Warden is born in the townland of Ballycastle, near Newtownards in County Down, the eldest among three sons of Robert Warden, tenant farmer, and Elizabeth Warden (née Bailie). Educated locally, he studies for the Presbyterian ministry, despite being told by a clergyman that he is a “blockhead.” Entering the University of Glasgow, he wins a silver medal for his work on barometers, receives a certificate in midwifery, and graduates MA in April 1797. Returning to Ireland, he accepts a provisional license to preach from the Presbytery of Bangor, County Down, and becomes a popular preacher in the region. A patriot in politics, he joins the United Irishmen. Because of this a warrant was issued for his arrest in 1798 and he surrenders himself to the government. Banished from Ireland, he decides to emigrate to the United States and writes a pamphlet explaining his decision, A farewell address to the junto of the presbytery of Bangor, in which he accuses the church leaders of “meanness, injustice and cruelty.”
On his arrival in New York City in 1799, Warden decides to abandon his career as a clergyman and become a teacher. Interested in mathematics, science and literature, he becomes principal of the Columbia Academy in Kinderhook, New York, and is appointed in 1801 the head tutor at Kingston Academy in Ulster County, New York. Employed by General John Armstrong, Jr. to teach his children, he makes useful connections in American society. He becomes a citizen in 1804 and is asked to accompany Armstrong to France when he is appointed ambassador. Arriving in Paris in 1806, he gives strong support to Armstrong and defends him from criticism in the American press. He is appointed acting consul in 1808, and serves as head of the legation on two occasions when Armstrong is absent. Surprisingly, despite their ties of friendship, Armstrong does not recommend Warden to succeed him permanently, and advises President Thomas Jefferson that although “honest and amiable” he is “not well qualified for business.” Stung by these comments, Warden reacts angrily and his friendship with Armstrong ends acrimoniously. As a result he is swiftly recalled from Paris.
Once back in America, Warden lobbies vigorously to be appointed French consul. Supported by Jefferson, now out of office, he returns to Paris in August 1811 having convinced the government of his credentials. Befriending the new ambassador, Joel Barlow, he soon allows pride to get the better of him. Arrogantly styling himself “consul general” after Barlow dies in December 1812, he provokes much anger and is dismissed from office on June 10, 1814. He never holds a diplomatic appointment again.
Deciding to remain in France, he resumes his scholarly activities and publishes his first book, On the Origin, Nature, Progress and Influence of Consular Establishments in 1813. A friend of many of the leading French writers and intellectuals, he also offers assistance to visiting scholars from America, providing a bridge between the European and American intellectual communities. His reputation increases with the publication of Chorographical and Statistical Description of the District of Columbia (1816) and A Statistical, Political and Historical Account of the United States of North America (3 vols., 1819). The publishers of a series, L’art de vérifier les dates, commissions him to research the volumes on North and South America in 1821. These run to ten volumes and are written over thirteen years.
Beset by financial difficulties, Warden is twice forced to sell part of his vast library to raise money. He dies on October 9, 1845, in Paris, after a long illness. He never marries.
(From: “Warden, David Bailie” by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
Horniman, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother, Emslie, are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their Germangoverness takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.
Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.
Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903, Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.
At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.
As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.
Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.
Magee serves as a missionary priest in Nigeria for almost six years before being appointed Procurator General of St. Patrick’s Society in Rome. In 1969, he is an official of the Congregation for the Evangelization of Peoples in Rome, when he is chosen by Pope Paul VI to be one of his private secretaries. On Pope Paul’s death he remains in service as a private secretary to his successor, Pope John Paul I and Pope John Paul II. He is the only man to hold the position of private secretary to three Popes in Vatican history. He also acts as chaplain to the Vatican’s Swiss Guard.
On April 28, 1981, Magee travels, without the knowledge or approval of the Vatican’s Secretariat of State, to the Long Kesh Detention Centre outside Belfast to meet with Irish Republican Army (IRA) hunger strikerBobby Sands. He seeks, unsuccessfully, to convince Sands to end his hunger strike. Sands dies the following week.
Magee plays a role in the Irish Catholic Bishops’ Conference where he is featured in the modernisation of the liturgy in Ireland. His pastoral approach places heavy emphasis on the promotion of vocations to the priesthood but, after some initial success, the number of vocations in the diocese of Cloyne declines, a trend reflected across the island of Ireland. He appoints Ireland’s first female “faith developer” and entrusts her with the task of transforming an Irish rural diocese into a cosmopolitan pastoral model using techniques borrowed from several urban dioceses in the United States.
