O’Farrelly is born Agnes Farrelly on June 24, 1874, in Raffony House, Virginia, County Cavan, one of five daughters and three sons of Peter Dominic Farrelly and Ann Farrelly (née Sheridan), a family with a traditional interest in the Irish language. After her articles Glimpses of Breffni and Meath are published in The Anglo-Celt in 1895, the editor, E. T. O’Hanlon, encourages her to study literature. Graduating from the Royal University of Ireland (BA 1899, MA 1900), she is appointed a lecturer in Irish at Alexandra College and Loreto College. A founder member in 1902, along with Mary Hayden, of the Irish Association of Women Graduates and Candidate Graduates, to promote equal opportunity in university education, she gives evidence to the Robertson (1902) and Fry (1906) commissions on Irish university education, arguing successfully for full co-education at UCD. Appointed lecturer in modern Irish at UCD in 1909, she is also a member of the first UCD governing body and the National University of Ireland (NUI) senate (1914–49). In 1932, on the retirement of Douglas Hyde, she is appointed professor of modern Irish at UCD, holding the position until her retirement in 1947. She is also president of the Irish Federation of University Women (1937–39) and of the National University Women Graduates’ Association (NUWGA) (1943–47).
One of the most prominent women in the Gaelic League, a member of its coiste gnótha (executive committee) and a director of the Gaelic press An Cló-Chumann Ltd, O’Farrelly is a close friend of most of its leading figures, especially Douglas Hyde, Kuno Meyer, and Eoin MacNeill. One of Hyde’s allies in his battle to avoid politicising the league, she is so close to him that students at UCD enjoy speculating about the nature of their friendship. She advocates pan-Celticism, but does not get involved in disputes on the matter within the league. A founder member, and subsequently principal for many years, of the Ulster College of Irish, Cloghaneely, County Donegal, she is also associated with the Leinster and Connacht colleges and serves as chairperson of the Federation of Irish Language Summer Schools.
Having presided at the inaugural meeting of Cumann na mBan in 1914, espousing its subordinate role in relation to the Irish Volunteers, O’Farrelly leaves the organisation soon afterward because of her support for recruitment to the British Army during World War I. A close friend of Roger Casement, in 1916, along with Col. Maurice Moore she gathers a petition that seeks a reprieve of his death sentence. She is a member of a committee of women which negotiate unsuccessfully with Irish Republican Army (IRA) leaders to avoid civil war in 1922, and is heavily defeated as an independent candidate for the NUI constituency in the general elections of 1923 and June 1927. In 1937 she is actively involved in the National University Women Graduates’ Association’s campaign against the constitution, seeking deletion of articles perceived as discriminating against women.
Popular among students at UCD, O’Farrelly has a reputation as a social figure and entertains frequently at her homes in Dublin and the Donegal Gaeltacht. A founder member (1914) and president (1914–51) of the UCD camogie club, she persuades William Gibson, 2nd Baron Ashbourne, to donate the Ashbourne Cup for the camogie intervarsities. She is also president of the Camogie Association of Ireland in 1941–42. A supporter of native Irish industry, she is president of the Irish Industrial Development Association and the Homespun Society, and administrator of the John Connor Magee Trust for the development of Gaeltacht industry. A poet and writer in both Irish and English, often using the pseudonym ‘Uan Uladh’, her principal publications in prose are The reign of humbug (1900), Leabhar an Athar Eoghan (1903), Filidheacht Segháin Uí Neachtáin (1911), and her novel Grádh agus crádh (1901); and in poetry Out of the depths (1921) and Áille an domhain (1927).
Brennan is born in Dublin on January 6, 1917, one of four siblings, and grows up at 48 Cherryfield Avenue in the Dublin suburb of Ranelagh. She and her sisters are each named after ancient Irish Queens: Emer, Deirdre and Maeve. Her parents, Robert and Úna Brennan, both from County Wexford, are republicans and are deeply involved in the Irish political and cultural struggles of the early twentieth century. They participate in the 1916 Easter Rising but while Úna is imprisoned for a few days, Robert is sentenced to death. The sentence is commuted to penal servitude.
