Clery is the son of Arthur Clery (who also uses the names Arthur Patrick O’Clery and Arthur Ua Cléirigh), a barrister, and Catherine Moylan. His father, who practises in India, publishes books on early Irish history.
Clery’s principal themes include the difficulties of Roman Catholic graduates seeking professional employment, dramatic criticism (he hails Lady Gregory‘s play Kincora as the Abbey Theatre‘s first masterpiece but is repulsed by the works of John Millington Synge), Catholic-Protestant rivalry, tension within the Dublin professional class, and the vagaries of the Gaelic revival movement.
Clery advocates partition on the basis of a two nations theory, first advanced in 1904–1905, possibly in response to William O’Brien‘s advocacy of securing Home Rule through compromise with moderate Unionists. Several of his articles on the subject are reprinted in his 1907 essay collection, The Idea of a Nation.
Clery derives this unusual view for a nationalist from several motives, including a belief that arguments for Irish nationalists’ right to self-determination can be used to justify Ulster Unionists’ right to secede from Ireland, fear that it might be impossible to obtain Home Rule unless Ulster is excluded, and distaste for both Ulster Protestants and Ulster Catholics, whom he sees as deplorably anglicised. He remains a partitionist for the rest of his life. He is not particularly successful as a barrister, but on the establishment of University College Dublin (UCD) in 1909, he is appointed to the part-time post of Professor of the Law of Property.
Clery does not take his seat and does not contest the September 1927 Irish general election since new legislation obliges candidates to pledge in advance that they will take their seat. He is one of the lawyers who advises Éamon de Valera that the Irish Free State is not legally obliged to pay the Land Annuities which had been agreed in the Anglo-Irish Treaty of 1922.
Clery was a close friend of Tom Kettle, with whom he founds a dining club, the “Cui Bono.” Hugh Kennedy is also a lifelong friend. As Auditor of the L & H, he tries to prevent James Joyce from reading a paper praising Henrik Ibsen, asserting that “the effect of Henrik Ibsen is evil,” but Joyce succeeds in reading it after he argues his case with the college president. The principal influence on Clery is the Irish Ireland editor D. P. Moran, to whose weekly paper, The Leader, Clery becomes a frequent contributor. In addition to The Idea of a Nation, he publishes Dublin Essays (1920) and (as Arthur Synan) The coming of the king.
Dinneen is a leading figure in the Irish Texts Society, publishing editions of Geoffrey Keating‘s Foras Feasa ar Éirinn, poems by Aogán Ó Rathaille, Piaras Feiritéar, Tadhg Gaelach Ó Súilleabháin, and other poets. He also writes a novel and a play in Irish, and translates such works as Charles Dickens‘s A Christmas Carol into Irish. His best known work, however, is his Irish–English dictionary, Foclóir Gaedhilge agus Béarla, which is first published in 1904. The stock and plates of the dictionary are destroyed during the Easter Rising of 1916, so Dinneen takes the opportunity to expand the dictionary. A much larger second edition, compiled with the assistance of Liam S. Gógan, is published in 1927. His request to the Irish Texts Society to include Gogan’s name on the title page is refused. Gogan continues to work on the collection of words up to his death in 1979. This complementary dictionary is published online in 2011.
In a letter to his family written on April 30, 1916, Thomas MacDonagh recalls “I was astonished to receive by a messenger from P.H. Pearse, Commandant General of the Army of the Irish Republic, an order to surrender unconditionality to the British General. I did not obey the order as it came from a prisoner. I as then in supreme command of the Irish Army, consulted with my second in command and decided to confirm the order. I knew that it would involve my death and the deaths of other leaders. I hoped that it would save many true men among our followers, good lives for Ireland. God grant it has done so and God approve our deed. For my self I have no regret. The one bitterness that death has for me is the separation it brings from my beloved wife Muriel, and my beloved children, Donagh and Barbara. My country will then treat them as wards, I hope. I have devoted myself too much to National work and too little to the making of money to leave them a competence. God help them and support them, and give them a happy and prosperous life. Never was there a better, truer, purer woman than my wife Muriel, or more adorable children than Don and Barbara. It breaks my heart that I shall never see my children again, but I have not wept or murmured. I counted the cost of this and am ready to pay it. Muriel has been sent for here. I do not know if she can come. She may have no one to take the children while she is coming. If she does.”
