seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: United States


by Leave a comment

Birth of Mick Wallace, Member of the European Parliament

Michael “Mick” Wallace, former property developer and Irish politician who has been a Member of the European Parliament (MEP) from Ireland for the South constituency since July 2019, is born in Wellingtonbridge, County Wexford, on November 9, 1955. He is considered to be one of the most eccentric and unconventional figures in Irish national politics.

Wallace is born into a family of twelve children. He graduates from University College Dublin (UCD) with a teaching qualification. He marries Mary Murphy from Duncormick, County Wexford, in 1979. The couple has two sons, but the marriage ends when the children are young. He has two more children from another relationship in the 1990s.

In 2007, Wallace founds the Wexford Football Club which he manages for their first three seasons and is chairman of its board. The club is in the League of Ireland First Division.

Prior to entering politics, Wallace owns a property development and construction company completing developments such as the Italian Quarter in the Ormond Quay area of the Dublin quays. The company later collapses into liquidation, with him finally being declared bankrupt on December 19, 2016.

On February 5, 2011, while a guest on Tonight with Vincent Browne, Wallace makes the announcement that he intends to contest the upcoming February 25 general election as an Independent candidate. He tops the poll in the Wexford constituency with 13,329 votes.

On December 15, 2011, Wallace helps to launch a nationwide campaign against the household charge which is introduced as part of the 2012 Budget.

Wallace is the listed officer of the Independents 4 Change, which is registered to stand for elections in March 2014 and, along with Clare Daly, is one of two MEPs which represent the party in the European parliament. During their time in the Dáil, Wallace and Daly, the Dublin North TD, become friends and political allies, and work together on many campaigns, including opposition to austerity and highlighting revelations of alleged Garda malpractices, including harassment, improper cancellation of penalty points and involvement of officers in the drug trade. They are partially active in protesting the Garda whistleblower scandal, which eventually leads to the resignation of Minister for Justice Frances Fitzgerald, although she is later cleared of wrongdoing by the Charleton Tribunal.

In July 2014, Wallace and Daly are arrested at Shannon Airport while trying to board a U.S. military aircraft. He says the airport is being used as a U.S. military base and that the government should be searching the planes to ensure that they are not involved in military operations or that there are no weapons on board. He is fined €2,000 for being in an airside area without permission and chooses not to pay. He is sentenced to 30 days in prison in default, and in December 2015 is arrested for non-payment of the fine.

In December 2015, Wallace and independent TDs Clare Daly and Maureen O’Sullivan each put forward offers of a €5,000 surety for a man charged with membership of an unlawful organisation and with possession of a component part of an improvised explosive device.

At the 2016 Irish general election, Wallace stands as an Independents 4 Change candidate and is re-elected, finishing third on the first-preference count with 7,917 votes.

In 2017, Wallace calls on Ireland to join the Boycott, Divestment and Sanctions movement against Israel and “condemn the illegal expansion of Israeli settlements on Palestinian lands as well as the ongoing human rights abuses against Palestinians.”

At the 2019 European Parliament election, Wallace is elected as an MEP for the South constituency.

Wallace is criticised for supporting Venezuela, Ecuador, China, Russia, Belarus and Syria during his period as an MEP. In November 2020, he refers to Belarusian opposition presidential candidate Svetlana Tikhanovskaya as a “pawn of western neoliberalism.” In February 2021, he is reprimanded for using a swear word during a session of the European Parliament. He has referred to Venezuelan opposition leader Juan Guaidó as being an “unelected gobshite.”

In April 2021, Wallace and Daly are called “embarrassments to Ireland” by Fianna Fáil‘s Malcolm Byrne after the two MEPs had travelled to Iraq and visited the headquarters of the Popular Mobilization Forces, an Iraqi militia supported by Iran.

Wallace questions the director general of the Organisation for the Prohibition of Chemical Weapons (OPCW), Fernando Arias, in the European Parliament in April 2021. He accuses the OPCW of falsely blaming the government of Bashar al-Assad for the 2018 Douma chemical attack. He says that, while he does not know what had happened in Douma, the White Helmets were “paid for by the U.S. and UK to carry out regime change in Syria.” Fianna Fáil’s Barry Andrews calls his accusation against the White Helmets a conspiracy theory and disinformation. French MEP Nathalie Loiseau describes his comments as “fake news” and apologises on his behalf to NGO groups in Syria.