Robert’s continuing political activity results in further imprisonments in 1917 and 1920. Brennan is born while he was in prison. He is director of publicity for the anti-Treaty Irish Republican Army during the Irish Civil War. He also founds and is the director of The Irish Press newspaper. His imprisonments and activities greatly fragment her childhood. In her story The Day We Got Our Own Back she recounts her memory of how, when she was five, her home was raided by Irish Free State forces looking for her father, who was on the run.
Robert Brennan is appointed the Irish Free State’s first minister to the United States, and the family moves to Washington, D.C. in 1934, when Brennan is seventeen. She attends the Sisters of ProvidenceCatholic school in Washington, Immaculata Seminary, graduating in 1936. She then graduates with a degree in English from American University in 1938. She and her two sisters remain in the United States when her parents and brother return to Ireland in 1944.
Brennan moves to New York City and finds work as a fashion copywriter at Harper’s Bazaar in the 1940s. She also writes a Manhattan column for the Dublin society magazine Social and Personal, and writes several short pieces for The New Yorker magazine. In 1949, she is offered a staff job by William Shawn, The New Yorker‘s managing editor.
Brennan first writes for The New Yorker as a social diarist. She writ’s sketches about New York life in The Talk of the Town section under the pseudonym “The Long-Winded Lady.” She also contributes fiction criticism, fashion notes, and essays. She writes about both Ireland and the United States.
The New Yorker begins publishing Brennan’s short stories in 1950. The first of these stories is called The Holy Terror. In it, Mary Ramsay, a “garrulous, greedy heap of a woman” tries to keep her job as a ladies’ room attendant in a Dublin hotel.
Brennan’s work is fostered by William Keepers Maxwell, Jr., and she writes under The New Yorker managing editors Harold Ross and William Shawn. Although she is widely read in the United States in the 1950s and 1960s, she is almost unknown in Ireland, even though Dublin is the setting of many of her short stories.
A compendium of Brennan’s New Yorker articles called The Long-Winded Lady: Notes from the New Yorker is published in 1969. Two collections of short stories, In and Out of Never-Never Land (1969) and Christmas Eve (1974) are also published.
Brennan’s career does not really take off until after her death which leads many of her stories to be reintroduced to the public and many articles written about her up until her passing.
The love of Brennan’s life is reportedly writer and theatre critic/director Walter Kerr but he breaks off their engagement and marries writer Bridget Jean Collins.
In 1954, Brennan marries St. Clair McKelway, The New Yorker‘s managing editor. McKelway has a history of alcoholism, womanizing and manic depression and has already been divorced four times. She and McKelway divorce after five years.
Brennan is writing consistently and productively in the late 1960s. By the time her first books are published, however, she is showing signs of mental illness. Her previously immaculate appearance becomes unkempt. Her friends begin to find her eccentricities disturbing rather than entertaining. She becomes obsessive.
In the 1970s, Brennan becomes paranoid and alcoholic. Hospitalized on numerous occasions, she becomes destitute and homeless, frequently sleeping in the women’s lavatory at The New Yorker. She is last seen at the magazine’s offices in 1981.
In the 1980s, Brennan vanishes from view and her work is forgotten. After wandering from one transient hotel to another along 42nd Street, she is admitted to Lawrence Nursing Home in Arverne.
Brennan dies of a heart attack on November 1, 1993, aged 76, and is buried in Queens, New York City.
A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.
In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.
Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.
Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.
In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.
In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.
Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).
Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.
Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.
Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.
Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”
Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.
From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.
Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.
Martin is born on July 23, 1921, in Ballylongford, County Kerry, to a middle-class family in which the children are raised speaking Irish at the dinner table. His parents, Conor and Katherine Fitzmaurice Martin, have five sons and five daughters. Four of the five sons become priests, including his younger brother, Francis Xavier Martin.
Martin participates in the research on the Dead Sea Scrolls and publishes 24 articles on Semitic palaeography. He does archaeological research and works extensively on the Byblos syllabary in Byblos, in Tyre, and in the Sinai Peninsula. He assists in his first exorcism while working in Egypt for archaeological research. In 1958, he publishes a work in two volumes, The Scribal Character of the Dead Sea Scrolls.
In 1964, Martin requests a release from his vows and from the Jesuit Order. He receives a provisional release in May 1965 and a dispensation from his vows of poverty and obedience on June 30, 1965. Even if dispensed from his religious vow of chastity, he remains under the obligation of chastity if still an ordained secular priest. He maintains that he remains a priest, saying that he had received a dispensation from Paul VI to that effect.
