After securing Wexford and Waterford, MacMurrough and Strongbow march on Dublin, bypassing an Irish force under Ruaidrí Ua Conchobair positioned south of the city. They take a northern route, attacking from an unexpected direction, catching the defenders off guard. The assault is swift and decisive, leading to the capture of Dublin.
Ascall mac Ragnaill, King of Dublin, and many Norse inhabitants flee by sea to the Hebrides or the Isle of Man. The fall marks the effective end of centuries of Norse political dominance in Ireland.
Dublin becomes a Norman stronghold, facilitating further expansion into Ireland and setting the stage for Henry II’s 1171 invasion to assert English control. The conquest introduces Norman feudalism, chivalry, and Roman Catholicism to Ireland, altering its political, cultural, and religious landscape for centuries.
This event is a turning point in Irish history, symbolizing the close of the Viking era and the dawn of Norman influence on the island.
Rowsome, born Martin Leo Rowsome on April 5, 1903, in Harold’s Cross, Dublin, is the third son among seven sons and one daughter of William Rowsome, a carpenter, and Bridget Ann Rowsome (née Murphy). He comes from a distinguished line of uilleann pipers. His grandfather, Samuel Rowsome, ensures that his sons receive formal musical training from a German teacher in Ferns, County Wexford. Observing his father’s craftsmanship, he learns the art of pipe making and instrument repair from an early age.
Rowsome’s talent develops rapidly, and by 1919, at the age of sixteen, he is appointed teacher of the uilleann pipes at Dublin’s Municipal School of Music (now Dublin Institute of Technology Conservatory of Music and Drama), a position he holds for fifty years. He also teaches at Dublin’s Pipers’ Club, where he is a founder member and president, contributing to the formation of Comhaltas Ceoltóirí Éireann in 1950.
He is the first uilleann piper to perform on Irish National Radio in the early 1920s, both solo and in duets with other musicians, and later performs with his “All Ireland Trio.” He is a multiple All-Ireland prizewinner in the 1920s and frequently broadcasts lectures on piping, helping preserve and promote traditional Irish music.
Rowsome is also a master pipe maker and reed maker, known for his meticulous craftsmanship and ability to maintain instruments in perfect tune. His workshop in Dublin is a hub of creativity, where he combines traditional knowledge from his father and grandfather with his own innovations. He trains numerous pupils, including notable musicians like Paddy Moloney and Liam O’Flynn, ensuring the continuation of the uilleann piping tradition.
Rowsome dies suddenly while adjudicating The Fiddler of Dooney Competition in Riverstown, County Sligo, on September 20, 1970. To commemorate the centennial of his birth in 2003, his daughter, Helena Grimes, has some of his original manuscripts published by Waltons; “The Leo Rowsome Collection of Irish Music” consists of 428 reels, jigs, airs, and hornpipes.
Rowsome is remembered as a cheerful, patient, and dedicated father, who creates a lively and musical household. His daughter recalls the vibrant atmosphere of his workshop and the care he took in crafting and testing his instruments.
Rowsome’s style is free and flowing, leaving a lasting impact on contemporary Irish music and uilleann piping. He is one of the last of a small group of traditional pipe makers, and his expertise in tuning, reed making, and performance has been widely celebrated. Even decades after his death his name remains synonymous with the uilleann pipes and Irish musical heritage.
Devlin is born in 1780 in Cronebeg, near Aughrim, County Wicklow, the second of four daughters and three sons of Bryan and Winifred (née Byrne) Devlin, who are Catholics engaged in farming. Her father and several relatives are members of the Society of United Irishmen, advocating for Irish independence. Though she and her immediate family do not initially participate in the Irish Rebellion of 1798, they provide shelter and assistance to rebels, and their home is destroyed by Crown forces, while her father is imprisoned until 1801.
