Shillington originally plans to join the Northern Ireland Civil Service, however he wants a more varied career. He joins the Royal Ulster Constabulary on February 8, 1933, as a cadet officer. He completes his training at the Newtownards depot in County Down. He is promoted to district inspector in 1935, and serves as officer in charge of D District in Belfast. In 1944, he is promoted to 1st Class District Inspector and is posted to Derry, County Londonderry.
In 1953, after nine years in Derry, Shillington is promoted to County Inspector and returns to Belfast. There, he joins the Inspector General’s Headquarters and serves in an administrative post. On January 16, 1961, he is appointed Commissioner of Belfast City.
In 1969, Shillington is appointed Deputy Inspector-General of the RUC, as second-in-command to the Inspector-General, Anthony Peacocke, who, like Shillington, had been educated at Sedbergh and Cambridge. When the Battle of the Bogside breaks out in Derry in August 1969, he requests permission to use CS gas for the first time in the United Kingdom. When that does not halt the rioting, he requests that the British Army be brought in. He telephones Peacocke on August 13 in order to persuade him of this. Peacocke, who has long denied the need for army involvement, eventually agrees, but his reputation never recovers and following the publication of the Hunt Report in October he resigns as Inspector-General.
Shortly thereafter, Sir Arthur Young is seconded from the City of London Police to be the last Inspector-General and the first Chief Constable of the RUC. James Callaghan, then Home Secretary, sends him to implement the Hunt Report. Young’s measures introduce the standard British rank system for police officers in Northern Ireland and disbands the Ulster Special Constabulary (USC). Shillington remains as Young’s deputy, and when the latter returns to the mainland in 1970 he succeeds him to become the RUC’s second Chief Constable.
Shillington marries Mary (Peggy) Bulloch in 1935. They have two sons and a daughter. He dies on August 14, 2001, at the age of 90, in a County Armagh nursing home.
Holohan is chairman of the Association of Irish Composers from 1987 to 1989 and is later appointed chairman of the Droichead Arts Centre in Drogheda, County Louth, where he has lived since 1983.
Holohan is elected to Aosdána in 1999 and later serves as a member and chair of its Toscaireacht, its ten-member steering body.
Holohan’s music has been performed and broadcast in Ireland and internationally. Career highlights in Drogheda include performances of Cromwell (1994), The Mass of Fire (1995) and No Sanctuary (1997).
Holohan’s work has been reviewed in Irish music journalism. Writing in The Journal of Music following a National Concert Hall composers’ showcase, Benedict Schlepper-Connolly describes The Dream of Aengus as demonstrating Holohan’s “orchestrational control,” and characterises Portrait of the Artist as “captivating,” while noting the influence of Irish traditional music within his choral writing.
Regional press coverage has also documented performances and recordings of his work, including reports on the release of the piano album Fields of Blue and Whiteand concerts of his music in Drogheda.
Hamilton enters Trinity College Dublin on November 17, 1742, at the age of 13 with Thomas McDonnell as his tutor. He graduates Bachelor of Arts (BA) in 1747 and Trinity Master of Arts (MA Dubl) in 1750. He takes the competitive examination for a vacant fellowship of the college in 1750, but the position is secured instead by his friend Richard Murray, who is a few years older. Two fellowships become vacant the following year and Hamilton is elected to one of them at the age of 22. He is appointed Erasmus Smith’s Professor of Natural and Experimental Philosophy at Trinity College Dublin in 1759 and that same year graduates Bachelor of Divinity (BD). He is elected a Fellow of the Royal Society on February 19, 1761, and graduates Doctor of Divinity (DD) in 1762.
Trinity College presents him to the rectory of Kilmacrennan in the diocese of Raphoe, County Donegal, in 1764. This is a small benefice in the gift of the college, for which he resigns his fellowship. He retains the Erasmus Smith’s chair, however, being succeeded in that by Thomas Wilson in 1769. He resigns from Kilmacrenan in 1767 and becomes vicar of St. Ann’s Church in Dublin.
