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Birth of David Hammond, Singer & Folklorist

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, is born on December 5, 1928, in Miss Kell’s nursing home on the Castlereagh Road in Belfast, Northern Ireland.

Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


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Birth of Physician Sir Dominic Corrigan, 1st Baronet

Sir Dominic John Corrigan, 1st Baronet, Irish physician known for his original observations in heart disease, is born in Thomas Street, Dublin, on December 2, 1802. The abnormal “collapsing” pulse of aortic valve insufficiency is named Corrigan’s pulse after him.

Corrigan is the son of a dealer in agricultural tools. He is educated in St. Patrick’s College, Maynooth, which then has a department for secular students apart from the ecclesiastical seminary. He is attracted to the study of medicine by the physician in attendance, and spends several years as an apprentice to the local doctor, Edward Talbot O’Kelly. He studies medicine in Dublin later transferring to Edinburgh Medical School where he receives his degree as MD in August 1825.

Corrigan returns to Dublin in 1825 and sets up a private practice at 11 Ormond Street. As his practice grows, he moves to 12 Bachelors Walk in 1832, and in 1837 to 4 Merrion Square West. Apart from his private practice, he holds many public appointments. He is a physician to St. Patrick’s College, Maynooth, the Sick Poor Institute, the Charitable Infirmary Jervis Street (1830–43) and the House of Industry Hospitals (1840–66). His work with many of Dublin’s poorest inhabitants leads to him specialising in diseases of the heart and lungs, and he lectures and published extensively on the subject. He is known as a very hard-working physician, especially during the Great Famine of Ireland. At the 1870 Dublin City by-election he is elected a Liberal Member of Parliament for Dublin City. In parliament he actively campaigns for reforms to education in Ireland and the early release of Fenian prisoners. He does not stand for re-election in 1874. His support for temperance and Sunday closing (of pubs) antagonises his constituents and alcohol companies

In 1847, Corrigan is appointed physician-in-ordinary to the Queen in Ireland. Two years later he is given an honorary MD from Trinity College Dublin (TCD). In 1846, his application to become a fellow of the Royal College of Physicians of Ireland (RCPI) is blocked. In 1855, he gets around this opposition by sitting the college’s entrance exam with the newly qualified doctors. He becomes a fellow in 1856, and in 1859 is elected president, the first Catholic to hold the position. He is re-elected president an unprecedented four times. There is a statue of Corrigan in the Graves’ Hall of the college by John Henry Foley.

Corrigan is President of the Royal Zoological Society of Ireland, the Dublin Pathological Society, and the Dublin Pharmaceutical Society. From the 1840s he is a member of the senate of the Queen’s University and in 1871 becomes its vice-chancellor. In 1866, he is created a baronet, of Cappagh and Inniscorrig in County Dublin and of Merrion Square in the City of Dublin, partly as a reward for his services as Commissioner of Education for many years. He is a member of the board of Glasnevin Cemetery and a member of the Daniel O’Connell Memorial Committee. Armand Trousseau, the French clinician, proposes that aortic heart disease should be called Corrigan’s disease.

The Corrigan Ward, a cardiology ward in Beaumont Hospital, Dublin is named in his honour. Part of his family crest is also part of the Beaumont Hospital crest.

Corrigan marries Joanna Woodlock, the daughter of a wealthy merchant, and sister of the Bishop Dr. Bartholomew Woodlock, in 1827. They have six children, three girls and three boys. Hus eldest son, Captain John Joseph Corrigan, Dragoon Guards, dies on January 6, 1866, aged 35 years and is interred at the Melbourne General Cemetery, Melbourne, Australia.

Corrigan dies at Merrion Square, Dublin, on February 1, 1880, having suffered a stroke the previous December. He is buried in the crypt of St. Andrews Church on Westland Row, Dublin. His grandson succeeds him to the baronetcy.


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Birth of Ciarán Mac Mathúna, Broadcaster & Music Collector

Ciarán Mac Mathúna, broadcaster and music collector, is born on November 26, 1925, in Limerick, County Limerick. He is a recognised authority on Irish traditional music and lectures extensively on the subject. He travels around Ireland, England, Scotland and the United States collecting music.