Magee involves himself in a dispute with the Friends of St. Colman’s Cathedral, a local conservationist group in Cobh which organises an effective and professional opposition to the Bishop’s plans to re-order the interior of the cathedral, plans similar to previous re-orderings in Killarney, Cork and Limerick cathedrals. In an oral hearing conducted by An Bord Pleanála, the Irish Planning Board, it emerges that irregularities have occurred in the planning application that are traced to Cobh Town Council, which accommodates the Bishop’s plans to modify the Victorian interior designed by E. W. Pugin and George Ashlin. On June 2, 2006, when Bishop Magee was in Lourdes, An Bord Pleanála directs Cobh Town Council to refuse the Bishop’s application.
On July 25, 2006, Magee publishes a pastoral letter stating: “As a result of An Bord Pleanála’s decision, the situation concerning the temporary plywood altar still remains unresolved and needs to be addressed. The Diocese will initiate discussions with the planning authorities in an attempt to find a solution, which would be acceptable from both the liturgical and heritage points of view.”
A diocesan official explains that the bishop does not wish to institute a judicial review in the Irish High Court because of the financial implications of such an action and because of the bishop’s desire to avoid a Church-State clash.
Claims that the decision of An Bord Pleanála infringes the constitutional property rights of religious bodies are dismissed when it is revealed that the cathedral is the property of a secular trust established in Irish law. It is estimated that Bishop Magee spent over €200,000 in his bid to re-order the cathedral. The controversy is reported even outside Ireland.
A February 2006 article by Kieron Wood in The Sunday Business Post claims that Magee does not have the backing of the Vatican in his proposals for St. Colman’s. At the oral hearing of An Bord Pleanála he is requested to provide a copy of the letter from the Vatican in which he claims he has been given approval for the modernising of the cathedral. The letter that he produces is a congratulatory message dated December 9, 2003 to the team of architects who worked on the cathedral project from Cardinal Francis Arinze, Prefect of the Dicastery for Divine Worship and the Discipline of the Sacraments. The whole text of this letter is then reproduced in a publication called Conserving Cobh Cathedral: The Case Stated pp. 108–109.
At a meeting of his liturgical advisers and diocesan clergy in November 2006, Bishop Magee speaks of his conversation with the Pope in the course of that ad limina visit at the end of the previous month. He mentions that he has been closely questioned on several aspects of his proposals to re-order St. Colman’s Cathedral. It is obvious, he says, that the Pope has been kept well informed of the entire issue.
Bishop Magee’s contribution to the ad limina visit concerns not only his diocese of Cloyne but also ceremonial matters on behalf of the Conference. He also facilitates the broadcasting, in coincidence with the visit, of a life of Pope John Paul I prepared some months earlier by Italian state television (RAI). In an interview published on the Italian Catholic daily Avvenire on October 26, 2006, Cardinal Secretary of State Tarcisio Bertone criticises the image that the programme presents of Pope John Paul I.
After the ad limina visit, Bishop Magee represents the Irish bishops at a meeting in Rome of the International Commission for Eucharistic Congresses.
In 2007, for the third year in succession, Magee fails to complete his personal schedule of confirmations in Cloyne diocese. On May 12, 2007, he is admitted to the Bon Secours Hospital in Cork to undergo a knee replacement operation. All official engagements are cancelled for the next ten weeks to allow him to recuperate, after which he resumes work.
In December 2008, Magee is at the centre of a controversy concerning his handling of child sexual abuse cases by clergy in the diocese of Cloyne. Calls for his resignation follow. On March 7, 2009, he announces that, at his request, the Pope has placed the running of the diocese in the hands of Dermot Clifford, metropolitan archbishop of the Archdiocese of Cashel and Emly, to whose ecclesiastical province the diocese of Cloyne belongs. Magee remains Bishop of Cloyne, but withdraws from administration in order, he says, to dedicate his full-time to the matter of the inquiry. On March 24, 2010, the Holy See announces that Magee has formally resigned from his duties as Bishop of Cloyne. He is eventually succeeded by Canon William Crean whose appointment comes on November 25, 2012.
The subsequent report of the Irish government judicial inquiry, The Cloyne Report, published on July 13, 2011, finds that Bishop Magee’s second in command, Monsignor Denis O’Callaghan, then the parish priest of Mallow, had falsely told the Government and the HSE in a previous inquiry that the diocese was reporting all allegations of clerical child sexual abuse to the civil authorities.
The inquiry into Cloyne – the fourth examination of clerical abuse in the Church in Ireland – finds the greatest flaw in the diocese is repeated failure to report all complaints. It finds nine allegations out of 15 were not passed on to the Garda.