In June 2021, Wallace and Daly are among the MEPs censured by the European Parliament’s Democracy Support and Election Coordination Group for acting as unofficial election-monitors in the December 2020 Venezuelan parliamentary election and April 2021 Ecuadorian general election without a mandate or permission from the EU. They are barred from making any election missions until the end of 2021. They are warned that any further such action may result in their ejection from the European parliament under the end of their terms in 2024.

Wallace has stated his opposition to vaccination certificates. He says, “I’m not anti-vax but we’re going down a dangerous path with COVID pass” and expresses concerns about civil liberties. Both Wallace and Daly have refused to present vaccination certs upon entering the European Parliament, resulting in them being reprimanded by the European Parliament.

In April 2022, Wallace and Daly initiate defamation proceedings against RTÉ.

On September 15, 2022, Wallace is one of sixteen MEPs who vote against condemning President Daniel Ortega of Nicaragua for human rights violations, in particular the arrest of Bishop Rolando José Álvarez Lagos.

In November 2022, Wallace criticises protests in Iran following the death of Mahsa Amini, accusing some protestors of violence and destruction and saying it “would not be tolerated anywhere.”

In February 2023, Wallace claims on social media that he has “three wine bars in Dublin.” This arouses alarm from his European parliamentary group, as no such assets were listed on his mandatory declaration of financial interests. After the chair of his parliamentary group calls any omission from the declaration “unacceptable” and not “worthy of our political group,” he amends his declaration to state that he is an “advisor” to the three wine bars and receives up to €500 a month in income for this role.


by Leave a comment

Birth of Irish Poet Trevor Joyce

Irish poet Trevor Joyce is born in Dublin on October 26, 1947. He co-founds New Writers’ Press (NWP) in Dublin in 1967 and is a founding editor of NWP’s The Lace Curtain, a magazine of poetry and criticism in 1968.

Joyce is brought up between Mary Street, in the city centre, and the Galway Gaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.

In Dublin and Oxford, in the early eighties, Joyce conducts seminars and lectures on classical Chinese poetry. Having studied Philosophy and English at University College Dublin (UCD), he moves in 1984 to Cork, where he reads Mathematical Sciences at University College Cork (UCC). He now resides in the city.

Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).

After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.

Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.

A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.

Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.

Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.

Joyce has residencies at Cill Rialaig, County Kerry, and at the University of Galway. He is also co-founder and director of the annual SoundEye Festival that is held in Cork City.


by Leave a comment

Death of Hamilton Deane, Actor, Playwright & Director

Hamilton Deane, Irish actor, playwright and director, dies on October 25, 1958, in Ealing, London, England. He plays a key role in popularising Bram Stoker‘s 1897 novel Dracula as a 1924 stage play and a 1931 film.

Deane is born on December 2, 1879, in New Ross, County Wexford, and grows up in Clontarf, a suburb of Dublin. His family lives close to the families of both Bram Stoker and his wife, Florence Balcombe, and his mother had been acquainted with Bram Stoker in her youth.

Deane enters the theater as a young man, first appearing in 1899 with the Henry Irving Company, of which Stoker is stage manager for many years. Even before he forms his own troupe in the early 1920s, he has been thinking about bringing Dracula to the stage. Stoker had attempted this in 1897 but the verdict from Irving consigned it to the waste-paper basket. Unable to find a scriptwriter to take on the project, Deane writes the play himself in a four-week period of inactivity while he is suffering with a severe cold. He then contacts Florence Stoker, Bram’s widow, and negotiates a deal for the dramatic rights.

To stage the production, Deane is required to submit the completed script to the Lord Chamberlain for a license under the Theatres Act 1843. The play is censored to limit violence – for example, the count’s death cannot be shown to the audience – but is approved on May 15, 1924.

Deane re-imagines Count Dracula as a more urbane and theatrically acceptable character who could plausibly enter London society. It is Deane’s idea that the count should wear a tuxedo and stand-up collar, and a flowing cape which conceals Dracula while he slips through a trap-door in the stage floor, giving the impression that he has disappeared. He also arranges to have a uniformed nurse available at performances, ready to administer smelling salts should anyone faint.

Deane’s play premieres on August 5, 1924, at the Grand Theatre in Derby, England. Despite critics’ misgivings, the audiences love it. Although he originally intended to play the title role himself, Raymond Huntley plays the role of the Count and Deane fills the role of Van Helsing. It is a huge success and the production tours England for three years before settling in London, where it opens at the Little Theatre in the Adelphi on February 14, 1927. It later transfers to the Duke of York’s Theatre and then the Prince of Wales Theatre to accommodate larger audiences.