Martin moves to New York City in 1966, working as a dishwasher, a waiter, and taxi driver, while continuing to write. He co-founds an antiques firm and is active in communications and media for the rest of his life.
In 1967, Martin receives his first Guggenheim Fellowship. In 1970, he publishes the book The Encounter: Religion in Crisis, winning the Choice Book Award of the American Library Association. He then publishes Three Popes and the Cardinal: The Church of Pius, John and Paul in its Encounter with Human History (1972) and Jesus Now (1973). In 1970, he becomes a naturalizedU.S. citizen.
In 1969, Martin receives a second Guggenheim Fellowship, allowing him to write his first of four bestsellers, Hostage to the Devil: The Possession and Exorcism of Five Living Americans (1976). In the book, he calls himself an exorcist, claiming he assisted in several exorcisms. According to McManus Darraugh, William Peter Blatty “wrote a tirade against Malachi, saying his 1976 book was a fantasy, and he was just trying to cash in.” Darraugh also says that Martin became “an iconic person in the paranormal world.”
Martin is a periodic guest on Art Bell‘s radio program, Coast to Coast AM, between 1996 and 1998. The show continues to play tapes of his interviews on Halloween.
The Vatican restores Martin’s faculty to celebrate Mass in 1989, at his request. He is strongly supported by some Traditionalist Catholic sources and severely criticized by other sources, such as the National Catholic Reporter. He serves as a guest commentator for CNN during the live coverage of the visit of Pope John Paul II to the United States in October 1995.
On July 27, 1999, Martin dies in Manhattan of an intracerebral haemorrhage, four days after his 78th birthday. It is caused by a fall in his Manhattan apartment. The documentary Hostage to the Devil claims that Martin says he was pushed from a stool by a demonic force.
Dowling is born on June 3, 1846, in Clonmel, County Tipperary, the only son of David Jeremiah Dowling, schoolmaster, and Margaret Dowling. His father dies when he is nine years old. He is educated in Clonmel, Waterford, and St. Munchin’s College in Corbally, Limerick, before entering the shipping office of his uncle William Downey in Waterford at the age of eighteen. He distinguishes himself in the Waterford Literary and Debating Society and contributes to local newspapers, including the Waterford Citizen and The Waterford Chronicle. In 1870, he joins the staff of The Nation and moves to Dublin. On the outbreak of the Franco–Prussian War, he edits for Alexander Martin Sullivan a war-sheet, The Daily Summary, and subsequently becomes editor and contributor successively to the humorous but short-lived Zozimus and Ireland’s Eye.
Dowling settles in London in 1874, joining the staff of the Illustrated Sporting and Dramatic News, and founds Yorick in 1876, a comic paper with cartoons by Harry Furniss which lasts six months. In 1879, he publishes the first and most successful of his many novels, The Mystery of Killard, a strange tale of a deaf-mute fisherman in County Clare, which is hailed as one of the most striking romances of the year. Though his later novels are intensely realistic, exciting, and clever, they never achieve the same high standard. According to Furniss, who thought Dowling would be a great author, he “drifted into the quicksand of Bohemianism…He sank a wreck, with a rich cargo of genius that was never delivered to the world.” Other writers later mention his unfulfilled promise. Among his other novels of Irish interest are Sweet Inisfail (1882) and Old Corcoran’s Money (1892). A dramatisation of Below Bridge (1895) is staged on April 6, 1896, at the Novelty Theatre, London.
Dowling contributes poetry, short stories, and essays to several magazines, including Belgravia, London Society, and Saturday Journal, and is a frequent contributor to Tinsley’s Magazine, writing its leading serials (1880–82), which are later published as the novels Under St. Paul’s (1881) and The Duke’s Sweetheart (1881). His collections of essays include On Babies and Ladders (1873), which some critics believe to be his best work, Ignorant Essays (1887), Indolent Essays (1889), full of wit and original thought, and descriptive essays London Town (1880). He also edits the Poems (1891) of John Francis O’Donnell. He writes both under his own name and under various pseudonyms, including Peter Mendaciorum, Marcus Fall and Emmanuel Kink. A selection of his letters is published as Some Old Letters (Oct. – Nov. 1919) and More Old Letters (Jan. – Feb. 1920).