MacDonagh and Pearse are contemporaries of one another: poets, progressive educators, Gaelic revivalists. They are men who gird for battle “with a revolver in one hand and a copy of Sophocles in the other.” Each man commands a unit of Irish Volunteers during the Easter Rising, which takes place the week of April 24-30,1916. MacDonagh occupies Jacob’s biscuit factory and Pearse the General Post Office (GPO), from which he issues the surrender at the end of the week.
McDonagh and Pearse are signatories of the Proclamation of the Irish Republic, a document issued by the Irish Volunteers and the Irish Citizen Army at the beginning of the Easter Rising, proclaiming Ireland’s independence from the United Kingdom. The reading of the proclamation by Pearse outside the General Post Office (GPO) on Sackville Street (now O’Connell Street), Dublin‘s main thoroughfare, marks the beginning of the Rising.
Pearse’s and MacDonagh’s signatures on the Proclamation are a fatal endorsement for them and for each of the other five men to lend it their signatures. After being court-martialed, both Pearse and MacDonagh, along with Thomas Clarke, are executed by firing squad at Kilmainham Gaol in Dublin on May 3, 1916, the first of the rebels to be executed.
(Pictured: Thomas McDonagh (left) and Patrick Pearse)
In September 1914 Cregan goes to Dublin to study music in the Leinster School of Music, under Madame Coslett Heller. It is while she is in Dublin that she becomes friends with the Ryan family, who are strong nationalists as well as interested in the Gaelic League and Sinn Féin. She begins to sing for concerts which are fundraisers for the Irish Volunteers. The last concert is just two weeks before the Easter Rising.
During Easter week Cregan is sent to Tralee with “automatics and ammunition” by Seán Mac Diarmada. While she is carrying a violin case of munitions, she is also carrying details for the wireless technology needed for communicating with the SS Aud, the boat which is carrying more weapons for the rebellion. The communications with the SS Aud go wrong when the car carrying the Volunteers goes off a pier and the occupants are drowned. She is still in the area to assist with the surviving Volunteer, who unfortunately knows nothing of the details for the SS Aud. She is not easily able to get back to Dublin, because owing to the Rising the city is cut off. By the time she gets back, her friends have been arrested.
When Cregan is going to school in Dublin she is also working in a school in Rathmines. Like many of the teachers, she loses her job after the rising because of her connection to the rebels. However, she is able to get new positions over the next few years in both Ballyshannon and Portstewart until she marries. In Ballyshannon she experiences the early expressions of support and sympathy, but Portstewart is a Unionist enclave with many houses flying union flags on polling day in 1918.
Cregan is a member of Cumann na mBan and with them is active during the Irish War of Independence. She is given a medal for her participation. On July 23, 1919, she marries Dr. James Ryan in Athenry, County Galway. His entire family had been deeply involved in the Easter Rising, as well as the Irish War of Independence and the Irish Civil War. They have three children, Eoin, who becomes a Senator, Nuala (Colgan) and Seamus.
The family is initially based in Wexford during the War. The house is often raided when the British soldiers are looking for her husband and Cregan herself is arrested in February 1921 for refusing to put up martial law posters. Later the family sells the house and remains mobile while she works for the Sinn Féin government, and her husband is in prison. It is during this time that she works as a courier to the continent and to London. After the war, they purchase Kindlestown House in Delgany, County Wicklow, where they remain for the rest of their lives.
Cregan’s first book for children is Old John and gains her considerable international success and attention. Sean Eoin is also published in Irish and is illustrated by Jack Butler Yeats. Her work is also aired on the BBC and RTÉ. Rathina wins the Downey Award in the United States in 1943. She also writes two plays: Hunger strike (1933), based on experience of her husband’s involvement in such a strike, which is broadcast on Radio Éireann on May 5, 1936, and Curlew’s call (1940).
Cregan dies on November 9, 1975, in St. Vincent’s Hospital, Dublin, and is buried in Redford cemetery near her home in County Wicklow.
(Pictured: Máirín Cregan and her husband, Dr. James Ryan)
Duffy is born in Nice, France, on July 17, 1884, the daughter of the Irish nationalist Sir Charles Gavan Duffy, one of the founders of The Nation and his third wife, Louise (née Hall) from Cheshire, England. Her mother dies when she is four. She is then raised in Nice by her Australian half-sisters from her father’s second marriage. It is a well-to-do and culturally vibrant home where she is exposed to political figures and ideas.