After the family moves to Rathfarnham, Dublin, Devln becomes the housekeeper for Robert Emmet in April 1803, providing cover for his Dublin operations planning a nationalist uprising. She actively aids the United Irishmen by arranging meetings, transporting arms, and acting as a messenger to insurgent forces, notably her cousin Michael Dwyer in the Wicklow Mountains. The rebellion carefully orchestrated for July 23, 1803, collapses due to inadequate popular support and confusion among the rebels.
Following the failed uprising, Devlin and her family are arrested. She endures brutal interrogation by Major Henry Charles Sirr and is subjected to half-hanging, solitary confinement, and threats against her family, yet she refuses to reveal any critical information about Emmet or other conspirators. She spends over two years in Kilmainham Gaol and, despite her endurance, her health is permanently affected. She is released in 1806 after sustained lobbying and public outrage over her mistreatment.
After her release, Devlin works as a maid and laundress, initially assisted by the Emmet family and their acquaintances. She marries William Campbell in 1811, though she experiences increasing poverty after his death in 1845. She continues to be remembered for her courage, and her experiences are recorded by historians and contemporaries such as Dr. Richard Robert Madden and Brother Luke Cullen, preserving her memoirs and accounts of her revolutionary involvement.
Devlin dies on September 18, 1851, in Dublin and is interred at Glasnevin Cemetery, later commemorated with a monument and Celtic cross.
Devlin is widely celebrated as Ireland’s first female political prisoner and a symbol of loyalty and courage. A statue in Rathfarnham, annual memorial services in Dublin’s St. Catherine’s Church, and the naming of community centers in her honor (e.g., Anne Devlin Community Centre, 2026) reflect her enduring impact. Her life has inspired literature and film, including Pat Murphy‘s 1984 movie Anne Devlin, which portrays her perspective during the Emmet rebellion. She is credited in James Joyce’s short story “A Mother” as a model for the character Mrs. Kearney.
Anne Devlin’s life embodies courage, steadfast nationalism, and sacrifice. She actively supports Robert Emmet and the United Irishmen, suffers imprisonment without betrayal, and faces lifelong hardship, yet remains commemorated as a heroine of Irish independence.
(Pictured: Anne Devlin statue in Rathfarnham, Dublin)
On September 16, 1920, the British double agent John Henry Gooding, operating under the alias F. Digby Hardy, makes a dramatic overture to the Irish Republican Army (IRA). Hardy, a habitual criminal with a long record of forgery, fraud, and petty crime, has been recruited by British intelligence to infiltrate the IRA’s intelligence network and capture Michael Collins.
Born in 1868 in Devonport, Plymouth, England, Hardy has a troubled life marked by multiple imprisonments, bigamy, and a career in petty crime. After deserting the Royal Navy in 1888, he adopts the alias “Frank Hall” and lives in Surrey before moving to London. By 1920, he is a known criminal with a five-year fraud sentence in 1918, partially served until his release in 1919.
Hardy approaches IRA intelligence, offering to betray his British superior, Basil Thomson, to the IRA. The plan is for him to infiltrate the IRA’s network and hand over information on Collins. However, the operation is foiled when Arthur Griffith, a leading Irish republican, intercepts Hardy’s mission.
Griffith arranges a staged meeting in Dublin attended by international journalists. Hardy is confronted and, upon presentation of evidence, confesses his mission and criminal background. The exposure embarrasses British intelligence and draws international attention.
Rather than being executed, Hardy is given until the next morning to leave Ireland. He flees, resuming petty crimes until his death in 1930. The September 16, 1920 incident becomes a notable example of how British intelligence’s reliance on unreliable agents could backfire during the Irish War of Independence.
In summary, on September 16, 1920, F. Digby Hardy (John Henry Gooding) attempts to betray his British handler to the IRA, but is exposed and forced to flee Dublin after being misled by Arthur Griffith into revealing his mission to reporters.
The Irish Civil War (June 28, 1922 – May 24, 1923) is fought between Pro-Treaty forces (led by Michael Collins and Arthur Griffith) who support the Anglo-Irish Treaty, creating the Irish Free State within the British Empire and Anti-Treaty IRA (led by Éamon de Valera and Liam Lynch) who reject the Treaty, seeing it as a betrayal of the 1919 Irish Republic.
