Stokes is educated at St. Columba’s College where he is taught the Irish language by Denis Coffey, author of Primer of the Irish Language. Through his father he comes to know the Irish antiquariesSamuel Ferguson, Eugene O’Curry, John O’Donovan and George Petrie. He enters Trinity College Dublin in 1846 and graduates with a BA in 1851. His friend and contemporary Rudolf Thomas Siegfried (1830–63) becomes assistant librarian at TCD in 1855, and the college’s first professor of Sanskrit in 1858. Stokes likely learns both Sanskrit and comparative philology from Siegfried, thus acquiring a skill-set rare among Celtic scholars in Ireland at the time.
Stokes qualifies for the bar at Inner Temple. His instructors in the law are Arthur Cayley, Hugh McCalmont Cairns, and Thomas Chitty. He becomes an English barrister on November 17, 1855, practicing in London before going to India in 1862, where he fills several official positions. In 1865 he marries Mary Bazely by whom he has four sons and two daughters. One of his daughters, Maïve, compiles a book of Indian Fairy Tales in 1879 when she is 12 years old, based on stories told to her by her Indian ayahs and a man-servant. It also includes some notes by Mrs. Mary Stokes. Mary dies while the family is still living in India. In 1877, Stokes is appointed legal member of the viceroy’s council, and he drafts the codes of civil and criminal procedure and does much other valuable work of the same nature. In 1879 he becomes president of the commission on Indian law. Nine books he writes on Celtic studies are published in India. He returns to settle permanently in London in 1881 and marries Elizabeth Temple in 1884. In 1887 he is made a Companion of the Order of the Star of India (CSI), and two years later an Order of the Indian Empire (CIE). He is an original fellow of the British Academy, an honorary fellow of Jesus College, Oxford and foreign associate of the Institut de France.
Stokes is perhaps most famous as a Celtic scholar, and in this field he works both in India and in England. He studies Irish, Breton and Cornish texts. His chief interest in Irish is as a source of material for comparative philology. Despite his learning in Old Irish and Middle Irish, he never acquires Irish pronunciation and never masters Modern Irish. In the hundred years since his death he continues to be a central figure in Celtic scholarship. Many of his editions have not been superseded during this time and his total output in Celtic studies comes to over 15,000 pages. He is a correspondent and close friend of Kuno Meyer from 1881 onwards. With Meyer he establishes the journal Archiv für celtische Lexicographie and is the co-editor, with Ernst Windisch, of the Irische Texteseries. In 1876 his translation of Vita tripartita Sancti Patricii, along with a written introduction, is published.
Stokes dies at his London home, 15 Grenville Place, Kensington, on April 13, 1909, and is buried in Paddington Old Cemetery, Willesden Lane, where his grave is marked by a Celtic cross. Another Celtic cross is erected as a memorial to him at St. Fintan’s Cemetery, Sutton, Dublin. The Gaelic League newspaper An Claidheamh Soluis calls him “the greatest of the Celtologists” and expresses pride that an Irishman has excelled in a field which is at that time dominated by continental scholars. In 1929 the Canadian scholar James F. Kenney describes him as “the greatest scholar in philology that Ireland has produced, and the only one that may be ranked with the most famous of continental savants.”
A conference entitled “Ireland, India, London: The Tripartite Life of Whitley Stokes” takes place at the University of Cambridge on September 18-19, 2009. The event is organised to mark the centenary of Stokes’s death. A volume of essays based on the papers delivered at this conference, The Tripartite Life of Whitley Stokes (1830–1909), is published by Four Courts Press in autumn 2011.
In 2010 Dáibhí Ó Cróinín publishes Whitley Stokes (1830–1909): The Lost Celtic Notebooks Rediscovered, a volume based on the scholarship in Stokes’s 150 notebooks which had been resting unnoticed at the Leipzig University Library, Leipzig since 1919.
McGuckian is the youngest of six children to Brian McGuckian and his wife Pauline (née McKenna). He is named after his uncle, also Alexander Aloysius McGuckian, who dies five month before he is born. Yet another uncle, Daniel McGuckian, is a priest of the Diocese of Down and Connor and serves as parish priest of Cushendun and then Randalstown until his death in 1980. His father is a successful pig farmer who, alongside his brothers, develops the world’s biggest pig farm.