According to his daughter, Dowling works erratically, often continuously for several days and nights. An invalid during his later years, he composes his works on a sofa, invariably wearing a cap and with a soup-plate full of pipes beside him, which he enjoys in turn. A mild, kind, and gentle personality, he is an effective raconteur and a witty conversationalist. His cousin, Edmund Downey, who publishes many of his works, is introduced to the publishing world by Dowling. He is an applicant to the British charity for authors, the Royal Literary Fund, and leaves his family ill provided for.
Dowling dies on July 28, 1898, at his home at 2 Foulser Road, Tooting, South London, and is buried in Mortlake Cemetery, London. He is married and has three children, although his wife’s name and the date of their marriage are not known.
(From: “Dowling, Richard” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
MacEoin is born Vincent O’Rahilly McGuone to Malachy McGuone, owner of the Central Hotel in Pomeroy and a wine and spirit merchant, and Catherine (née Fox). He has three siblings. Both of his parents are nationalists, and name all their children after leaders of the Easter Rising in 1916. Under the First Dáil in 1918, his father is appointed a judge. This results in him being interned on the prison ship Argenta on Larne Lough from 1922 to 1923. The family moves to Dublin after his release. His father dies in 1933, which leads to his wife running a workingmen’s café in East Essex Street. The family later lives on Marlborough Road, Donnybrook.
MacEoin attends boarding school at Blackrock College and is then articled to the architectural practice of Vincent Kelly in Merrion Square. As an active republican, he lives in a house on Northumberland Road from late 1939 to May 1940 where he helps in the production and distribution of an Irish Republican Army (IRA) weekly newspaper, War News. The IRA is banned by the Irish government in 1936, and its bombing campaign in Britain in 1939 is viewed by the government as a threat to Irish neutrality. MacEoin is among a group of republicans arrested in June 1940 and imprisoned in Arbour Hill Prison for a year. Once released, he is rearrested and interned at the Curragh for three years. He is sentenced to 3-months imprisonment in October 1943 for possession of incriminating documents. He is also charged with possession of ammunition, but testifies he was given the rounds against his will and never appears to have engaged in any violence. During his internment, he is taught the Irish language by Máirtín Ó Cadhain and is exposed to the socialist views of his fellow inmates. It is at this time that he adopts the Irish form of his name, Uinseann MacEoin.
While imprisoned in the 1940s, MacEoin continues his studies by correspondence and qualifies as an architect in 1945 at University College Dublin (UCD). His designs for a memorial garden in 1946 to those who died during the Irish War of Independence are commended. In 1959, he designs the site in Ballyseedy, County Kerry, for a monument by Yann Goulet commemorating those killed in the Irish Civil War and members of the IRA from Kerry who died. In 1948, he qualifies in town planning and takes up a position with Michael Scott‘s architectural practice. He works for a short time with Dublin Corporation, with their housing department, before establishing his own practice in 1955.
During the 1950s, MacEoin is a contributing editor on interior design in Hugh McLaughlin‘s magazine Creation, becoming editor of Irish Architect and Contractor in 1955. He enters into a partnership with Aidan Kelly in 1969 as MacEoin Kelly and Associates. In the early 1970s, he designs a shopping and housing development outside Dundalk, called Ard Easmuinn. Throughout the 1960s and 1970s, he continues as an influential architectural journalist, founding and editing Build from 1965 to 1969, and later Plan. His company, Pomeroy Press, publishes Plan along with other serials such as Stream and Field. He writes a large proportion of the copy in these periodicals, much under his own name, but he also uses pseudonyms, in particular in Plan as “Michael O’Brien.” He writes about his strong views on social housing, national infrastructure, and foreign and slum landlords, often libelously.
Despite his republican and socialist views, MacEoin is a staunch advocate for the preservation of Georgian Dublin, and campaigns for their preservation. On this topic, he writes letters to newspapers, takes part in television and radio discussions, writes comment pieces and editorials, speaks at public hearings, and takes part in direct protests such as sit-ins in buildings including those on Baggot Street, Pembroke Street, Hume Street, and Molesworth Street. He is also an active member of the Irish Georgian Society, and he campaigns actively against the road widening schemes in Dublin the 1970s and 1980s.
