Joan O’Hara, Irish stage, film and television actress, dies in Dublin on July 23, 2007. She is one of Ireland’s most popular actresses and is, at the time of her death, recognisable to television viewers as Eunice Dunstan, a gossip in Fair City on RTÉ One.
More recently, O’Hara is best known for appearing in the popular Irish television soap operaFair City, broadcast on RTÉ One. She joins the soap in 1994, portraying the character Eunice Dunstan until her death in 2007. Thus, she is described as both one of Ireland’s most popular actresses and as one of the finest actors of her generation on her death. She admires in particular Samuel Beckett, Federico García Lorca and Ingmar Bergman. While she takes a no-nonsense approach to her craft, famously giving the advice that when in doubt, one should relate to the fireplace, she is educated at the Abbey School of Acting and has a deep appreciation and knowledge of theoretical approaches to acting and is an admirer of the European and American avant-garde. As actor Alan Stanford says after her death, “She had the most amazing energy. She was in the truest sense one of the last of the greats.”
Joan O’Hara Barry (she keeps her maiden name as her stage name) dies in Dublin on July 23, 2007, of complications from heart disease, aged 76. Her death is announced on RTÉ News the following day.
McCann’s career includes parts in many plays from the Irish literary canon, including Tarry Flynn, The Shaughran, and the Gate Theatre‘s highly acclaimed production of Seán O’Casey‘s classic Juno and the Paycock in the 1980s (McCann plays the “Paycock” (Captain Boyle) opposite Geraldine Plunkett as Juno and John Kavanagh as Joxer Daly) as well as a subsequent production of O’Casey’s The Plough and the Stars.
McCann develops a particularly fruitful relationship with the playwright Brian Friel. He plays the role of Gar O’Donnell, the public figure, in a film adaptation of Philadelphia, Here I Come! in 1970 and, despite popular belief, he never plays either public or private Gar on stage. He gives a landmark performance as Frank Hardy, the title character, in Faith Healer in 1980 (a role he reprised in 1994), continuing his relationship with Friel through productions of Translations (1988) and Wonderful Tennessee (1993).
Friel says that McCann’s work “contains extraordinary characteristics that go beyond acting … it is deeply spiritual.” Perhaps McCann’s most renowned role is as Thomas Dunne in Sebastian Barry‘s The Steward of Christendom. He wins the London Critics’ Circle Theatre Award (Drama Theatre) as best actor for this role in 1995. He reprises this role in a 1996 production at the Gate Theatre, Dublin and, following a twelve-week run at the Brooklyn Academy of Music in 1997, his “performance of unarguable greatness” (The New York Observer) had Newsweekhailing him as “a world-class star,” and The New York Times referring to this “astonishing Irish actor…widely regarded as the finest of them all.”
On the London stage, McCann plays in Prayer for My Daughter opposite Antony Sher (1978), and is Jean to Dame Helen Mirren‘s Julie in Miss Julie (1971). This is filmed for the BBC, and he much later plays Judge Brack with Fiona Shaw in the title role of Henrik Ibsen‘s Hedda Gabler, a production filmed for the BBC in 1993.
His best-known film role is as Gabriel Conroy in The Dead (1987), starring opposite Anjelica Huston and directed by her father, John Huston. Significant late roles include Bernardo Bertolucci‘s Stealing Beauty (1996) and in John Turturro‘s Illuminata (released in 1999, after McCann’s death).
McCann’s television work includes the featured role of Phineas Finn in the BBC’s serialised adaptation of Anthony Trollope‘s The Pallisers, Willie Burke in RTÉ‘s Prix Italia drama entry The Burke Enigma (1979) and Barney Mulhall in RTÉ’s Strumpet City (1980), as well as many one-off parts.
McCann plays in Bob Quinn‘s Irish language film Poitín (1979) and in Quinn’s somewhat experimental The Bishop’s Story (1995). After hearing that McCann is ill, Tom Collins asks Quinn to make a TV documentary about McCann for RTÉ called It Must Be Done Right (1999), after a remark by McCann on his craft. The film airs on RTÉ a week before McCann’s death.
In his private life, McCann is a quiet and unassuming man, but he battles both depression and alcoholism all his life. He has many friends in Irish theatre and artistic circles but also across all strata of life. His hobbies include sketching and he is passionate about horse racing.