Speaking in August 2011, Magee says that he felt “horrified and ashamed” by abuse in his diocese. He says he accepts “full responsibility” for the findings. “I feel ashamed that this happened under my watch – it shouldn’t have and I truly apologise,” he says. “I did endeavour and I hoped that those guidelines that I issued in a booklet form to every person in the diocese were being implemented but I discovered they were not and that is my responsibility.”
Magee also offers to meet abuse victims and apologise “on bended knee.” He says he had been “truly horrified” when he read the full extent of the abuse in the report. However, a victim says apologies would “never go far enough.” “It’s too late for us now, the only thing it’s not too late for is that maybe there will be a future where people will be more enlightened, more aware and protect their children better,” she says. Asked about restitution for victims, Magee says it is a matter for the Cloyne Diocese.
A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.
In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
Rossa becomes a shopkeeper in Skibbereen where, in 1856, he establishes the Phoenix National and Literary Society, the aim of which is “the liberation of Ireland by force of arms.” This organisation later merges with the IRB, founded two years later in Dublin.
In December 1858, Roosa is arrested and jailed without trial until July 1859. He is charged with plotting a Fenian rising in 1865, put on trial for high treason, and sentenced to penal servitude for life due to previous convictions. He serves his time in Pentonville, Portland, and Chatham prisons in England.
After giving an understanding that he will not return to Ireland, Rossa is released as part of the Fenian amnesty of 1870. Boarding the S.S. Cuba, he leaves for the United States with his friend John Devoy and three other exiles. Together they were dubbed “The Cuba Five.”
In 1885, Rossa is shot outside his office near Broadway by an Englishwoman, Yseult Dudley, but his wounds are not life-threatening. He is allowed to visit Ireland in 1894, and again in 1904. On the latter visit, he is made a “Freeman of the City of Cork.”
Rossa is seriously ill in his later years and is finally confined to a hospital bed in St. Vincent’s Hospital, Staten Island, where he dies suddenly at the age of 83 on June 29, 1915. His body is returned to Ireland for burial and a hero’s welcome. The funeral at Glasnevin Cemetery on August 1, 1915, is a huge affair, garnering substantial publicity for the Irish Volunteers and the IRB at time when a rebellion, later to emerge as the Easter Rising, is being actively planned. The graveside oration given by Patrick Pearse remains one of the most famous speeches of the Irish independence movement stirring his audience to a call to arms.
Hanafin marries Mona Brady, daughter of J. P. Brady, on August 2, 1958, in Clonmel, County Tipperary. The wedding is followed by a reception at the Galtee Hotel, Cahir, which is attended by various notables including Rev. Father J. J. Hampson, president of Blackrock College. Their first child, Mary Hanafin, is born in June 1959, followed by John Hanafin in September 1960. Mary Hanafin is a former Fianna Fáil TD and government minister, and John Hanafin is a former Fianna Fáil senator.
Hanafin operates the Anner Hotel, located in Thurles during the 1960s. Initially successful, the business fails in 1967, which Mary Hanafin later blames on her father’s excess drinking. Subsequently, Hanafin is a director of the Transinternational Oil Company.
Hanafin’s first attempt for election to public office proves unsuccessful. In 1953, he seeks to be co-opted to fill the vacancy on North Tipperary County Council created by the death of his father. In the event councillors co-opt a Labour Party nominee, Michael Treacy, by eleven votes to seven.
Hanafin is elected a member of North Tipperary County Council in 1955, polling 934 first preference votes. Subsequently, in 1956, drawing support from the Clann na Poblachta representatives, he is elected Chairman of the County Council.
Hanafin is re-elected to North Tipperary County Council in 1960, polling 797 first preference votes. In 1961, he votes against the Fianna Fáil nominee for Chair of the County Council, Thomas F. Meagher, and in favour of the Clann na Poblachta nominee, Michael F. Cronin, who is elected by 10 votes to 9. In 1964, he controversially votes in favour of Jeremiah Mockler, “a former school mate,” who is elected by 10 votes to 9 to the office of Rate Collector for Borrisokane, County Tipperary.
Hanafin holds the seat until 1985. He is first elected to Seanad Éireann in 1969 and retains his seat until the 1993 Seanad election at which he loses his seat by one vote. He regains his seat in the 1997 elections, and in 2002 announces his retirement from politics. He unsuccessfully contests the 1977 and 1981 Irish general elections for the Tipperary North constituency. He is a chief fundraiser of the Fianna Fáil party for many years.
In May 2015, Hanafin accuses “Yes” campaigners in the same-sex marriage referendum of spreading a “palpable climate of fear,” and calls for a “No” vote.