When the play crosses the Atlantic in 1927, the role of Dracula is taken by the then-unknown Hungarian-American actor Bela Lugosi. For its United States debut, Dracula is rewritten by the American playwright John L. Balderston. The show runs for a year on Broadway and for two more years on tour, breaking all previous records for any show put on tour in the United States. It is the Deane/Balderston interpretation upon which the classic Tod Browning film Dracula (1931) is based.


by Leave a comment

Birth of Robert Greacen, Poet & Critic

Robert Henry Greacen, poet and critic, is born on October 24, 1920, in Bennett Street, Derry, County Londonderry.

Greacen is the only child of Henry Greacen and his wife Elizabeth (née McCrea). His father comes from a Presbyterian farming background in County Monaghan and, at one time, holds a position as a creamery manager, but is a heavy drinker and fails in several businesses. Most of his childhood is spent with his maternal grandmother and aunts when his parents temporarily separate. He briefly attends two local primary schools in Belfast, but when his father receives insurance compensation after his Belfast business burned down, he takes his family to the Castleblayney area in County Monaghan and for a short time goes back to farming. He goes to a national school there, but after another fire destroys the farmhouse, the Greacens return to Belfast to run the Kenilworth, a tobacconist’s shop on the Newtownards Road. He attends Templemore primary school and then enters Methodist College Belfast in 1933.

Greacen mostly enjoys school, though he is too short-sighted to participate with success in any sport, and sometimes, because of his background, feels out of his depth among middle-class children. He is always ashamed of his father’s drunken outbursts and is terrified of the violent temper which accompanies them. Literature provides both a temporary escape and the promise of future success. His first poems are published in school magazines, and he decides at a young age to try to make a career as a writer. He fails examinations and interviews for positions in a bank and an insurance company and instead starts studying history and English at Queen’s University Belfast.

At Queen’s, as earlier at Methodist College, the interests which characterise Greacen’s later career are apparent. Largely thanks to meeting John Boyd, he develops sympathies with left-wing political ideas, as well as a deepened commitment to poetry. His youthful 1930s enthusiasm for Marxism disappears after the Molotov-Ribbentrop Pact of 1939 between the Soviet Union and Nazi Germany, but up to his later years he describes himself as a socialist. The formation of enduring friendships and mutually supportive coteries, a phenomenon particularly characteristic of the Ulster literary scene of the period, continues to be of great importance throughout his life. He makes friends with almost all the significant figures in Belfast, especially Roy McFadden, John Hewitt and Sam Hanna Bell. At Queen’s, he and a friend take over in 1940 the editing of a student magazine, The Northman. They try with short-lived, limited success to make it a literary journal for the whole region, so as to enable aspiring poets to get work into print. His own early poems appear in The Bell, and he writes some pieces for the left-wing Irish Democrat newspaper. His poem The Bird (1941) is well reviewed and later appears in anthologies. In 1942 he publishes Poems from Ulster, a small anthology including work by his friends.

For several months, Greacen worships from afar a fellow student named Irene. When he fails to form a relationship with her, he stops going to lectures so that he does not have to see her and does not finish his degree. His McCrea relatives pay for him to go to Trinity College Dublin in 1943 to take a diploma in social work. He is glad to get away from wartime Belfast and never lives there again. At first, he enjoys Dublin, and again makes many friends, among them Brendan and Beatrice Behan, Blanaid Salkeld, Cecil ffrench Salkeld, Joseph and Mary O’Neill, Douglas Gageby, Arland Ussher and Hubert Butler. He and Patrick Kavanagh live in the same boarding house on Raglan Road for several months in 1945, but Kavanagh takes offence at a review in Horizon by Greacen of his poem The Great Hunger and calls him a “Protestant bastard.” Greacen is upset, as he had thought the review favourable, and is disappointed but not surprised when Kavanagh refuses to allow any of his poems to appear in the prestigious Faber and Faber book Contemporary Irish Poetry, edited by Greacen and Valentin Iremonger in 1949.

The collaborative compilation of anthologies of poetry is Greacen’s characteristic way of working. In 1942, he and Alex Comfort edit Lyra: An Anthology of New Lyric. With Roy McFadden, he edits Ulster Voices in 1943. He is sole editor of Northern Harvest in 1944 and, in the same year, he, Bruce Williamson and Valentin Iremonger publish their own work in On the Barricades. His own first solo collection, One Recent Evening, is also a 1944 imprint. In 1946, with support from Maurice Fridberg, a Jewish Dublin and London bookseller, his publishing company, New Frontiers Press, produces Irish Harvest, which, though designed on more ambitious lines, still consists chiefly of poems by his friends. He feels much more affinity with the modernism and social protest that he finds in contemporary English poetry, especially in the “new apocalypse” movement associated with Herbert Read, and later the “new romantics,” than with what he regards as the outmoded Celtic nationalism of W. B. Yeats and his followers. Like others of his contemporaries, he comes to resent the unquestioned shibboleths of life in Ireland, and particularly objects to the censorship of literature and film.

