The killing is widely seen as a political act, with Dunne and O’Sullivan claiming to have acted in defence of Irish nationalist principles, blaming Wilson for the “Orange Terror” and the deployment of the Ulster Special Constabulary (USC). Some historians suggest the assassination may have been intended to pressure Michael Collins to attack the Four Courts garrison, though no conclusive evidence of orders was ever established.
After the shooting, Dunne escapes but O’Sullivan is captured by a hostile crowd. Dunne attempts to rescue him but is himself arrested after wounding two police officers and a passerby. Both are tried quickly, found guilty after just three minutes of deliberation, and sentenced to death by Justice Montague Shearman.
Despite petitions from 45,000 people and appeals from figures like George Bernard Shaw, both men are executed on August 10, 1922, and buried within the prison grounds.
The executions are a major political flashpoint. It is only after the abolition of hanging that the law is changed and Joseph’s brother, with the assistance of the Irish National Graves Association, is able to arrange for the bodies of the two men to be repatriated to Ireland.
Dunne’s trial speech, reprinted in the Irish Independent, remains a notable piece of republican political rhetoric, framing the act as a necessary stand for Irish rights.
(Pictured: Joseph O’Sullivan (left) and Reginald Dunne (right))
Many of the refugees have spent months in refugee camps in Hong Kong and Malaysia, often rescued from overcrowded boats after long, dangerous voyages. Some, like Tri Quoc Nguyen, recall the smell of vomit and sweat from days at sea, and the trauma of internment for family members. Delays in resettlement elsewhere—such as the United States—leads some to choose Ireland for its perceived safety and shorter wait.
The Irish government invites these refugees, and religious and non-governmental organisations play a major role in resettlement. The first group of about 212 Vietnamese is dispersed to various Irish towns, including Tralee, Portlaoise, and Cork. Many later move to Dublin, where they begin building new lives.
Over the decades, the Vietnamese-Irish community has grown into a well-established ethnic minority in Ireland, with contributions in business, education, and culture. Many open Vietnamese restaurants and community businesses, and maintain strong family and cultural ties.
This August 9, 1979 event marks the beginning of a significant chapter in Irish migration history, symbolising Ireland’s role in humanitarian resettlement during the late 20th century.
Between 1959 and 1977, Trimble is professor of accompaniment and musicianship at the Royal College of Music.
Trimble’s compositional career spans two decades, producing works such as Buttermilk Point (1938), The Heather Glen (1949), Phantasy for Piano Trio (1940), and the suite Ulster Airs (1939–40). In 1957, she makes a notable mark by composing Blind Raftery, the first new opera by a woman to be broadcast on BBC Television.
Later in life, Trimble inherits her father’s newspaper, becoming its proprietor and editor, and takes up composition again in 1990 when commissioned for her 75th birthday. She dies in Enniskillen on August 6, 2000, at the age of 85, two weeks after the death of her husband. She is remembered for her contributions to Irish music, her skill as a pianist, and her role in preserving her family’s legacy in both the arts and journalism.
In 2002, the Joan Trimble Awards Scheme is established by her family in her memory, and administered by the Fermanagh Trust “in recognition of her lifelong commitment to County Fermanagh.” The purpose of the scheme is to encourage and support the involvement of young people in creativity, the performing arts and Irish culture, and to provide bursaries for training and education.
In 2012, Fermanagh County Museum stages an exhibition titled “Buttermilk Point: The Musical Life of Joan Trimble, 1915–2000.”
On June 18, 2015, “Music in Fermanagh” presents A Celebration Concert as part of the Joan Trimble Centenary Celebration at the Ardhowen Theatre in Enniskillen.
In the early morning of August 5, 1922, during the Irish Civil War, around 200 anti-Treaty Irish Republican Army (IRA) volunteers are mobilised around Dublin. Their mission is to isolate the city by destroying all bridges and road crossings leading into it, cutting off Free State forces and supplies.
The anti-Treaty IRA, opposed to the Anglo-Irish Treaty and the newly established Irish Free State, aim to dismantle the stone bridges over Dublin’s rivers and canal, lay explosives on road and railway bridges, dig trenches in roads to block movement and scout the surrounding countryside for Free State troops.
They are organised in groups of 5–40, some armed with handguns and grenades, others with explosives and tools like spades and picks. Parties are sighted in the hills south of the city (from Kilakee to Roundwood) and across villages north of Dublin (from Raheny to Blanchardstown).