Duffy’s first visit to Ireland is in 1903, at the age of 18, when her father dies and is buried in Glasnevin Cemetery. This is when she first hears Irish spoken. She finds a grammar book in a bookshop and becomes curious. Her father was not an Irish speaker, though her grandmother in the early 1800s was likely fluent.
Duffy spends the years between 1903 and 1907 between France and England. She takes courses through Cusack’s College in London so that she can matriculate.
Duffy decides to continue her studies in Dublin but cannot afford to move until she receives a small inheritance from her grandmother on the Hall side of the family. Once in Ireland in 1907, at the age of 23, she begins her university studies, taking arts. She lives in the Women’s College, Dominican Convent, as women are not allowed to attend lectures in the Royal University of Ireland. She goes occasionally to the Gaeltacht to learn Irish. Graduating in 1911 with a Bachelor of Arts from University College Dublin (UCD), she is one of the first women to do so.
Given the lack of teachers, even without a full qualification, Duffy then teaches in Patrick Pearse‘s St. Ita’s school for girls in Ranelagh. She studies with the Dominicans again in Eccles Street, gaining a Teaching Diploma from Cambridge University.
A supporter of women’s suffrage, Duffy speaks at a mass meeting in Dublin in 1912 in favour of having the Home Rule bill include a section to grant women the vote. She also joins the Irish republican women’s paramilitary organisation Cumann na mBan, as a founding member in April 1914, serving on the provisional committee with Mary Colum, as a co-secretary.
Duffy is aware that being a suffragist and a nationalist are not necessarily the same thing, realising her involvement in Cumann na mBan is in support of nationalism. When St. Ita’s closes due to funding problems in 1912, she takes the opportunity to complete her qualifications. After receiving her Cambridge teacher’s diploma in 1913, she returns to UCD to study for a Master of Arts degree.
Duffy is in fact working on her master’s thesis during the Easter break in 1916 when the rumour comes to her that the Rising has begun in Dublin city centre. She walks to the Rebel headquarters in the GPO where she tells Pearse, one of the leaders, that she does not agree with the violent uprising.
Duffy spends all of Easter week working in the GPO kitchens with other volunteers like Desmond FitzGerald and a couple of captured British soldiers, ensuring the volunteers are cared for. The women in the GPO are given the opportunity to leave under the protection of the Red Cross on the Thursday as the shelling of the building has caused fires, but almost all of them refuse. In the end, she is among the second group of the people to leave the GPO on the Friday, tunnelling through the walls of the buildings to avoid coming under fire.
Duffy’s group makes it to Jervis Street Hospital where they spend the night. The next day, Saturday, Pearse formally surrenders. She heads for Jacob’s Biscuit Factory, another volunteer position, on the morning after the surrender, to see what is happening. There she finds a holdout of volunteers who are unaware of the surrender or that the fighting is over.
After 1916 Duffy is elected to the Cumann na mBan’s executive and in 1918 is one of the signatories to a petition for self-determination for Ireland which is presented to President Woodrow Wilson by Hanna Sheehy-Skeffington. During her time in the GPO, she had collected names of the volunteers and promised to take messages to their families. This possibly influences her in being involved in the National Aid Association and Volunteers Dependants Fund. In the aftermath of the rebellion there are 64 known dead among the volunteers, while 3,430 men and 79 women are arrested. Families need support. These organisations are able to arrange funding from the United States.
In 1917, Duffy co-founds and runs Scoil Bhríde, as a secondary school for girls in Dublin through the medium of Gaelic. It is still in operation as a primary school. Her co-founder is Annie McHugh, who later marries Ernest Blythe. The end of the Rising leads to the Irish War of Independence (1919-21). During this time, she is mostly focused on the school. However, it is raided by the military and Duffy later admits it is in fact used for rebel meetings and to safeguard documents. In October 1920, the Irish leader Michael Collins meets Archbishop Patrick Clune there in secret. In an effort to support the nationwide boycott of the police, the Royal Irish Constabulary (RIC), in 1920, she has a leaflet sent to all branches of Cumann na mBan which states in part that the RIC are the “eyes and ears of the enemy. Let those eyes and ears know no friendship.”
The war ends with the Anglo-Irish Treaty in 1921. The result is the Irish Civil War which lasts until 1923. Duffy is a supporter of the Treaty, which her brother had signed, and as such she leaves Cumann na mBan and joins Cumann na Saoirse, in which she is instrumental in founding as an Irish republican women’s organisation which supports the Pro-Treaty side.