Hanafin opposes the legalisation of divorce, which is introduced in 1995, and attempts to overturn the referendum result in the Supreme Court, but is refused by the court.
An opponent of abortion, Hanafin is one of the promoters of the constitutional amendment that enshrines the legal ban on abortion in the Constitution of Ireland. He is co-founder, chairman and later honorary president of the Pro Life Campaign.
Hanafin dies in County Tipperary at the age of 86 on June 22, 2017. A Requiem Mass is held at the Cathedral of the Assumption, Thurles, on June 25, with burial afterward in St. Patrick’s Cemetery.
Cronin is the only son among three children of Con Cronin, a member of the Irish Republican Army (IRA), and his wife Kate. After his father’s death, his mother works as a cook in a boarding school while the children are brought up by relatives in Ballinskelligs in the County KerryGaeltacht. Educated locally, he is deeply influenced by his Gaeltacht childhood; his later writings often refer to the hypocrisy of a state that romanticises the Gaeltacht while neglecting its social problems.
During World War II, Cronin’s sisters emigrate to England to train as nurses while he works as a labourer for Kerry County Council. In December 1941, he joins the Irish Army and is selected in 1943 for an officers’ training course, on which he forms a lifelong friendship with the future theatre directorAlan Simpson. He is commissioned and remains in the army until 1948.
Shortly thereafter Cronin emigrates to New York City, where he finds work as a journalist writing for The Advocate, an Irish American newspaper. He is strongly influenced by interviewing 1916 veterans for The Advocate and by contact with left-wing Irish American associates of Michael Quill, who played leading roles in the foundation of the Transport Workers Union of America. He becomes active in the semi-secret separatist organisation Clan na Gael, and in autumn 1955 returns to Ireland with the aim of helping the IRA to prepare for another military campaign.
Cronin begins work as a sub-editor with the Evening Press and also contributes summaries of world affairs to The Irish Times.
Cronin establishes contact with the IRA, and his military experience leads to his rapid assignment to GHQ staff. He is initially placed in charge of training and instruction, composing a manual on guerrilla warfare and twelve lectures on battlefield training. He teaches new military techniques and new recruits, such as the future IRA Chief of Staff Ruairí Ó Brádaigh, find him deeply impressive.
Cronin becomes a leading advocate of an early IRA campaign against Northern Ireland and becomes the chief strategist for Operation Harvest, a campaign which sees the carrying out of a range of military operations from direct attacks on security installations to disruptive actions against infrastructure. He is arrested on January 8, 1957, near the border in County Cavan. He is imprisoned several times over the course of the campaign (1956–1962).
Most of the IRA and Sinn Féin leadership are interned by the Dublin government on July 6, 1957. Cronin, one of the few to escape, becomes IRA Chief of Staff. He also acts for a time as editor of the movement’s newspaper, United Irishman. He tries to secure weapons from various sources, leading an unsuccessful raid on a British Army base at Blandford Camp in Dorset on February 16, 1958, and through contacts with Spanish republican exiles in Paris. The Irish American community remains the IRA’s main source of external support.
Cronin is arrested on September 30, 1958, and interned, causing considerable disarray, as he had been running much of the campaign single-handed. When the internees are released in March 1959, he resumes his position as Chief of Staff after a factional dispute causes the resignations of Tomás Óg Mac Curtain and the former Chief of Staff Tony Magan. He continues to argue that a sustained guerrilla campaign might yet succeed, but in June 1960 is again arrested and imprisoned for six months.
In November 1960, the Irish Freedom Committee (IFC), a Clan na Gael splinter group, accuses Cronin of being a communist and a “Free State agent,” supposedly implicated in the 1944 execution of Charlie Kerins. The IRA supports Cronin, but he nevertheless decides to resign successively as Chief of Staff, as a member of the Army Council, and as an IRA volunteer, on the grounds that his presence endangers the American support necessary for the continuance of the campaign. He then secures a job as a journalist on the Irish Independent. He withdraws his resignation in November 1961 after the Irish government reinstates military tribunals to try suspected IRA men. He is subsequently sentenced to six months’ imprisonment by a military tribunal and is in prison when the border campaign ends on February 26, 1962. Released on amnesty on April 19, 1962, he finally resigns from the IRA the next day.
By February 1966, Cronin has returned to the United States, where he resides for the remainder of his life, with regular visits to Ireland. He works as a journalist on the Newark Evening News and the Dow Jones News Service and is the U.S. correspondent of The Irish Times from 1967 to 1991, becoming that paper’s first Washington, D.C. correspondent.