The Free State’s intelligence service intercepts the plan when Liam Clarke, a captured anti-Treaty officer, reveals the details to Free State Intelligence officers. This intelligence allows the Free State to anticipate and counter the operation.
On August 6, Free State forces move quickly to intercept the IRA. They capture 31 anti-Treaty irregulars at Glencullen Bridge (pictured) and later take 104 fighters in County Dublin, including officer Pat Sweeney. These actions cripple the remnants of the anti-Treaty IRA in Dublin and prevent the city from being isolated.
The “Bridges Job” is a major anti-Treaty attempt to cut off Dublin during the Irish Civil War. Its failure marks a turning point, as Free State forces can now move freely into the city, accelerating the end of the conventional phase of the conflict.
On the morning of August 3, his body is discovered in a field at Maher’s farm, close to Jamestown Road in Finglas. He had been shot dead. The exact details of his capture and killing are later ordered to be destroyed in 1932 by the Pro-Treaty government.
McEntee is buried in the Republican Plot at Glasnevin Cemetery, Dublin. A National Graves Association memorial plaque is placed there around 1932 and is maintained by the Fianna Sluagh in Finglas during the 1950s–60s. In 2023, his family and community commemorate the centenary of his death, remembering him as a skilled carpenter, devoted father, and soldier of the Irish Citizen Army.
In summary, Henry McEntee’s abduction and murder in August 1923 are part of the violent post-war repression of anti-Treaty IRA members, and his case remains a poignant example of the personal toll of Ireland’s Civil War.
Mac Murchada has ruled Leinster since 1126 and is a powerful and ambitious king. He is an ally of Muirchertach Mac Lochlainn, High King of Ireland, but their alliance is strained by rivalries and political maneuvering. In 1166, Mac Lochlainn’s own position is weakened after his subjects rebel and kill him, and Mac Murchada is next in Ua Conchobair’s line of succession.
Ua Conchobair, now High King, turns his attention to eliminating rivals. On August 1, 1166, Mac Murchada is defeated in open battle and forced to flee Ireland. His expulsion is a critical turning point as it strips him of his kingdom and leaves him without a base to rule.
Mac Murchada returns to Ireland in 1167 with an advance party of Anglo-Normans. In 1170, Strongbow arrives with a larger force, and together they capture Dublin. Mac Murchada marries his daughter, Aoife (Eva), to Strongbow, and upon his death in 1171, Strongbow succeeds as ruler of Leinster.
Mac Murchada’s defeat and subsequent alliance with the Normans initiates the Anglo-Norman invasion of Ireland, a process that leads to centuries of English political and military involvement in the country. His actions are remembered as a pivotal moment in Irish history, with complex legacies — seen by some as a desperate ruler trying to restore his throne, and by others as a traitor who opens the door to foreign domination.
In summary, August 1, 1166, is the day Diarmait Mac Murchada is overthrown by Ruaidrí Ua Conchobair, leading to his exile and ultimately setting in motion the Norman conquest of Ireland.
Brennan is the second of two children to Patrick Brennan of the Catholic parish of Beauparc and Catherine Brennan (née Rourke). Little is recorded of his early education, but he develops a reputation as an intelligent and articulate public speaker. At age 18, he begins working as a clerk at Murtagh Bros., a Dublin-based bakery, alongside his uncle James Rourke. Through his connections with Patrick Egan, he and his uncle join the Irish Republican Brotherhood (IRB) and become active in election campaigns and nationalist organizing.
By 1877–1878, Brennan has become the civil secretary of the Leinster IRB and honorary secretary of the Dublin Mechanics Institute. In 1879, he plays an instrumental role in establishing the Land League of Mayo, acting alongside Michael Davitt and Patrick Egan. When the Irish National Land League is formally founded in October 1879, Brennan is appointed assistant secretary, effectively helping manage the League’s operations and campaigns for tenant farmers.
Brennan is known for his eloquence at public rallies, often linking land agitation to Irish nationalist objectives and espousing radical, egalitarian ideas. During the Land League’s activities, he faces trial for encouraging non-payment of rent but is not convicted. He later takes on the duties of national secretary after Davitt’s arrest and authorizes the issuance of the “No Rent Manifesto” from Kilmainham Gaol in 1881, a pivotal document in Ireland’s land struggle.
