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Birth of Mervyn Archdall, Antiquarian & Church of Ireland Clergyman

Mervyn Archdall, Irish antiquarian and clergyman of the Church of Ireland, is born on April 22, 1723, in Dublin, elder son among two sons and three daughters of William Archdall, goldsmith, and his wife Henrietta, a widow who is the daughter of Henry Gonne, curate of Finglas. His father is Dublin assay master from 1736 until his death in 1751, and is a member of the gentry family from Castle Archdale, County Fermanagh.

Archdall is educated by Dr. Keenane, and enters Trinity College Dublin (TCD) in 1739. He graduates with a Bachelor of Arts (BA) in 1744 and a Master of Arts (MA) in 1747, and is ordained in the Church of Ireland. He is curate of Howth from 1750 to 1753, and of Kilgobbin and Taney, also in Dublin, from 1753 to 1758, rector of Nathlash in the diocese of Cloyne from 1749 to 1758, and from 1756 domestic chaplain to Richard Pococke, Bishop of Ossory. In 1761 Pococke gives Archdall the livings of Agharney and Attanagh in Ossory which he holds until 1786, when he becomes rector of Slane in the Diocese of Meath. He is also prebendary of Cloneamary from 1762 to 1764 and of Mayne from 1764 to 1772, both in Ossory.

Archdall is interested, almost from his student days, in ancient history and antiquities, and for forty years he gathers material for a work similar to an earlier compilation, William Dugdale‘s Monasticon Anglicanum. He intends to publish two or more large folio volumes, but after Pococke’s death has no sponsor and has to pay for its publication himself causing him to cut back the scale of the project. Monasticon Hibernicum appears in 1786 as a quarto volume, though still of over 800 pages. Archdall attempts encyclopaedic coverage of the history of Ireland’s pre-reformation monasteries and abbeys. The work is ground-breaking and ambitious, though marred by mistakes and inadequacies. He receives help from friends, including scholars such as Pococke and Edward Ledwich, and with them and others is a founder member of the Royal Irish Academy (RIA) in 1786.

In 1789, Archdall publishes his second important work, a new edition of The Peerage of Ireland by John Lodge. Lodge’s original work in four volumes is expanded by Archdall into seven octavos, adding a good deal of material from his own research to update the genealogies, as well as incorporating manuscript additions unpublished by the original author. These had been left in a cipher or in a private form of shorthand which could not be decoded by any contemporary expert in Dublin, and Archdall is just about to abandon the attempt to read them when his second wife works on it and discovers the key.

Archdall’s first wife, Sarah Colles or Collis, whom he marries in Dublin on July 30, 1747, is said to have been a relative of Thomas Prior, though she may also – or instead – have been connected in some way to Pococke. The bishop is known to have educated Christopher Colles (1739–1816), who becomes an important engineer and entrepreneur in the United States. They have two sons and a daughter, the elder son dying young. Sarah dies on May 28, 1782. Archdall marries his second wife, Abigail Young, on November 25, 1782.

Archdall’s works are still of interest to historians and genealogists, and surviving copies are valuable collectors’ items. In an apologia in his preface to the Peerage he notes, “I have left that inaccurate which could not be exact, and that imperfect which cannot be completed.” He dies suddenly on August 6, 1791, and is buried in Slane churchyard.

(From: “Archdall, Mervyn” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Gerard Dillon, Painter & Artist

Gerard Dillon, Irish painter and artist, is born in Belfast on April 20, 1916.

Dillon leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.

Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, he goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.

In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” depicts his concerns about the new war that has broken out. Despite a growing reputation, he returns to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, County Galway. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.

In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.

Dillon travels widely in Europe and teaches for brief periods in the London art schools.

In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.

In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.

Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.

In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlights Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.

(Pictured: “Tory Island” by Gerard Dillon)


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Death of T. J. Maher, Irish Politician & Farmers’ Leader

Thomas Joseph “T. J.” Maher, farmers’ leader and public representative, dies on April 19, 2002, at St. Vincent’s Hospital, Dublin, following a short illness.

Maher is born on April 29, 1922, at Castlemoyle, Boherlahan, Cashel, County Tipperary, the seventh child of Thomas Maher, farmer, and his wife Julianne Maher. Raised on the family’s forty-five-acre holding and educated locally at Ardmayle national school and at the Christian Brothers school and VEC school in Cashel, he takes over the farm in 1948 when ill health forces his father into retirement. He subsequently enlarges it to 120 acres. Mechanically adept, a talented sportsman, and a member of Cashel Dramatic Society, he joins Macra na Feirme and is a founder member of the National Farmers’ Association (NFA) in January 1955.

Maher is a member and chairman of the dairy committee of the NFA before coming to national attention through his participation in the historic farmers’ rights march to Dublin led by Rickard Deasy (October 7-19, 1966), part of the militant campaign for fairer agricultural prices and for reform of taxation and rates on farmland. His part in the subsequent three-week sit-down protest and meeting with incoming minister Neil Blaney, at the Department of Agriculture, confirms his reputation as a tenacious campaigner for agricultural causes. In August 1967, shortly after 100 farmers have served prison sentences for withholding rates, he succeeds Deasy as NFA president. Charismatic, articulate, and decisive, he also has a strong sense of personal responsibility, which governs his expectations of colleagues and associates. With exhausting rounds of travel and meetings, he is impossible to ignore and grist to the media mill, with his apparently impromptu but, in reality, carefully rehearsed speeches criticising politicians, parties, bureaucracy, and tardy national policy. He warns of national economic failure unless government and public services take radical modernising initiatives. He is at once nationalist, internationalist, and a revolutionary campaigner for change, an idealistic firebrand who is essentially conservative in social matters.