MacEoin and his wife purchase five Georgian houses on Mountjoy Square and three on Henrietta Street in the 1960s, all almost derelict. They refurbish them and lease them out, under the company name Luke Gardiner Ltd. He renames the 5 Henrietta Street property James Bryson House. His architectural practice moves into one of the Mountjoy Square houses. Along with fellow campaigners, Mariga Guinness and Deirdre Kelly, this demonstrates that these buildings can be salvaged and are not the dangerous structures other architects and developers claim them to be. He also purchases and saves Heath House, near Portlaoise, County Laois, living there toward the end of his life. He offers free conservation and architectural advice to community groups and is a volunteer on the renovation works on projects including Tailors’ Hall.
MacEoin remains politically active, joining Clann na Poblachta, the Wolfe Tone Societies (WTS), the Dublin Civic Group, the Northern Ireland Civil Rights Association (NICRA) and the Irish Anti-Apartheid Movement. To what extent he is involved in republican or IRA activities after 1945 is not clear. However, in March 1963, he is called a witness to a case in Scotland involving a Glasgowbookmaker by the name of Samuel Docherty and the Royal Bank of Scotland. Docherty claims the bank owes him £50,000. MacEoin testifies that in February 1962 he had travelled with £50,000 in cash from Dublin to lodge to Docherty’s account in the Royal Bank of Scotland in Belfast, as a loan. When asked about the origin of this large sum of money, he states it was supplied by another person but does not divulge that person’s name. This immediately triggers the court’s suspicions, and the judge warns MacEoin he will be contempt of court if he does not name the supplier of the money. He is placed in police custody for the day, and eventually he agrees to give the name in writing in confidence to the judge. The judge ultimately rules that Docherty is guilty of attempted fraud and perjury and that MacEoin’s involvement reeks of criminality. However, no further action is ever brought forward against Docherty or MacEoin.
In Sinn Féin‘s 1971 Éire Nua social and economic programme, MacEoin writes the chapter on “Planning,” and attends meetings in Monaghan in the early 1970s on the Dáil Uladh, a parliament for the 9-county Ulster province. In 1981, during the republican hunger strikes, one of his Mountyjoy Square houses is used as the national headquarters of the National H-Block Committee. Following the 1986 Sinn Féin split, he supports Republican Sinn Féin. He is a founding member of the Constitutional Rights Campaign in 1987, a group which aims to protect the rights of Irish citizens in the European Economic Community (EEC), having campaigned against Ireland joining the EEC in the early 1970s. In 1978, he is sentenced to two weeks in Mountjoy Prison for non-payment of a fine issued for not having a television licence. He had refused to buy one to protest the lack of Irish language programming.
As an environmentalist, MacEoin opposes private car ownership, and advocates for cycleways and the redevelopment of the railway lines. He writes about the “greenhouse effect” as early as 1969. As a hill walker and mountaineer, he claims to be the first Irishman to register successful climbs of all 284 Scottish peaks, known as the Munros, in 1987. He also climbs in the Alps and the Pyrenees.
MacEoin writes three books on his memories, and those of his former comrades: Survivors (1980), on the lives of leading Irish republicans, Harry (1986), a part biography part autobiography of Harry White, and The IRA in the twilight years 1923–48 (1997). He also publishes a novel, Sybil: a tale of innocence (1992) with his publishing house, Argenta, under the name Eoin O’Rahilly. He also interviews and records dozens of Republicans as part of his research for his books. These recordings are later converted into a digital oral history archive held in trust by the Irish Defence Forces.
MacEoin marries Margaret Russell in 1956 in Navan, County Meath. They have a daughter and two sons.
MacEoin dies in a nursing home in Shankill, Dublin, on December 21, 2007. His estate at the time of his death is valued at over €3 million. His son, Nuada, takes over his father’s architectural practice.
Brenan is born in Cork, County Cork, on November 17, 1828. He begins to write verse at an early age and is one of the genuine poets of the Young Ireland movement. His earlier poems are published under the initials “J. B., Cork,” or “J. B—n,” and some of his American verses under the pseudonym “Gondalez.” He is also an able prose writer.
