Rice is born to Johnny Rice and his wife Nell (née Hayes). Her mother can sing, and her father is a master mason. Her mother’s singing brings in extra money after her father is posted overseas during World War II. She goes to Methodist College Belfast and by the age of fourteen is living in the family home with lodgers as her parents are in Africa where her father is working. She is not academic and takes only a passing interest in becoming a secretary. A school friend says that all she wants to do is draw.
The artist Gerard Dillon comes from Belfast. He helps Rice after they are introduced to each other by her piano teacher in 1951. He is friends with the painter George Campbell. They both share “an interest in bohemian characters.” She regards both Dillon and Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1956, Rice completes her first solo exhibition at the British Council in Hong Kong. She had been there since 1954 doing typing and practicing her painting. Her father is working there, and she stays in Hong Kong until the following year. When she returns, she earns money working night shifts in the BBC newsroom.
Gerard Dillon and his sister, Mollie, have a property on London‘s Abbey Road in 1958. They rent part of the house to artist Arthur Armstrong, and they rent a flat to Rice and her brother. Dillon and Rice would tour junk yards to find objects like leather and string that they include in their artwork. The house is known for its ex-pat Irish artists which also include Aidan Higgins and Gerry Keenan.
In 1963, Rice goes to the United States to exhibit, and she has to be persuaded to find time to meet President Kennedy. This is three weeks before he is killed in Dallas. In 1967, she is in Paris learning lithography and marries the German contemporary artist Haim Kern. Their child Tristran is born, and the marriage soon ends, and she leaves for Switzerland.
Rice marries again after she returns to Ireland to live in County Fermanagh. They have a daughter who is named Trasna. She exhibits twice in Belfast. In 1997, a large collaboration with Felix Anaut results in images of Adam and Eve which is prepared for a Spanish arts festival near Zaragoza. Another large commission is to decorate the shutters of Pushkin House at Baronscourt for Alexandra Hamilton, Duchess of Abercorn, in 2005.
Rice dies in County Monaghan on March 23, 2015, where she had lived for twenty years. She completes her last exhibition in 2009, over fifty years after her first in Hong Kong. She has exhibited and had her work in notable collections including the United Nations. She is noted for only creating art when she wanted to, she had never conformed, Aeneas Bonner says in her obituary “Normality was a not a close acquaintance.”
In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.
One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.
In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.
Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.
Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.
Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.
Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.
Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.
(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)
Roberts is the son of Randall Roberts, a baker, and Mary Roberts (née Bishop). He is educated locally and in July 1849 leaves with his family for the United States. For several years he works as a clerk for a dry goods company in New York City. In 1857, he sets up his own dry goods business, the Crystal Palace, which becomes successful. He retires in 1869 as a very wealthy man.
Having joined the American Fenian Brotherhood in 1863, Roberts gives it strong financial support for the remainder of the decade. He also supports several Irish American charitable organisations, including the Knights of St. Patrick, of which he is president. In October 1865, he is responsible for a change in the constitution of the Fenian Brotherhood, which results in a split in the movement. The majority of the Brotherhood supports his proposal to elect a “senate” to govern the organisation, with himself as president, in place of the autocratic leader, John O’Mahony. After the suppression of the Irish People and the arrest of the Irish Republican Brotherhood (IRB) leaders in Dublin in September 1865, he believes that it to be foolish to send American Fenian troops to Ireland.
Seeking to capitalise on the bad relations that develop between the United States and Britain during the American Civil War, Roberts hopes that a Fenian Brotherhood invasion Canada might provoke a war between Britain and the United States and thereby make a successful insurrection in Ireland more possible. Once the invasion takes place (May 31 – June 3, 1866), however, the American government seizes the Fenians’ supplies and reinforcements, thereby prompting him to abandon the attack. He is arrested in New York on June 7 and detained in prison but escapes prosecution and is released on June 15. Three days later, with the support of Irish American politicians, he is allowed to deliver an address to the United States Senate appealing for support for the cause of the amnesty of IRB prisoners in Ireland. Thereafter he goes on a lecture tour and argues that American politicians cannot hope to receive Irish American electoral support if they do not support the Fenian cause. In response to demands from Irish American politicians, in September 1866, PresidentAndrew Johnson orders that the arms seized by the United States army be returned to the Fenian Brotherhood.