Maher’s campaign for agriculture is tempered by a wider interest in the social and economic future of Ireland ahead of crucial negotiations for membership of the European Economic Community (EEC). He becomes a household name, gadfly of bureaucrats and hero of farmers. In November 1967 he attends the European Congress of the International Federation of Agricultural Producers in Rome as an advance action prior to taking part in the subsequent negotiations leading to Ireland’s “entry to Europe” in January 1973. He is re-elected president of the NFA in 1970.

Amalgamating the NFA with several of the agricultural producers’ organisations, Maher oversees its reemergence as the Irish Farmers’ Association (IFA) in January 1971 and remains president until 1976. Strengthened by his pro-European leadership, the IFA withstands the counter-propaganda which, in the referendum of May 1972, urges rejection of the EEC on economic, social, and religious grounds. Despite his own moderately conservative social views and unequivocal opposition to abortion in Ireland, his commitment to European integration is not in question.

Maher is a director of prestigious state-sponsored bodies including Bord Bainne, the Irish Sugar Company, and the B & I shipping line. He also serves six terms between 1976 and 1983 as president of the Irish Co-operative Organisation Society (ICOS). Such relative sinecures are balanced by adherence to humanitarian causes that occupy most of his subsequent life. Passionate about practical support for developing countries, he becomes a founder and chairman of Bóthar, the Irish self-help relief agency for supply of livestock overseas. He urges prison reform and supports Amnesty International in its prisoners’ rights campaigns. Running as an independent candidate, he is elected Member of the European Parliament (MEP) for Munster in 1979, beating the strong Fine Gael candidate Alan Dukes. Describing himself as a public representative rather than a politician, he sits in the Liberal and Democratic parliamentary group and continues to fly agricultural and other kites as a non-party deputy. Typically, he criticises the scale of Irish embassies abroad, suggesting alternative teams of trade and tourism personnel. He advocates fairer agricultural policies towards developing countries in spite of prevailing European attitudes of self-interest, and urges the transfer of Northern Ireland from British jurisdiction to European protectorate status. At home he seeks all-party consensus on economic recovery from the depressed condition of the mid 1980s, well intentioned and lonely causes that fail to draw significant political support.

Maher’s habit of traveling with tools to unlock sealed hotel windows is an example of his sometimes eccentric practicality. His unsuccessful attempt to win a Dáil seat for Tipperary South in the 1981 Irish general election postpones his return to Ireland, although he is twice reelected an MEP before retiring in 1994. During his time in Strasbourg he is a quaestor of the European Parliament and a member of its committees on rural development, regions and petitions. He advocates decentralisation of power in Ireland while also criticising local authorities for laxity in their commitment to environmental protection.

For all his outspokenness, Maher is widely respected for the courageous positions he adopts. When time permits, he is an avid reader of history. He maintains his rural pastimes, especially attendance at Gaelic sports, where he can test the political pulse of his constituents. Following a short illness, he dies on April 19, 2002, aged 79, at St. Vincent’s Hospital, Dublin. He is buried at Boherlahan cemetery following a Requiem Mass, celebrated by his surviving brother, the Rev. Michael Maher CSSp (a former veterinary surgeon), and his cousin Denis.

Maher marries Elizabeth (Betty) Kennedy from Bansha, near Cashel, on January 8, 1958. They live at Castlemoyle and have one daughter, Julianne, and two sons, Thomas and Denis. His brother James (Jamesie), who predeceases him in October 1975, had been a medical consultant at St. Vincent’s and consultant surgeon to the Irish Rugby Football Union (IRFU).

(From: “Maher, Thomas Joseph” by Patrick Long, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Joseph Cooper Walker, Irish Antiquarian & Writer

Joseph Cooper Walker, Irish antiquarian and writer, dies on April 12, 1810, in Enniskerry, County Wicklow.

Walker is born in Dublin, son of Cooper Walker, merchant, and educated by Thomas Ball. He suffers from asthma, which prevents him from attending college. Instead he travels to Italy, where he possibly receives some private tuition in Latin, Greek, French, Italian, and Spanish. He takes a special interest in Italian literature and Irish antiquities, and on his return to Ireland (where he is employed in the Irish treasury as third clerk in the upper department) resides in an Italianate villa, St. Valerie, on the road from Bray to Enniskerry.

In 1785, Walker is elected one of the original members of the Royal Irish Academy (RIA) and on March 17, 1786, is requested to sit on its committee of antiquities. In this capacity he submits several essays to the Academy’s Transactions. However, his best-known work is Historical Memoirs of the Irish Bards (1786). His interest in poetry, and in eighteenth-century vernacular survivals of the ancient bardic tradition, suggests important new contemporary and literary dimensions for what had previously been antiquarian and scholarly pursuits. He also breaks new ground by considering modern as well as historical Irish culture, and introduces it to an Anglo-Irish audience by providing English translations of Gaelic songs and poems.