By mid-1922, the Free State controls only Dublin and parts of the east, while anti-Treaty forces hold much of the south and west, including Cork, Limerick, and Waterford, forming the self-styled “Munster Republic.”
On September 15, 1922, Anti-Treaty IRA units in Dundalk attack Free State troops stationed in the area and seize control of the local power station, cutting off the town’s electricity supply.
This is a typical example of anti-Treaty tactics: using sabotage and localized attacks to disrupt Free State operations, weaken their hold on territory, and maintain control over key infrastructure. Such actions are part of a wider pattern of resistance in areas not yet recaptured by the National Army.
While Dundalk is not a major strategic city, the attack reflects the guerrilla and sabotage phase of the Civil War, which follows the Free State’s July–September 1922 offensive that retakes major towns in Munster and the west. The Free State’s victory in that offensive ends the conventional phase, but anti-Treaty forces continue to resist through hit-and-run raids, sabotage, and control of rural areas.
In summary, the Dundalk incident of September 15, 1922, is a localized but symbolic act of anti-Treaty resistance, illustrating the ongoing struggle to control infrastructure and disrupt Free State operations in the months after the decisive military phase of the Irish Civil War.
(Pictured: Dundalk, County Louth, in the early 20th century)
The ban comes after just eight months of Dáil Éireann’s existence, which begins on January 21, 1919, when Sinn Féin MPs refuse to take their seats in Westminster and instead convene a separate parliament in Dublin. The British initially underestimate its significance, but events change rapidly.
Sinn Féin’s attempt to raise funds (the Dáil Loan) in August 1919 for the republican cause is seen as a move to legitimise an independent administration, undermining British control. Also, some Irish Volunteers members swear allegiance to Dáil Éireann, which is seen as a political act with potential to inspire wider resistance. The summer of 1919 also sees a surge in attacks, prompting Dublin Castle to respond with suppression measures.
The proclamation takes effect nationwide, including all counties and major boroughs such as Dublin, Belfast, Cork, Limerick, Derry, and Waterford. Within days, police raids and searches target Sinn Féin headquarters and members’ homes. The Harcourt Street headquarters in Dublin is raided, leading to arrests of figures like Patrick O’Keefe and Ernest Blythe. Similar searches occur in Belfast, Derry, Omagh, and Ballycastle, uncovering literature, weapons, and ammunition in some cases.
The ban is a major blow to Sinn Féin’s political prestige, but it also hardens the resolve of many republicans. Historians note that the suppression turned some moderate politicians into “extremists” and increased the likelihood of militarisation. Despite the crackdown, the Dáil continues to operate in secret, meeting in multiple Dublin locations to maintain the Irish Republic’s political legitimacy.
In short, the September 12, 1919 declaration marks a turning point in the Irish War of Independence, shifting the conflict from political negotiation to open confrontation.
(Pictured: Members of the First Dáil Éireann seated and standing outside the Mansion House in Dublin on January 21, 1919)
On September 10, 1985, the Mater Misericordiae University Hospital in Phibsborough, Dublin, performs Ireland’s first heart transplant, marking a landmark moment in Irish medicine. The pioneering operation is carried out by Dr. Maurice Neligan and Professor Freddie Wood, who recognise the need to bring this life-saving procedure to Ireland at a time when heart transplantation is still in its infancy and available only in a handful of global centres.
The transplant is a bold step, as the long-term survival of such patients is unknown. The Mater’s National Centre for Heart and Lung Transplants has since performed 447 life-saving heart transplants, transforming the lives of nearly 500 patients. The success of the first case lays the foundation for a programme that has endured for four decades and remains Ireland’s national heart transplant centre.
One of the earliest recipients is Andy Kavanagh of Coolock, Dublin, who undergoes his transplant in 1986 at the age of 19 after being diagnosed with cardiomyopathy, a condition that weakens the heart muscle. What began as a flu-like illness rapidly deteriorates, leaving him with little chance of survival. His donor, David Russell, dies in 1986 after being struck by a drunk driver. Today, Kavanagh is one of the longest-surviving heart transplant patients in the world, living a full, active life and raising his grandchildren.