Two of McGuckian’s brothers are also Jesuit priests, while another brother is a businessman. Both of his sisters predecease him.
McGuckian is ordained to the priesthood on June 22, 1984, and makes his final profession on February 15, 1997.
Following ordination, McGuckian spends four years as a teacher in Clongowes Wood College and vocations director for the Jesuits, before undertaking a six month period of spiritual renewal in southern India and serving in a shanty town in Quezon City, Philippines.
McGuckian returns to Ireland in 1992, where he is appointed director of the Jesuit Communication Centre, during which he develops Sacred Space, a website which allows people to pray at their computer, in 1999, and Catholic news service CatholicIreland.net in 2004.
McGuckian also serves as editor of both An Timire and Foilseacháin Ábhair Spioradálta, later translating the autobiography of Ignatius of Loyola into Irish under the title Scéal an Oilithrigh. He also co-authors the drama 1912 – A Hundred Years On with Presbyterian historian Philip Orr in 2011, which looks at the experiences of the Ulster Covenant and the wider Home Rule movement from both nationalist and unionist perspectives.
McGuckian also serves as chaplain to many of the Gaelscoileanna in the Diocese of Down and Connor, and subsequently as chaplain to Ulster University campuses in Belfast and Jordanstown. Following the publication of the Living Church Report, which outlines the findings of a synodal process within the diocese, he is appointed by Noël Treanor in 2012 to set up and lead the Living Church Office, whose aim is to realise the hopes and aspirations expressed in the report and subsequently in the upcoming diocesan pastoral plan.
McGuckian is also appointed diocesan director of formation for the permanent diaconate in 2014, and also works during his directorship of the Living Church Office to establish pastoral communities across the diocese, through fostering a culture of co-responsibility for the mission of the Church between clergy and lay people.
McGuckian is appointed Bishop-elect of Raphoe by Pope Francis on June 9, 2017. His appointment makes him the first member of the Jesuits to be appointed a bishop in Ireland.
In an interview with The Irish Catholic in September 2019, McGuckian says that having a home is as fundamental as the right to life and education, and that the Government must be “pushed” to enshrine a right to housing in the Constitution of Ireland. He also joins a number of church leaders in the West of Ireland on September 16, 2021, in calling on the Irish government to offer reparations to homeowners whose properties are affected by defective concrete blocks.
In an interview with The Irish Catholic in February 2021, McGuckian takes issue with the view held by political leaders that public worship is deemed to be “non-essential” during the COVID-19 pandemic in the Republic of Ireland. Quoting Pope Francis, who states that “the right to worship must be respected, protected and defended by civil authorities like the right to bodily and physical health,” he expresses a need to let political leaders know that public worship is not only central, but also “utterly essential.”
Following a fatal explosion in Creeslough, County Donegal, on October 7, 2022, McGuckian refers to the explosion as “the darkest day in Donegal,” adding that the local community is “living through a nightmare of shock and horror.” He also concelebrates at the Funeral Masses of each of the victims, describing the fact that the parish church would be holding two funerals in the space of three hours as “surreal.”
McGuckian is appointed Bishop of Down and Connor by Pope Francis on February 2, 2024. In his first address following his appointment, he expresses his hope that the restoring of the Northern Ireland Executive will help the most vulnerable in society.
George Johnstone StoneyFRS, Irish physicist, is born on February 15, 1826, at Oakley Park, near Birr, County Offaly, in the Irish Midlands. He is most famous for introducing the term “electron” as the “fundamental unit quantity of electricity.” He introduces the concept, though not the word, as early as 1874, initially naming it “electrine,” and the word itself comes in 1891. He publishes around 75 scientific papers during his lifetime.
Stoney is the son of George Stoney and Anne (née Bindon Blood). His only brother is Bindon Blood Stoney, who becomes chief engineer of the Dublin Port and Docks Board. The Stoney family is an old-established Anglo-Irish family. During the time of the famine (1845–52), when land prices plummet, the family property is sold to support his widowed mother and family. He attends Trinity College Dublin (TCD), graduating with a BA degree in 1848. From 1848 to 1852 he works as an astronomy assistant to William Parsons, 3rd Earl of Rosse, at Birr Castle, County Offaly, where Parsons had built the world’s largest telescope, the 72-inch Leviathan of Parsonstown. Simultaneously he continues to study physics and mathematics and is awarded an MA by TCD in 1852.