After the failure of the March 1867 rising in Ireland, Roberts sends men to Ireland to assume command of the IRB on his behalf. A significant number of IRB men follow his lead, and in June 1867 a convention is held in Paris over which he presides. At this he proposes the establishment of a Supreme Council to govern the IRB, a proposal that is soon accepted. He seeks to be appointed president of the new Supreme Council, but the IRB refuses owing to his being such a divisive figure within American Fenianism. In dismay he resigns as president of the Senate wing of the Fenian Brotherhood on December 31, 1867, and becomes less active in the revolutionary movement. In 1870, he opposes the attempt of Fenians to invade Canada once more, and in January 1871 organises a welcoming committee in New York for five recently released IRB leaders who had been banished from Ireland.
By that time, however, Roberts is more concerned with American politics. During 1870, he is elected to Congress as a Democratic Party candidate for New York, a seat he holds until 1874 when, due to financial difficulties, he decides not to run for reelection. As a congressman, he criticises the Republican government for its policy towards the former Confederate states, opposes the increasing power of railroad companies, demands greater protection for American citizens living in foreign countries (including the Fenians imprisoned in Canada), and supports civil rights for black people. He also attracts much praise for his strong criticism of British foreign policy.
After leaving Congress, Roberts becomes a member of the Tammany Society and attains prominence in New York municipal politics, being elected president of the New York City Board of Aldermen in 1878. The following year, he runs for the position of sheriff of New York but is defeated. Thereafter, he leaves the Tammany Society and establishes a rival organisation, the New York County Democracy. In 1882, he supports Grover Cleveland for the governorship of New York and in 1884 as the Democratic candidate for the United States presidency. He is rewarded on April 2, 1885, when President Cleveland appoints him Envoy Extraordinary and Minister Plenipotentiary to Chile.
Roberts’s term of office is cut short, however, when he suffers a paralytic stroke in May 1888. He is sent back to New York and to hospital, where he remains for nine years. He never regains his mental or physical health and dies on August 9, 1897. His funeral takes place on hospital grounds with few people in attendance. He had been separated from his wife, of whom nothing is known, except that they had at least one son, prior to being admitted to hospital. He is buried at Calvary Cemetery, Queens, New York City.
(From: “Roberts, William Randall” by Owen McGee, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Eamonn Casey, Irish Catholicprelate who serves as bishop of Galway and Kilmacduagh from 1976 until his resignation 1992, returns to Ireland on February 5, 2006, following fourteen years in exile. He fled Ireland after he admitted to fathering his son, Peter.
Casey holds this position until 1976, when he is appointed Bishop of Galway and Kilmacduagh and apostolic administrator of Kilfenora. While in Galway, he is seen as a progressive. It is a significant change in a diocese that had been led for nearly forty years by the very conservative Michael Browne, bishop from 1937 to 1976. He is highly influential in the Irish Catholic hierarchy and a friend and colleague of another highly prominent Irish priest, Father Michael Cleary.
In 1992 it is reported that, despite the vow of chastity undertaken by Catholic clergy, Casey has a sexual relationship in the early 1970s with American woman Annie Murphy. When Murphy becomes pregnant, he is determined that the child should be given up for adoption in order to avoid any scandal for himself or the Catholic church. By contrast, Murphy is determined to accept responsibility for her child, and she returns to the United States with their son, Peter, who is born in 1974 in Dublin. He makes covert payments for the boy’s maintenance, fraudulently made from diocesan funds and channeled through intermediaries. In order to continue the cover up of his affair with Murphy and his fraudulent activities, he refuses to develop a relationship with his son, or acknowledge him. Murphy is very disappointed by this, and in the early 1990s contacts The Irish Times to tell the truth about Casey’s hypocrisy and deception. Having been exposed, he reluctantly admits that he had “sinned” and wronged the boy, his mother and “God, his church and the clergy and people of the dioceses of Galway and Kerry,” and his embezzlement of church funds. He is forced to resign as bishop and flees the country under a cloud of scandal. He is succeeded by his secretary, James McLoughlin, who serves in the post until his own retirement on July 3, 2005.
Murphy publishes a book, Forbidden Fruit, in 1993 revealing the truth of their relationship and the son she bore by Casey, exposing the institutional level of hypocrisy, moral corruption and misogyny within the Irish Catholic Church.