The authorities Walker cites covers the entire range of Irish and Anglo-Irish scholarship on Irish antiquities. He includes excerpts from his correspondence with Charles O’Conor, Charles Vallancey, and Sylvester O’Halloran and carries out an extensive correspondence with Thomas Percy after he becomes Bishop of Dromore in 1782. He focuses on both poetry and music, which according to the popular eighteenth-century view has been the two traditional pursuits of the Irish bards. He presents a historical outline of their progress from the earliest times to the eighteenth century and ends with nine appendices, which are almost as lengthy as the main text. In these, his appreciation of what he considers to be the contemporary survivals of the ancient Irish bardic tradition is apparent in his including an account of Cormac Common, a blind eighteenth-century poet from Mayo, as well as a lengthy biographical notice of Turlough O’Carolan, together with translations of several of his songs. The book brings together many of the literary, scholarly, popular, Celtic, antiquarian, political, and musical dimensions of eighteenth-century Irish culture and prefigures the synthesis of literary modes, cultural theories, and musical styles that would occur in the literary productions of the United Irishmen.

Despite his linguistic skills, Walker has little knowledge of the Irish language, yet he (a member of the Anglo-Irish elite) is consistent in his praise of Gaelic culture, portraying it as sophisticated and literate and, although he highly romanticises his work, he does help to challenge negative appraisals of the Irish character. By the standards of the time it is a work of great erudition. However, today the book is judged to be of limited academic merit as Walker is severely hampered by a shortage of primary documents and by his limited grasp of the Irish language. This is illustrated by his ambiguous use of James Macpherson‘s volumes of Ossianic poems, published in the 1760s, which he quotes as authentic in the text while hinting in the footnotes that they are unreliable.

Charlotte Brooke translates three poems, and in return Walker encourages her to produce her Reliques of Irish Poetry (1789). Her work reflects Walker’s influence and she thanks him in the preface for affording her “every assistance which zeal, judgment and extensive knowledge, could give” as well as for prevailing on people to subscribe to her work and for being a subscriber himself. He is part of a literary circle that includes Edward Ledwich, Charles O’Conor, Edward Berwick, John Philpot Curran, and Henry Grattan. He also writes Historical essay on the dress of the ancient and modern Irish (1788), dedicated to his friend James Caulfeild, 1st Earl of Charlemont, for which he interviews the older generation, consults manuscripts, and even visits tombs to examine the clothing of corpses, and admits he has received copious aid from Elizabeth Rawdon, Countess of Moira. The English Review receives it warmly but Richard Gough, the reviewer for The Gentleman’s Magazine, states he is “much disappointed in the perusal of this high priced history.” Other works by Walker include “an historical essay on the Irish stage,” RIA Trans., ii (1788), Historical Memoir on Italian Tragedy (1799) and contributions to Vallancey’s Collectanea de rebus Hibernicis (Dublin, 1770–1804). In the 1790s he subscribes to Anthologia Hibernica: a monthly collection of science, belles lettres and history and in December 1794 submits an “Historical essay on the Irish stage” which surveys Irish drama from bardic times through to contemporary folk plays.

Walker dies on April 12, 1810, in Enniskerry, County Wicklow, leaving a fine gallery of pictures, a library containing Irish manuscripts, and a collection of antiquities. He is buried on April 14 in St. Mary’s Churchyard, Dublin. His memoirs of Alessandro Tassoni are published posthumously in London in 1815 (with a lengthy preface by his brother Samuel), as is the second edition of Historical Memoirs of the Irish Bards (2 vols., Dublin, 1818).

(From: “Walker, Joseph Cooper” by Rosemary Ritchie, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Freeman Wills Crofts, Engineer & Mystery Author

Freeman Wills Crofts FRSA, Irish engineer and mystery author, remembered best for the character of Inspector Joseph French, dies in Worthing, West Sussex, England, on April 11, 1957.

A railway engineer by training, Crofts introduces railway themes into many of his stories, which are notable for their intricate planning. Although Raymond Chandler, Agatha Christie, and authors of the so-called golden age of detective fiction are more famous, he is esteemed by those authors, and many of his books are still in print.

Crofts is born at 26 Waterloo Road, Dublin. His father, also named Freeman Wills Crofts, is a surgeon-lieutenant in the Army Medical Services but dies of fever in Honduras before the young Freeman Wills Crofts is born. In 1883, his mother, Celia Frances (née Wise), marries the Venerable Jonathan Harding, Vicar of Gilford, County Down, later Archdeacon of Dromore, and Crofts is raised in the vicarage at Gilford. He attends Methodist College and Campbell College in Belfast. In 1912, he marries Mary Bellas Canning, daughter of the manager of the Coleraine branch of the Provincial Bank. They have no children.

In 1896, at the age of seventeen, Crofts is apprenticed to his maternal uncle, Berkeley Deane Wise, who is chief engineer of the Belfast and Northern Counties Railway. In 1899, he is appointed Junior Assistant on the construction of the Londonderry and Strabane Extension of the Donegal Railway. In 1900, he becomes District Engineer at Coleraine for the London, Midland and Scottish Railway (LMS) Northern Counties Committee at a salary of £100pa, living at 11 Lodge Road in the town. In 1922, he is promoted to Chief Assistant Engineer of the railway, based in Belfast. He lives at “Grianon” in Jordanstown, a quiet village some six miles north of Belfast, where it is convenient for him to travel by train each day to the railway’s offices at York Road. One of the projects he works on is the design of the “Bleach Green Viaduct” in Whiteabbey, close to his Jordanstown home. This is a significant ten arch reinforced concrete viaduct approved in 1927 and completed in 1934. It carries a new loop line which eliminates the need for trains between Belfast and the northwest to reverse at Greenisland. He continues his engineering career until 1929. In his last task as an engineer, he is commissioned by the Government of Northern Ireland to chair an inquiry into the Bann and Lough Neagh Drainage Scheme.