Hamilton then becomes Dean of Armagh, the chief resident cleric of St. Patrick’s Cathedral in Armagh, County Armagh, from April 1768 to 1796. Finding the existing dean’s house inconvenient and poorly situated, he has a new one built in a better location just off Portadown Road, now known as Dean’s Hill. The house, of three stories and a semi-basement, is built in 1772–74. The house is later sold by the church and the present owners provide bed and breakfast accommodation in it. While dean he also acts as treasurer for the infirmary or county hospital, he establishes Sunday schools in the districts of the parish, and he founds a charitable loan for poor tradesmen. He is also instrumental in planning a piped water supply for the town, which is later put into effect. He is one of the 38 original members of the Royal Irish Academy when it is founded in 1785. Gilbert Stuart paints his portrait in about 1790 (pictured above).
Hamilton is promoted to Bishop of Clonfert and Kilmacduagh on January 20, 1796, without seeking it. On January 24, 1799, he is translated to Ossory, where he is bishop until 1805. He dies of a fever at Kilkenny, County Kilkenny, on December 1, 1805. He is buried in the graveyard of St. Canice’s Cathedral at Kilkenny, and there is a memorial to him inside the cathedral.
Hamilton writes a mathematical treatise on conic sections called De Sectionibus Conicis: Tractatus Geometricus, published in 1758. In this book he “was the first to deduce the properties of the conic section from the properties of the cone, by demonstrations which were general, unencumbered by lemmas, and proceeding in a more natural and perspicuous order,” according to writer James Wills in 1847. The work is acclaimed for its lucidity and Leonhard Euler describes it as a perfect book. It is “soon adopted in all the British universities” and is translated from Latin into English as A Geometrical Treatise of the Conic Sections in 1773.
Hamilton also writes Philosophical Essays on Vapours (1767), Four Introductory Lectures on Natural Philosophy (1774), and An Essay on the Existence and Attributes of the Supreme Being (1784). His principal works are collected and republished, with a memoir, as The Works of the Right Rev. Hugh Hamilton by his eldest son, Alexander Hamilton, in two volumes in 1809.
Hamilton marries Isabella, daughter of Hans Widman Wood of Rosmead, County Westmeath, in 1772. Isabella’s mother Frances is the twin sister of Edward King, 1st Earl of Kingston. They have five sons and two daughters. They are Alexander, who was a barrister; Frances; Hans, who is rector of Knocktopher, County Kilkenny, and associated with the Carrickshock incident of 1831; Isabella; Henry; George, who is a biblical scholar; and Hugh, who marries Elizabeth Staples, a daughter of John Staples, a Member of Parliament. The younger Hugh is the great-grandfather of Clive Staples Lewis, better known as C. S. Lewis. Bishop Hugh Hamilton is a great-great-great-grandfather of the mathematicians John Lighton Synge and his brother Edward Hutchinson Synge. Dodgson Hamilton Madden, the High Court judge and noted scholar, is Hamilton’s great-grandson.
(Pictured: “Hugh Hamilton,” oil on canvas by Gilbert Stuart)
Stokes is educated at St. Columba’s College where he is taught the Irish language by Denis Coffey, author of Primer of the Irish Language. Through his father he comes to know the Irish antiquariesSamuel Ferguson, Eugene O’Curry, John O’Donovan and George Petrie. He enters Trinity College Dublin in 1846 and graduates with a BA in 1851. His friend and contemporary Rudolf Thomas Siegfried (1830–63) becomes assistant librarian at TCD in 1855, and the college’s first professor of Sanskrit in 1858. Stokes likely learns both Sanskrit and comparative philology from Siegfried, thus acquiring a skill-set rare among Celtic scholars in Ireland at the time.