Casey is ordered by the Vatican to leave Ireland and become a missionary alongside members of the Missionary Society of St. James in a rural parish in Ecuador, whose language, Spanish, he does not speak. During this time, he travels long distances to reach the widely scattered members of his parish but does not travel to meet his own son. After his missionary position is completed, he takes a position in the parish of St. Pauls, Haywards Heath, West Sussex, England.
In 2005, Casey is investigated in conjunction with the sexual abuse scandal in Galway, Kilmacduagh and Kilfenora diocese, and cleared of any wrongdoing. In 2019, it emerges that he had faced at least three accusations of sexual abuse before his death, with two High Court cases being settled. The Kerry diocese confirms that it had received allegations against him, that Gardaí and health authorities had been informed and that the person concerned was offered support by the diocese.
Casey returns to Ireland on February 5, 2006, with his reputation in tatters, and is not permitted to say Mass in public.
In August 2011, Casey, in poor health, is admitted to a nursing home in County Clare. He dies on March 13, 2017, a month before his 90th birthday. He is interred in Galway cathedral’s crypt.
Casey is the subject of Martin Egan’s song “Casey,” sung by Christy Moore. He is also the subject of The Saw Doctors‘ song “Howya Julia.”
Among those to welcome the new organisation is Sinn Féin President, Éamon de Valera, who promises all the support he can offer. CardinalMichael Logue, CatholicPrimate of Ireland, also offers his assistance: “Even if peace were restored, of which there seems little prospect at present, all the help which can be obtained shall be necessary, to restore the country from the wreck to which it has been reduced, and to help those who have been left destitute by the murder of those on whom they depended, or ruined by the destruction of their property.”
The Irish White Cross is managed by the Quaker businessman, and later Irish Free Statesenator, James G. Douglas. The organisation continues to operate until the Irish Civil War and its books are officially closed in 1928. From 1922, its activities are essentially wound down and remaining funds divested to subsidiary organisations. The longest running of these aid committees is the Children’s Relief Association which distributes aid to child victims of this troubled period, north and south of the border, until 1947. The head of the Children’s Relief Association is Áine Ceannt, the widow of Éamonn Ceannt who is perhaps one of the least known signatories of the 1916 Proclamation of the Irish Republic.
St. John is the eldest of six children born to Tommy and Lottie Mooney. He is educated at Scoil Muire Gan Smál and Synge Street CBS. He emigrates to Ontario, Canada in 1958 where he takes what labouring jobs he can find. Within six months he meets a woman named Gert Gorman who has an electrical contracting company in the United States. She and her husband sponsor him to move to Washington, D.C., where he is able to work as an electrician. He marries his sweetheart, Susie Bourke, who is from a well-known Dublin theatrical family with links to both the Gaiety and the Olympia theatres. They have two sons, Kieron and Brian. He travels widely and becomes involved in the peace movement and the civil rights movement. He remains in the United States until 1970, returning to settle in Collins Avenue in north Dublin.
The Dublin city that St. John returns to is a changed place from the one he had grown up in and proves to be the spur that inspires his songwriting. He chooses “St. John” as his nom de plume, inspired by a middle name he had been given while at school when all the boys in his class were assigned saints’ names. In 1975, he is running a theatre in Petticoat Lane on Marlborough Street, and while fixing an alarm outside a window on the first floor, the ledge on which he is leaning gives way, resulting in a bad fall. He breaks his elbow and hip and spends six months in the hospital recuperating. It is during this time that he takes to songwriting in earnest.
St. John is an extrovert who loves people. He is a voracious reader with a particular interest in Irish history. His son Kieron recalls his father writing “The Rare Aul Times” during this recovery period and singing it to his family. The Dublin City Ramblers is the first band to cover the song, but it is Danny Doyle’s version that achieves a real breakthrough, spending eleven weeks in the Irish Singles Chart, reaching No. 1 in 1978.
In 1978, St. John writes “The Fields of Athenry,” a tale of a man exiled to Botany Bay for stealing food to feed his family during the Famine. It has been recorded by several artists, charting in the Irish Singles Chart on a number of occasions. A recording by Paddy Reilly, which is released in 1982, remains in the Irish charts for 72 weeks.
St. John pays close attention to the melding of lyric and melody and has particular form in writing memorable melodies that sound timeless, resonating deeply with listeners across all walks of life. His songs sometime express regret for the loss of old certainties, for example, the loss of Nelson’s Pillar and the Metropole Ballroom, two symbols of old Dublin, as progress makes a “city of my town.”