The 1985 surgery is not just a medical milestone — it is a testament to the courage of organ donors and their families, whose generosity has made modern transplantation possible. As Professor Emer Joyce notes, “For many patients, organ donation is their only hope.”
Today, the Mater continues to celebrate this historic day, honouring the pioneering surgeons and the patients whose lives have been transformed by one of Ireland’s most significant medical achievements.
(Pictured: Freddie Wood (left) with the late Eoin O’Malley and Ita Green help perform the first heart transplant surgery in Ireland on September 10, 1985)
On September 5, 1998, United States PresidentBill Clinton becomes a Freeman of Limerick, following in the footsteps of John F. Kennedy, who had received the honor in 1963. The ceremony marks the last day of Clinton’s official visit to Ireland, which had begun earlier in the month and included stops in Dublin, Adare, Limerick, and Kerry.
On September 5, thousands gather on O’Connell Street to hear Clinton speak to an estimated 40,000 people. His address references the Good Friday Agreement and the peace process, saying: “Because of what you have done in Ireland in 1998, you have made it possible for me to tell every warring, feuding hating group of people trapped in the prison of their past conflicts to look at Ireland and know there can be a better day.”
The speech is broadcast worldwide and is delivered during a period when Clinton is facing political challenges in the United States, but he is still held in high esteem in Ireland for his role in the Northern Ireland peace process.
By being granted the Freedom of the City of Limerick, Clinton joins a distinguished list of U.S. presidents honored by Irish cities, underscoring the strong ties between the United States and Ireland. The visit and ceremony are symbolic of reconciliation, mutual respect, and the shared history of Irish Americans in U.S. politics.
In short, September 5, 1998, is both a personal milestone for Clinton and a moment of national and international significance, blending political diplomacy with public celebration.
The Hot Press Irish Music Hall of Fame is created to celebrate and preserve the best of Irish musical talent over decades, from traditional acts like Christy Moore and The Dubliners to modern icons such as U2, Boyzone, and Ash. It is based around a new multimedia exhibition in Dublin city centre, highlighting the history and development of Irish rock and pop.
Morrison, born in Belfast, Northern Ireland, is widely regarded as Ireland’s greatest living legend. Hall of Fame director Niall Stokes, the editor of Hot Press, praises him as a “multi-talented creative force” with an “astonishing body of work of great depth and beauty.” Geldof calls him “the only genius in Irish music.”
This induction marks Morrison’s first major honour in Ireland, though he has already been inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio, in 1993. The Hot Press Irish Music Hall of Fame is distinct from the U.S. Rock and Roll Hall of Fame, which has been operating since 1983.
The 1999 induction cements Morrison’s status not only as a global rock icon but also as a defining figure in Irish music history. It is a milestone moment for the Hall of Fame, setting the stage for future inductees chosen by a panel of industry experts.
Raised in Rathfarnham, a suburb of Dublin, Harrington grows up in a sports‑oriented family — his father, Patrick Harrington, is a Gaelic footballer, boxer, and amateur golfer with a five‑handicap. He attends Coláiste Éannasecondary school and studies accountancy, balancing academics with a passion for golf.
Harrington begins playing golf with his family at age five and develops his skills at nearby Stackstown Golf Club. As an amateur, he represents Great Britain and Ireland in the Walker Cup three times (1991, 1993, 1995), winning the 1995 edition. He turns professional in 1995 at the age of 24, quickly winning the Peugeot Spanish Open in 1996.
In 2024, Harrington is inducted into the World Golf Hall of Fame, cementing his status as one of golf’s legends. Known for his meticulous play and consistency, he remains a respected figure in the sport, with a net worth estimated at around $40 million.
In summary, born on August 31, 1971, in Dublin, Pádraig Harrington’s career spans over three decades, marked by major wins, Ryder Cup success, and Hall of Fame recognition, making him a defining name in modern golf.