Consequently, when Greacen’s second small volume of poems, The Undying Day (1948), sells badly, and other avenues seem unpromising, he and his wife give up on Dublin and move to London. He finds a job with the United Nations Association, which suits his outlook and ideals. However, when he is made redundant, he has to take various jobs in adult education, in creative-writing courses, and in teaching English as a foreign language, in the City of London College, the City Literary Institute, and West London College. He retires in 1986. His involvement with the London literary world continues throughout his career, as he gets to know many of the leading figures, including Stephen Spender and T. S. Eliot, and he organises poetry readings and other projects, though he himself writes no poetry for more than twenty years. At one time he considers taking up journalism and continues to produce book reviews and articles in journals, as well as many letters to newspapers. He writes several, well-received short works of criticism, in particular, The Art of Noël Coward (1953) and The World of C. P. Snow (1962). After returning to Dublin in 1986, he writes an interesting memoir about his many friends and acquaintances, Brief Encounters: Literary Dublin and Belfast in the 1940s (1991) and Rooted in Ulster: Nine Northern Writers (2000).

Greacen marries Patricia Hutchins in Fisherwick Presbyterian Church in Belfast on April 10, 1946. She is from a Protestant family who has a small estate at Ardnagashel, near Bantry, County Cork, and is related to the botanist Ellen Hutchins. They have one daughter, Arethusa, but, after four years of separation, the marriage ends in divorce in 1966. He resents his wife’s conversion to vegetarianism and seems also to disapprove of her desire to achieve her own career goals. Probably also the depression he experiences throughout the 1950s contributes to the breakdown of the marriage, but he feels that twelve experiences in the early 1960s with the hallucinogenic drug LSD, under the guidance of a psychiatrist, had cured him. After the LSD treatments he feels that he is ready to begin working on an autobiography, Even Without Irene, published several years later in 1969. This comes out again in an enlarged version in 1995, and, still further augmented, as The Sash My Father Wore (1997).

Greacen begins to publish poetry again in his fifties, in A Garland for Captain Fox (1975). Poems about the career and friends of an imaginary, sophisticated adventurer do not always strike the exactly right note but are popular and mark a new beginning for him, who increasingly writes elegiacally about personalities, real and fictional, in more restrained diction and with careful irony. In interviews, he denies that Captain Fox is his own alter ego, but the interplay between the character of Fox and elements of his creator’s own life suggests a metaphor for the poet’s creative process, as well as reminding the reader of the poet friends whose support means much to his writing in real life. At the very least, Captain Fox becomes what could be called a character of virtual reality for his creator.

Greacen’s later poetry collections include Young Mr. Gibbon (1979), A Bright Mask (1985), Carnival at the River (1990), Collected Poems 1944–1994 (1995; awarded The Irish Times Literature Prize for Poetry in that year), Protestant Without a Horse (1997), Captain Fox: A Life (2000), Lunch at the Ivy (2002), Shelley Plain (2002), and Selected and New Poems (2006).

On his return to Dublin in 1986, Greacen for a time shares a flat on Anglesea Road with Beatrice Behan, until he finds her dead in her bed in 1993. In later years he lives in a flat in Sandymount. He is elected to membership of Aosdána in 1986, and during his later years in Dublin enjoys the status of a senior figure in the world of literature. He gives readings in the United States, appears often on RTÉ radio programmes, and has poems republished in anthologies. There was even one poem displayed on the Dublin Dart suburban rail network, St. Andrew’s Day: An Elegy for Patricia Hutchins, perhaps his best work. Perhaps only a few of his poems have been lodged in the public memory, but it is appropriate, given the themes of his career, that his work will be read with most attention by poets and by scholars, and that his reputation in the future may largely be based on his friendships with other poets.

Greacen dies in St. Vincent’s University Hospital, Dublin, on April 13, 2008. His body is cremated. His papers are in the library of Ulster University at Coleraine.

(From” “Greacen, Robert Henry” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


by Leave a comment

Birth of Irish Folk Singer Patsy Watchorn

Patsy Watchorn, Irish folk singer notable for being a member of the Dublin City Ramblers and later The Dubliners, is born in Crumlin, Dublin, on October 16, 1944.