St. John describes his chosen craft with affection. “Songs are magic carpets. They can tell a story over and over again without boring the pants off the listener and maybe take us out of ourselves for a few moments of peaceful escapism. With easy to remember melody lines, the words can tell of times and events in our daily lives that are worth noting or remembering.”
St. John’s songbook consists of hundreds of compositions, including “The Ferryman,” “Waltzing on Borrowed Time” and “The Furey Man” and are recorded by over 2,500 artists. He is a founding member of the Irish Music Rights Organisation (IMRO) and is always generous and supportive of younger writers, some of whom he continues to mentor well into his 80s.
St. John is surprised and delighted at the affiliation that emerges between “The Fields of Athenry” and rugby and football sporting events. He is present in Croke Park in 2007 when Ireland beats England in the Six Nations, and where the song is sung three times over. It is a song often heard in Anfield in Liverpool, and at Glasgow Celtic games, and reverberates around the stadium at Chicago’s Soldier Field when Ireland beats the All Blacks on November 5, 2016.
St. John wins several awards, including the Irish Music Rights Organisation “Irish Songwriter of the Year.”
St. John lives life to the fullest, and while he suffers ill health in his later years with both diabetes and Parkinson’s disease, he never loses his zest for life. His son Kieron describes his father with affection as a man who had nine lives and lived them all to the fullest. He lives independently at home until his admission to Beaumont Hospital in Dublin. He dies peacefully there at the age of 90 on March 12, 2022. After his funeral, Paddy Reilly and Glen Hansard perform “The Fields of Athenry” at Beaumont House in Dublin as a tribute.
Wright is born to Joseph Wright and Mary Montgomery. At the age of eleven, he is sent to the Royal Naval College at Portsmouth, regarded at the time as the finest in the world, where he is educated to become an officer.
At the age of fourteen, following his junior officer training, Wright embarks on a sea voyage on board HMS Newcastle under the captaincy of Lord George Stuart. On this vessel he sails to the east coast of the United States where he is engaged in blockading activities in the squadron of Admiral John Borlase Warren. In 1817 he returns to England, having attained the junior officer’s rank of midshipman.
Although Wright passes the lieutenant‘s examination, promotional opportunities are diminishing in the Royal Navy, and he is not given a commission like many young junior officers in Britain. Collectively, he and others decide to enlist in Simón Bolívar’s revolutionary army and sail for South America in support of the uprisings against Spanish colonial rule. In November 1817, he enlists as an officer in the British Legions of Simón Bolívar, under the patronage of Luis Lopez Mendez, Bolivar’s agent in London. Originally setting off from the River Thames in November 1817, several snags delay the departure until January 2, 1818. They depart from Fowey harbor and sail on a brigantine named Dowson, under naval commander Captain Dormer, with 200 other volunteers armed with valuable weapons and ammunition. They land in the Saint Thomas Island after several weeks. Admiral Luis Brión arrives with his squadron on the Island of St Thomas and Pigott and the Rifle Corps are shipped on Patriot vessels to Margarita Island off the coast of Venezuela, arriving on April 21, 1818.
They are sent to Guayana and then to Angostura, beginning the campaign in the Apure. At Angostura (present-day Ciudad Bolívar), Wright first meets Simón Bolívar, for whom he develops a deep admiration. Bolívar opens the liberating campaign in Apure. During 1818–1819, one of the earliest battles with Wright partaking as an officer is at Trapiche de Gamarra on March 27, 1819. These encounters inspire Bolívar to begin his New Granada campaign and the march 1,500 miles over the Andes Mountains. Wright accompanies Bolívar on the legendary crossing on which 25% of the British/Irish troops die.
Wright takes part in the entire land campaign to liberate the northern countries of South America, and fights in numerous land battles with Bolívar’s army. He plays leading roles in the Battle of Vargas Swamp, and later in the victory at the Battle of Boyacá in August 1819, after which he is promoted to captain. In 1820, he returns with his Rifles regiment to the coastal plains to campaign in the jungles east of the Magdalena against the Spanish based on Santa Marta. The Rifles Corp are then transported by sea to Maracaibo, and on June 21, 1821, take part in Simon Bolívar’s decisive victory in the Battle of Carabobo. Cartagena is also seized, and the Rifles are brought in boats up the Magdalena River en route to Popayán. They form part of the forces led by Bolívar in the second of his famed Andean campaigns. After the successful battle at Bomboná on 7 April 7, 1822, Wright is twice mentioned in Bolívar’s order of the day for his exceptional skill and courage. Again, he is promoted and from February 1822 he is an acting lieutenant colonel.