Stokes qualifies for the bar at Inner Temple. His instructors in the law are Arthur Cayley, Hugh McCalmont Cairns, and Thomas Chitty. He becomes an English barrister on November 17, 1855, practicing in London before going to India in 1862, where he fills several official positions. In 1865 he marries Mary Bazely by whom he has four sons and two daughters. One of his daughters, Maïve, compiles a book of Indian Fairy Tales in 1879 when she is 12 years old, based on stories told to her by her Indian ayahs and a man-servant. It also includes some notes by Mrs. Mary Stokes. Mary dies while the family is still living in India. In 1877, Stokes is appointed legal member of the viceroy’s council, and he drafts the codes of civil and criminal procedure and does much other valuable work of the same nature. In 1879 he becomes president of the commission on Indian law. Nine books he writes on Celtic studies are published in India. He returns to settle permanently in London in 1881 and marries Elizabeth Temple in 1884. In 1887 he is made a Companion of the Order of the Star of India (CSI), and two years later an Order of the Indian Empire (CIE). He is an original fellow of the British Academy, an honorary fellow of Jesus College, Oxford and foreign associate of the Institut de France.
Stokes is perhaps most famous as a Celtic scholar, and in this field he works both in India and in England. He studies Irish, Breton and Cornish texts. His chief interest in Irish is as a source of material for comparative philology. Despite his learning in Old Irish and Middle Irish, he never acquires Irish pronunciation and never masters Modern Irish. In the hundred years since his death he continues to be a central figure in Celtic scholarship. Many of his editions have not been superseded during this time and his total output in Celtic studies comes to over 15,000 pages. He is a correspondent and close friend of Kuno Meyer from 1881 onwards. With Meyer he establishes the journal Archiv für celtische Lexicographie and is the co-editor, with Ernst Windisch, of the Irische Texteseries. In 1876 his translation of Vita tripartita Sancti Patricii, along with a written introduction, is published.
Stokes dies at his London home, 15 Grenville Place, Kensington, on April 13, 1909, and is buried in Paddington Old Cemetery, Willesden Lane, where his grave is marked by a Celtic cross. Another Celtic cross is erected as a memorial to him at St. Fintan’s Cemetery, Sutton, Dublin. The Gaelic League newspaper An Claidheamh Soluis calls him “the greatest of the Celtologists” and expresses pride that an Irishman has excelled in a field which is at that time dominated by continental scholars. In 1929 the Canadian scholar James F. Kenney describes him as “the greatest scholar in philology that Ireland has produced, and the only one that may be ranked with the most famous of continental savants.”
A conference entitled “Ireland, India, London: The Tripartite Life of Whitley Stokes” takes place at the University of Cambridge on September 18-19, 2009. The event is organised to mark the centenary of Stokes’s death. A volume of essays based on the papers delivered at this conference, The Tripartite Life of Whitley Stokes (1830–1909), is published by Four Courts Press in autumn 2011.
In 2010 Dáibhí Ó Cróinín publishes Whitley Stokes (1830–1909): The Lost Celtic Notebooks Rediscovered, a volume based on the scholarship in Stokes’s 150 notebooks which had been resting unnoticed at the Leipzig University Library, Leipzig since 1919.
McGuckian is the youngest of six children to Brian McGuckian and his wife Pauline (née McKenna). He is named after his uncle, also Alexander Aloysius McGuckian, who dies five month before he is born. Yet another uncle, Daniel McGuckian, is a priest of the Diocese of Down and Connor and serves as parish priest of Cushendun and then Randalstown until his death in 1980. His father is a successful pig farmer who, alongside his brothers, develops the world’s biggest pig farm.
Two of McGuckian’s brothers are also Jesuit priests, while another brother is a businessman. Both of his sisters predecease him.
McGuckian is ordained to the priesthood on June 22, 1984, and makes his final profession on February 15, 1997.
Following ordination, McGuckian spends four years as a teacher in Clongowes Wood College and vocations director for the Jesuits, before undertaking a six month period of spiritual renewal in southern India and serving in a shanty town in Quezon City, Philippines.
McGuckian returns to Ireland in 1992, where he is appointed director of the Jesuit Communication Centre, during which he develops Sacred Space, a website which allows people to pray at their computer, in 1999, and Catholic news service CatholicIreland.net in 2004.
McGuckian also serves as editor of both An Timire and Foilseacháin Ábhair Spioradálta, later translating the autobiography of Ignatius of Loyola into Irish under the title Scéal an Oilithrigh. He also co-authors the drama 1912 – A Hundred Years On with Presbyterian historian Philip Orr in 2011, which looks at the experiences of the Ulster Covenant and the wider Home Rule movement from both nationalist and unionist perspectives.