Once the civil war is over, Duffy leaves the political arena and returns to education. She especially needs to focus on funding in the early years of the school. She works with UCD’s Department of Education from 1926, once Scoil Bhríde is recognised as a teacher training school. She publishes educational documents like School Studies in The Appreciation of Art with Elizabeth Aughney and published by UCD in 1932.
Until her retirement, Duffy also lectures on the teaching of French. She retires as principal in 1944.
Recognising the importance of her first-hand experience and with a good political understanding, Duffy records her memories of the events in which she has taken part. In 1949, she gives an account of her life in relation to nationalist activities to the Bureau of Military History. She is involved in a Radio Éireann broadcast in 1956 about the women in the Rising. In 1962, she takes part in the RTÉ TV program Self Portrait broadcast on March 20, 1962. In March 1966 she gives a lecture in UCD to mark the 50th anniversary of the Rising which is published in The Easter rising, 1916, and University College Dublin (1966).
Duffy dies, unmarried, on October 12, 1969, aged 85, and is interred in the family plot in Glasnevin Cemetery.
In 2014, An Post issues a stamp to commemorate the centenary of the founding of Cumann na mBan. In 2016, for the centenary, a documentary is produced, discussing seven of the women, including Duffy, who were involved in the Easter Rising.
O’Hegarty comes from a family with strong nationalist roots. His parents are John, a plasterer and stucco worker, and Katherine (née Hallahan) Hegarty. His elder brother is Patrick Sarsfield O’Hegarty, the writer. His parents’ families emigrated to the United States after the Great Famine, and his parents married in Boston. His father is a member of the Irish Republican Brotherhood (IRB). In 1888, his father dies of tuberculosis at the age of 42, and his mother has to work to support the family.
O’Hegarty is educated at the Christian BrothersNorth Monastery school in Cork. By 1902, he has left school to work as a sorter in the local post office, rising to post office clerk. He is a supporter of the Gaelic revival, Irish traditional music, and Gaelic games. A committed sportsman, in his twenties he is captain of the Post Office HQ’s hurling team. He follows his brother Patrick into Conradh na Gaeilge and eventually the Irish Volunteers and the Irish Republican Brotherhood. He is a member of the Celtic Literary Society by 1905 and founds the Growney branch of Conradh na Gaeilge in 1907. A puritanical character by nature, he is a non-smoker and never drinks.
O’Hegarty is a founder of the local branch of the Irish Volunteers in Cork in December 1913. In June of the following year, he is appointed to the Cork section of the Volunteer Executive, and then to the Military Council. In October, the Dublin government discovers his illegal activities, and he is dismissed. Excluded from Cork under the Defence of the Realm Act (DORA) regulations, he moves to Ballingeary, where he works as a labourer. From there he moves to Enniscorthy, County Wexford, where he lives with Larry de Lacy. On February 24, 1915, he is arrested and tried under the Defence of the Realm Act for putting up seditious posters. But for this and a second charge of “possession of explosives” he is discharged. The explosives belonged to de Lacy.
The Volunteers appoint O’Hegarty as Commandant of Ballingeary and Bandon. During the Easter Rising, he is stationed in Ballingeary when visited by Michael McCarthy of Dunmanway to propose an attack on a Royal Irish Constabulary (RIC) post at Macroom. But their strength is fatally weakened and, having no reserves, they call off the attempt. In 1917, he becomes Vice-commandant of No.1 Cork Brigade. He works as a storekeeper at the workhouse but is intimidating, and clashes with the Poor Law Guardians.
During the Irish War of Independence, O’Hegarty is one of the most active in County Cork. Like others, he is exasperated with Tomás Mac Curtain’s inactivity and refusal to be more bellicose. One such is battalion commander Richard Langford, who joins with O’Hegarty’s unit to make an unauthorized raid on the RIC post at Macroom. Langford is court-martialed, but O’Hegarty continues to rise in the ranks. When a RIC Inspector is murdered, Mac Curtain condemns the shootings and calls for their end. On March 19, 1920, Mac Curtain is shot and killed in his home in Cork. The coroner blames the British establishment in Dublin, but the police never make any attempt to investigate the killings. Shortly after these events General Hugh Tudor begins the policy of official reprisals.
In January 1920, an inquiry is held into corruption alleged against “Hegarty’s Mob” or “Hegarty’s Crowd” running Cork City. O’Hegarty blames the former mayors for the charges of incompetence but remains on good terms with them.