In 1919, during an absence from work due to a long illness, Crofts writes his first novel, The Cask (1920), which establishes him as a new master of detective fiction. He continues to write steadily, producing a book almost every year for thirty years, in addition to a number of short stories and plays.

Crofts is remembered best for his fictional detective, Inspector Joseph French, who is introduced in his fifth book, Inspector French’s Greatest Case (1924). Inspector French always solves each of the mysteries presented him in a workmanlike, precise manner – this method sets him apart from most other fictional sleuths.

In 1929, Crofts abandones his railway engineering career and becomes a full-time writer. He settles in the village of Blackheath, near Guildford, in Surrey, and a number of his books are set in the Guildford area, including The Hog’s Back Mystery (1933) and Crime at Guildford (1935). Many of his stories have a railway theme, and his particular interest in the apparently unfalsifiable alibi often emphasizes the intricacies of railway timetables. Near the end of his life, he and his wife relocate to Worthing, West Sussex, in 1953, where they live until his death in 1957, the year in which his last book is published.

Crofts also writes one religious book, The Four Gospels in One Story, several short stories, and short plays for the BBC.

Crofts is a member, with Dorothy L. Sayers and Agatha Christie, of the Detection Club which meets in Gerrard Street. In 1939 he is elected a fellow of the Royal Society of Arts.

Crofts is not only a railway engineer and writer, but also an accomplished musician. He is organist and choirmaster in Killowen Parish Church, Coleraine, St. Patrick’s Church, Jordanstown, and the parish church of St. Martin’s in Blackheath.

Crofts is esteemed, not only by his regular readers, but also by his fellow writers of the so-called Golden Age of Detective Fiction. Agatha Christie includes parodies of Inspector French alongside Sherlock Holmes and her own Hercule Poirot in Partners in Crime (1929).

Raymond Chandler describes Crofts as “the soundest builder of them all when he doesn’t get too fancy” (in The Simple Art of Murder). His attention to detail and his concentration on the mechanics of detection makes him the forerunner of the “police procedural” school of crime fiction. However, it has also given rise to a suggestion of a certain lack of flair – Julian Symons describing him as of “the humdrum school.” This may explain why his name has not remained as familiar as other more imaginative Golden Age writers, although he has fifteen books included in the Penguin Books “green” series of the best detective novels and 36 of his books are in print in paperback in 2000.


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Death of Nicholas “Nicky” Rackard, Irish Hurler

Nicholas “Nicky” Rackard, Irish hurler whose league and championship career with the Wexford senior team spans seventeen years from 1940 to 1957, dies from cancer at St. Vincent’s Hospital in Dublin on April 10, 1976. He establishes many championship scoring records, including being the top championship goal-scorer of all time with 59 goals. He is widely regarded as one of the greatest hurlers in the history of the game.

Rackard is born on April 28, 1922, in Killanne, County Wexford, the eldest son of five boys and four girls born to Robert (Bob) Rackard and Anastasia Doran, who had been married in 1918. He is introduced to sport by his father who had hoped he would become a cricketer. His uncle, John Doran, won an All-Ireland medal as a Gaelic footballer with Wexford in 1918 and it is hurling and Gaelic football that Rackard develops a talent for.

Rackard plays competitive hurling as a boarder at St. Kieran’s College in Kilkenny, County Kilkenny. Here he wins back-to-back Leinster Colleges Senior Hurling Championship medals in 1938 and 1939, however, an All-Ireland medal remains elusive. He later attends University College Dublin (UCD) where he studies to be a veterinary surgeon. In all, his studies take eight years to complete because of his huge commitment to his sporting exploits.

Rackard plays his club hurling with his local Rathnure club and enjoys much success. He wins his first senior county title in 1948. It was Rathnure’s first ever championship triumph. Two years later in 1950 he captures a second county title, a victory which allows him to take over the captaincy of the county senior team for the following year. He wins his third and final county medal in 1955.

Rackard makes his debut on the inter-county scene when he is selected for the Wexford minor panel. He is just out of the minor grade when he is selected for the Wexford senior team in 1940. Over the course of the next seventeen years, he wins two All-Ireland medals as part of the Wexford hurling breakthrough in 1955 and 1956. He also wins four Leinster Senior Hurling Championship medals, one National Hurling League medal and one Leinster Senior Football Championship medal as a Gaelic footballer. He plays his last game for Wexford in August 1957.

By the late 1940s, Rackard is a regular in the full-forward line on the Leinster inter-provincial team. Success comes in the twilight of his career and he claims his sole Railway Cup medal in 1956.

Rackard’s brothers, Billy and Bobby, also experience All-Ireland success with Wexford.

In retirement from playing Rackard becomes involved in team management and coaching. It is with the Wexford senior team that he enjoys his greatest successes as a selector when he helps the team secure the 1968 All-Ireland Senior Hurling Championship title.

