resigns as chief of staff in favour of Maurice Twomey but retains his position as chairman of the IRA executive until November 21, 1927, when he obtains leave to complete his medical studies.

After internship in the Mater Hospital, Dublin, Cooney finds temporary employment in London, but remains in touch with GHQ. On September 27, 1929, he marries the German-educated Frances (‘Frank’) Brady, daughter of a wealthy Belfast linen family and former Cumann na mBan activist and hunger-striker. The marriage is not a success. Failing to secure employment due to police harassment and the loyalty test then in force, he and his wife are obliged to emigrate to London, where he practises as a GP, still maintaining his IRA links. Their only child, Seán, is born there in 1931. He returns to Ireland in August 1932, after Fianna Fáil’s accession to power.

An intimate friend of Maurice Twomey, who is still Chief of Staff, Cooney remains in the upper echelons of the IRA and attends its conventions. Signifying his standing in republican circles, he is chosen to unveil, inter alia, the Fenian memorial in Glasnevin Cemetery and the Seán Treacy plaque in Talbot Street, Dublin, and is a regular speaker at commemorations. In March 1940, he attempts to intercede with Éamon de Valera on behalf of hunger-striking republicans, and is later arrested, but released.

After the discovery of a German spy ring in the hospitals commission’s subsidiary, the Dublin Hospitals Bureau, Cooney is forced to resign in April 1942 on refusing to take a loyalty pledge to the state. He returns to private practice. He becomes active in the unsuccessful campaign to save Charlie Kerins, Chief of Staff, from being hanged in 1944. In anticipation of emigrating, he finally resigns from the IRA in 1944, though military and police surveillance continue until March 1945.

In August 1945, Cooney joins the United Nations Relief and Rehabilitation Administration, working with displaced persons in the American zone in Germany, and gains rapid promotion. After joining the International Refugee Organisation (UNRRA’s successor) on July 1, 1947, he becomes the chief medical officer of an area including the American sector of Berlin and containing 150,000 displaced persons. He later holds a similar post in Bavaria.

Appointed a part-time member of the hospitals commission by the inter-party government in September 1949 and in severe financial straits, Cooney emigrates alone to the United States on December 2, 1950, and never returns. While employed in a tuberculosis sanatorium in New Jersey, he obtains by examination his licence to practise medicine in Maryland on January 14, 1954. Admitted a member of the American College of Chest Physicians, again by examination, on November 23, 1954, he secures, at the age of 57, his first ever permanent post in medicine, in a similar hospital in Pikesville, Maryland. His republican activities continue through Clan na Gael during his U.S. years, and he is a frequent speaker at commemorative events.

Cooney suffers a stroke in December 1961 that confines him to a wheelchair. He dies at the age of 71 on August 4, 1968, at Carroll County General Hospital, Carroll County, Maryland. He is buried in Youghalarra, Nenagh, County Tipperary.

(Pictured: Liam Lynch with some of his Divisional Staff and Officers of the Brigades, including the 1st Southern Division, who attend as delegates to the Army Convention at the Mansion House, Dublin, on April 9, 1922. Cooney is first on the right in the 3rd row back.)


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Birth of Playwright Michael Joseph Molloy

Michael Joseph Molloy, Irish playwright, is born March 3, 1914, in Milltown, County Galway, the son of William Molloy, originally of Glenamaddy, County Galway, who runs a shop at Milltown, and Maria Molloy (née Tucker), a native of Claremorris, County Mayo, and a teacher at Milltown girls’ school.

Molloy is the fifth in a family of five boys and three girls. Two other children die at birth. He is educated at Milltown national school and St. Jarlath’s College, Tuam, County Galway, from 1927 to 1931. His father dies when he is six years old and his uncle, Sonny Tucker, becomes an important influence, encouraging his life-long habit of extensive reading. In 1931 he goes to St. Columba’s Seminary at Dalgan Park, Shrule, County Mayo, but discontinues his studies for the priesthood when he contracts tuberculosis. He undergoes several operations, has to use crutches for three years, and is left with a permanent limp. While under the care of the sanatorium in Newcastle, County Wicklow, in the late 1930s, he is encouraged by a friend to attend a performance of two plays by George Bernard Shaw, Candida and Village Wooing, at the Abbey Theatre, Dublin. He becomes a regular playgoer and is inspired to begin a career as a dramatist.

Having lived in the family home at Milltown until 1955, he takes up residence at a nearby farmhouse on the marriage of his brother Christy. Despite his handicap, he works the small farm for the rest of his life to supplement the irregular income from his plays. He never marries and is attended by his housekeeper, Agnes Johnston. He is a familiar sight as he travels around his local area on the high bicycle he had fitted with one fixed pedal. The purpose of these journeys is to collect folklore, which provides a rich body of material for his plays and which he gathers into a prose volume, though this remains unpublished and privately held.