Brenan is an active member of the Cork Historical Society, and is one of the editors of the Cork Magazine, which appears in November 1847, and continues to be published until the end of 1848, when the journal ceases publication. Some of its contributors, who include Frazer, Martin MacDermott, Fitz James O’Brien, Mulchinock and Mary Savage, later either end up in jail or in exile.
In January 1848, John Mitchel visits Cork and, according to Michael Cavanagh, who publishes a sketch of Brenan’s life in Young Ireland, Dublin, in June and July 1885, Brenan for the first time “beheld the man he most admired on earth, and with whose future destiny, whether for weal or woe, he felt his own was bound up. Never had the archenemy of England a more faithful or earnest follower.”
Brenan contributes to the Mitchel’s United Irishman and sells his rifle to obtain train fare so he can take up his residence in Dublin, the headquarters of the revolutionary movement. He later publishes articles in John Martin‘s The Irish Felon urging the Confederate Clubs members, many of whom have arms, to be in readiness for action. “The sooner you realise the fact,” he writes in a letter addressed to the Members of the Provincial Confederate Clubs, “that the Confederation was got up for the purpose of doing something, the better for us all. Just think what it undertook to do. It undertook to defeat the strongest Government and to liberate the most degraded country that ever existed. It undertook to give – to a province—to strike the chains off millions of slaves and, if necessary, to wash out the iron moulds in blood.”
In another letter to “the Young Men of Ireland” on July 22, 1848, he writes, “On you I principally rely. You realise that you are very ‘rash,’ rather inclined to be ‘violent,’ and have exceedingly little prudence to spare. Brothers, let your watchword be ‘Now or never—now and forever’ rashly.”
Brenan is associated with John Savage and John O’Mahony while Savage is operating on the slopes of the Comeragh Mountains. He is arrested and kept in prison for seven months alternately in Newgate Prison, Carrickfergus and Kilmainham Gaols. During his confinement he writes some fine poems, according to T. F. O’Sullivan, one, entitled Yearnings, evidently addressed to Mary Savage, sister of John.
After his release without trial in March 1849, Brenan becomes editor of the Irishman which had been started in Dublin by Bernard Fulham, and for six months attempts to rekindle the insurrectionary flame in the country. He is implicated in the attack on the Cappoquin police barracks on September 16, 1848, and in October escapes to the United States.
In America Brenan becomes associated with a number of journals, including Horace Greeley‘s New-York Tribune, Devin Reilly’s People, The Enquirer of Newark, New Jersey, and the New Orleans Delta in which he writes a series of papers under the pen-name Ben Fox. On August 27, 1851, he marries Mary Savage, in her parents’ house, on Thirteenth Street, New York.
Brenan writes some articles and poems for John Mitchel’s Irish Citizen in 1854. He is an enthusiastic supporter of the Southern cause and founds the New Orleans Times.
Brenan dies on May 27, 1857, at the early age of twenty-nine and is buried in the old French cemetery of New Orleans. During the last year of his life, he is almost totally blind. He is attended in his last illness by Dr. Dalton Williams. There are seven children of his and Mary’s marriage, only one of whom, Florence, survives their parents. She possesses her father’s literary ability but devotes her life to religion as a member of the Mercy Order.
Brenan’s best-known poem, “Come to Me, Dearest,” is addressed to Mary Savage before their marriage. The love story of Brenan and Mary is told in the sketch by Ellen Mary Patrick Downing, afterwards Sister Mary Alphonsus.
Russell is born on April 10, 1867, in Lurgan, County Armagh, in what is now Northern Ireland. He writes with the pseudonym Æ (often written AE or A.E.). He is also a writer on mysticism, and a central figure in the group of devotees of theosophy which meets in Dublin for many years. He takes his pseudonym from a proofreader’s query about his earlier pseudonym, “AEon.”
Russell is the second son of Thomas Russell and Mary Armstrong. His father, the son of a small farmer, becomes an employee of Thomas Bell and Co., a prosperous firm of linen drapers. The family relocates to Dublin, where his father has a new offer of employment, when he is eleven years old.