Rackard is most famous for his scoring prowess and is the all-time top championship scorer at the time of his retirement from hurling. His private life is marred by periods of excessive drinking, which had started during his university studies, and eventually develops into alcoholism. After quitting drinking completely in 1970, he travels the country as a counsellor with Alcoholics Anonymous. In an interview in The Irish Press in 1975, he details his life as a recovering alcoholic and becomes one of the first sportspeople to break the taboo of alcoholism in Ireland.

Rackard death from cancer at St. Vincent’s Hospital in Dublin on April 10, 1976, sees a huge outpouring of grief among the hurling community. He is posthumously honoured by being named on the Hurling Team of the Century in 1984, however, he is sensationally omitted from the Hurling Team of the Millennium in favour of Ray Cummins. His scoring prowess has also earned him a place on the top ten list of all-time scoring greats. In 2005 the GAA further honours him by naming the Nicky Rackard Cup, the hurling competition for Division 3 teams, in his honour.

In 2006, a Wexford author, Tom Williams, writes a long-overdue biography of Rackard entitled Cuchulainn’s Son – The Story of Nickey Rackard. The same author also pens a now well-known song about Rackard many years earlier. It too is called Cuchulainn’s Son and has been recorded by various artists over the last 20 years and is a lament for the great sportsman.

In Wexford town, there is a statue to commemorate Rackard, erected in 2012.


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Death of Jonah Barrington, Lawyer, Judge & Politician

Sir Jonah Barrington, KC, Irish lawyer, judge and politician, dies at Versailles, France, on April 8, 1834. He is most notable for his amusing and popular memoirs of life in late 18th-century Ireland, for his opposition to the Act of Union 1800, and for his removal from the judiciary by both Houses of Parliament in 1830, still a unique event.

Barrington is born in 1756 or 1757 in Knapton, Abbeyleix, Queen’s County (now County Laois), the third son of John Barrington, an impoverished Protestant gentleman landowner in Queens’s County and his wife Sibella French of Peterswell, County Galway. He is raised and schooled by his grandparents in Dublin and enters Trinity College Dublin (TCD) in 1773, aged 16, but leaves TCD without a degree.

Barrington joins the Irish Volunteers and supports the Irish Patriot Party in the early 1780s. His father raises and commands two Corps: the Cullenagh Rangers and the Ballyroan Light Infantry.

Barrington’s elder brother commands both the Kilkenny Horse and the Durrow Light Dragoons. Through his correspondence with General Hunt Walsh, Barrington’s father secures him a commission in Walsh’s regiment. Upon learning that the regiment is to be sent to America to fight in the American Revolution, and fearful of dying on some foreign battlefield, he writes to Walsh asking him to present the commission to another candidate instead, claiming that he himself is too tender to be of any real use. His fears prove well founded when his replacement, the only child of one of Walsh’s friends, is killed in his first engagement.

Barrington is called to the Irish bar in 1788 and in 1789 he marries Catherine, daughter of Dublin mercer, Edward Grogan. They ultimately have seven children. The following year he enters by the purchase of the seat the pre-1801 Parliament of Ireland as MP for Tuam. He accepts a sinecure post in 1793 at the Dublin customhouse worth £1,000 p.a. generally supporting Henry Grattan and he takes silk the same year. He is a member of the Kildare Street Club in Dublin. Appointed an Admiralty court judge in 1798, he re-enters parliament the same year as member for Clogher and votes against the Act of Union in 1799–1800, rejecting John FitzGibbon, 1st Earl of Clare‘s offer of the solicitor-generalship in 1799. In 1802, he unsuccessfully contests a seat for Dublin City in the Parliament of the United Kingdom.

Barrington’s comments on the Act of Union has a continuing resonance with the Young Ireland, Fenian and Irish Parliamentary Party movements, which hope to re-establish “Grattan’s Parliament” in some way. In particular, his Rise and Fall of the Irish Nation (1833) provides the basis for this romantic idealisation of Grattan’s Parliament adopted by the Irish Parliamentary Party from the 1880s.

Appointed an Admiralty court judge in 1798 at a salary of £500, Barrington finds there is little work to be done and his lack of a degree restricts other opportunities to support extravagant tastes. His award of a knighthood in 1807 brings no increased income. His court orders the sale of two derelict vessels and he gives instructions that the proceeds are to go to his own bank account. In 1810 or 1811 he takes his wife and family to England and from that time on his work in Ireland is carried out by surrogates. Still retaining his judgeship and salary, he moves to France in 1814 to escape his creditors and never returns to Ireland.

In 1828, commissioners learn of Barrington’s financial irregularities. He crosses the channel to London and protests that he is innocent but does not answer the charges based on the documentary evidence produced by the commissioners. In 1830, a parliamentary commission recommends that he be removed from office, finding misappropriations of court funds in 1805, 1806 and 1810. Pursuant to a provision of the Act of Settlement 1701, which seeks to protect the independence of the judiciary, both Houses of the Parliament of the United Kingdom vote for an Address to King William IV praying for his removal, and the King duly dismisses Barrington from office. By then, Barrington’s first 1827 volume of memoirs has sold successfully, and they are republished and expanded. He is the first judge removed from office under the Act of Settlement, and to this day, is the only judge in the United Kingdom to be so removed.