From 1852 to 1857, Stoney is professor of physics at Queen’s College Galway. From 1857 to 1882, he is employed as Secretary of the Queen’s University of Ireland, an administrative job based in Dublin. In the early 1880s, he moves to the post of superintendent of Civil Service Examinations in Ireland, a post he holds until his retirement in 1893. He continues his independent scientific research throughout his decades of non-scientific employment duties in Dublin. He also serves for decades as honorary secretary and then vice-president of the Royal Dublin Society (RDS), a scientific society modeled after the Royal Society of London and, after his move to London in 1893, he serves on the council of that society as well. Additionally, he intermittently serves on scientific review committees of the British Association for the Advancement of Science from the early 1860s.
Stoney publishes seventy-five scientific papers in a variety of journals, but chiefly in the journals of the Royal Dublin Society. He makes significant contributions to cosmic physics and to the theory of gases. He estimates the number of molecules in a cubic millimeter of gas, at room temperature and pressure, from data obtained from the kinetic theory of gases. His most important scientific work is the conception and calculation of the magnitude of the “atom of electricity.” In 1891, he proposes the term “electron” to describe the fundamental unit of electrical charge, and his contributions to research in this area lays the foundations for the eventual discovery of the particle by J. J. Thomson in 1897.
Stoney proposes the first system of natural units in 1881. He realizes that a fixed amount of charge is transferred per chemical bond affected during electrolysis, the elementary chargee, which can serve as a unit of charge, and that combined with other known universal constants, namely the speed of lightc and the Newtonian constant of gravitationG, a complete system of units can be derived. He shows how to derive units of mass, length, time and electric charge as base units. Due to the form in which Coulomb’s law is expressed, the constant 4πε0 is implicitly included, ε0 being the vacuum permittivity.
Like Stoney, Max Planck independently derives a system of natural units (of similar scale) some decades after him, using different constants of nature.
Hermann Weyl makes a notable attempt to construct a unified theory by associating a gravitational unit of charge with the Stoney length. Weyl’s theory leads to significant mathematical innovations, but his theory is generally thought to lack physical significance.
Stoney marries his cousin, Margaret Sophia Stoney, by whom he has had two sons and three daughters. One of his sons, George Gerald Stoney FRS, is a scientist. His daughter Florence StoneyOBE is a radiologist while his daughter Edith is considered to be the first woman medical physicist. His most scientifically notable relative is his nephew, the Dublin-based physicist George Francis FitzGerald. He is second cousin of the grandfather of Ethel Sara Turing, mother of Alan Turing.
After moving to London, Stoney lives first at Hornsey Rise, north London, before moving to 30 Chepstow Crescent, Notting Hill, West London. In his later years illness confines him to a single floor of the house, which is filled with books, papers, and scientific instruments, often self-made. He dies at his home in Notting Hill, on July 5, 1911. His cremated ashes are buried in St. Nahi’s Church, Dundrum, Dublin.
Congreve is born on January 24, 1670, at Bardsley, West Yorkshire, England, the son of William Congreve, an army officer, and Mary Browning of Doncaster. In 1674, his father gains a commission as lieutenant in the army in Ireland, and moves with his family to the garrison port of Youghal, County Cork, where they remain until 1678. After a brief period at Carrickfergus, they move in 1681 to Kilkenny, where his father is assigned to the Duke of Ormond‘s regiment. This service entitles Congreve to a free education at the renowned Kilkenny College, where Jonathan Swift is also a student, and where he receives an excellent schooling in classics. He forms a lasting friendship with another pupil, Joseph Kelly, a lawyer and MP for Doneraile (1705–13), with whom he later maintains a lengthy correspondence. In April 1686, he enters Trinity College Dublin (TCD) as a classical scholar and, again like Swift, is taught by St. George Ashe. It seems likely that his degree is disrupted by the political upheaval of 1688 as the college is forced to close in 1689 and his BA is not recorded.