Watchorn first comes to prominence in 1969 as the lead singer of The Quare Fellas, a Dublin-based ballad group. They evolve into the Dublin City Ramblers in the early 1970s and with Watchorn as their lead singer they have hits with songs such as “The Rare Ould Times” and “The Ferryman,” both of which are written by Pete St. John.

Watchorn also writes and sings the Irish Football Team anthem, “We are the Boys in Green” (Home & Away album), with The Dublin City Ramblers for the teams European Championship campaign in Germany and again for the 1990 FIFA World Cup in Italy. The lyrics change slightly in both releases in 1988 and 1990.

In 1995, Watchorn leaves The Dublin City Ramblers and makes a number of solo albums. He joins The Dubliners in 2005, taking Paddy Reilly‘s place. He is well received throughout Ireland, the United Kingdom, Europe, Australia and the United States. He appears on their Tour Sampler EP in 2005, as well as the double album Live at Vicar Street (2006). He plays the banjo, bodhrán and spoons. He cites Luke Kelly, former lead singer with The Dubliners, as his favourite singer.

When The Dubliners announce their retirement in 2012 after finishing their 50 Years Anniversary Tour, Watchorn decides to keep on touring with former band members Seán Cannon and Eamonn Campbell and banjo player Gerry O’Connor under the name of “The Dublin Legends.”

On April 28, 2014, Watchorn posts a message on his website, stating that he has “decided to take a break from the music business for a while” and will not be touring the rest of 2014 with The Dublin Legends. He later admits this is due to ill health and that doctors had advised him that touring would do further damage to his health.

Watchorn’s distinctive and passionate vocals have made him a huge rock on the Irish folk scene. In his solo projects in the mid- and late-1990s, after his departure from The Dublin City Ramblers, he has session men who used to play alongside him and he uses the stage name “Patsy Watchorn, agus a Cháirde” (which means “and his Friends” in Irish).


by Leave a comment

Graeme McDowell Seals European Victory at the 2010 Ryder Cup

On Monday, October 4, 2010, Northern Ireland golfer Graeme McDowell delivers the match-winning point for the European team on the 17th green of the 2010 Ryder Cup at the Celtic Manor Resort in Newport, Wales. His is the last match of the twelve player singles matches against the defending champion United States team, with his opponent being Hunter Mahan. Europe wins the tournament 14.5 to 13.5, and it was his 5-foot putt that is conceded to give victory to Europe. For the first time in its history, the Ryder Cup stretches into a fourth day due to torrential rain on the first day.

Only the brilliance of the Northern Irishman, who holes a stunning birdie putt on the 16th green to extend his lead in the match, and the nervousness of Mahan, who duffs a chip shot on the par-three 17th that seals his defeat, finally turns back a United States team that threatened to deny Colin Montgomerie a captain’s victory to add to the many he has won as a player in this event.

“I didn’t hit a shot out there so it’s not much of an achievement,” Montgomerie says afterwards, dedicating the victory to Seve Ballesteros who is suffering from brain cancer and ultimately dies in 2011. “But it is a proud, proud personal moment for me and for all of us in European golf. My players all played magnificently, all 12 of them.”

McDowell, who had won the U.S. Open earlier in the year, is magnificent when his captain and his teammates need him to be. Through the years the Irish have developed a habit of holing the winning putt in this event and if the latest member of a club that includes Eamonn Darcy, Philip Walton and Paul McGinley is disappointed in being denied the chance to actually watch his ball roll into the hole, he hides it well.

“I didn’t need to hole a putt, thank God,” he says. “I was so nervous out there. I just can’t describe the feeling of this golf tournament – trying to win it for eleven other teammates, the caddies, the fans and Monty. It’s just a special feeling. There is nothing quite like it.”

Europe goes into the singles round holding a three-point lead and at one stage during the afternoon are ahead in eight of the twelve matches. An easy victory beckons, or at least it does until the United States wins a series of matches, some decisively (Tiger Woods over Francesco Molinari 4 & 3, Dustin Johnson over Martin Kaymer 6 & 4) and one by a narrow margin (Steve Stricker beats Lee Westwood on the 17th green). Even Phil Mickelson, one of the weakest players on the United States team over the previous three days, manages a victory, beating Peter Hanson 4 & 2.

The European team responds, with points coming from Luke Donald, who beats Jim Furyk one-up, and Ian Poulter, a victor over Matt Kuchar. However, as the day progresses a victory that had seemed inevitable begins to look uncertain.