According to one of Barrington’s sometimes spurious personal memoirs, on March 20, 1780, he travels to Donnybrook, Dublin, to duel with Richard Daly. Daly has fought 16 duels in three years – three with swords and thirteen with pistols. Remarkably, he, and his opponents, have always escaped serious injury. Barrington has no pistols so he and his second, Richard Crosbie, spend the previous night constructing a pair “from old locks, stocks and barrels.” At Donnybrook, Daly’s second, Jack Patterson, a nephew of the Chief Justice, approaches Crosbie, explains that it is all a mistake and asks that the two shake hands. Barrington is in favour, but Crosbie has none of it. Taking out a duelling handbook, he points to rule No.7 – “No apology can be received after the parties meet, without a fire.”

Taking up their positions, Barrington loses no time in pressing the trigger and Daly staggers back, puts his hand to his chest, and cries, “I’m hit, Sir.” The ball does not penetrate but does drive part of a brooch slightly into his breastbone. Barrington only then thinks to inquire why the duel is even taking place. This time the rule book notes: “If a party challenged accepts the challenge without asking the reason for it, the challenger is never bound to divulge it afterwards.”

Barrington is most notable today for his memoirs which include scathing but humorous thumbnail portraits of contemporary Irish lawyers, judges and politicians during the last years of the Protestant Ascendancy. Personal sketches also includes vignettes on Irish people from every background. His works are reprinted with frequent additions and renamings.

Since his death, Barrington’s work has been quoted by a wide selection of editors, primarily following two themes: the political drama surrounding the Act of Union and the colourful nature of life in 1700s Ireland.


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Death of John Charles McQuaid, Archbishop of Dublin

John Charles McQuaid, C.S.Sp., the Catholic Primate of Ireland and Archbishop of Dublin between December 1940 and January 1972, dies in Loughlinstown, County Dublin, on April 7, 1973. He is known for the unusual amount of influence he has over successive governments.

McQuaid is born on July 28, 1895, in Cootehill, County Cavan, the eldest son of Eugene McQuaid and Jennie Corry McQuaid. He comes from a medical family, with his father, paternal uncle, sister and half-brother all being doctors. He is educated at St. Patrick’s College, Cavan, followed by Blackrock College in Blackrock, Dublin, which is run by the Holy Ghost Fathers, and the Jesuit Clongowes Wood College. He enters the Holy Ghost novitiate at Kimmage, Dublin, in 1913 and is professed in 1914. He graduates from the University College Dublin (UCD) in 1917 with first-class honors in classics. He continues his postgraduate studies at UCD with a master’s degree and a teaching diploma and subsequently earns a doctorate in theology at the Pontifical Gregorian University in Rome.

Ordained in 1924, the theology in which McQuaid is trained is conservative — strongly neo-scholastic and hostile to modernism and liberalism. His hatred of the French Revolution is expressed in several pastorals and speeches throughout his career. He also regards Protestantism as a fundamental error from which Irish Catholics should be quarantined as much as possible.

Appointed Dean of Studies at Blackrock College, McQuaid becomes a prominent figure in Catholic education and chairs the Catholic Headmasters’ Association for several years. In 1931 he is appointed president of Blackrock College, in which capacity he becomes acquainted with Éamon de Valera, the future Irish Taoiseach whose sons attend the school. In 1936, while drafting a new Irish constitution, de Valera consults McQuaid, although he rejects McQuaid’s draft “One, True Church” clause which states, among other things, that the Catholic Church is the one true church in Ireland.

When McQuaid is appointed Archbishop of Dublin in 1940, the appointment of a priest from the regular clergy causes considerable surprise. Irish government archives reveal that de Valera, as is suspected at the time, presses McQuaid’s claims at the Vatican. However, it is doubtful whether the Vatican needs much persuasion. There is a dearth of potential episcopal talent and McQuaid has an outstanding reputation as a Catholic educationalist.

Once appointed, McQuaid proves to be one of the ablest administrators in the history of the Irish Church. In the first two years of his episcopate, he sets up the Catholic Social Service Conference to alleviate the poverty and distress in Dublin which is aggravated by the war, and the Catholic Social Welfare Bureau to help the thousands of Irish emigrants going to Britain for war work. These two organizations fill a much-needed gap and continue to exist after the war. The expansion of Dublin city and its suburbs during his episcopate requires the building of new churches, schools, and hospitals. Meeting these demands also necessitates a considerable increase in the number of clergies, secular and regular, whose numbers more than double in the period from 1941 to 1972.

Given his previous career, the importance McQuaid assigns to education is not surprising. He is critical of the low priority accorded to education by successive governments and is particularly critical of the poor and pay conditions of teachers. His intervention in the primary teachers’ strike in 1946 is poorly received by the government and marks the souring of his relationship with de Valera. During his episcopate the number of primary schools increases by a third while the number of secondary schools more than double but, as with social welfare, the government increasingly assumes a dominant role in education from the 1960s onwards. Almost immediately after his appointment in 1940, he takes a hardline stand against the attendance of Catholic students at Trinity College Dublin (TCD). The ban lasts until 1970, when the increase in student numbers renders it untenable and he accedes reluctantly.