Molloy has nine of his thirteen plays produced at the Abbey Theatre, from Old Road in 1943 to Petticoat Loose in 1979. His plays reveal him as a folklorist in the line of John Millington Synge and draw on the same mixture of Christian and pagan beliefs, but with a more sympathetic understanding of his characters’ Catholicism. There is also the same strong vein of grotesque physical humour. His accomplished one-act play The Paddy Pedlar (1953) is based on a folk tale about a man carrying the body of his dead mother around in a sack and takes its bearings from an extraordinary amalgam of beliefs about the afterlife.

Molloy’s history plays re-create a world that shows the oppressions of colonialism on a subject race who respond with a wild anarchy mixed with subdued acceptance. His plays with a contemporary setting most often take emigration as their theme and are prophetic of later work by John B. Keane and Brian Friel. He writes in a heightened folk idiom, which only rarely loses touch with natural speech. Old Road wins an Abbey Prize and is staged in 1943 with Cyril Cusack as the young farm labourer trying to decide whether to emigrate to England or to stay in Ireland. Joseph Holloway gives a touching account of the shy author taking his curtain at this first production, who, though his lips move, is unable to say anything. The Visiting House follows in 1946, and dramatises a night of singing, dancing, and storytelling, peopled by a richly diverse cast of characters.

Molloy’s first masterpiece, The King of Friday’s Men, is launched in 1948. It takes the uncompromising theme of the droit du seigneur exercised by an eighteenth-century Anglo-Irish landlord on the most beautiful young women on his estate. His latest prey seeks to evade her fate by enticing the aged faction fighter, Bartley Dowd, to fight the landlord on her behalf. The play recreates that eighteenth-century world with colour, immediacy, and a strong sense of how the colonial system envelops all of the characters save the marginalised Bartley, who in the first production is played by the actor and author Walter Macken.

Molloy’s even greater The Wood of the Whispering follows in 1953 at the Queen’s Theatre, where the Abbey company is now playing. It is his most probing treatment of the effects of emigration, an issue of which Molloy, living in Galway, is only too aware. It is the most Beckettian of Irish plays, with its old tramp, Sanbatch Daly, and a host of older characters who are not so much eccentric as damaged in some profound way. At the play’s close Sanbatch feigns madness to gain entry to the asylum, though he is not in truth far from genuine madness. The various younger couples agree to stay and marry in Ireland rather than go their separate ways back to England. This idea of cultural renewal also underscores the importance Molloy places on the staging of his plays by amateur drama companies.

From the 1960s onwards Molloy’s plays are less readily accepted by the Abbey Theatre and a Dublin audience, but they still find a ready reception in his native place. In later works, such as Daughter from Over the Water (1963), the older characters retain their exuberance, but the younger ones seem beyond his reach. His last play, The Bachelor’s Daughter, is given its first performance by the Tuam Theatre Guild on March 3, 1985. The revival by Galway’s Druid Theatre of The Wood of the Whispering in 1983, which Molloy lives to see, is a revelation, and a reminder to the wider theatrical and academic world of the continuing importance of this playwright, not just as the ‘missing link’ between Synge and Keane but as an original in his own right.

In later years Molloy is a member of Aosdána. He dies of aortic aneurysms at Galway Hospital on May 27, 1994. He remains a committed Catholic all his life and his tombstone reads: “Woe to those who call evil good and who call good evil” (Isaiah, 5: 20).

(From: “Molloy, Michael Joseph” by Anthony Roche, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Kitty Kiernan, Fiancée of Michael Collins

Catherine Brigid “Kitty” Kiernan, Irish woman widely known as the fiancée of Irish revolutionary leader and Chairman of the Provisional Government of the Irish Free State, Michael Collins, is born on January 26, 1892, in Granard, County Longford.

Kiernan is born to Peter Kiernan and Bridget (née Dawson). She is educated at Loreto Convent, County Wicklow. Hers is a very comfortably off merchant family with five sisters and one brother. Her parents enjoy a happy marriage, and life in the Kiernan home is joyous until Kitty reaches her teens. On November 27, 1907, her sister, Elizabeth Mary (a twin), dies at the age of eighteen of pulmonary tuberculosis, while Elizabeth’s twin sister, Rose, apparently dies the same year in Davos, Switzerland, which would also indicate tuberculosis as a cause of death. Her mother dies on November 29, 1908, of apoplexy, while her father dies almost exactly a year later, on November 9, 1909, of pneumonia. The Kiernan family owns the Greville Arms Hotel in the town, as well as a grocery shop, a hardware store, a timber and undertaking business and also a bar. Around the corner from the hotel, they operate a bakery which supplies the town and most of the surrounding countryside. All the family works in one capacity or another.

Michael Collins, one of the principal founders of the independent Irish state, is introduced to the vivacious Kiernan sisters by his cousin Gearóid O’Sullivan, who is already dating Maud Kiernan. Collins initially falls for the captivating Helen Kiernan, but she is already engaged to someone else. He then turns his interests to Kitty, who has already captured the interest of Collins’ friend Harry Boland. However, it is Collins to whom Kitty becomes engaged, with plans to marry Collins in a November 1922 double ceremony to include the nuptials of Maud and Gearóid. Collins’ assassination four months earlier, on August 22, 1922, near Béal na Bláth, County Cork, results in a single wedding taking place.