McGuckian also serves as chaplain to many of the Gaelscoileanna in the Diocese of Down and Connor, and subsequently as chaplain to Ulster University campuses in Belfast and Jordanstown. Following the publication of the Living Church Report, which outlines the findings of a synodal process within the diocese, he is appointed by Noël Treanor in 2012 to set up and lead the Living Church Office, whose aim is to realise the hopes and aspirations expressed in the report and subsequently in the upcoming diocesan pastoral plan.
McGuckian is also appointed diocesan director of formation for the permanent diaconate in 2014, and also works during his directorship of the Living Church Office to establish pastoral communities across the diocese, through fostering a culture of co-responsibility for the mission of the Church between clergy and lay people.
McGuckian is appointed Bishop-elect of Raphoe by Pope Francis on June 9, 2017. His appointment makes him the first member of the Jesuits to be appointed a bishop in Ireland.
In an interview with The Irish Catholic in September 2019, McGuckian says that having a home is as fundamental as the right to life and education, and that the Government must be “pushed” to enshrine a right to housing in the Constitution of Ireland. He also joins a number of church leaders in the West of Ireland on September 16, 2021, in calling on the Irish government to offer reparations to homeowners whose properties are affected by defective concrete blocks.
In an interview with The Irish Catholic in February 2021, McGuckian takes issue with the view held by political leaders that public worship is deemed to be “non-essential” during the COVID-19 pandemic in the Republic of Ireland. Quoting Pope Francis, who states that “the right to worship must be respected, protected and defended by civil authorities like the right to bodily and physical health,” he expresses a need to let political leaders know that public worship is not only central, but also “utterly essential.”
Following a fatal explosion in Creeslough, County Donegal, on October 7, 2022, McGuckian refers to the explosion as “the darkest day in Donegal,” adding that the local community is “living through a nightmare of shock and horror.” He also concelebrates at the Funeral Masses of each of the victims, describing the fact that the parish church would be holding two funerals in the space of three hours as “surreal.”
McGuckian is appointed Bishop of Down and Connor by Pope Francis on February 2, 2024. In his first address following his appointment, he expresses his hope that the restoring of the Northern Ireland Executive will help the most vulnerable in society.
George Johnstone StoneyFRS, Irish physicist, is born on February 15, 1826, at Oakley Park, near Birr, County Offaly, in the Irish Midlands. He is most famous for introducing the term “electron” as the “fundamental unit quantity of electricity.” He introduces the concept, though not the word, as early as 1874, initially naming it “electrine,” and the word itself comes in 1891. He publishes around 75 scientific papers during his lifetime.
Stoney is the son of George Stoney and Anne (née Bindon Blood). His only brother is Bindon Blood Stoney, who becomes chief engineer of the Dublin Port and Docks Board. The Stoney family is an old-established Anglo-Irish family. During the time of the famine (1845–52), when land prices plummet, the family property is sold to support his widowed mother and family. He attends Trinity College Dublin (TCD), graduating with a BA degree in 1848. From 1848 to 1852 he works as an astronomy assistant to William Parsons, 3rd Earl of Rosse, at Birr Castle, County Offaly, where Parsons had built the world’s largest telescope, the 72-inch Leviathan of Parsonstown. Simultaneously he continues to study physics and mathematics and is awarded an MA by TCD in 1852.
From 1852 to 1857, Stoney is professor of physics at Queen’s College Galway. From 1857 to 1882, he is employed as Secretary of the Queen’s University of Ireland, an administrative job based in Dublin. In the early 1880s, he moves to the post of superintendent of Civil Service Examinations in Ireland, a post he holds until his retirement in 1893. He continues his independent scientific research throughout his decades of non-scientific employment duties in Dublin. He also serves for decades as honorary secretary and then vice-president of the Royal Dublin Society (RDS), a scientific society modeled after the Royal Society of London and, after his move to London in 1893, he serves on the council of that society as well. Additionally, he intermittently serves on scientific review committees of the British Association for the Advancement of Science from the early 1860s.