Following internal shifts in Irish nationalist politics and limitations placed on his influence by Charles Stewart Parnell, Brennan emigrates to the United States. He works for Patrick Ford’s Irish World newspaper in New York City, critiquing aspects of the Irish Parliamentary Party (IPP) and emphasizing non-violent republican principles. By 1883, he settles in Omaha, Nebraska, partnering with Patrick Egan in the Omaha Mortgage Company, specializing in real estate, investment, and insurance. He becomes a respected businessman and seeks to maintain connections with the Irish American nationalist community.
Brennan never marries and eventually dedicates himself to business in Omaha. He passes away on December 19, 1912, in Omaha, Nebraska, having left a lasting impact on Irish land reform efforts and the nationalist movement. He is buried in Holy Sepulchre Cemetery in Omaha.
Brennan is remembered as a founder and key administrator of the Irish National Land League, a signatory of the “No Rent Manifesto,” and a prominent voice in the Irish republican movement. His advocacy helps shape the course of land reform in Ireland and fosters Irish nationalist sentiment both domestically and among the diaspora.
Sources confirm that his activism, speeches, and organizational skill were central to the Land League’s influence, and he remains a notable figure in 19th-century Irish political history.
Molly Malone’s baptism is often cited as having taken place on July 27, 1669, although it is part of a later legend rather than a confirmed historical fact. The story goes that a woman named Molly Malone, a fishmonger in Dublin, is baptized at St. Werburgh’s Church and later dies young of a fever. This narrative becomes part of the folklore surrounding the song Cockles and Mussels, which celebrates her as a street fishwife.
The legend goes that the baptism date and the claim that Molly Malone is a real 17th‑century figure were popularized in the late 20th century, especially during the Dublin Millennium celebrations in 1988. At that time, the Dublin Millennium Commission endorsed a claim that a Mary Malone had been baptized on July 27, 1669, and buried on June 13, 1699, in St. John’s Graveyard. This led to June 13 being declared Molly Malone Day.
However, no verifiable evidence links these baptism and burial records to the Molly Malone of the song. The name “Molly” is a common diminutive for Mary or Margaret, and many such women lived in Dublin over the centuries. The baptism record in question (Mary Malone, baptized July 27, 1669) and the burial record (Mary Malone, died June 13, 1699) are published in church registers, but there is no proof these refer to the same person as the ballad’s heroine.
The ballad “Cockles and Mussels” (also called “In Dublin’s Fair City”) is written in the late 19th century by James Yorkston of Edinburgh, Scotland. It is a fictional tale of a fishwife who sells cockles and mussels and dies young. While the song may have been inspired by older street ballads, it is not based on a confirmed historical Molly Malone.
Despite the lack of solid historical proof, the legend has become a symbol of Dublin. A bronze statue of Molly Malone, “The Tart with the Cart,” (pictured above) stands on Suffolk Street, commemorating her as a cultural icon. The story continues to be celebrated in song, pub culture, and local tradition.
In short, July 27, 1669, is part of the folklore of Molly Malone’s baptism, but it is not confirmed by reliable historical records. The figure remains a fictionalized symbol of Dublin’s street life, immortalized in song and statue.
The conflict arises from a series of accusations FitzThomas makes in England. He claims that de Vescy has called Edward I “the most perverse knight of the kingdom” and has accused the king of cowardice during the siege of Kenilworth Castle in 1266. He also alleges that de Vescy is organizing an uprising against the king.
These allegations are part of a broader rivalry between the two nobles over claims to the Crown of Connaught and competing political influence in Ireland.
FitzThomas has previously brought the matter to the attention of the Irish commission of inquiry, but de Vescy sought redress before the Dublin council. The dispute escalates to the English court, where both men are summoned to Westminster for a formal hearing.
On the appointed date, July 24, 1294, de Vescy appears in full armor, but FitzThomas does not attend. De Vescy requests a judgment by default in his favor, but the court does not grant it. The matter is not resolved immediately but is later addressed during the Parliament of August 1295.
Although de Vescy technically loses the default judgment, the absence of FitzThomas and the political context likely weakens the case. De Vescy has already been removed from the Lord Justiciarship in October 1294 following a commission of inquiry into his governance in Ireland. He continues to serve the king in other capacities, including in Wales and Gascony, and is summoned to Parliament in 1295.
In summary, the July 24, 1294, event marks the formal accusation of defamation in Dublin, a legal and political clash between two powerful Irish barons, with the case ultimately decided in England’s court at Westminster, where FitzThomas’s non-appearance becomes a key factor in the proceedings.