On June 10, 1925, Kiernan marries Felix Cronin, who is Quartermaster General in the Irish Army. They have two sons, Felix Jnr. and Michael Collins Cronin. Felix Jnr. and his son Rex are interred with his parents in Glasnevin Cemetery.

Kiernan dies, aged 52, of a cerebral hemorrhage on July 24, 1945, and her grave is close to that of Collins. Felix Cronin dies suddenly on October 22, 1961, while playing golf at Woodbrook Golf Club and is also buried in Glasnevin.

Kiernan and Michael Collins keep up a lengthy correspondence and while Collins is in London during the Anglo-Irish Treaty negotiations, he writes to her every day. The bulk of these letters are written between 1919 and 1922, and through their almost daily contact emerges a picture of the dreams and aspirations of the man often called Ireland’s “lost leader” and the woman with whom he wanted to share a “normal” life. These letters are the subject of a book written by Leon Ó Broin entitled In Great Haste. In 2000, some of the 300 letters sent by Kiernan and Collins to each other go on permanent display at the Cork Public Museum. These letters give a great insight into her attitude to life and into the political events of this time.

Former Fine Gael minister Peter Barry donates his collection of historic letters to the Lord Mayor of Cork, on behalf of the municipal museum. The collection, purchased from the Cronin family in 1995, is conserved at the Delmas bindery at Marsh’s Library in Dublin. The letters are also catalogued and then returned to the Cork Public Museum. The Peter Barry collection also contains letters from Harry Boland, a friend of Collins and former suitor of Kiernan.

In the 1996 film Michael Collins, Kiernan is played by American actress Julia Roberts though some reviewers are critical of the character’s development.

A number of Irish pubs are named in memory of Kiernan, such as one in Donnycarney, Dublin, one in Waterford, and one in the Bay Ridge section of Brooklyn in New York. A similar pub in Linz, Austria is closed in 2009.


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Death of Tony O’Malley, One of Ireland’s Leading Painters

Irish artist Tony O’Malley dies at his home in Physicianstown, Callan, County Kilkenny, on January 20, 2003.

O’Malley is born in Callan, County Kilkenny, on September 25, 1913. He is a self-taught artist, having drawn and painted for pleasure from childhood. He works as a bank officìal until contracting tuberculosis in the 1940s. He begins painting in earnest while convalescing and, though he does at first return to bank work, he continues to paint and in 1951 he begins exhibiting his work.

In 1955 O’Malley holidays in St. Ives, Cornwall, England, then an important center of abstract art, and home to the artists Peter Lanyon, Patrick Heron, and Bryan Wynter, who he meets and works with. He returns again in 1957 and in 1958 retires from the bank to paint full-time. Prompted by a mixture of frustration at the indifference shown in Ireland to his work, an attraction to the sense of freedom he feels among the artists in Cornwall, and an engagement with the attempt to represent natural forms current in their abstraction, he settles in St. Ives in 1960. While he is strongly influenced by the St. Ives artistic community, his relationship is one of engagement rather than direct participation. His painting never completely assimilates the rigour and formality of the British abstract painters. It retains a muscular extravagance which is central to his artistic identity. O’Malley explains:

“Not so much abstract as essence. I could not paint for the sake of the pigment of whatever, but I like abstract form in the painting which instills it with meaning and power. Abstraction does enable you to get under the surface, to get beyond appearance, and to express the mind. But abstraction for its own sake does not interest me.”

O’Malley adopts a sombre palette in the second half of the 1960s and many of his paintings are dedicated to the memory of his friend and mentor, Peter Lanyon, who is killed when the glider he is piloting crashes in 1964.

In 1973 O’Malley marries Jane Harris, and through the mid-70s they spend time in the Bahamas and in O’Malley’s native Callan. During this period, his paintings become less sombre and the Bahamas paintings are extremely colourful and vibrant. In 1990 they move back to Ireland. In 1993 he is elected a Saoi of Aosdána.

O’Malley dies at his home in Physicianstown, County Kilkenny, on January 20, 2003. At the time he is regarded as one of Ireland’s leading painters.

The Irish Museum of Modern Art (IMMA) displays a major retrospective of his work in 2005, a selection from which is exhibited at the Tate St. Ives in 2006. The Butler Gallery, Kilkenny, stages posthumous exhibitions of his visual diaries in 2005, and his constructions in 2010.

In 2010 under the guidance of Jane O’Malley the Royal Hibernian Academy (RHA) establishes an artist’s residency in the house where O’Malley grew up in Callan, County Kilkenny. The studio residency is awarded to artists who work primarily in paint. Previous recipients of the Tony O’Malley Studio Residency Award include Magnhild Opdøl, Ciaran Murphy, Ramon Kassan, Mollie Douthit, David Quinn and Paraic Leahy.