Stoney publishes seventy-five scientific papers in a variety of journals, but chiefly in the journals of the Royal Dublin Society. He makes significant contributions to cosmic physics and to the theory of gases. He estimates the number of molecules in a cubic millimeter of gas, at room temperature and pressure, from data obtained from the kinetic theory of gases. His most important scientific work is the conception and calculation of the magnitude of the “atom of electricity.” In 1891, he proposes the term “electron” to describe the fundamental unit of electrical charge, and his contributions to research in this area lays the foundations for the eventual discovery of the particle by J. J. Thomson in 1897.
Stoney proposes the first system of natural units in 1881. He realizes that a fixed amount of charge is transferred per chemical bond affected during electrolysis, the elementary chargee, which can serve as a unit of charge, and that combined with other known universal constants, namely the speed of lightc and the Newtonian constant of gravitationG, a complete system of units can be derived. He shows how to derive units of mass, length, time and electric charge as base units. Due to the form in which Coulomb’s law is expressed, the constant 4πε0 is implicitly included, ε0 being the vacuum permittivity.
Like Stoney, Max Planck independently derives a system of natural units (of similar scale) some decades after him, using different constants of nature.
Hermann Weyl makes a notable attempt to construct a unified theory by associating a gravitational unit of charge with the Stoney length. Weyl’s theory leads to significant mathematical innovations, but his theory is generally thought to lack physical significance.
Stoney marries his cousin, Margaret Sophia Stoney, by whom he has had two sons and three daughters. One of his sons, George Gerald Stoney FRS, is a scientist. His daughter Florence StoneyOBE is a radiologist while his daughter Edith is considered to be the first woman medical physicist. His most scientifically notable relative is his nephew, the Dublin-based physicist George Francis FitzGerald. He is second cousin of the grandfather of Ethel Sara Turing, mother of Alan Turing.
After moving to London, Stoney lives first at Hornsey Rise, north London, before moving to 30 Chepstow Crescent, Notting Hill, West London. In his later years illness confines him to a single floor of the house, which is filled with books, papers, and scientific instruments, often self-made. He dies at his home in Notting Hill, on July 5, 1911. His cremated ashes are buried in St. Nahi’s Church, Dundrum, Dublin.
Congreve is born on January 24, 1670, at Bardsley, West Yorkshire, England, the son of William Congreve, an army officer, and Mary Browning of Doncaster. In 1674, his father gains a commission as lieutenant in the army in Ireland, and moves with his family to the garrison port of Youghal, County Cork, where they remain until 1678. After a brief period at Carrickfergus, they move in 1681 to Kilkenny, where his father is assigned to the Duke of Ormond‘s regiment. This service entitles Congreve to a free education at the renowned Kilkenny College, where Jonathan Swift is also a student, and where he receives an excellent schooling in classics. He forms a lasting friendship with another pupil, Joseph Kelly, a lawyer and MP for Doneraile (1705–13), with whom he later maintains a lengthy correspondence. In April 1686, he enters Trinity College Dublin (TCD) as a classical scholar and, again like Swift, is taught by St. George Ashe. It seems likely that his degree is disrupted by the political upheaval of 1688 as the college is forced to close in 1689 and his BA is not recorded.
At this point, Congreve leaves Ireland and spends the spring and summer of 1689 with relatives in Staffordshire. He subsequently moves to London, and in March 1691 enters the Middle Temple. He is not assiduous in his legal studies, preferring to socialise with intellectuals and writers, notably John Dryden, to pursue literary projects. In 1692, under the pseudonym “Cleophil,” he published Incognita, or, Love and Duty Reconciled, a romantic novella reputedly written while he is a student in Dublin. He also contributes some verse to Charles Gildon‘s Miscellany (1692), as well as two translations from Homer and three odes to Dryden’s Examen poeticum (1693). Dryden evidently thinks highly of the young writer, and with his advice and approbation Congreve’s first play, The Old Batchelor, is recommended by the Irish playwright Thomas Southerne to Thomas Davenant, manager of the Theatre Royal, Drury Lane. A fast-paced and witty comedy, concerning amorous appetites, The Old Batchelor is accepted and opens on March 9, 1693, to popular acclaim, enjoying an unusually long run of fourteen nights. Among the cast are Thomas Doggett, still relatively unknown, as Fondlewife, and a young English actress and singer, Anne Bracegirdle as Amarinta, with whom Congreve falls in love and begins a prolonged relationship. The play is dedicated to his friend Charles Boyle, eldest son of Richard Boyle, 1st Earl of Burlington, whose estates Congreve’s father had begun to manage in 1690.