McQuaid has a formidable list of achievements in health care, especially maternity and pediatric services, physical and mental handicap services, and the treatment of alcoholism. It is ironic, therefore, that the most controversial episode of his career occurs in this area — the Irish hierarchy’s rejection in 1951 of a free mother-and-child health service. This leads to the resignation of the Minister for Health, Dr. Noël Browne, and is a watershed in Church-State relations in Ireland. With Irish tuberculosis and infant mortality statistics ranking among the highest in the world, the hierarchy, and particularly McQuaid, lose considerable support by lining up with the conservative medical establishment to resist efforts at socialized medicine.

From various pastorals that McQuaid issues at the time, it is clear that he does not see the need for the Second Vatican Council. As its deliberations proceed, his unease grows, and he becomes increasingly preoccupied with the issue of episcopal power and independence that he believes are being threatened by the Council. In the areas of liturgical reform, greater lay participation, and ecumenism, he is slow in implementing the Vatican II reforms. His views on ecumenism had always been lukewarm and had led to allegations that he was anti-Protestant. His personality and policies are criticized by a more assertive Dublin laity, but being a shy, reserved man who increasingly feels the isolation of office, he never responds to such comments. In 1968 the reaction to Humanae vitae causes open rebellion in the Dublin diocese, the force of which catches him unaware. His last pastoral as archbishop in 1971 betrays his anger and bemusement at the response to Humanae vitae in Dublin.

At the age of 75, McQuaid submits his resignation to the Vatican, and it is accepted. His resignation is announced in January 1972, when he is replaced by Dermot Ryan. McQuaid dies in Loughlinstown, County Dublin, the following year on April 7, 1973. He is buried in St. Mary’s Pro-Cathedral in Dublin, the seat of the Roman Catholic Archdiocese of Dublin.

McQuaid’s substantial archives are released by the Dublin Diocesan Archives in the late 1990s. In 1999 journalist John Cooney publishes a hostile biography of McQuaid, which makes controversial allegations of sexual abuse against McQuaid. The allegations are based on tenuous evidence gathered by McQuaid’s nemesis from the 1951 Mother and Child controversy, Dr. Noël Browne, who had died in 1997. No corroborating evidence is produced or has since emerged.


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Birth of Anna Haslam, Campaigner for Women’s Rights

Anna Maria Haslam (née Fisher), a suffragist and a major figure in the 19th and early 20th century women’s movement in Ireland, is born in Youghal, County Cork, on April 6, 1829.

Fisher is the sixteenth of seventeen children to Jane and Abraham Fisher. The Fishers are a Quaker family with a business in Youghal. They are noted for their charitable works, especially during the Great Famine.

Fisher helps in soup kitchens and becomes involved in setting up cottage industries for local girls in lace-making, crocheting and knitting. She is brought up believing in equality for men and women and also supporting the campaign against slavery and for temperance and pacifism. She attends Quaker boarding schools, Newtown School in County Waterford and Castlegate School in York, England, which later becomes The Mount School, York. She then becomes a teaching assistant in Ackworth School, Yorkshire. She meets Thomas Haslam who is teaching there and who is from Mountmellick, County Laois. He is born into a Quaker family in 1825. He is a feminist theorist and from 1868 he write about many topics concerning female rights and issues such as prostitution, birth control and women’s suffrage.

Fisher and Haslam marry on March 20, 1854, in Cork Registry Office. Their marriage is mainly celibate as a result of them not wanting to have children. In later writings Thomas argues in favour of chastity for men. The couple shares a belief in equality for men and women and he supports her campaigns.

Both of the Haslams are expelled from the Society of Friends due to their interests in social reform but both maintain links with the community. Thomas is said to have been disowned for harbouring ideas contrary to Quaker teachings. In 1868, he publishes a pamphlet called “The Marriage Problem,” in which he raises and supports the idea of family limitation and outlines a number of contraceptive methods including the safe period. He dies on January 30, 1917, in his ninety-second year.

Haslam is best remembered today for her work for votes for women. She is a pioneer in every 19th century Irish feminist campaign and fights for votes for women from the year 1866. In 1872, she organises the “General Meeting of the members and friends of the Irish Society for Women’s Suffrage” in Blackrock, Dublin, which is chaired by George Owens and attended by MPs Maurice Brooks (a Home Ruler) and William Johnston (a northern Orangeman) and by the future Liberal Unionist Party MP Thomas Spring Rice, 2nd Baron Monteagle of Brandon. The Haslams are founding members of the Dublin Women’s Suffrage Association (DWSA) in 1876. This marks the start of a remarkable campaign in Dublin for votes for women. Haslam, along with the writing of her husband, continues the campaign and in 1896 women in Ireland win the right to be elected as Poor Law Guardians, members of the official bodies which administer the Poor Law. Ireland’s early women’s rights activists have a close relationship with their English correlatives and share the same discrimination in education, employment, sexual freedom and political participation. The DWSA organises the introduction of a private member’s bill to remove disqualification “by sex or marriage” for election or serving as a poor law guardian. The bill passes in 1896 and the association immediately writes to the newspapers and publishes leaflets explaining the process on how to register to vote and stand for election and encouraged qualified women to go forward as candidate.

By 1900, there are nearly 100 women guardians. Haslam then leads a campaign to encourage qualified women to stand for election in 1898. Women win eligibility to vote in local government elections, and to stand for elections as rural and urban district councillors. In 1913, she steps down as secretary of the Association and is elected life-president.