At this point, Congreve leaves Ireland and spends the spring and summer of 1689 with relatives in Staffordshire. He subsequently moves to London, and in March 1691 enters the Middle Temple. He is not assiduous in his legal studies, preferring to socialise with intellectuals and writers, notably John Dryden, to pursue literary projects. In 1692, under the pseudonym “Cleophil,” he published Incognita, or, Love and Duty Reconciled, a romantic novella reputedly written while he is a student in Dublin. He also contributes some verse to Charles Gildon‘s Miscellany (1692), as well as two translations from Homer and three odes to Dryden’s Examen poeticum (1693). Dryden evidently thinks highly of the young writer, and with his advice and approbation Congreve’s first play, The Old Batchelor, is recommended by the Irish playwright Thomas Southerne to Thomas Davenant, manager of the Theatre Royal, Drury Lane. A fast-paced and witty comedy, concerning amorous appetites, The Old Batchelor is accepted and opens on March 9, 1693, to popular acclaim, enjoying an unusually long run of fourteen nights. Among the cast are Thomas Doggett, still relatively unknown, as Fondlewife, and a young English actress and singer, Anne Bracegirdle as Amarinta, with whom Congreve falls in love and begins a prolonged relationship. The play is dedicated to his friend Charles Boyle, eldest son of Richard Boyle, 1st Earl of Burlington, whose estates Congreve’s father had begun to manage in 1690.
After this early success, Congreve is dismayed by the poor reception of his next play, a domestic comedy with dark undertones entitled The Double Dealer, which is staged in December 1693 and criticised as immoral and unflattering in its representation of women. Its popularity improves somewhat when Mary II, Queen of England, soon after its undistinguished debut, commands a performance. When the queen dies the following year, Congreve eulogises her in The Mourning Muse of Alexis, a Pastoral. Regarded by contemporaries as his finest literary work, it is rewarded by a gift of £100 from King William III. Production of his next play is delayed by the revolt of the Drury Lane actors against the management of Christopher Rich. Congreve supports the actors and their petition to the Lord Chamberlain to reopen the theatre at Lincoln’s Inn Fields. When their request is granted, the renovated theatre opens on April 30, 1695, with Congreve’s enduring romantic comedy Love for Love, and the playwright being made a shareholder in the new company. A characteristically witty and well-plotted comedy, the production of Love for Love is particularly notable for Doggett’s sparkling performance as Sailor Ben. Congreve’s dramatic success also brings political advancement, as he receives his first government appointment as commissioner for hackney coaches.
Congreve returns to Ireland for most of 1696, where, with Southerne, he receives an MA from TCD, and probably visits his parents, then living at Lismore Castle, County Waterford. He also begins work on a tragedy entitled The Mourning Bride, which becomes an instant hit at Lincoln’s Inn Fields when it is first performed in February 1697 and running for thirteen nights. Despite his considerable success and popularity, he is deeply disconcerted by Jeremy Collier‘s aggressively anti-theatrical pamphlet, Short View of the Immorality and Profaneness of the English Stage (1698), which targets John Vanbrugh, Dryden, and Congreve. He is stung into a response, publishing Amendments of Mr. Collier’s False and Imperfect Citations (1698), which eloquently defends his dramatic methodology, but is rendered less effective by an emotional and ill-judged tone. His theatrical acumen seems to be at odds with the times, for in the dedication to his next play, The Way of the World, he observes that “little of it was prepar’d for that general taste which seems now to be predominant in the pallats of our audience.” Nevertheless, he is still bitterly disappointed by the disparaging response to its first performance on March 12, 1700. Dryden, however, realises the merit of the play, which is now recognised as Congreve’s masterpiece and a landmark in the dramatic tradition of the comedy of manners.
Disheartened, Congreve abandons play-writing, but he maintains his theatrical connections and embarks upon several collateral projects, producing a libretto for The Judgement of Paris (1701), and collaborating with Vanbrugh and the poet William Walsh on a translation of Molière‘s Monsieur de Pourceaugnac, staged as Squire Trelooby at the Lincoln’s Inn Fields theatre in 1704. Less successfully, he makes an ill-advised investment with Vanbrugh in a new theatre and opera house in the Haymarket, from which he withdraws with financial losses in 1705. His opera libretto Semele, written for the opening of the new theatre, is not performed until 1744, when it is scored by George Frideric Handel, though John Eccles writes a score in 1707 which remains unperformed until 1972. In the early 1700s his relationship with Anne Bracegirdle falters, though they remain lifelong friends.