After this early success, Congreve is dismayed by the poor reception of his next play, a domestic comedy with dark undertones entitled The Double Dealer, which is staged in December 1693 and criticised as immoral and unflattering in its representation of women. Its popularity improves somewhat when Mary II, Queen of England, soon after its undistinguished debut, commands a performance. When the queen dies the following year, Congreve eulogises her in The Mourning Muse of Alexis, a Pastoral. Regarded by contemporaries as his finest literary work, it is rewarded by a gift of £100 from King William III. Production of his next play is delayed by the revolt of the Drury Lane actors against the management of Christopher Rich. Congreve supports the actors and their petition to the Lord Chamberlain to reopen the theatre at Lincoln’s Inn Fields. When their request is granted, the renovated theatre opens on April 30, 1695, with Congreve’s enduring romantic comedy Love for Love, and the playwright being made a shareholder in the new company. A characteristically witty and well-plotted comedy, the production of Love for Love is particularly notable for Doggett’s sparkling performance as Sailor Ben. Congreve’s dramatic success also brings political advancement, as he receives his first government appointment as commissioner for hackney coaches.
Congreve returns to Ireland for most of 1696, where, with Southerne, he receives an MA from TCD, and probably visits his parents, then living at Lismore Castle, County Waterford. He also begins work on a tragedy entitled The Mourning Bride, which becomes an instant hit at Lincoln’s Inn Fields when it is first performed in February 1697 and running for thirteen nights. Despite his considerable success and popularity, he is deeply disconcerted by Jeremy Collier‘s aggressively anti-theatrical pamphlet, Short View of the Immorality and Profaneness of the English Stage (1698), which targets John Vanbrugh, Dryden, and Congreve. He is stung into a response, publishing Amendments of Mr. Collier’s False and Imperfect Citations (1698), which eloquently defends his dramatic methodology, but is rendered less effective by an emotional and ill-judged tone. His theatrical acumen seems to be at odds with the times, for in the dedication to his next play, The Way of the World, he observes that “little of it was prepar’d for that general taste which seems now to be predominant in the pallats of our audience.” Nevertheless, he is still bitterly disappointed by the disparaging response to its first performance on March 12, 1700. Dryden, however, realises the merit of the play, which is now recognised as Congreve’s masterpiece and a landmark in the dramatic tradition of the comedy of manners.
Disheartened, Congreve abandons play-writing, but he maintains his theatrical connections and embarks upon several collateral projects, producing a libretto for The Judgement of Paris (1701), and collaborating with Vanbrugh and the poet William Walsh on a translation of Molière‘s Monsieur de Pourceaugnac, staged as Squire Trelooby at the Lincoln’s Inn Fields theatre in 1704. Less successfully, he makes an ill-advised investment with Vanbrugh in a new theatre and opera house in the Haymarket, from which he withdraws with financial losses in 1705. His opera libretto Semele, written for the opening of the new theatre, is not performed until 1744, when it is scored by George Frideric Handel, though John Eccles writes a score in 1707 which remains unperformed until 1972. In the early 1700s his relationship with Anne Bracegirdle falters, though they remain lifelong friends.