According to Sam Smyth in the Irish Independent, Mac Mathúna is “on a mission to collect songs and stories, music, poetry and dance before they were buried under the coming tsunami of pop music.”

Mac Mathúna presents the radio programme, Mo Cheol Thú, for 35 years. Upon his retirement in 2005, the managing director of RTÉ Radio, Adrian Moynes, describes him as “inseparable from RTÉ Radio.” Upon his death in 2009, the Irish Independent describes him as “a national treasure.”

Mac Mathúna spends his early years in Mulgrave Street in Limerick. He is schooled at CBS Sexton Street, and later graduates from University College Dublin (UCD) with a BA in modern Irish and Latin. Subsequently, he completes an MA in Irish.

After college Mac Mathúna works as a teacher and later at the Placenames Commission. In 1954, he joins Radio Éireann where his job is to record Irish traditional musicians playing in their own locales. This entails visiting such places as Sliabh Luachra, County Clare and County Sligo, and the resulting recordings feature in his radio programmes: Ceolta Tire, A Job of Journeywork and Humours of Donnybrook.

Director General of RTÉ Cathal Goan later recalls that Mac Mathúna interviewed him for his first job at the station. He assists in the organisation of Mac Mathúna’s music collection for the RTÉ Libraries and Archives.

Mac Mathúna’s long-running Sunday morning radio series, Mo Cheol Thú (You are my music), begins in 1970 and continues until November 2005, when he retires from broadcasting. Each 45-minute programme offers a miscellany of archive music, poetry and folklore, mainly of Irish origin. It is one of radio’s longest running programmes. The last episode is broadcast on November 27, 2005, at 8:10 a.m.

Mac Mathúna wins two Jacob’s Awards, in 1969 and 1990, for his RTÉ Radio programmes promoting Irish traditional music. He receives the Freedom of Limerick city in June 2004. He is also awarded honorary doctorates by NUI Galway and the University of Limerick. In 2007, he receives the Musicians Award at the 10th annual TG4 Traditional Music Awards.

Joe Kennedy in the Sunday Independent in 2007 compares Mac Mathúna to “an amiable rock, rolling gently along, still picking up some moss and morsels of music that he may have missed.”

Mac Mathúna‘s wife, Dolly MacMahon (using the English version of her surname), is a singer of traditional songs. She comes from Galway and meets her husband in 1955. He has two sons named Padraic and Ciarán, one daughter named Déirdre, and four grandchildren at the time of his death: Eoin, Colm, Conor and Liam.

Mac Mathúna dies in St. Gladys nursing home, Harold’s Cross, Dublin, on December 11, 2009. His funeral on December 15, 2009, is attended by hundreds of people, including aides-de-camp of the President and Taoiseach, RTÉ Director-General Cathal Goan, poet Seamus Heaney and others.

Musicians performing at the ceremony include Peadar Ó Riada, Cór Cúil Aodha and members of The Chieftains and Planxty. The corpse is then taken to Mount Jerome Crematorium. Journalist Kevin Myers says Mac Mathúna’s legacy will be the “rebirth of Irish music,” adding, “Well, if Ciarán Mac Mathúna can die, I suppose anyone can. Actually, I had always thought that he was immortal. He certainly appeared to have all the ingredients.”


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Birth of F. S L. Lyons, Historian & Academic

Francis Stewart Leland Lyons FBA, Irish historian and academic who serves as the 40th Provost of Trinity College Dublin from 1974 to 1981, is born in Derry, County Londonderry, Northern Ireland, in November 11, 1923.

Lyons is the son of Northern Bank official Stewart Lyons and Florence May (née Leland). He is known as “Le” among his friends and family. The Lyons family are Irish Protestant, of Presbyterian and Church of Ireland background, descended from a cadet branch of the landed gentry Lyons family, formerly of Oldpark, Belfast, After his birth, his family soon moves to Boyle, County Roscommon. He is educated at Dover College in Kent and later attends The High School, Dublin. At Trinity College Dublin, he is elected a Scholar in Modern History and Political Science in 1943.