Remembering McCann on the 25th anniversary of his death, Gerald Smyth writes, “In the melancholy of that life-worn voice could be heard the cadences of a lyric heart.”
Kilfedder leaves the UUP in 1977 in opposition to the party’s policies tending to integrationism, preferring to advocate the restoration of the Stormont administration. For a time he sits as an “Independent Ulster Unionist.” He contests the 1979 European Parliament election under that label, finishing fourth in the count for the three seats, having overtaken the UUP leader Harry West on transfers.
On March 20, 1995, while traveling by train into London from Gatwick Airport, Kilfedder dies of a heart attack. This is the same day that the Belfast Telegraph carries a front-page story saying that an Ulster MP has been targeted as one of twenty MPs invited by the LGBT rights organisation OutRage! in a letter to come out. He dies unmarried and is survived by two sisters.
John M. Oxx, retired Irish trainer of thoroughbred racehorses, is born on July 14, 1950. By the end of the 2009 season he had trained thirty-five Group One winners over his career, including the winners of eleven Classic races. He is best known as the trainer of Sinndar and Sea The Stars.
Oxx has been widely praised for the care and undemonstrative authority with which he approaches the training and racing of his horses. He is particularly known for being highly selective when choosing when and where his horses will run.
Oxx is the son of John Oxx Sr., who is himself a successful trainer, winning eight Irish classic races. In 1950, his father purchases Currabeg, at the southwestern end of the Curragh in County Kildare, where Oxx Jr. takes over training. He graduates from University College, Dublin, as a veterinary surgeon in 1973, and works as his father’s assistant before taking over the stable in 1979. In that year he has his first win and his first Group win with Orchestra.
The Aga Khan begins to support Oxx’s yard with a number of yearlings after Eurobird’s win in 1987. When he decides to withdraw his racehorses from England following Aliysa’s disqualification in the Epsom Oaks of 1989, he establishes a significant presence in Oxx’s yard. Without a budget of his own to spend on yearlings, Oxx continues to be reliant on horses bred by owners with whom he has an association. In some years, he concedes, “you wouldn’t have anything remotely near Group One standard.”
Many of Oxx’s major race wins have come from Aga Khan-owned horses, beginning with Manntari’s victory in the Vincent O’Brien National Stakes at the Curragh in 1993, and continuing with Timarida’s win in the Irish Champion Stakes at Leopardstown Racecourse in 1996, followed by Ebadiyla’s victory in the 1997 Irish Oaks. He also wins that race with Winona the following year. In 2000, he trains the Aga Khan’s brilliant Sinndar to wins in the Epsom Derby, the Irish Derby, and the Prix de l’Arc de Triomphe, making the colt the only horse ever to win that trio of races and at the time one of only three Irish-based horses to ever win the Arc.
Oxx comes to wider public attention when guiding Sea The Stars through a famous 2009 season in which he wins Group One races in England, Ireland and France, his six consecutive triumphs including the 2000 Guineas Stakes, the Epsom Derby and the Prix de l’Arc de Triomphe. He is typically understated when assessing the role of the trainer in the career of a great horse like Sea The Stars. “You can’t give them ability they don’t have,” he tells The Independent newspaper. “Really, it’s just a case of not messing it up – not to overtax the horse too soon, or ask it to do stupid things as a two-year-old. If you mind him sufficiently when he’s young, hopefully his ability will blossom.”
In an interview with The Observer, Oxx says of Sea The Stars: “I was always reading about racing and great horses of the past. So when you grow up with the history of racing and the history of breeding, the landmark horses that come along over a century, and more – to train one that’s in that league gives you the greatest satisfaction.”
Oxx serves as chairman of the Irish National Stud from 1985 to 1990. He is chairman of the Irish Racehorse Trainers’ Association from 1986 to 1991 and from 1993 to 1996. He serves on numerous other racing bodies and is chairman of the Racing Academy and Centre of Education. In 2008, he is given the Irish Racehorse Trainers’ Association Hall of Fame award.
Oxx marries Caitriona O’Sullivan in 1974. They have three children.
Donal Donnelly, Irish theatre and film actor, is born to Irish parents in Bradford, West Yorkshire, England, on July 6, 1931. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”
Donnelly’s father, James, is a doctor from County Tyrone, and his mother, Nora O’Connor, is a teacher from County Kerry.
Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.
For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.
On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.
In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.
Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin(1990–91).