In a raid on Cork City Hall on August 12, 1920, the British manage to net all the top brass of the IRA in Cork. In an incredible failure of intelligence, they do not identify the leadership as their prisoners. They are all released, including Liam Lynch, and O’Hegarty. Only Terence MacSwiney, the new Lord Mayor of Cork, is kept in custody and sent to England.
On February 25, 1921, the Coolavokig ambush is carried out by the 1st Cork Brigade under O’Hegarty at Ballyvourney village, on the road between Macroom and Ballyvourney. The IRA suffers no casualties; however, the number of British casualties has been disputed to this day.
The brigade commanders in the southern division retain a residual lingering resentment of Dublin GHQ’s lack of leadership and supplies. Seán Moylan, commandant of No. 2 Cork Brigade, thinks good communications with No.1 Brigade are to be vital, but little of this is seen via the organizer, Ernie O’Malley, at GHQ. At a meeting set up for April 26, 1921, when the manual of Infantry Training 1914 is produced, the document raises great anger. The meeting ends in uproar when O’Hegarty, who is “a master of invective, tore the communication and its authors to ribbons.”
O’Malley and Liam Lynch, the general, meet with O’Hegarty in the mountains of West Cork, near a deserted farmhouse, just off the main road. In the retreat that follows, the Irish take heavy casualties and leave their wounded to the good care of the British. These are the “Round-ups” in which the Irish sleep outside in order to avoid being at home when the Army calls. They are told by the Brigade to learn the national anthem of England to avoid arrest.
In East Cork brigade, O’Hegarty uncovers a spy ring. He is ruthless in the treatment of Georgina Lindsay and her chauffeur, who give away information to the Catholic clergy, but is remarkably lenient on brigade traitors within. He is allegedly not too bothered about evidence but is reminded that all executions of a traitor have to be approved by Dublin first.
O’Hegarty becomes more and more aggressive toward the establishment, using tough language to impose his will over the area. He attempts to force the civilian Teachtai Dála (TDs) for Cork to stand down, to give way to military candidates, telling the Dáil in December 1921, that any TD voting for the treaty will be guilty of treason. But Éamon de Valera is decided and overrules any interference with the Civil Government. Like the commanders, de Valera rejects the treaty but has already been defeated in the Dáil on a vote by W. T. Cosgrave‘s majority.
On February 1, 1922, O’Hegarty marries Maghdalen Ni Laoghaire, a prominent member of Cumann na mBan.
O’Hegarty is on the IRA’s Executive Council, but when there is a meeting on April 9, 1922, it is proposed that the Army should oppose the elections by force. As a result, Florence O’Donoghue and Tom Hales join him in resigning. In May, he and Dan Breen enter into negotiations with Free Stater Richard Mulcahy. A statement is published in the press asking for unity and acceptance of the Treaty. During this time, the republicans become very demoralized and ill-disciplined, but they have to gain strength before announcing independence from Dublin. The debate amongst the anti-Treaty IRA command is increasingly rancorous.
The bitter divisions split the anti-treatyites into two camps. Two motions are debated at the Army Convention on June 18, 1922. At first, the motion to oppose the treaty by force is passed. These men include Tom Barry, Liam Mellows, and Rory O’Connor, who are all in favour of continuing the fight until the British are driven out of Ireland altogether. However, one brigade’s votes have to be recounted, and then the motion is narrowly defeated. Joe McKelvey is appointed the new chief of staff, but the IRA is in chaos. While he strongly opposes the Anglo-Irish Treaty, O’Hegarty takes a neutral role in the Irish Civil War and tries to avert hostilities breaking out into full-scale civil war. He emerges as a leader of the “Neutral IRA” with O’Donoghue. This is a “loose” confederation of 20,000 men who have taken part in the pre-truce wars but have remained neutral during the Civil War from January 1923. Over 150 persons attend its convention in Dublin on February 4, 1923. By April 1923, O’Malley is imprisoned in Mountjoy Prison. In a letter to Seamus O’Donovan on April 7, he blames Hegarty for all this compromise and “peace talk.”
It has been alleged by the author Gerard Murphy that O’Hegarty had a role in the assassination of the Commander-in-Chief, Michael Collins, in August 1922, along with Florrie O’Donoghue and Joe O’Connor. It is alleged that as members of the 1st Southern Division Cork, they are actually feigning claims of neutrality but remain part of the IRB in order to set up talks towards peace and the cessation of hostilities at the start of the Irish Civil War.