Lyons is a lecturer in history at the University of Hull and then at Trinity College Dublin. He becomes the founding Professor of Modern History at the University of Kent in 1964, serving also as Master of Eliot College from 1969 to 1972.

Lyons becomes Provost of Trinity College Dublin in 1974, but relinquishes the post in 1981 to concentrate on writing. He wins the Heinemann Prize in 1978 for his work in Charles Stewart Parnell. He writes Culture and Anarchy in Ireland, 1890–1939, which wins the Christopher Ewart-Biggs Memorial Prize and the Wolfson History Prize in 1979. He is also awarded honorary doctorates by five universities and has fellowships at the Royal Society of Literature and the British Academy. He is Visiting Professor at Princeton University.

Lyons principal works include Ireland Since the Famine, the standard university textbook for Irish history from the mid-19th to late-20th century, which The Times calls “the definitive work of modern Irish history” and a biography of Charles Stewart Parnell.

Lyons is critical of Cecil Woodham-Smith‘s much-acclaimed history of the Great Irish Famine and has generally been considered among the “revisionist” historians who reconsiders the role of the British state in events like the Famine.

Lyons marries Jennifer Ann Stuart McAlister in 1954, and has two sons, one of whom, Nicholas, is a former Lord Mayor of London.

On September 15, 1983, Lyons is nominated, unopposed, as chancellor of Queen’s University Belfast (QUB). But less than a week later he is dead, succumbing in Dublin on September 21 to acute pancreatitis, which had struck him in mid-August. He had begun to write the first draft of his W. B. Yeats biography (having accumulated a great archive of material) only a few weeks before. His ashes are buried beside Trinity College chapel.


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Birth of Anna Manahan, Stage, Film & Television Actress

Anna Maria Manahan, Irish stage, film and television actress, is born on October 18, 1924, in County Waterford in what is at the time the Irish Free State (now the Republic of Ireland).

Manahan receives two Tony Award for Best Featured Actress in a Play nominations for her performances in the 1968 production of Lovers and the 1998 production of The Beauty Queen of Leenane, the latter for which she wins at the 52nd Tony Awards.

Manahan is also nominated for two Drama Desk Awards, a Laurence Olivier Award, and an Outer Critics Circle Award in a career that spans more than 60 years. She interprets the works of, among others, Seán O’Casey, John B. Keane, John Millington Synge, Oscar Wilde, James Joyce, Martin McDonagh, Christy Brown, and Brian Friel.

Manahan’s career begins when, as a young woman, she is recruited by the legendary Irish impresarios and theatrical directors Micheál Mac Liammóir and Hilton Edwards. She later marries stage director Colm O’Kelly, who dies not long afterward of polio, which he contracts after swimming in the Nile during a theatre tour of Egypt. They have no children and she never remarries. She is known professionally by her maiden name. In 1946 she appears in a production by Irish playwright Teresa Deevy, The Wild Goose, where she plays the part of Eileen Connolly. This is performed by Equity Productions in the Theatre Royal, Waterford.

In 1957, Manahan plays Serafina in the first Irish production of Tennessee Williams‘s The Rose Tattoo and achieves unexpected notoriety when she and several other members of the cast are arrested for the possession of a condom on stage.

Manahan plays a minor role in the Irish cult soap opera The Riordans (1960s), and as Mrs. Mary Kenefick in the TV comedy Me Mammy (1970s). She also plays the lead in the Irish comedy series, Leave It To Mrs O’Brien (1980s) and Mrs. Cadogan in The Irish R.M. (1980s). Most recently she plays Ursula in Fair City, for which her niece, Michele Manahan (daughter of Michael Manahan), is a writer.

Manahan has an extensive theatre portfolio having played at theatres throughout Ireland including the Abbey Theatre, the United Kingdom, continental Europe, the United States and Australia. She wins the Tony Award for Best Featured Actress in a Play for her role as Mag in Martin McDonagh’s The Beauty Queen of Leenane on Broadway. She previously receives a Tony nomination in 1969 for Brian Friel’s Lovers.