In the end, it comes down to McDowell and Mahan on the 17th hole, watched by their teammates and captains, a good portion of the 35,000 mud-splattered souls at Celtic Manor, and a television audience around the world running into many millions. Major championships come with their own particular pressure but, as McDowell says, the Ryder Cup exerts pressure of an altogether different order. In the end the pressure proves too much for the American. His attempted chip from 15 yards short of the green does not even reach the green, far less the flag.


by Leave a comment

Birth of Irish Playwright Jimmy Murphy

Irish playwright Jimmy Murphy is born to Irish parents in Salford, Lancashire, England, on September 30, 1962. He is a former writer-in-residence at the National University of Ireland, Maynooth (2000–01), a member of the Abbey Theatre’s Honorary Advisory Council, a recipient of three bursaries in literature from the Arts Council (Irish: An Chomhairle Ealaíon) and is elected a member of Aosdána in 2004.

When Murphy is six, his family returns to Dublin, settling in the South inner-city district of Islandbridge. He first goes to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moves to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attends secondary school at St. John’s De La Salle College. After failing the Irish Intermediate Certificate he leaves school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.

Murphy’s stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which is awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998); The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000); The Castlecomer Jukebox (Red Kettle, 2004); and What’s Left of The Flag (Theatre Upstairs at The Plough, 2010), nominated for The Irish Times Best New Play Award. His last play, with an all-female cast, The Hen Night Epiphany, premieres at the Focus Theatre, Dublin, in September 2011 and is published by Oberon Books. It has recently been translated into Hebrew.

Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and The Jangle of the Keys (BBC Radio 4 1997). His awards include the Stewart Parker Trust Award in 1994. The play The Kings of the Kilburn High Road is adapted by Tommy Collins as the Irish language film Kings, and is selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film & Television Academy.

Three of Murphy’s plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester), and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).

A one act play, Perfida, premieres at Theatre Upstairs in July 2012. In October 2012, The Muesli Belt receives its United States premiere at the Banshee Theater, Burbank, California, and in 2013 The Hen Night Epiphany receives its U.S. premiere at the Wade James Theater, Edmonds, Washington. In June 2013 a new production of Perfidia is staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 his second Verabtim piece for the Abbey, looking at police corruption, A Whisper Anywhere Else, is produced at the Peacock theatre. His first Verbatim play for the Abbey, Of This Brave Time, commissioned to commemorate the 1916 Easter Rising, tours the United Kingdom in 2016 and later returns to the Peacock stage for a short run. A new full length play, The Cartographer’s Pen, commissioned to mark the centenary of the drawing of the Irish border, opens at the Town Hall Theatre, Cavan, in May 2022.

Murphy is currently living in Dublin.


by Leave a comment

The 36th Ryder Cup Matches Come to Ireland

The 36th Ryder Cup Matches officially open on September 22, 2006, at the Palmer North Course of the K Club in Straffan, County Kildare, west of Dublin. It is the first time golf’s premier team tournament has come to Ireland and to date it is the biggest sporting event ever staged in the country.

Europe wins by 18-1⁄2 to 9-1⁄2 points, equalling their record winning margin of two years earlier for their third consecutive win, a first for Europe. Swedish rookie Henrik Stenson makes the winning putt, just moments after Luke Donald sinks a putt to ensure Europe retains the trophy.

The K Club has two Arnold Palmer-designed championship courses and the 36th Ryder Cup is held on the Palmer North Course (also known as the Old Course). The course is a parkland course located on the banks of the River Liffey, threaded through mature woodlands on the Straffan country estate.

Domestically, Sky Sports provides live coverage of all sessions. In the United States, coverage of the first day is recorded live, but presented on tape-delay by USA Network. Bill Macatee hosts from the 18th tower. On Saturday, NBC Sports presents coverage on tape, but recorded live. NBC then airs the singles live on Sunday morning. Dan Hicks and Johnny Miller host from the 18th tower, Gary Koch and Bob Murphy call holes, while on-course reporters are Mark Rolfing, Roger Maltbie, and Dottie Pepper. To provide a European perspective, NBC uses former European team player Nick Faldo as a guest analyst on the Saturday afternoon session. Faldo had worked in the same role for NBC at the 2002 Ryder Cup, and at the time of the 2006 edition is in between jobs, having worked as an analyst for ABC Sports from 2004 to 2006, but having signed with CBS Sports for 2007 and beyond.