(Pictured: Publicity still of Donal Donnelly as Frederick Treves in the Broadway’s play TheElephant Man)
Betty Ann Norton, Irish drama teacher and founder of the Betty Ann Norton Theatre School and actor agency, is born on July 5, 1936.
Norton grows up in Dublin near the South Circular Road. Her mother, Frances, plays the violin and her father, Eugene, is a baritone singer. Frances is a full-time homemaker while Eugene works as manager of the Bacon Shops on Grafton Street. One of two children, her younger brother, Jim Norton, also becomes a successful actor. She attends school at St. Louis High School, Rathmines.
Norton attends the Ena Mary Burke School of Drama and Elocution on Kildare Street, Dublin, where Hollywood starMaureen O’Hara had also trained. Her acting school offers an annual Ena Mary Burke scholarship in Burke’s honour.
Norton originally plans to become an actor, but her family does not approve and her mother encourages her to become a teacher. In 1959, she establishes the Betty Ann Norton Theatre School on Harcourt Street in Dublin. Her husband, Michael, is co-director of the school. According to Norton, changes to traffic by the new Luas tram system causes the business to change premises to her childhood school, St. Louis High School in Rathmines in 2006.
Norton meets her husband, Michael J. Cunneen, on the Aran Islands in 1965 and they marry in 1967. They lived in Dún Laoghaire. Michael dies in the Blackrock Clinic on May 12, 2017.
A 1966 review by Howard Klein in The New York Times of Greevy’s recording of Handel arias states: “The voice has the firm, compact resonance of a true contralto. She has endless breath and can move her voice with agility and precision.”
Greevy has a special affinity with Mahler, in particular his orchestral song cycles. In 1966, she performs Kindertotenlieder in London with the then RTÉ National Symphony Orchestra. The Times praises the 26-year-old Greevy’s “full, glowing voice, rich and firm at the bottom, radiant at the top, and gloriously expressive phrasing.” Later, in the 1990s, she performs all Mahler’s vocal works with orchestra over a four-year period in the Teatro Colón, Buenos Aires, Argentina.
Greevy chooses to live in her native Dublin throughout her career rather than be based in one of the world’s major music centres. She maintains confidently that “if you’re good enough you can live where you like.” Nevertheless, this decision undoubtedly curtails her opportunities in the recording studio and on the concert stage.
Greevy dies at the age of 68 on September 26, 2008, following a short illness. She is married to Peter Tattan, who predeceases her in 1983. They have one son, Hugh.
Ryan is Professor of Oriental Languages at University College Dublin before his appointment by Pope Paul VI as Archbishop of Dublin and Primate of Ireland on December 29, 1971. Maintaining his connection and interest in oriental studies, he serves as chairman of the trustees of the Chester Beatty Library from 1978 to 1984.
During his term, Ryan consolidates much of the expansion of the archdiocese which had taken place during the term of his predecessor. He also oversees the fuller implementation of the reforms of Vatican II. He is particularly interested in liturgical reform.
Ryan also takes a traditional stand on social issues, including poverty, family life and opposition to abortion. He strongly promotes the Eighth Amendment of the Constitution of Ireland in 1983, granting the equal right to life to mother and unborn.
As Archbishop, Ryan gives the people of Dublin a public park on a site earmarked by his predecessors for a proposed cathedral. It is named “Archbishop Ryan Park” in his honour. The land, at Merrion Square, is a gift from the archbishop to the city of Dublin.
Ryan dies at the age of 60 in Rome on February 21, 1985, following a heart attack. He is buried in St. Mary’s Pro-Cathedral.
Lynch is called to the bar in 1949, and becomes a senior counsel in 1970. His practice is centered on the Midland circuit.
Lynch becomes a judge of the High Court in 1984. In December 1984, he is appointed the sole member of the tribunal into the Kerry Babies case. He is among three judges who sit in a divisional High Court which hears an unsuccessful challenge by Des Hanafin to result of the 1995 divorce referendum. He hears the High Court hearing of Bula Ltd v Tara Mines Ltd (No 6) in 1996 which runs for 277 days.
Lynch is appointed to the Supreme Court of Ireland in April 1996. He is delayed from first sitting on the court as the Bula case has not yet completed. He retires in December 1999.
Lynch is married to Bernadette, with whom he has five children. He dies at the age of 85 on October 31, 2013, in a nursing home near Croom, County Limerick.
seamus dubhghaill 