One of Haslam’s longest campaigns, working alongside the Belfast suffragist Isabella Tod, is for repeal of the Contagious Diseases Acts of 1864. The acts allow for state regulation of prostitutes in areas in which the army is stationed. The act permits compulsory internment of women for up to three months, which is later extended to one year. Medical treatment is also enforced on the women. The act seeks only to reduce the spread of sexually transmitted diseases among the military. She opposes the act as she feels it legitimises prostitution, commoditises women and undermines family life. It is finally repealed following eighteen years of campaigning.

Haslam is involved in the 1866 petition and gathers 1,499 signatures to extend suffrage to women as well as men. In 1867, male suffrage is extended but it is not until 1911 that the Suffrage movement achieves the significant victory of securing the right of women to stand for election as local councillors.

In 1918, a woman of almost ninety, Haslam goes to the polls “surrounded by flowers and flags,” with women who unite in her honour to celebrate the victory of the vote. This display of unity by activist women from all shades of political opinion acknowledge her role in the fight for the right to vote. The same year in which she dies, in 1922, the Irish Free State extends the vote to all men and women over the age of 21.

Haslam dies on November 28, 1922, at her home in Carlton Terrace, Dublin, of “cardiac dropsy” at the age of 93. She is buried next to her husband in the Quaker burying ground at the Friends Burial Ground in Temple Hill, Blackrock, Dublin.

A memorial seat to Anna and Thomas Haslam is erected in 1923 in St. Stephen’s Green, Dublin, with the inscription “in honour of their long years of public service chiefly devoted to the enfranchisement of women.” 

Haslam’s name and picture, as well as those of 58 other women’s suffrage supporters, are on the plinth of the statue of Millicent Fawcett in Parliament Square, London, unveiled in 2018.


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Death of Veronica Dunne, Operatic Soprano & Voice Teacher

Veronica Dunne, Irish operatic soprano and voice teacher also known as Ronnie Dunne, who is described as “an Irish national treasure,” dies on April 5, 2021. After a successful operatic career at the Dublin Opera and the Royal Opera House in London, she focuses on voice teaching in Dublin, where she trains future international singers. The triennial Veronica Dunne International Singing Competition is established in 1995. She receives the National Concert Hall Lifetime Achievement Award in 2014.

Dunne is born in Dublin on August 20, 1927. She is the youngest of three children of a well-to-do family. Her father works as a master builder whose construction firm builds the church in Foxrock, Dublin, in the early 1930s. She begins singing when she is 11 years old. She studies initially in Dublin with Hubert Rooney. She then sells her pony for £125 in order to fund her dream of studying music in Italy. She goes to Rome in 1946 to study with Soldini Calcagni and Francesco Calcatelli. Her family meets with Sarsfield Hogan, the secretary of the Department of Finance at the time, to discuss the issue of her monthly allowance, which would breach foreign exchange controls. Sarsfield permits her to receive the money on the condition that she return to Ireland in the future and teach her young compatriots to sing.

Dunne makes her operatic debut in Dublin in 1948 as Micaëla in Georges Bizet‘s Carmen with the Dublin Grand Opera Society, and appears there in 1949 as Marguerite in Charles Gounod‘s Faust. She wins the Concorso Lirico Milano in 1952, which brings her the role of Mimì in Ruggero Leoncavallo‘s La bohème at the Teatro Nuovo in Milan, which in turn brings her a contract from the Royal Opera House in London, where she first appears as Sophie in Der Rosenkavalier by Richard Strauss. She performs at the house alongside Joan Sutherland and Kathleen Ferrier. In 1958, she appears as Blanche in the first performance at the house of Francis Poulenc‘s Dialogues of the Carmelites. She also performs with the Welsh National Opera, Scottish Opera, and Wexford Festival Opera. She returns to the stage in 2002 to appear as Countess in Pyotr Ilyich Tchaikovsky‘s The Queen of Spades at the Gaiety Theatre in Dublin.

Dunne gives a number of world premieres of works by contemporary Irish composers including Never to Have Lived is Best (1965) by Seóirse Bodley, as well as Irish Songs (1971) and The Táin (1970) by James Wilson.

Dunne is appointed a voice teacher at the then Dublin College of Music (today Technical University Conservatory of Music and Drama) in 1962. She is awarded an honorific doctorate in 1987. She retires in 1992, but continues to teach at the Leinster School of Music and the Royal Irish Academy of Music. Her students include Patricia Bardon, Orla Boylan, Mary Brennan, Tara Erraught, Lynda Lee, Colette McGahon, Anthony Kearns, Suzanne Murphy, and Finbar Wright, who have all sung in the major international opera houses. In 2014, at the age of 87, she continues to teach 39 hours per week.

The triennial Veronica Dunne International Singing Competition, established by the Friends of the Vocal Arts in Ireland in 1995, awards bursaries in her name. Recipients included Orla Boylan, Sarah-Jane Brandon, Tara Erraught, Pumeza Matshikiza and Simon O’Neill. She receives the National Concert Hall Lifetime Achievement Award in 2014.

Dunne marries Peter McCarthy in 1953. The couple has two children.

Dunne dies at the age of 93, on April 5, 2021. Irish President Michael D. Higgins pays tribute to Dunne, saying that she “captivated millions with her singing” and adding, “The legacy she leaves lies in the talents of those scores of others whose talents and performances she unlocked with her enthusiasm, energy and commitment as a teacher and friend.”