The Ryder Cup is a match play event, with each match worth one point. The competition format used in 2004 and 2006 is as follows:

  • Day 1 (Friday) – 4 four-ball (better ball) matches in a morning session and 4 foursome (alternate shot) matches in an afternoon session
  • Day 2 (Saturday) – 4 fourball matches in a morning session and 4 foursome matches in an afternoon session
  • Day 3 (Sunday) – 12 singles matches

With a total of 28 points, 14-1⁄2 points are required to win the Cup, and 14 points are required for the defending champion to retain the Cup. All matches are played to a maximum of 18 holes.


by Leave a comment

Birth of Malachy McCourt, Irish American Actor & Writer

Malachy Gerard McCourt, Irish American actor and writer, is born in New York City on September 20, 1931. He is the 2006 Green Party candidate for governor in New York, losing to the Democratic candidate Eliot Spitzer. He is the younger brother of author Frank McCourt.

McCourt is the son of Irish parents Angela (née Sheehan) and Malachy McCourt. He is the last survivor of their seven offspring, following the death of his younger brother Alphonsus in 2016. He is raised in Limerick, County Limerick, and returns to the United States in 1952. He has four children: Siobhán, Malachy III, Conor, and Cormac, the latter two by his second wife, Diana. He also has a stepdaughter, Nina. He is portrayed by Peter Halpin in the film version of his brother’s memoir Angela’s Ashes. He is also one of the four founding members of the Manhattan Rugby Football Club in 1960. He appears in Frank McCourt’s memoirs.

McCourt acts on stage, on television and in several movies, including The Molly Maguires (1970), The Brink’s Job (1978), Q (1982), Brewster’s Millions (1985), Tales from the Darkside as Dr. Stillman in the “Ursu Minor” episode (1985), The January Man (1989), Beyond the Pale (2000), and Ash Wednesday (2002). He appears on the New York City-based soap operas Another World, Ryan’s Hope, Search for Tomorrow, and One Life to Live. He is also known for his annual Christmas-time appearances on All My Children as Father Clarence, a priest who shows up to give inspirational advice to Pine Valley citizens.

In 1970, McCourt releases an album, And the Children Toll the Passing of the Day. Also, in the 1970s he hosts a talk show on WMCA.

In recent years McCourt occasionally appears on various programs on New York City’s political radio station, WBAI. Among the shows on which he appears is Radio Free Éireann. He is also a regular guest artist at the Scranton Public Theatre in Pennsylvania, having performed in Inherit the Wind, Love Letters and A Couple of Blaguards, which he co-wrote with brother Frank McCourt. Currently, he has been hosting a call-in radio forum on WBAI, airing on Sunday mornings at 11:00 a.m. He also has a short-lived role as a Catholic priest on the HBO prison drama Oz. He is the owner of Malachy’s, a bar on Third Avenue in New York City. One of his frequent patrons was actor, and friend, the late Richard Harris, who although famous works for a short time behind the bar for McCourt. He plays Francis Preston Blair in Gods and Generals (2003).

McCourt has written two memoirs titled, respectively, A Monk Swimming and Singing My Him Song, detailing his life in Ireland and his later return to the United States. He has also authored a book on the history of the ballad Danny Boy, and put together a collection of Irish writings, called Voices of Ireland.

On April 18, 2006, McCourt announces that he will run as a Green Party candidate to become governor of New York in the November 2006 election. Running under the slogan “Don’t waste your vote, give it to me,” he promises to recall the New York National Guard from Iraq, to make public education free through college, and to institute a statewide comprehensive “sickness care” system. He polls at 5% in an October 10 Zogby poll, versus 25% for Republican John Faso and 63% for Democrat Eliot Spitzer. He is endorsed by Cindy Sheehan, mother of a fallen soldier in the Iraq War. The League of Women Voters exclude him from the gubernatorial debate. He comes in a distant third in the general election, receiving 40,729 votes (or just under 1%), 9,271 votes short of what is required to gain automatic access in the 2010 election.


by Leave a comment

Death of Playwright George Shiels

George Shiels, playwright, dies following a lengthy illness in Carnlough, County Antrim, Northern Ireland, on September 19, 1949.

Shiels is born on June 24, 1881, in Milltown, Ballybrakes, near Ballymoney, County Antrim, one of seven sons of Robert Shiels, a railway worker, and Eliza Shiels (née Sweeney), who also has one daughter. The family soon moves to Castle Street, Ballymoney, where he attends the local Roman Catholic national school. His elder brothers emigrate to the United States when young. With there being no chance of further schooling even if he wanted it, he leaves Ireland when he is 19 years old. He works as a casual labourer in many places in western North America: as a farmworker and miner in Idaho and Montana, and as a lumber camp worker in British Columbia, Canada. In 1904 he is employed by the Canadian Pacific Railway to supervise a gang of workers who are building a stretch of railway in Saskatchewan. In a serious accident, he is badly injured. Despite surgery on his back, he is never able to walk again, and he receives a disability pension from the railway company.