Although probably an atheist during the Irish War of Independence, O’Hegarty returns to the Catholic church later in life. On forming the Neutral Group of the IRA in December 1922, he tries to unify differences in the volunteers between Republicans and the Free Staters. He communicates with the Papal Nuncio during the inter-war years in an attempt to have Bishop of CorkDaniel Cohalan‘s excommunication bill lifted. Instead, he turns to commemoration as a way to earn favour in Rome, with the dedication of a Catholic church at St. Finbarr’s Cemetery. After his wife’s passing, he becomes a close friend with Florence O’Donoghue until his own death.
Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.
Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.
During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.
Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.
Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.
Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.
The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.
Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.
(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Mangan is born on May 1, 1803, in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.
Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.
Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.
Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.
Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.
Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.
Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.
Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.
(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)
Mary Ellen Cregan is born to Morgan Cregan and Ellen O’Shea. Her father is a stonemason from Limerick. The family are strong believers in the Gaelic revival movement and Cregan herself learns the Irish language and performs songs at Gaelic League concerts. Although she goes to primary school locally, she goes away to secondary school to St. Louis Convent in Carrickmacross, County Monaghan. After finishing school, she becomes a teacher, working in Goresbridge, County Kilkenny from 1911 to 1914.
In September 1914 Cregan goes to Dublin to study music in the Leinster School of Music, under Madame Coslett Heller. It is while she is in Dublin that she becomes friends with the Ryan family, who are strong nationalists as well as interested in the Gaelic League and Sinn Féin. She begins to sing for concerts which are fundraisers for the Irish Volunteers. The last concert is just two weeks before the Easter Rising.
During Easter week Cregan is sent to Tralee with “automatics and ammunition” by Seán Mac Diarmada. While she is carrying a violin case of munitions, she is also carrying details for the wireless technology needed for communicating with the SS Aud, the boat which is carrying more weapons for the rebellion. The communications with the SS Aud go wrong when the car carrying the Volunteers goes off a pier and the occupants are drowned. She is still in the area to assist with the surviving Volunteer, who unfortunately knows nothing of the details for the SS Aud. She is not easily able to get back to Dublin, because owing to the Rising the city is cut off. By the time she gets back, her friends have been arrested.
When Cregan is going to school in Dublin she is also working in a school in Rathmines. Like many of the teachers, she loses her job after the rising because of her connection to the rebels. However, she is able to get new positions over the next few years in both Ballyshannon and Portstewart until she marries. In Ballyshannon she experiences the early expressions of support and sympathy, but Portstewart is a Unionist enclave with many houses flying union flags on polling day in 1918.
Cregan is a member of Cumann na mBan and with them is active during the Irish War of Independence. She is given a medal for her participation. On July 23, 1919, she marries Dr. James Ryan in Athenry, County Galway. His entire family had been deeply involved in the Easter Rising, as well as the Irish War of Independence and the Irish Civil War. They have three children, Eoin, who becomes a Senator, Nuala (Colgan) and Seamus.
The family is initially based in Wexford during the War. The house is often raided when the British soldiers are looking for her husband and Cregan herself is arrested in February 1921 for refusing to put up martial law posters. Later the family sells the house and remains mobile while she works for the Sinn Féin government, and her husband is in prison. It is during this time that she works as a courier to the continent and to London. After the war, they purchase Kindlestown House in Delgany, County Wicklow, where they remain for the rest of their lives.
Cregan’s first book for children is Old John and gains her considerable international success and attention. Sean Eoin is also published in Irish and is illustrated by Jack Butler Yeats. Her work is also aired on the BBC and RTÉ. Rathina wins the Downey Award in the United States in 1943. She also writes two plays: Hunger strike (1933), based on experience of her husband’s involvement in such a strike, which is broadcast on Radio Éireann on May 5, 1936, and Curlew’s call (1940).
Cregan dies on November 9, 1975, in St. Vincent’s Hospital, Dublin, and is buried in Redford cemetery near her home in County Wicklow.
(Pictured: Máirín Cregan and her husband, Dr. James Ryan)
Gobnait Ní Bhruadair, Irish republican and lifelong radical, dies in Sneem, County Kerry, on January 16, 1955. She campaigns passionately for causes as diverse as the reform of nursing, protection and promotion of the Irish language and the freedom of Ireland from British rule.