The Irish playwright John B. Keane writes the play Big Maggie specifically for Manahan. In 2001 she stars in Keane’s The Matchmaker with veteran Irish actor Des Keogh. In 2005 she stars in Sisters, a new play by Declan Hassett that is also written for her and for which she is nominated for a Drama Desk Award in the category of Outstanding Solo Performance. The production tours Ireland and is staged at the International Festival of World Theatre in Colorado and also plays at the 59E59 Theater in New York City in 2006.

Manahan appears in films starring, among others, Laurence Olivier, Peter Cushing, Kenneth More, Christopher Walken, Maggie Smith, Albert Finney and Brenda Fricker, and with John Gielgud in A Portrait of the Artist as a Young Man (1977).

Manahan receives the Gold Medal of the Éire Society of Boston in 1984 and thus joins the company of past recipients such as John F. Kennedy, and film makers John Ford and John Huston. She receives an honorary doctorate in letters from the University of Limerick in 2003. She is granted the freedom of the city of Waterford in 2002 in recognition of her life’s achievement in the arts. She thus becomes the 28th Freeman of Waterford since Isaac Butt in 1877.

In 2004 Manahan starts to play the role of Ursula in Fair City. All About Anna (2005), a documentary on her life and work is made by Charlie Mc Carthy/Icebox Films for RTÉ Television. In 2008, she becomes the first ever patron of the Active Retirement Ireland organization.

Manahan dies of multiple organ failure on March 8, 2009 in Waterford. She had suffered from a longterm illness.

Her funeral is held on March 11, officiated by her “longtime friend” the psychoanalyst, poet, and priest Bernard Kennedy. “As the final curtain falls, the lights dim, the auditorium becomes silent, we remember her” he says. Describing her as a woman of faith (who “sought to bring the word of God alive”), he says she had brought everyone together to be present at “her last great exit from this great stage of life,” saying her life’s work had drawn people from all over the world. “Anna believed in the empty tomb of the Resurrection and she believed the empty tomb could be filled by hearing the word take the place of the emptiness,” he says. “She knew the bedsits which preceded the Tony nomination.”

Manahan is buried in Ballygunner Cemetery, Knockboy, County Waterford.


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Birth of Annie Horniman, Theatre Patron & Manager

Annie Elizabeth Fredericka Horniman CH, English theatre patron and manager, is born at Surrey Mount, Forest Hill, London, on October 3, 1860. She establishes the Abbey Theatre in Dublin and founds the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encourages the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what become known as the Manchester School of dramatists.

Horniman, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother, Emslie, are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their German governess takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.

Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.

Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903, Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.

At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.

As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.

Horniman moves to London where she keeps a flat in Portman Square. In 1933 she is made a Companion of Honour. She and Algernon Blackwood might be the only past or present members of an occult society to receive a United Kingdom honour.

Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.


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Death of Liam Ó Briain, Irish Language Expert & Political Activist

Liam Ó Briain, Irish language expert and political activist, dies on August 12, 1974, in Cabinteely, County Dublin.

Christened as William O’Brien, Ó Briain is born at 10 Church Street, North Wall, Dublin, on September 16, 1888, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath. He takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).

UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).

During the 1916 Easter Rising, Ó Briain sees action with the Irish Citizen Army. He comes into conflict with his commander, Michael Mallin, as he wants to pursue a strategy without the Dublin brigade being “cooped up in the city.” However, Mallin overrules him and insists they should focus on taking Dublin Castle. He spends two months in Wandsworth Prison in London and six months in Frongoch internment camp in Wales before being released to discover that he has been fired from his job. However, he quickly obtains a professorship in Romance languages at University College Galway (UCG).

Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.

In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.

From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.

On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.


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Birth of Dame Jean Iris Murdoch, Novelist & Philosopher

Dame Jean Iris Murdoch DBE, Irish and British novelist and philosopher, is born on July 15, 1919, in Phibsborough, Dublin. She is best known for her novels about good and evil, sexual relationships, morality, and the power of the unconscious. In 2008, The Times ranks her twelfth on a list of “The 50 greatest British writers since 1945.”