Parry is born c. 1599 in Madyn Dyswy, Amlwch, Anglesey, Wales, the son of Rhys Parry, a merchant of Newry, County Down. The name of his mother is disputed. His siblings are Arthur, Grace and Magdalen. He is educated in Newry. In 1616, he enrolls as a student of Trinity College Dublin (TCD) where he graduates with a BA in 1620. He obtains his MA there in 1623 and a fellowship on November 24, 1624. In 1630 he graduates as a Doctor of Divinity and later becomes Pro-Vice-Chancellor of the college.
In Anglican politics Parry is regarded as a Laudian. In 1627, he is appointed Prebendary of Tipperkevin, a living belonging to St Patrick’s Cathedral, Dublin. In 1630, he is Incumbent of St. Bride’s Church, Dublin, where several of his children are baptised. In 1634, he is made Treasurer of Christ Church Cathedral, Dublin and chaplain to Lancelot Bulkeley, Archbishop of Dublin. In 1635, he is appointed one of the High Commission for Ecclesiastical Causes. In 1636, he is appointed Prebendary of Stagonyl, another living belonging to St Patrick’s Cathedral, Dublin. By patent dated April 28, he is presented to St. Olave’s in Waterford where he is installed on May 11, but is also licensed to hold his other preferments at the same time. In 1640, he resigns from St. Olave’s and is appointed Dean of Lismore, County Waterford. Some of the Deanery lands had been seized by Richard Boyle, 1st Earl of Cork and Parry tries to get them back but fails. His successor as Dean of Lismore is his first cousin, Robert Parry. In 1643, he is Archdeacon of Glendalough, County Wicklow.
On December 29, 1646, King Charles I of England in a letter states he favours Parry for the See of the Diocese of Killaloe, County Clare. On March 20, 1647, a patent is issued confirming his appointment as Bishop of Killaloe and he is consecrated at Christ Church Cathedral, Dublin, on March 28, 1647, by Lancelot Bulkeley, Archbishop of Dublin, assisted by the Bishops of Kildare and Cloyne. However, as this is in the middle of the Irish Rebellion he was unable to travel to his diocese and remains in Dublin, where he resides in Chichester House, St. Stephen’s Street, which later houses the Parliament of Ireland. In the Hearth Money Rolls the house is assessed for eight hearths so is quite large. On July 9, 1647, he signs the petition of the clergy praying to be allowed the use of the Liturgy, then abolished by order of the commissioners under Oliver Cromwell. On account of his good character and the smallness of the revenues of Killaloe, the King permits him to hold his former preferments in commendam.
Parry marries the daughter of John Price and by her has six children, who are John Parry, Bishop of Ossory, Benjamin Parry, Bishop of Ossory, Edward Parry, Robert Parry, Mary Parry who marries John Bulkeley, and Elinor Parry who is a love and correspondent of John Locke and later marries Richard Hawkshaw.
Parry dies in his house in St. Stephen’s Street on July 20, 1650, at the age of 51, after contracting the plague which rages there, and is buried in St. Audoen’s Church, Dublin. His will dated July 17, 1650, is proved in the Prerogative Court, Dublin. Its terms are: (1) his body is to be interred in St. Audeon’s Church near the doors, with his face to the east, where he also desires the body of his wife to be translated, and laid by his side, (2) he gives to his eldest daughter, Mary Parry, alias Bulkeley, a little silver watch, and her mother’s dear-head ring, (3) to his other daughter “Eleynor Parry” other ornaments that belonged to her mother, (4) to his sister “Madelius Evans” five pounds, (5) to other beneficiaries are given legacies out of the fifty pounds due to him by William Usher, (6) to his cousin, Robert Parry, he leaves his lexicon and other books, (7) to his cousin, Richard Parry, he leaves a gold ring, (8) to his cousin, Mary Parry, wife of Richard, he leaves a money legacy, and (9) he appoints his cousin, Robert Parry, as overseer of his will.
Parry writes a book entitled David restored; or an Antidote against the Prosperity of the Wicked, and the Afflictions of the Just, which is a sermon on the seventy-third Psalm. This is afterward published by his son, John Parry at Oxford in 1660. This work contains an engraved portrait of Edward Parry (above).
(Pictured: An engraved portrait by John Dickson of Dr. Edward Parry, Bishop of Killaloe, from a book authored by the bishop entitled “David restored; or an Antidote against the Prosperity of the Wicked, and the Afflictions of the Just”, published at Oxford in 1660.)
seamus dubhghaill 