In early 1824, Bolívar realizes that, despite the Patriot Army success on land, unless the South American revolutionary armies can control the seas off their coasts, they will forever be under sea blockade from imperial Spain. He appoints Wright to the newly fledged United Pacific Naval Squadron.
After Guayaquil seizes independence, John Illingworth Hunt is appointed as Commanding General of the Maritime Department. Immediately he takes care of organizing everything concerning the Navy. Thus, in 1823, the first Ecuadorian naval force is formed.
Wright, who in February 1824 is promoted to captain, becomes Commodore of the South Squadron, and embarks on the brig Chimborazo, and conducts patrols along the Peruvian coast with seven transports properly equipped and ready to assist in the transfer of troops, when Bolívar’s army would require it. Following Bolivar’s defeat of the royalist forces at the Battle of Junín on August 6, 1824, Wright is instructed to proceed to Callao with a squadron of five ships and is placed under the orders of Admiral Martin Guisse, head of the United Squadron. The Gran Colombian units, forming this squadron, participate in some naval actions against the royalists and also in the blockade of Callao, the last Spanish stronghold in South America.
Bolívar installs Wright as a Commodore of the Pacific Southern Squadron. He is appointed to command a small fleet of ships in support of Admiral Martin Guisse and joins the Patriotic naval force blockading off Callao. Along with Admiral Guisse and a handful of other former Royal Navy officers, they spearhead the blockade of Callao that successfully fights the Spanish naval squadron sent to lift the blockade of the besieged city. The blockade holds and Callao capitulates in early 1826, ending Spanish rule in South America.
The revolutionary independence struggles end with the unfolding liberation of South America countries, and Wright settles in Ecuador where he helps establish the Ecuadorian Navy and helps create the Ecuadorian naval school that is named in his honor.
The downfall and expulsion of the Spanish colonial power leads to land disputes and new wars among the South American home nations that once were united against Spain. In 1827, Peruvian PresidentJosé de la Mar invades Bolivia and then invades Ecuador. Wright takes up the cause of defending his new adopted homeland. His navy fights two battles with the Peruvians in the Gulf of Guayaquil.
Ecuador declares itself a republic in 1830, though the region is completely unsettled with Peru and Colombia both claiming parts of Ecuador as part of their territory. At this time Wright goes back in the Navy with his own flag officer’s pendant. He is also appointed to the army with the rank of General of Brigade in 1830. Two unconstitutional presidents, Vincente Rocafuerte and Valdivieso, declare themselves in office. Wright and Flores lead Rocafuerte’s army into a decisive battle that takes place at Minarica in 1835. This action is decisive, and they defeat General Barriga, who is Valdivieso’s appointed General. The victory guarantees the stability and future of Ecuador, with Rocafuerte becoming Ecuador’s president.
In 1835, Wright is Comandante del Apostadero, later changed to Comandancia General de la Marina (Commander-in-Chief of the Navy) for many years. He does not found the Ecuadorian Naval School, as often incorrectly cited. The college is named in his honor. He is the commanding officer of the Ecuadorian Naval Squadron before Ecuador becomes a Republic, as such he is considered a founding father of the Ecuadorian Navy. In this year he is also promoted to Army General of Division.
In 1843, Wright becomes the Governor of Guayaquil. This is the premier military position in the city.
In 1845, a military coup plot overthrows the liberal government supported by Wright and he goes into exile for fifteen years in Chile and Peru. In Chorrillos, Peru, he befriends the Ecuadorian exile Eloy Alfaro and exerts a massive influence on him as a mentor. Alfaro later becomes President of Ecuador from 1897 to 1913. Wright returns from exile in 1860 and opposes Gabriel García Moreno until his death in 1868.