In 1710, Congreve publishes The Works of Mr. William Congreve in three volumes. He continues throughout his life to write poetry, ballads, essays, and other miscellaneous pieces. He remains active and influential in literary and theatrical circles, often assisting young writers such as Charles Hopkins, son of Ezekiel Hopkins, Bishop of Derry, and Alexander Pope, who dedicates to him The Iliad (1715). Financially, however, he becomes increasingly dependent upon various minor government posts. He belongs for many years to the celebrated Kit-Cat Club, alongside such prominent writers, wits, and whigs as Richard Boyle, 2nd Earl of Cork, Richard Steele, Joseph Addison, Walsh, and Vanbrugh. Through the good offices of his friend Jonathan Swift, he retains his government position as Commissioner of Wines during the Tory administration of 1710–14. His party loyalty is rewarded in 1714 when he receives a lucrative government appointment as Secretary of the island of Jamaica. His personal life also improves around this time, as a friendship with Lady Henrietta Godolphin develops into a love affair that lasts for the rest of his life. They have one daughter, Mary (1723–64).
Congreve suffers for much of his life from gout and failing eyesight. These afflictions worsen with age, though friends remark that his cheerful temper survived unaffected. He is involved in a coach accident in September 1728, and dies January 19, 1729, at his home in Surrey Street, likely from a related injury. He names Francis Godolphin, 2nd Earl of Godolphin, his lover’s husband, as his executor, and bequeaths almost his entire estate to Henrietta, thereby discreetly leaving his property to his daughter. He is buried in Poet’s Corner, Westminster Abbey, on January 26.
(From: “Congreve, William” by Sinéad Sturgeon, Dictionary of Irish Biography, http://www.dib.ie, October 2009; Pictured: Portrait of William Congreve (1709) by Sir Godfrey Kneller)
A snappy dresser who earns the nickname “the yellow rose of Finglas,” Tunney is sometimes seen as pompous, a perception possibly attributable to his acting background, which once leads to an audition at Dublin’s Abbey Theatre.
In 1963 Tunney joins Fianna Fáil, and stands for the party at the 1965 Irish general election but is not elected. He is elected to Dáil Éireann as a Fianna Fáil TD for the Dublin North-West constituency at the 1969 Irish general election. He serves continuously in the Dáil until losing his seat at the 1992 Irish general election, having been a TD for Dublin Finglas from 1977 to 1981 when Dublin constituencies are reconfigured as 3-seaters, before being returned for Dublin North-West in 1981.
During this period Tunney serves as Parliamentary Secretary to the Minister for Education (after 1978, Minister of State at the Department of Education) in three governments. He serves as Leas-Ceann Comhairle of Dáil Éireann from 1981 to 1982, and from 1987 to 1993. He is also chair of the Fianna Fáil parliamentary party for ten years. He is a member of Dublin City Council, and serves as Lord Mayor of Dublin from 1984 to 1985.
Following Tunney’s death, TaoiseachBertie Ahern describes him as “a parliamentarian and a gentleman who was passionately committed to serving his country.” Ahern adds, “he was not only a man of substance but one of style. From the flower that was always in his buttonhole to the elegance of his language in both Irish and English he had a commanding and stylish presence.”
Fine Gael leader Michael Noonan says Tunney had gained “the widespread affection and respect of colleagues of all political parties.”
Leader of the Labour PartyRuairi Quinn describes Tunney as a “thoughtful and courteous colleague” who carried out his duties with “fairness but also with wit and style.”
Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.
From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Artsfirst class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.
In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.
During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.
In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.
Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.
Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. PresidentBill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.
Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.
John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.
Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”
Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.
Agar is known to have held particularly marked Calvinistic positions. He serves as Dean of Kilmore from 1765 to 1768, and then as Bishop of Cloyne until 1779.
In 1794, Agar is raised to the Peerage of Ireland as Baron Somerton. In 1801, he is translated to become Archbishop of Dublin and is created Viscount Somerton. In 1806, he is further honoured when he is made Earl of Normanton. These titles are all in the Peerage of Ireland. He remains as Archbishop of Dublin until his death in 1809, and from the beginning of 1801 onward, sits in the House of Lords as one of the twenty-eight original Irish representative peer, following the Acts of Union 1800 which unites Ireland and Great Britain.
Agar dies on July 14, 1809, aged 72, and is succeeded in his secular titles by his son Welbore Ellis Agar. He is buried in the north transept of Westminster Abbey. His widow Jane, Countess of Normanton, is buried alongside him following her death in 1826. His tomb dates from 1815 and is created by John Bacon.