Ní Bhruadair is born the Hon. Albinia Lucy Brodrick on December 17, 1861, at 23 Chester Square, Belgrave, London, the fifth daughter of William Brodrick, 8th Viscount Midleton (1830–1907), and his wife, Augusta Mary (née Freemantle), daughter of Thomas Fremantle, 1st Baron Cottesloe. She spends her early childhood in London until the family moves to their country estate in Peper Harow, Surrey in 1870. Educated privately, she travels extensively across the continent and speaks fluent German, Italian and French, and has a reading knowledge of Latin.
The polar opposite of Ní Bhruadair, her brother is consistent in his low opinion of the Irish and holds imperialist views that warmly embrace much of the jingoism associated with social Darwinism. The young Albinia Lucy Brodrick conforms to her familial political views on Ireland, if her authorship of the pro-Unionist song “Irishmen stand” is an indicator. However, by the start of the twentieth century she becomes a regular visitor to her father’s estate in County Cork. There she begins to educate herself about Ireland and begins to reject the views about Ireland that she had been raised on. In 1902 she writes about the need to develop Irish industry and around the same time she begins to develop an interest in the Gaelic revival. She begins to pay regular visits to the Gaeltacht where she becomes fluent in Irish and is horrified at the abject poverty of the people.
From this point on, Ní Bhruadair’s affinity with Ireland and Irish culture grows intensely. Upon her father’s death in 1907 she becomes financially independent and in 1908 purchases a home near West Cove, Caherdaniel, County Kerry. The same year she establishes an agricultural cooperative there to develop local industry. She organises classes educating people on diet, encourages vegetarianism and, during the smallpox epidemic of 1910, nurses the local people. Determined to establish a hospital for local poor people, she travels to the United States to raise funds.
There Ní Bhruadair takes the opportunity to study American nursing, meets leading Irish Americans and becomes more politicised to Ireland’s cause. Upon her return to Kerry, she establishes a hospital in Caherdaniel later in 1910. She renames the area Ballincoona (Baile an Chúnaimh, ‘the home of help’), but it is unsuccessful and eventually closes for lack of money. She writes on health matters for The Englishwoman and Fortnightly, among other journals, is a member of the council of the National Council of Trained Nurses and gives evidence to the royal commission on venereal disease in 1914.
Along with Dr. Kathleen Lynn she works with the Irish White Cross to distribute food to the dependents of IRA volunteers. By the end of the Irish War of Independence she has become hardened by the suffering she has seen and is by now implacably opposed to British rule in Ireland. She becomes one of the most vociferous voices against the Anglo-Irish Treaty of December 6, 1921. She becomes a firebrand speaker at meetings in the staunchly republican West Kerry area. In April 1923 she is shot by Irish Free State troops and arrested. She is subsequently imprisoned in the North Dublin Union, where she follows the example of other republicans and goes on hunger strike. She is released two weeks later. Following the formation of Fianna Fáil by Éamon de Valera in 1926, she continues to support the more hardline Sinn Féin.
In October 1926 Ní Bhruadair represents Munster at the party’s Ardfheis. She owns the party’s semi-official organ, Irish Freedom, from 1926–37, where she frequently contributes articles and in its later years acts as editor. Her home becomes the target of the Free State government forces in 1929 following an upsurge in violence from anti-Treaty republicans against the government. She and her close friend Mary MacSwiney leave Cumann na mBan following the decision by its members at their 1933 convention to pursue social radicalism. The two then establish an all-women’s nationalist movement named Mná na Poblachta, which fails to attract many new members.
Ní Bhruadair continues to speak Irish and regularly attends Conradh na Gaeilge branch meetings in Tralee. Although sympathetic to Catholicism, she remains a member of the AnglicanChurch of Ireland, and regularly plays the harmonium at Sneem’s Church of Ireland services. Described by a biographer as “a woman of frugal habits and decided opinions, she was in many ways difficult and eccentric.” She dies on January 16, 1955, and is buried in the Church of Ireland graveyard in Sneem, County Kerry.
In her will Ní Bhruadair leaves most of her wealth (£17,000) to republicans “as they were in the years 1919 to 1921.” The vagueness of her bequest leads to legal wrangles for decades. Finally, in February 1979, Justice Seán Gannon rules that the bequest is void for remoteness, as it is impossible to determine which republican faction meets her criteria.
seamus dubhghaill 