Murdoch is the daughter of Irene Alice (née Richardson) and Wills John Hughes Murdoch. Her father, a civil servant, comes from a mainly Presbyterian sheep farming family from Hillhall, County Down. In 1915, he enlists as a soldier in King Edward’s Horse and serves in France during World War I before being commissioned as a second lieutenant. Her mother trains as a singer before Iris is born and is from a middle-class Church of Ireland family in Dublin. Her parents first meet in Dublin when her father is on leave and are married in 1918.  Iris is the couple’s only child. When she is a few weeks old the family moves to London, where her father had joined the Ministry of Health as a second-class clerk.  She is a second cousin of the Irish mathematician Brian Murdoch.

Murdoch is brought up in Chiswick and educated in progressive independent schools, entering the Froebel Demonstration School in 1925 and attending Badminton School in Bristol as a boarder from 1932 to 1938. In 1938 she goes up to Somerville College, Oxford, with the intention of studying English, but switches to “Greats“, a course of study combining classics, ancient history, and philosophy. At Oxford she studies philosophy with Donald M. MacKinnon and attends Eduard Fraenkel‘s seminars on Agamemnon. She is awarded a first-class honours degree in 1942. After leaving Oxford she goes to work in London for HM Treasury. In June 1944 she leaves the Treasury and goes to work for the United Nations Relief and Rehabilitation Administration (UNRRA). At first, she is stationed in London at the agency’s European Regional Office. In 1945 she is transferred first to Brussels, then to Innsbruck, and finally to Graz, Austria, where she works in a refugee camp. She leaves the UNRRA in 1946.

From 1947 to 1948 Murdoch studies philosophy as a postgraduate at Newnham College, Cambridge. She meets Ludwig Wittgenstein at Cambridge but does not hear him lecture, as he had left his Trinity College professorship before she arrives. In 1948 she becomes a fellow of St. Anne’s College, Oxford, where she teaches philosophy until 1963. From 1963 to 1967 she teaches one day a week in the General Studies department at the Royal College of Art.

In 1956 Murdoch marries John Bayley, a literary critic, novelist, and from 1974 to 1992 Warton Professor of English at Oxford University, whom she had met in Oxford in 1954. The unusual romantic partnership lasts more than forty years until Murdoch’s death. Bayley thinks that sex is “inescapably ridiculous.” She in contrast has “multiple affairs with both men and women which, on discomposing occasions, Bayley witnesses for himself.”

Murdoch’s first novel, Under the Net, is published in 1954 and is selected in 1998 as one of Modern Library’s 100 best English-language novels of the 20th century. She had previously published essays on philosophy, and the first monograph about Jean-Paul Sartre published in English. She goes on to produce 25 more novels and additional works of philosophy, as well as poetry and drama.

Murdoch’s 1978 novel The Sea, the Sea wins the Booker Prize. Her other books include The Bell (1958), A Severed Head (1961), The Red and the Green (1965), The Nice and the Good (1968), The Black Prince (1973), Henry and Cato (1976), The Philosopher’s Pupil (1983), The Good Apprentice (1985), The Book and the Brotherhood (1987), The Message to the Planet (1989), and The Green Knight (1993).

In 1976, Murdoch is named a Commander of the Order of the British Empire and in 1987 is made a Dame Commander of the Order of the British Empire by Queen Elizabeth II for services to literature.  She is awarded honorary degrees by the University of Bath (D.Litt, 1983), University of Cambridge (1993) and Kingston University (1994), among others. She is elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1982.

Murdoch’s last novel, Jackson’s Dilemma, is published in 1995. She is diagnosed with Alzheimer’s disease in 1997 and dies on February 8, 1999, in Oxford, England. There is a bench dedicated to her in the grounds of Lady Margaret Hall, Oxford, where she enjoyed walking.