In the 1970s Cronin takes a degree at New York University, then teaches and studies for a doctorate at The New School for Social Research in New York under Hans Morgenthau. His dissertation forms the basis for his magnum opus, Irish nationalism: its roots and ideology (1980). Although limited by its colonial model and socialist-republican intellectual framework, this historically oriented account draws on his extensive research and personal contacts to some effect.
Cronin is the author of a dozen books and pamphlets, including a biography of republican Frank Ryan, Washington’s Irish Policy 1916-1986: independence, partition, neutrality (1987), an authoritative account of Irish-US relations, Our Own Red Blood: The Story of the 1916 Rising (1966), and a number of works on guerrilla strategy, including an early Sinn Féin pamphlet Resistance under the pseudonym of J. McGarrity.
After the death of his first wife in 1974, Cronin marries Reva Rubinstein, a toxicologist. In 1980 they move to Washington, D.C. He has no children by either marriage, though his second wife brings him a stepson. After several years of illness, he dies in Baltimore, Maryland, on March 9, 2011. He is survived by his second wife, Reva Rubenstein Cronin.
Born in New York City on April 10, 1886, to a family of Irish emigrants from Nenagh, County Tipperary, Hayes is probably best known for winning the controversial marathon race at the London Olympics. He is one of only three male American athletes to win the Olympic Marathon, the other two being Thomas Hicks in 1904 and Frank Shorter in 1972.
In 1905, Hayes joins Bloomingdale Brothers as an assistant to the manager of the sporting goods department. At night, he trains on a cinder track on the roof of the Bloomingdale’s building in New York. He is promoted to manager of the department after returning from his Olympic victory.
Hayes starts his athletics career with a fifth-place finish at the 1906 Boston Marathon, running for the St. Bartholemew Athletic Club in a time of 2:55:38. He improves on that the following year by finishing third in Boston with a time of 2:30:38 and winning the inaugural Yonkers Marathon. In 1908, he finishes second, 21 seconds behind Thomas Morrissey in the Boston Marathon with a time of 2:26:04 and thus qualifies for the Olympic Games held in London that same year.
The British Olympic Association wants to start the race in front of Windsor Castle and finish in front of the royal reviewing stand at the White City Stadium. As a result, the distance is 26 miles and 385 yards (42.195 km). It takes until 1921 for the IAAF to codify that distance as the official length of the marathon. Prior to this, races are usually about 25 miles (40 km).
At the race itself, Dorando Pietri from Italy is the first to enter the stadium. But Pietri has depleted himself to open a more than 10 minute lead over the field and is suffering extreme fatigue and dehydration. When he enters the stadium, he takes the wrong path, and when umpires redirect him, he falls down for the first time. He gets up with their help in front of 75,000 spectators.
Pietri falls four more times, and each time, the umpires help him up. He manages to finish the race first, with a time of 2 hours, 54 minutes, 46 seconds. During all these stumbles and the direct aid from the officials, Hayes has now entered the stadium, finishing the race second, with a time of 2 hours, 55 minutes, 18 seconds.
Pietri is disqualified after the U.S. officials file a protest. Despite the official result, Pietri achieves much more fame than Hayes when Queen Alexandra awards him a special silver cup.
All of the Olympic officials are British, and the Pietri incident joins a list of other controversial calls in the 1908 Olympics, prompting the International Olympic Committee to start appointing judges from a wide variety of countries instead of only the host country.
After the dramatic Olympic battle between Pietri and Hayes, public interest is such that a match race is organized by professional promoters in November 1908 at Madison Square Garden. Pietri wins the race by 75 yards. A second match race is held on March 15, 1909, and again Pietri wins. Both Pietri and Hayes turn professional after the Olympics and achieve great fame.
Hayes is a trainer for the U.S. team for the 1912 Summer Olympics. He later teaches physical education and is a food broker. Hayes dies on August 25, 1965, in Englewood, New Jersey.
The Shore Athletic Club of New Jersey (Shore AC) holds the Johnny Hayes collection as lifetime trustees. Included in the collection are numerous trophies, as well as the 1908 Olympic gold medal for the marathon. This represents the first Olympic gold medal to be won at the modern marathon distance of 26 miles, 385 yards.
Hayes is a guest on the television show I’ve Got a Secret as one of five former Olympic champions, which airs on October 13, 1954.
In 2002, three statues honoring Olympic champions with links to Nenagh, Matt McGrath, Johnny Hayes and Bob Tisdall, are unveiled in front of the Nenagh Courthouse.
Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.
Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.
Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.
In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.
In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.
Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).
Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.
Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.
Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.
Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”
Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.
From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.
Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.
seamus dubhghaill 