According to Sam Smyth in the Irish Independent, Mac Mathúna is “on a mission to collect songs and stories, music, poetry and dance before they were buried under the coming tsunami of pop music.”
Mac Mathúna presents the radio programme, Mo Cheol Thú, for 35 years. Upon his retirement in 2005, the managing director of RTÉ Radio, Adrian Moynes, describes him as “inseparable from RTÉ Radio.” Upon his death in 2009, the Irish Independent describes him as “a national treasure.”
After college Mac Mathúna works as a teacher and later at the Placenames Commission. In 1954, he joins Radio Éireann where his job is to record Irish traditional musicians playing in their own locales. This entails visiting such places as Sliabh Luachra, County Clare and County Sligo, and the resulting recordings feature in his radio programmes: Ceolta Tire, A Job of Journeywork and Humours of Donnybrook.
Mac Mathúna’s long-running Sunday morning radio series, Mo Cheol Thú (You are my music), begins in 1970 and continues until November 2005, when he retires from broadcasting. Each 45-minute programme offers a miscellany of archive music, poetry and folklore, mainly of Irish origin. It is one of radio’s longest running programmes. The last episode is broadcast on November 27, 2005, at 8:10 a.m.
Mac Mathúna wins two Jacob’s Awards, in 1969 and 1990, for his RTÉ Radio programmes promoting Irish traditional music. He receives the Freedom of Limerick city in June 2004. He is also awarded honorary doctorates by NUI Galway and the University of Limerick. In 2007, he receives the Musicians Award at the 10th annual TG4 Traditional Music Awards.
Joe Kennedy in the Sunday Independent in 2007 compares Mac Mathúna to “an amiable rock, rolling gently along, still picking up some moss and morsels of music that he may have missed.”
Mac Mathúna‘s wife, Dolly MacMahon (using the English version of her surname), is a singer of traditional songs. She comes from Galway and meets her husband in 1955. He has two sons named Padraic and Ciarán, one daughter named Déirdre, and four grandchildren at the time of his death: Eoin, Colm, Conor and Liam.
Musicians performing at the ceremony include Peadar Ó Riada, Cór Cúil Aodha and members of The Chieftains and Planxty. The corpse is then taken to Mount Jerome Crematorium. Journalist Kevin Myers says Mac Mathúna’s legacy will be the “rebirth of Irish music,” adding, “Well, if Ciarán Mac Mathúna can die, I suppose anyone can. Actually, I had always thought that he was immortal. He certainly appeared to have all the ingredients.”
Josephine McNeill, Irish diplomat, dies in Dublin on November 19, 1969. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.
McNeill is born Josephine Ahearne on March 31, 1895, in Fermoy, County Cork, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.
After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.
McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.
McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.
Ó Muirthile is educated at cork, taking a BA in Irish and French at UCC. His Irish is acquired at school and from sojourns in the Gaeltacht of West Kerry. He is a member of a group of poets at UCC in the late 1960s who choose Irish as a creative medium and are closely associated with the modernist poetry journal Innti, founded by fellow poet Michael Davitt. They are influenced by the work of Cork poet Seán Ó Ríordáin, by the musician and composer Seán Ó Riada, and by popular American culture.
Greg Delanty, writing for Poetry International, claims that a fundamental achievement of Ó Muirthile and other members of the Innti group was to adapt the language to a contemporary urban landscape in a way that reflected the counterculture of the sixties.
Ó Muirthile has been described as a poet of immense formal and musical mastery who reads deeply into the classical and neo-classical poetry of the Irish language. He studies French literature as a student and this influences his work. He translates poetry by Guillaume Apollinaire, François Villon, Jacques Prévert and Anne Hébert.
Ó Muirthile’s first collection of poetry is Tine Chnámh (1984). This receives the Irish American Cultural Institute’s literary award and an Oireachtas prize for poetry. He subsequently publishes a number of other collections. In 1996, he receives the Butler Award for his novel Ar Bhruach na Laoi. Several plays by him have been staged. From 1989 to 2003 he writes a weekly column, “An Peann Coitianta,” for The Irish Times. Poems by him have been translated into English, German, French, Italian, Hungarian and Romanian.
Two of Ó Muirthile‘s poems, Meachán Rudaí and Áthas, have been put to music by the Irish/American group The Gloaming and featured on their third studio album The Gloaming 3.
seamus dubhghaill 