Logue grows up outside the village of Claudy in County Londonderry, the eldest of nine children born to Denis Logue, a bricklayer, and Kathleen (née Devine). He gains a scholarship to St. Columb’s College which he attends from 1961 to 1967. In 1967, he commences at St. Joseph’s Teacher Training college (Queen’s University) in Belfast from which he qualifies as a teacher of Mathematics in 1970. He first comes to prominence as a member of the executive of the Northern Ireland Civil Rights Association (NICRA), the only SDLP member of the executive. He stands as a candidate in elections to the new Northern Ireland Assembly in 1973 and is elected for Londonderry, at the age of 24, the youngest candidate elected that year. With John Hume and Ivan Cooper, he is arrested by the British Army during a peaceful demonstration in Londonderry in August 1971. Their conviction is ultimately overturned by the Law LordsR. (Hume) v Londonderry Justices (972, N.I.91) requiring the then British Government to introduce retrospective legislation to render legal previous British Army actions in Northern Ireland.
The Northern Ireland State Papers of 1980 show that together with John Hume and Austin Currie, Logue plays a key role in presenting the SDLP’S ‘Three Strands’ approach to the Thatcher Government’s Secretary of State for Northern IrelandHumphrey Atkins in April 1980. The “Three Strands” approach eventually becomes the basis for the Good Friday Agreement. The Irish State papers from 1980 reveal that he is a confidante of the Irish Government of that time, briefing it regularly on the SDLP’s outlook.
Logue is also known for his controversial comments at Trinity College Dublin at the time of the power sharingSunningdale Agreement, which many blame for helping to contribute to the Agreement’s defeat, to wit, that: [Sunningdale was] “the vehicle that would trundle Unionists into a united Ireland.” The next line of the controversial speech says, “the speed the vehicle moved at was dependent on the Unionist community.” In an article in The Irish Times in 1997 he claims that this implies that unity is always based on consent and acknowledged by Unionist Spokesman John Laird in the NI Assembly in 1973.
Logue unsuccessfully contests the Londonderry seat in the February 1974 and 1979 Westminster Elections. He is elected to the 1975 Northern Ireland Constitutional Convention and the 1982 Northern Ireland Assembly. He is a member of the New Ireland Forum in 1983. In the 1980s he is a member of the Irish Commission for Justice and Peace and plays a prominent part in its efforts to resolve the 1981 Irish hunger strike. His role is credited in Ten Men Dead: The Story of the 1981 Irish Hunger Strike by David Beresford, Biting the Grave by P. O’Malley and, more recently, in Blanketmen: An Untold Story of the H-block Hunger Strike (New Island Books, 2016) and Afterlives: The Hunger Strike and the Secret Offer that Changed Irish History (Lilliput Press, 2011) by former Provisional Irish Republican ArmyvolunteerRichard O’Rawe. Following the New Ireland Forum in 1984 and John Hume’s decision to represent the redrawn Londonderry constituency as Foyle and a safe seat, Logue leaves the Dublin-based, National Board for Science and Technology and joins the European Commission in 1984 in Brussels.
Following the 1994 Irish Republican Army (IRA) ceasefire, Logue, along with two EU colleagues, is asked by EU President Jacques Delors to consult widely throughout Northern Ireland and the Border regions and prepare recommendations for a Peace and Reconciliation Fund to underpin the peace process. Their community-based approach becomes the blueprint for the Peace Programme. In 1997, then EU President Jacques Santer asks the team, led by Logue, to return to review the programme and advise for a renewed Peace II programme. Papers published by National University Galway in 2016 from Logue’s archives indicate that he is the originator of the Peace Fund concept within the European Commission.
At the European Commission from 1984 to 1998, Logue creates Science and Technology for Regional Innovation and Development in Europe (STRIDE). In 1992, he is joint author with Giovanni de Gaetano, of RTD potential in the Mezzogiorno of Italy: the role of science parks in a European perspective and, with A. Zabaniotou and University of Thessaloniki, Structural Support For RTD.
Further publications by Logue follow: Research and Rural Regions (1996) and RTD potential in the Objective 1 regions (1997). With the fall of the Berlin Wall, his attention turns to Eastern Europe and in March 1998 publishes a set of studies Impact of the enlargement of the European Union towards central central and Eastern European countries on RTD- Innovation and Structural policies.
Logue convenes the first EU seminar on “Women in Science” in 1993 and jointly publishes with LM Telapessy Women in Scientific and Technological Research in the European Community, highlighting the barriers to women’s advancement in the Research world.
As the former vice-chairman of the North Derry Civil Rights Association, Logue gives evidence at the Saville Inquiry into Bloody Sunday. He is special adviser to the Office of First and Deputy First Minister from 1998 to 2002 and as an official of the European Commission. In 2002–03, he is a fellow of the Institute for British – Irish Studies at University College Dublin (UCD). In July 2006, he is appointed as a board member of the Irish Peace Institute, based at the University of Limerick and in 2009 is appointed Vice Chairman. He is a Life Member of the Institute of International and European Affairs.