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Birth of Goddard Henry Orpen, Lawyer & Historian

Goddard Henry Orpen, lawyer and historian, is born in Dublin on May 8, 1852, the fourth son of the five sons and three daughters of John Herbert Orpen, barrister, of Dublin, and Ellen Susanna Gertrude Richards, youngest daughter of Rev. John Richards of Grange, County Wexford.

For most of his childhood Orpen’s family lives at 58 St. Stephen’s Green. He is educated at Abbey CBS, a Christian Brothers secondary school in Tipperary, County Tipperary, and in 1869 enters Trinity College Dublin (TCD), where he displays early academic aptitude, obtaining exhibitions and scholarships and being elected a foundation scholar. He graduates BA with first-class honours in 1873 and four years later is called to the English bar at the Inner Temple, London.

On August 18, 1880, in St. Peter’s Church, Aungier Street, Dublin, Orpen marries Adela Elizabeth Richards, the daughter and heiress of Edward Moore Richards, engineer and the landlord of Grange, County Wexford. Adela is his first cousin once removed, her great-grandfather and his grandfather being the Rev. John Richards. They live for two decades after their marriage at Bedford Park, Chiswick, London, with their daughter Lilian Iris (b. 1883) and son Edward Richards (b. 1884). Soon after their marriage, he begins taking lessons in the Irish language in line with his passionate interest in Irish historical and antiquarian research, which gradually supplants his languishing legal career. He translates and edits a French rhymed chronicle about the Anglo-Norman conquest of Ireland, entitled The Song of Dermot and the Earl (1892), the title which he gives it and by which it has since generally been known in English. He also translates Émile de Laveleye‘s Le Socialisme Contemporain (The Socialism of Today, 1884), to which he adds a chapter on English socialism.

After Adela’s father transfers ownership of his estate to her in 1900, now renamed Monksgrange, the Orpens reluctantly leave London to live there, enabling Orpen to devote his time fully to research and writing. His major work is Ireland Under the Normans (Vols. 1–2, 1911; Vols. 3–4, 1920), which argue that the Norman invasion benefited the Irish, leading to advances in agriculture and trade.

Both before and after his death Orpen’s work is the subject of hostile criticism from those with more nationalist inclinations, starting with Eoin MacNeill in a series of lectures delivered in 1917. Despite his own eminence as a scholar of medieval Ireland, MacNeill resorts to unfair polemic in his attack on Orpen, caricaturing his account of pre-Norman Irish society and disregarding the more subtle nuances in his views of the English Irish relationship. In this he has been followed by generations of other scholars and readers, overlooking the depth of Orpen’s research, the perceptiveness of his interpretations, and the extent of his fieldwork on the archaeological evidence from the medieval period. Orpen takes the study of Anglo-Norman Ireland out of the realm of vague antiquarianism and professionalises it. His standards are not those of “the gentleman-amateur” as might be expected from his background, but of the twentieth century “scientific” historian, and he is therefore now widely regarded as the founder of the professional study of Anglo-Norman Ireland. Perhaps the most striking evidence of the continued validity and relevance of his work is that his four-volume Ireland Under the Normans has been twice republished in more recent years, in 1968 by Oxford University Press and in 2002 in a one-volume version by Four Courts Press.

Orpen is elected a member of the Royal Society of Antiquaries of Ireland (RSAI), serving as president in 1930–32), and the Royal Irish Academy (RIA) (1911), and contributes historical articles to their journals as well as to periodicals such as The American Historical Review (1913–14) and The Cambridge Medieval History (1932, 1936). A lecture to the New Ross Literary Society is later published as New Ross in the Thirteenth Century (1911). He also contributes a major chapter on the medieval church to the second volume of Walter Alison Phillips‘s History of the Church of Ireland (1934). Though his literary work is recognised by an honorary doctorate from TCD in 1921, he feels increasingly isolated as Monksgrange is targeted during the Irish Civil War and raided on several occasions. On religion he lists himself as an agnostic in the 1911 census.

Orpen’s final work is The Orpen Family, a personal family history printed for private circulation in 1930. A portrait of Orpen (above) by Seán O’Sullivan hangs in Monksgrange.