In 1710, Congreve publishes The Works of Mr. William Congreve in three volumes. He continues throughout his life to write poetry, ballads, essays, and other miscellaneous pieces. He remains active and influential in literary and theatrical circles, often assisting young writers such as Charles Hopkins, son of Ezekiel Hopkins, Bishop of Derry, and Alexander Pope, who dedicates to him The Iliad (1715). Financially, however, he becomes increasingly dependent upon various minor government posts. He belongs for many years to the celebrated Kit-Cat Club, alongside such prominent writers, wits, and whigs as Richard Boyle, 2nd Earl of Cork, Richard Steele, Joseph Addison, Walsh, and Vanbrugh. Through the good offices of his friend Jonathan Swift, he retains his government position as Commissioner of Wines during the Tory administration of 1710–14. His party loyalty is rewarded in 1714 when he receives a lucrative government appointment as Secretary of the island of Jamaica. His personal life also improves around this time, as a friendship with Lady Henrietta Godolphin develops into a love affair that lasts for the rest of his life. They have one daughter, Mary (1723–64).
Congreve suffers for much of his life from gout and failing eyesight. These afflictions worsen with age, though friends remark that his cheerful temper survived unaffected. He is involved in a coach accident in September 1728, and dies January 19, 1729, at his home in Surrey Street, likely from a related injury. He names Francis Godolphin, 2nd Earl of Godolphin, his lover’s husband, as his executor, and bequeaths almost his entire estate to Henrietta, thereby discreetly leaving his property to his daughter. He is buried in Poet’s Corner, Westminster Abbey, on January 26.
(From: “Congreve, William” by Sinéad Sturgeon, Dictionary of Irish Biography, http://www.dib.ie, October 2009; Pictured: Portrait of William Congreve (1709) by Sir Godfrey Kneller)
A snappy dresser who earns the nickname “the yellow rose of Finglas,” Tunney is sometimes seen as pompous, a perception possibly attributable to his acting background, which once leads to an audition at Dublin’s Abbey Theatre.
In 1963 Tunney joins Fianna Fáil, and stands for the party at the 1965 Irish general election but is not elected. He is elected to Dáil Éireann as a Fianna Fáil TD for the Dublin North-West constituency at the 1969 Irish general election. He serves continuously in the Dáil until losing his seat at the 1992 Irish general election, having been a TD for Dublin Finglas from 1977 to 1981 when Dublin constituencies are reconfigured as 3-seaters, before being returned for Dublin North-West in 1981.
During this period Tunney serves as Parliamentary Secretary to the Minister for Education (after 1978, Minister of State at the Department of Education) in three governments. He serves as Leas-Ceann Comhairle of Dáil Éireann from 1981 to 1982, and from 1987 to 1993. He is also chair of the Fianna Fáil parliamentary party for ten years. He is a member of Dublin City Council, and serves as Lord Mayor of Dublin from 1984 to 1985.
Following Tunney’s death, TaoiseachBertie Ahern describes him as “a parliamentarian and a gentleman who was passionately committed to serving his country.” Ahern adds, “he was not only a man of substance but one of style. From the flower that was always in his buttonhole to the elegance of his language in both Irish and English he had a commanding and stylish presence.”
Fine Gael leader Michael Noonan says Tunney had gained “the widespread affection and respect of colleagues of all political parties.”
Leader of the Labour PartyRuairi Quinn describes Tunney as a “thoughtful and courteous colleague” who carried out his duties with “fairness but also with wit and style.”
Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.
From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Artsfirst class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.
In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.
During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.
In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.
Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.
Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. PresidentBill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.
Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.
John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.
Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”
Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.
Agar is known to have held particularly marked Calvinistic positions. He serves as Dean of Kilmore from 1765 to 1768, and then as Bishop of Cloyne until 1779.
In 1794, Agar is raised to the Peerage of Ireland as Baron Somerton. In 1801, he is translated to become Archbishop of Dublin and is created Viscount Somerton. In 1806, he is further honoured when he is made Earl of Normanton. These titles are all in the Peerage of Ireland. He remains as Archbishop of Dublin until his death in 1809, and from the beginning of 1801 onward, sits in the House of Lords as one of the twenty-eight original Irish representative peer, following the Acts of Union 1800 which unites Ireland and Great Britain.
Agar dies on July 14, 1809, aged 72, and is succeeded in his secular titles by his son Welbore Ellis Agar. He is buried in the north transept of Westminster Abbey. His widow Jane, Countess of Normanton, is buried alongside him following her death in 1826. His tomb dates from 1815 and is created by John Bacon.
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