On December 17, 2007, Logue is appointed as a director to InterTradeIreland (ITI), the North-South Body established under the Good Friday Agreement to promote economic development in Ireland. There he chairs the ITI’s Fusion programme, bringing north–south industrial development in Innovation and Research. Integrating Ireland economically is a theme of his writing throughout his career, most recently in The Irish Times and in earlier publications as economic spokesman for the SDLP. He is economist at the Dublin-based National Board for Science and Technology from 1981 to 1984.
Logue, after leaving the European Commission in 2005, becomes involved in Renewable Energy and is chairman of Priority Resources as well as a director of two companies, one in solar energy, the other in wind energy. In November 2011, he is elected to the main board of European Association of Energy (EAE).
In November 2023, Logue is awarded an honorary doctorate by the University of Galway in recognition of “a lifetime dedicated to civil rights, human rights, equality and peace in Northern Ireland, Ireland and Europe.” He donates an archive of material, more than 20 boxes of manuscripts, documents, photographs and political ephemera, on the development of the SDLP from the early 1970s to the University of Galway.
Donal Donnelly, Irish theatre and film actor, dies in Chicago, Illinois, on January 4, 2010. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”
Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.
For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.
On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.
In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.
Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin (1990–91).
Markham is born on January 8, 1886, at Gower, Cooraclare, County Clare, the youngest in the large family of Michael Markham, farmer, and Margaret Markham (née Keane). She attends national school in Cooraclare from 1893 to 1899. Although she does not speak or understand the Irish language, as do her father and likely her mother, the Rosary is recited in Irish at home. She and a sister are the only siblings not to emigrate. Her mother plays the fiddle, while her older sister Margaret (Maggie) plays the concertina and probably influences her to do likewise. She has no single teacher and acquires tunes and her style of playing from neighbours and family friends. She begins to play a two-row German-type concertina at house dances throughout west Clare and becomes very much in demand.
In 1914, Markham marries Michael (Miko) Crotty from Gowerhass, the townland next to Gower. Miko had been in the United States for a couple of years and uses the money earned there to buy a public house on the Market Square in Kilrush, now known as “Crotty’s Pub.” They live in the Square in Kilrush and Miko bottles his own whiskey. The pub is an important venue for Irish traditional music, especially for those who wish to hear Crotty play. She remains relatively unknown outside of Clare until the early 1950s, and there are a relatively small number of recordings of her playing the concertina. The broadcaster Ciarán Mac Mathúna conducts recording sessions in her house in 1955 and she is to be heard on A Job of Journeywork, his programme on Radio Éireann. She possesses a number of concertinas, but the Lachenal that she purchases in the 1950s is her favourite and the one with which she is most closely identified. In 1954, she is a founder member and the first president of the Clare branch of Comhaltas Ceoltóirí Éireann. During her time as president, the All Ireland Fleadh is held in Ennis in 1956.
Crotty often sings the traditional song “An draighneán donn,” which is one of her favourites. Among tunes she enjoys playing are the “Ewe reel,” the “Dublin reel,” and “The maid of Mount Cisco,” along with “The wind that shakes the barley.” Her straight style of playing for dancing and dancers increases her popularity. Seán Ó Riada regards her as one of the finest concertina players he ever heard. Although she does not read or write staff notation, she creates a written code for herself by giving the concertina keys a number and by using a symbol for the press or draw movement on the concertina keys.
Crotty suffers from severe angina which necessitates visits for medical treatment to Dublin, where she becomes friends with fiddle player Kathleen Harrington (née Gardiner). They attend the Pipers’ Club in Thomas Street, play together on Radio Éireann, and travel together to fleadhanna.
Crotty dies on December 27, 1960, of an anginal attack while at her home. She is buried in (old) Shanakyle cemetery. She loses her first three children, and a son drowns in the River Shannon in 1945. Another son, Thomas, becomes a priest. A festival, ‘Éigse Mrs Crotty’, is held in her memory each summer in Kilrush. Her son Paddy gives three perpetual trophies for presentation at the All-Ireland Fleadh Cheoil.
(From: “Crotty, Elizabeth (‘Lizzie’)” by Ríonach uí Ógáin, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 