Following his time at the Metropolitan School of Art, Russell becomes an accounts clerk in a drapery store but leaves in 1897 to organize agricultural cooperatives. Eventually he becomes editor of the periodicals Irish Homestead (1905–23) and The Irish Statesman (1923–30). In 1894 he publishes the first of many books of verse, Homeward: Songs by the Way, which establishes him in what is known as the Irish Literary Revival. His first volume of Collected Poems appears in 1913 and a second in 1926. He maintains a lifelong interest in theosophy, the origins of religion, and mystical experience. Candle of Vision: Autobiography of a Mystic (1918) is the best guide to his religious beliefs.
At the turn of the 20th century, Russell is considered by many to be the equal of Yeats, but he does not continue to grow and develop as Yeats does. He is prolific and versatile, but many critics find his poetry facile, vague, and monotonous, with “rather too much of the Celtic Twilight” in it.
Russell, who had become increasingly unhappy in the Irish Free State which, according to Yeats, he called “a country given over to the Devil,” moves to England soon after his wife’s death in 1932. Despite his failing health he goes on a final lecture tour in the United States but returns home utterly exhausted. He dies of cancer in Bournemouth, England, on July 17, 1935. His body is brought back to Ireland, and he is interred in Mount Jerome Cemetery, Dublin.
Kathleen Cox, Irish artist, sculptor, and mystic, is born Christina Mary Kathleen Cox in Wo-Sung, China, on July 2, 1904. Cox is considered a pioneer of contemporary Irish pottery.
Cox is the eldest daughter of Dr. R. H. Cox, originally from Dundalk, County Louth, and the port health officer in Shanghai. He is also an amateur geologist and models in clay. In his retirement, he invents a periscope later used during World War I by the Royal Navy. The years living in China leave an impression on the young Cox, visually and culturally. The family returns to Ireland in 1911, first moving to Listowel, County Kerry, and later to Howth, County Dublin. She attends Alexandra College, and later the Dublin Metropolitan School of Art in 1921. While there she studies sculpture under Oliver Sheppard and is considered one of his most talented students, winning the Royal Dublin Society Taylor prize for modelling in 1925, 1926, and 1927. The money from these prizes allows Cox to travel to Paris in 1929.
Cox exhibits in 1924 at the Tailteann exhibitions, and in 1925 submits textile designs to the Arts and Crafts Society of Ireland. She establishes a pottery studio at 7 Schoolhouse Lane, Dublin, with college friend Stella Rayner in 1929. The studio has the first electric kiln in Ireland. The first exhibited piece by Cox shown by the Royal Hibernian Academy (RHA) is in 1930, with a pair of Madonna bookends, and portrait masks of the daughter of Dermod O’Brien, Brigid O’Brien, and writer Norris Davidson. Davidson is a friend and neighbour, who commissions her to design the poster for his 1929 film, Suicide. She exhibits with the RHA from 1931 to 1933, and the Tailteann 1932, while also holding exhibitions in her studio. During this period Hilda Roberts paints her portrait, Strange Spirit. Kathleen Cox in her studio. The theme of womanhood is prominent in her work, including in the sign of her studio.
In 1932, Cox begins producing a line of more commercial figurines, drawing influence from the Royal Doulton Burslem factory, where she works for a time. One such figurine is The Lavender Man (pictured), modelled on Michael Clifford, a Dublin street trader. In the mid 1930s, she develops a frustration with her work and with her lack of impact on the wider world. In attending the Chinese exhibition in London in 1935, it is confirmed to her that pottery should be practical rather than ornamental. It spurs her to destroy all her moulds and sell her kiln upon her return to Dublin.
Cox marries Alan Palmer in 1937, the couple has two daughters and relocate to England. Palmer is a conscientious objector during World War II, with the couple running a farm at Meopham, Kent, returning to London after the war.
Cox dies in early September 1972 in London. Some of her work is held in the collections of the National Museum of Ireland and with four works featured in the exhibition Not Just Pots: Contemporary Irish Ceramics of the 21st Century.
It is during the 1920s that Cox begins to question mainstream religion and becomes a vegetarian. Finding that her personal philosophy is similar to that of theosophy, she joins the movement and speaks at meetings. She is heavily influenced by the founder of the Order of the Great Companions, the Rev. William Hayes, who is living in Dublin in the 1930s. She writes and illustrates a children’s book on world religions, A story of stories, which she publishes under the pseudonym C.M. Kay in 1970.
seamus dubhghaill 