Orpen dies on May 15, 1932, at Monksgrange, and is buried alongside his wife Adela in St. Anne’s Churchyard, Killanne, County Wexford. His very extensive papers, including correspondence, manuscripts and drawings, as well as records and papers of the Orpen family, are held at Monksgrange. Included there is a very large collection of his photographs, a skill in which he notably distinguishes himself. A small collection of his correspondence is also held in the National Library of Ireland (NLI).

(From: “Orpen, Goddard Henry” by Philip Bull, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised March 2021 | Pictured: Portrait of Goddard Henry Orpen by Seán O’Sullivan)


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Birth of John Henry MacFarland, Irish Australian University Chancellor

Sir John Henry MacFarland, Irish Australian educationist and churchman, is born in Omagh, County Tyrone, on April 19, 1851.

MacFarland is the elder son of John MacFarland, draper, and his second wife Margaret Jane, daughter of Rev. William Henry, a famous Covenanting Church minister. Both parents are devout Presbyterians, well educated, with strong intellectual interests.

MacFarland attends the local national school until he is 13 when he moves to the Royal Belfast Academical Institution. He is senior scholar in Mathematics and Natural Philosophy at Queen’s College, Belfast, where he is taught by John Purser. There he earns a BA in 1871 and MA in 1872. He goes on to St. John’s College, Cambridge, for three more years of undergraduate study of mathematics and physics. There he is elected a foundation scholar and earns a second BA, as 25th wrangler, in 1876. He also earns an MA there in 1879.

MacFarland teaches at Repton School in Derbyshire from 1876 to 1880. A decade later, his younger brother Robert, also a Queen’s Belfast and Cambridge mathematics graduate, also teaches at Repton.

The emissaries of the provisional council of Ormond College in the University of Melbourne are impressed with MacFarland. He negotiates a salary of £600 plus the profit from “farming” the college. On March 18, 1881, he becomes the first master of Ormond College, passing the opening-day ordeal in the presence of 440 Presbyterian grandees, clergy and their ladies.

On Sir John Madden‘s death in 1918, MacFarland becomes chancellor of the university and is knighted in 1919. He presides over a period of considerable expansion, working closely with Sir John Monash, vice-chancellor from 1923, and Sir James Barrett.

MacFarland is immensely and properly proud of his careful financial management, but the erstwhile reformers are hardly tender enough in balancing economy with humanity. The professors become increasingly restive about the limited responsibility for academic matters and allocation of resources council allows them. When the issues come to a head in 1928, MacFarland’s prestige is too much for the professoriate who have great respect for his administrative capacity, humanity and reasonableness. Even in his eighties he does not retire as chancellor, probably wisely concluding that his likely successor, Barrett, will prove to be too divisive.

In 1892, MacFarland receives and honorary LLD degree from the Royal University of Ireland.

MacFarland’s reputation as a business manager leads to his directorship from about 1905 of the National Mutual Life Association, serving as chairman from 1928, and of the Trustees Executors and Agency Company. From 1913 he represents the Trustees Executors on the Felton Bequests Committee. He is also the popular chairman from its foundation in 1908 of the Alexandra Club Co. as the members of the leading female social club prefer men to control their finances.

In his younger days MacFarland is a vigorous cyclist and walker in the Australian Alps, Tasmania and New Zealand. By the age of 40 he is spending a month each summer trout-fishing in the South Island of New Zealand. He is also a regular golfer at Royal Melbourne and belongs to the Melbourne Club.

MacFarland dies in Melbourne, Victoria, Australia, on July 22, 1935. His remains are cremated following a service at Scots’ Church. The university council minutes:

“Few men in any community, and almost no man in this community, can have won such universal esteem. No evil was ever spoken of him or could be thought of in connection with him; before him evil quailed. The greatest disciple of the greatest of the Greeks called his dead master ‘our friend whom we may truly call the wisest, and the justest, and the best of all men we have ever known’. And many of us can sincerely say that of John Henry MacFarland.”

(From: “Sir John Henry MacFarland (1851-1935)” by Geoffrey Serle, Australian Dictionary of Biography, http://www.adb.anu.edu.au, 1986)