After a long convalescence in Canada, Shiels returns to his mother’s house in Ballymoney around 1908. He sets up in business in Main Street as a shipping agent and as an agent for the Canadian Pacific Railway, taking bookings from intending emigrants. He is encouraged by his parish priest, Fr. John Hasson, by a local solicitor, Jack Pinkerton, and by James Pettigrew, a teacher, to write short stories. To try to preserve anonymity in a small community, he at first uses the pseudonym “George Morshiel,” and is successful with Western stories and other short fiction. His friends urge him to try writing dramas, and in 1918 Away from the Moss is produced by the Ulster Literary Theatre in Belfast.

After further success there with two short plays in which Shiels is learning his craft, the Abbey Theatre in Dublin accepts a one-act play, Bedmates, which is performed in January 1921. With great regularity for the next twenty years, he writes twenty-two plays for the Abbey Theatre. His work forms the basis of the repertoire in the 1920s and 1930s and attracts large audiences. Plays such as The New Gossoon (1930) provide Dublin theatregoers with entertainment, but also help form the style of acting and production which for many years characterises the Abbey and its actors. Three of his plays, Paul Twyning (1922), Professor Tim (1925) and The New Gossoon, are later performed in theatres in London and are also published in a 1945 volume, which is twice reprinted. Professor Tim, produced by the touring Abbey Theatre, receives enthusiastic reviews in Philadelphia, and The New Gossoon appears successfully on Broadway in New York City in 1932, 1934, and 1937.

Shiels’s earlier work is perhaps easiest for audiences to enjoy. Comedies such as Moodie in Manitoba (1918) portray characters so realistic that north Antrim people believe with some alarm that it might be possible to identify who Shiels had in mind when he created them, and he is at first somewhat less than popular in Ballymoney. He superbly reproduces local language and thoroughly understands the local way of life. Plays he writes late in his career are first performed by the Group Theatre in Belfast, and in these productions (and in the radio versions broadcast by the BBC) his work becomes widely known, almost beloved, in the north of Ireland. During the first half of the twentieth century amateur drama groups throughout Ireland are much more important in local life than they have been since the advent of television. Probably all such societies have at some time staged a Shiels play, and this tradition continues. His plays contain amusing dialogue, carefully crafted plots, and usually more or less happy endings.

However, Shiels’s later works, notably The Passing Day (1936), first broadcast as a radio play, and The Rugged Path (1940), which breaks all records at the Abbey Theatre in a run of three months, tackle darker subject matter and feature characters still less sympathetic even than the rogues and hypocrites of the earlier work. In The Rugged Path and its sequel, The Summit (1941), he explores the moral crisis facing Ireland after the political changes of the 1920s. One critic sees in it an allegory for the contemporary struggle against Adolf Hitler. His view of life in the small towns and farms of Ireland is never in the slightest rosy-tinted, but in the symbolism of The Passing Day, he achieves “bitter intensity” (The Irish Times review, quoted by Casey).

Shiels’s modesty leads him to refuse an honorary doctorate from Queen’s University Belfast (QUB), in 1931. He is reticent about his experiences and beliefs and does little to foster his own reputation. In one early interview he expresses the belief that Ulster theatre needs dramatic material that reflects the psychology and setting of the region. His own work, at its best, achieves this and more. The very qualities which make his work popular in the north of Ireland permit some metropolitan literary critics to dismiss his plays as “kitchen comedies.” However, with the passage of time, his importance as a chronicler of a vanishing way of life can be set alongside the recognition due to him as a prolific and gifted dramatist.

Shiels suffers from a lengthy illness, and though he undergoes an operation in Ballymoney in 1949, dies soon afterwards at his house, New Lodge, in Carnlough, County Antrim, on September 19, 1949. He is buried in the graveyard of Our Lady and St. Patrick in Ballymoney. In the month that he dies, the Group Theatre and Garvagh Young Farmers’ Club are both rehearsing Shiels plays, and there have since been many productions of his plays in the north and elsewhere. Ballymoney Drama Festival presents a portrait of Shiels to the Abbey Theatre, and a new production of The Passing Day is staged there to celebrate his centenary in 1981.